Paris (France)

First edition.
A slight tear, not serious, to head of spine.
A nice copy retaining its rhodoid plastic jacket.
Preface by Georges Simenon.
Illustrated with 66 reproductions in color and 11 original lithographs (including the cover) by Bernard Buffet.

First edition, one of 560 numbered copies on vélin de Torpes, this one not included in the justification.
A nice copy.
With 7 illustrations in black and 74 reproductions of artworks by Kandinsky.
As frontispiece, an original engraving in color by Kandinsky.

First edition of which it was not drawn of great papers.
Iconography, beautiful copy.
Signed autograph of Louis Aragon to Julian Garavito.

First edition on current paper.
A little lack in the middle of the back, tears margins pages 8 to 12 without the text because of the poor quality paper.
Signed autograph of Louis Aragon to Julian Garavito.

First edition on current paper.
Back slightly insolated.
Autograph of Louis Aragon to Julian Garavito.

First edition on current paper.
Ex-dono in Spanish as a present on the first guard, back very slightly insolated without gravity ..
Handwritten signatures of Louis Aragon and Madeleine Renaud on the fake title page.

First edition on current paper.
Small foxing at the beginning and end of the volume.
Binding full percaline gray moire, smooth back decorated with a decorative golden pattern, title piece of heartbreak blue, guards and contreplats paper decorative pattern, binding of the era signed Victor Wachter binder in Cairo.
Autograph signed by Maurice Barres Fernand Braun.

First edition for which there is no mention of leading copies.
Clippings clasped, back very slightly insolated without gravity.
Signed autograph Daniel Guerin to Julian Garavito: "... this problem close to those who obsess those of Latin America ..."

First Edition, one of the 1721 copies on centaur offset, the only print after 80 Arches paper vellum.
Beautiful illustrated copy of calligraphic images in the text.
Autograph dedication signed by Henri Michaux to Laurie Edson, biographer and translator for the United States.

First Edition, one of 1175 copies on plain paper, only after 75 Arches paper vellum print.
Beautiful illustrated copy of calligraphic images in the text.
Autograph dedication signed by Henri Michaux to Laurie Edson, biographer and translator for the United States.

Illustrated with 10 original etchings in color by Jean-Gabriel Domergue, one of 325 numbered copies on vélin de Rives.

A nice copy.

First edition, one of the rare copies of the limited edition of 50 copies on Japan and some out of commerce on the same paper, ours nominative and out of trade, only leading copies with some pink or green papers.
Bound in full morocco burgundy, back with five nerves set with gilded nets and adorned with triple gilded boxes, golden date tail, black casters on the headdresses, framing of triple golden fillets on the boards, guards and contreplats of lemon moiré silk, framing a golden net on the contreplats, blankets and back preserved, all golden slices, black nets on the cuts, case bordered with burgundy morocco, inside of white felt, plates of marbled paper, superb binding signed C. & JP Miguet.
Autograph signed by the publisher Eugène Fasquelle to Mireille Corbé for whom the copy was printed and which was offered to him by the publisher.
Very nice copy of the most popular piece of French theater very elegantly set in a perfect binding in full morocco signed Miguet.

First edition, one of 300 copies on Alfa paper reserved for the press service.
Beautiful copy, freckle-free, back and boards not discolored as generally.
Signed autograph of Georges Bernanos to Jean Morienval.

Unpublished signed autograph letter card from Stefan Zweig addressed to his translator Alzir Hella.
11 lines written in French in violet ink on a letter-card of the Louvois Hotel in Paris.
Zweig evokes "the general rehearsal of Vidrac" and assures his correspondent: "I still have a lot of people to see." He completes this letter card with a funny formula: "Friends of your old man / Stefan".
Alzir Hella would have known Zweig through the intermediary of Emile Verhaeren, but some biographers evoke a fortuitous meeting in Parisian anarchist circles that the writer discovered shortly before the Great War.
The year 1927 and the publication of Amok sign the first collaboration between the two men, both pacifist and pro-European activists. From then on, Alzir Hella became the translator, the literary agent and especially one of Zweig's best friends. The two "old men" maintained an important correspondence until 1939. The note that we propose is of a rare rarity: the immense part of the letters that Hella received from Zweig, close to 700, were seized by the Gestapo which plundered the Parisian apartment of the translator then a refugee in London.

