Paris (France)

First edition of the French translation by Marie-France Ionesco and of wich no leading copies exists.
Signed autograph of Eugene Ionesco Suzanne Duconget enriched bristol on which Eugene Ionesco scored remerciemements few words.
Two small rips in head first board.

First edition, review copy.
Signed autograph of Antoine de Saint-Exupéry Louis Chevasson.
Three tiny gaps without gravity top and bottom of the back, small tears in margins in the first package leaflets with minimal gaps.

ARTAUD Antonin
L'Art et la Mort [Art and Death]
Denoël & Steele, Paris 1929, 19 x 28,5 cm, Révorim binding
First edition, one of 750 numbered copies on vellum, this copy without justification.
Justified and numbered Révorim binding by Jean de Gonet, grey calf spine, author and title in palladium, covers edged with ribbed chocolate brown limp Révorim and a lighter brown making a brick wall, the covers articulated with grey cloth bands, grey endpapers and pastedowns, wrappers preserved (wrappers faded
all over), the binding signed De Gonet Artefacts. A little light foxing, mostly at beginning and end.
Autograph inscription from Antonin Artaud to the poet Louis de Gonzague-Frick.
With a frontispiece by Jean de Bosschère.
$ 3 800

First edition in French translated by Charles Baudelaire of which there were no large paper copies.
Contemporary half brown sheep over marbled paper boards, decorated with gilt fillets, marbled endpapers and pastedowns, corners very slightly bumped, speckled edges.
occasional spotting, not serious.

First edition, review copy.
Signed autograph of Jean-Paul Sartre in Pouillon.
Nice copy.

First edition, review copy.
Signed autograph of Louise de Vilmorin to Francis Ambrière decorated with a small four-leaf clover.
Light bites mainly affecting the back.

First edition, review copy.
Signed autograph of Louise de Vilmorin to Francis Ambrière.
Some foxing mainly affecting the back.

First edition, review copy.
Binding to bradel full gray cloth, smooth spine piece of red sheepskin, wrappers and back preserved and bound in.
Signed autograph of Louise de Vilmorin to Francis Ambrière decorated with a small four-leaf clover and a calligramme formed by the word friendly and that the shape of a Christmas tree or a mountain.
Very slight pitting mainly affecting slices.

First edition, one of the numbered copies on Alfa paper.
Binding half black shagreen bands, flat spine decorated with gilt fillets and three mosaicked strips of burgundy shagreen on the boards, gilded nets in frame of the strip of red paper, guards and contreplats red paper, wrappers and back preserved and bound in , gilded head.
Exceptional autograph signed by Anna de Noailles in full screen: "A Jeanne Lanvin, this book touches me sadly the dear face of my sister who loved you and told me with a charming joy fun she had, every time to see you. Coryez to my admiration. "
Illustrated book of portraits 4 gravure.

Edition partly original, one of 130 numbered copies on Alfa paper.
Binding half black shagreen stripe, back smoothes decorated with nets and gilded boxes, signs of friction on the joints, on the boards, gilded nets in frame of the strip of red paper, guards and contreplats red paper, covers and backs preserved, gilded head.
Signed autograph of the son of the author, Anne-Jules Comte de Noailles on his business card to Jeanne Lanvin "Madam, I want to send myself this last book in memory of the friendship that had my mother for you."

first edition printed 60 copies, ours one of 10 numbered copies on cream bibliophile.
Handwritten signature of the author at the top of the first guard.
Nice copy.

Edition illustrated with drawings, headbands and tail-lamp Jean-Denis Mascles.
Bound in full red calico, smooth back, first board illustrated with golden arabesques, ornate second flat of a golden typographical motif at its center, guards and contreplats red paper.
autograph dedication of the author autograph dated 1985 and signed by Jean-Denis Mascles Helen and Robert Frederick, editor of the book: "... cat lovers, here's fables for great people ..." enriched by a drawing in black pen representing three cats.
We enclose two letters dated and signed autographs of Jean Anouilh, one-page, regarding the development of this work, the choice of fables and how Jean-Denis Mascles could illustrate.
We also join the preface of Jean Anouilh, two pages, he typed writing, signed and corrected but that was not accepted by the publisher.
Finally, we attach a card stock on which Jean Anouilh scored a few words relating to the preface mentioned above.
Beautiful set.

first edition printed 200 numbered copies printed on the presses destroyed, Mourlot and Mousset.
Book illustrated with 42 lithographs by Paul Jouve, François Renoyer Lucien Jonas, Billiemaz Miss, Miss P. Pesqueux Guillaume Desgranges, Ray Lambert, Gustave Bonel, Mery L. Gaston Prost, Miss Denise Fontanel, R. Mahelin Miss Fiacre Gabriel Beunke Miss ML Monnoyer, Poulbot (2), C. Dubin, A. Bouxin Pierre Vaillant, Galoyer, Miss J. Sailly, André Marrot Roger Vauzelles, Georges Dargouge, Miss Jacqueline Adam, Miss J . Fouillet Jean Duroeulx, Gobo, René Jaudon, J. Bétourné Jean Julien, Ms S. Fontanel, Miss G. Guenot, A. Muselier, André Elie, Miss Jeanne Thil, Jean Bouchaud, Georges Villa, ODV Guillonnet, Charles Fouqueray .
Most lithographs are justified and signed by the artists.
Some tears with marginal gaps on the shirt, nice interior state.

