Paris (France)

first edition of which he was not drawn large paper, review copy.
Signed autograph of Etiemble Raymond Gallimard and enriched signature Yassu Gauclère.
Insolated back as often and with a hitch and a lack in foot.

Edition on current paper of this book dedicated by Robert Goffin to Valentine Hugo.
Precious signed autograph of Robert Goffin: "A dear Valentine Hugo, this book which we have so often spoken, this book where Rimbaud qu'habillé goes through it, with all my friendship and admiration.
Foreword by Jean Cassou.
Back slightly insolated, complete copy of his prayer to insert.

Edition for which he was not drawn large paper, review copy.
Precious autograph signed Henry to Maurice Marcel Jouhandeau.
Illustrated book of drawings by Maurice Henry caricaturing some glories of French literature of the twentieth century.
Preface by Raymond Queneau.

Edition of wich no leading copies exists.
Precious autograph signed Jean-Claude Brisville Roger Caillois.

first edition.
Binding of the editor in full carton, back smooth, flat illustrated a lihographie Joan Miro.
Signed autograph of Yvon Taillandier, who signed the foreword of this book, the art critic Alex Grall as calligramme.
Illustrated book 9 reproductions of works by Joan Miro.
bibliophile print buffer as an bookplate on the half-title page.
Two small waterstains on the back, nice interior state.

First edition for which it was not drawn from great papers, one of the review copies service.
Autograph signed by Georges Perec to Pierre Dumayet.
Pleasant full copy of his prayer to insert.

First edition of 100 nominative numbered copies on vergé paper, this for Léonce Rosenberg.
With 20 reproductions of Cubist works by Fernand Léger.
Printed collector’s stamp to title by way of ex-libris.
Traces of dampstaining to spine of chemise, corners bumped.
A good and rare copy.

Original color lithographs, each one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japan and 250 on Arches paper. Unsigned proofs, as all proofs were in this series, other than the frontispiece.

Superb proofs on Japan paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...added to their own expression and contemporary art a new field of research. With Mourlot, and thanks to him, lithography acquired both a personality and a future" (Pierre Cabanne, in Cinquante années de lithographie).

Having already printed two volumes of the Bible illustrated by Chagall, Mourlot contributed to the artist's lithographic training in the 1950s. It was during this period that Chagall began to visit Mourlot's workshop regularly in order to learn lithographic techniques and that he developed bonds of friendship with the staff of the workshop, most notably Charles Sorlier.
It was thus at the peak of his powers that Chagall made this story of Exodus, which coincided with the termination of his immense lithographic and pictoral work on the Bible, undertaken in 1930 at the urging of Ambroise Vollard. This decorative cycle, entitled Le Message Biblique [The Biblical Message] was in fact the basis for the creation of the Chagall Museum, originally called the Musée national du message biblique Marc-Chagall.

Exceedingly rare original proofs on Japan paper, the most attractive and best for color lithographs.

First edition.
Illustrations.
A nice copy.

First edition of the French translation by Marguerite Yourcenar, review copy.
Signed autograph Yourcenar to Francis Ambrière pasted on a card stock on the first guard.
Small bites on the upper edge.
full copy of his jacket that has some pellicle film covering the gaps.

first edition on the current paper.
Autograph Colette Edouard Herriot.
Back slightly insolated and chopped to foot.

first edition on the current paper.
Our copy is enriched with an autographed postcard signed Ernest Gengenbach to present his wishes dated 1974 and addressed to its Eure-et-Loir property.
In addition, to apologize for his postcard of kitsch and old-fashioned charm, Ernest Gengenbach has cracked an autograph ticket "... please excuse this small card that's all I have. found in my backwoods Beauce ... May 1975 to glow white and pink dawn sky in a black nightmare you earned the wickedness of man ... "
Iconography.
Good book full of his jacket which includes shortages and marginal tears and his trailer: Schism in Saint-Germain-des-Prés. Open letter to André Breton. End of surrealism?

first edition for which there is no mention of leading copies.
Autograph Sagan to a lady.
Nice full copy of his trailer with a pellet of the book fair.

Edition of wich no leading copies exists, second edition statement.
Rare autograph signed by Boris Vian on the text to Serge Buiron: "... with my sympathy and send me a number, please."
A lack in foot of the back.

New edition illustrated many sketches and maps by the author.
Double handwritten signature of the author on the first guard and the half-title page.
marginal tear on the boards.