First edition of this thesis presented at the faculty of letters of Dijon to obtain the doctorate.
Binding to the half-percaline bradel Sienna, smooth back decorated with a gilt finial, double gilded nets in tail, title piece of shagreen bronze, marbled paper plates, guards and contreplats of orange paper.
Scattered foxing.
Signed autograph dedication of Clovis Lamarre, the name of the original dedicatee having been cut and replaced at the instigation of the new owner of the book.
Rare.

First edition.
Binding in half shagreen red, back with five nerves set with golden dots adorned with gilt florets, marbled paper plates, guards and contreplats of handmade paper, head marbled.
Small scattered foxinges, nice copy.
Signed autograph of Thomas Joachim Prosper Mignard's grandson to Captain Pineau.

First edition, one of the review copies service.
Back very slightly insolated without gravity.
Precious autograph dated and signed by Marcel Jouhandeau to Jean Paulhan: "My Jean, it is a pity that your observations on this book came to me too late.It would be better if I had known.I hug you. your eyes."

First edition, one of 150 copies of the press service numbered on Alfa paper.
Pleasant full copy of his prayer to insert.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "My dear little Jean, what a mess did you leave me in? Father Gaston is waiting for me tonight, I kiss you, Marcel."

First edition, one of 855 numbered copies on "pur-fil" paper, only leading copies with 113 reimposed.
Back and flat insolated, pleasant interior state.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan.

First edition, one of 792 numbered copies on "pur-fil" paper, ours one of the few out-of-trade literati, only leading copies after 108 reimposed.
Nice copy.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan.

First edition, one of 55 numbered copies on Alfa paperx, only leading copies after 30 "pur-fil" paper.
Insolated back, nice interior state.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan and his wife: "For Jean and Germaine their friend Marcel."

First edition, one of the review copies service.
Back very slightly insolated without gravity.
Precious autograph dedication signed by Marcel Jouhandeau to Jean Paulhan: "For Jean, who abandons me a little, but I know it busy, but so idle." Marcel

First edition, one of the review copies service.
Back slightly insolated without gravity, complete copy of his prayer to insert.
Precious autograph dated and signed by Marcel Jouhandeau to Jean Paulhan: "Jean, what a good memory I keep your breath.We will see you soon ... Marcel PS: let me tell you that Helen, without telling me, has sold the painting that Braque had given us "

First edition, one of the review copies service.
Nice copy despite the back very slightly insolated.
A precious autograph dedication dated and signed by Marcel Jouhandeau to Jean Paulhan: "For my Jean, who now intimidates me, as if he were going away as he grew up, it's the opposite of the usual perspective. kiss, Marcel. "

First edition.
Binding in the bradel in half percaline Siena, smooth back decorated with a golden floret, double gilded nets in tail, title piece of black shagreen, marbled paper plates, guards and contreplats of orange paper, Contemporary binding .
Small foxing.
Book decorated with 2 portraits of Marshal Moncey.
Autograph dedication signed by the Duchess of Conegliano to Captain Pineau of the 106th Infantry Regiment.

First edition.
Binding in half percaline Siena bradel, smooth back decorated with a golden floral pattern, double gilded nets in tail, title piece of black shagreen, marble paper plates, guards and contreplats of orange paper, Contemporary binding.
Small foxing mainly at the beginning and end of volume.
Illustrated book of 3 plans and 4 unpublished drawings of Granet.
Autograph dedication signed by Paul Cottin to Captain Paul Pineau.