Edition illustrated with black and color illustrations by Albert Guillaume, both in-text and on plates.
Half navy blue shagreen binding, spine with four raised bands, marbled paper boards, wood-grain endpapers and pastedowns, original wrappers preserved, bookplate mounted on pastedown.
Handsome copy.

First edition of this number behind the mirror completely dedicated to the work of Vassilakis Takis.
Signed autograph of Vassilakis Takis the art critic Gerhardt Weber.
Text of Dominique Viéville.
illustrated edition of the artist's works reproductions.

first edition on the current paper.
autograph dedication of the author autograph signed and dated by Eugene Ionesco Bernard Duhamel.
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated by Roland Barthes a friend.
Insolated back as usually.

First edition on ordinary paper with the correct justification date of 8 November 1913 and without the table of contents; a second impression copy with the typographic error to Grasset corrected
Paper Bradel binding by T
Boichot with decorative floral and moiré motifs, dark brown morocco title label to spine
Ink ex dono to head of half title
A good copy in an elegant binding.

First edition.
Late 19thC English red morocco by Riviere and Son, Jansenist spine in six compartments, double gilt fillet to head- and tail-pieces and edges of covers, large gilt dentelle frame to pastedowns, all edges gilt.
Modern ex libris to upper pastedown. Final endpaper slightly sunned.
The piece was written for the Théâtre du Marais in Paris on the 25 February 1662 and published in July of the same year.
A fine copy in an elegant signed morocco binding.

Edition of wich no leading copies exists.
Rare autograph dated and signed by Jacques Lacan to a friend: "Beaupret, what fun you send and read the first pages!"
Back slightly insolated and with a small tear in the foot.

first edition of the second book of the author and for which it was not drawn large papers.
Binding to bradel full black paper with decorative patterns, smooth back, as part of black morocco, wrappers and back preserved and bound in (back and boards with marginal gaps filled and restored tears), signed binding T. Boichot.
Precious autograph signed Albert London: "To my friend Henry Beraud, remember."
Some angular gaps filled six sheets (particularly page 125) that were badly cut by the dedicatee.
Pleasant elegantly drawn copy.

Edition for which he has not drawn large papers.
Book illustrated with 100 drawings by the author, preface by Frédéric Dard.
autograph dedication of the author autograph signed and dated Paul Philibert Charrin to a friend: To Cop (the c of "Cop" is crossed out) p "specialist cows" in faithful affection. "
Lack head back, otherwise nice copy with regard to the poor quality of this post-war paper.

First edition, one of 50 copies hors commerce numbered on Alfa paper, ours specially printed for Henri Beraud.
Binding to bradel full paper moiré effect, smooth spine piece of brown morocco, wrappers and back preserved and bound in, signed binding Goy & Vilaine.
Bel autograph signed by Joseph Kessel Henri Beraud: "To you, my dear Henry, the latter journalistic journey in memory of the first that I made ??with you Your friend Jef.."
Small foxing mainly affecting the slices.

First edition, one of 80 numbered copies on pur fil paper, the only large paper copies after the 15 on Hollande.
An attractive copy despite very light traces of adhesive paper on the first and final endpapers.

First edition, one of 55 numbered copies on vélin neige paper, the tirage de tête after 15 pur fil paper.
A very good copy.

First edition on ordinary paper.
Two small tears with tiny lacks to head and foot of spine, otherwise a good copy.

First edition, one of 350 numbered copies on Hollande paper, the tirage de tête.
Spine slightly sunned, traces of sunning on some edges.
A well-margined copy.

first edition for which there is no mention of leading copies, review copy.
Rare autograph signed Alphonse Allais Emile Berr on the first guard who was on rise tab.
Back slightly faded restored, cover pages and false securities with angular gaps, brittle paper.

First edition.
Rare autograph inscription signed by Louis de Bonald to the Duc de Crillon, pair de France, at head of upper cover.
A clear, insignificant stain, to head of first leaves, small foxings.

first edition.
Binding to bradel full percaline bottle green, smooth back with a floral pattern golden, date and dual gold tail thread, small spots without the first flat head gravity, preserved covers, contemporary binding.
Signed autograph of Leo Dierx Claudius Popelin in which Leon Dierx gave the title to the poem contained on page 45 of this book: "In enameller master and the master poet Claudius Popelin, cordially Leon Dierx.."
Nice copy.

First edition, one of 100 numbered copies on alfa mousse, the only large paper copies after 50 Japon.
A very good copy with edges preserved.