Paris (France)

First edition, one of 105 numbered copies on vélin neige, the only deluxe copies issued after 12 on pur fil.
Handsome copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies along with a few hors commerce also printed on alfa.
Fine copy.

First edition, one of 100 copies numbered on Renage wove paper, the only deluxe issue.

Bound in burgundy half shagreen with corners, spine with four raised bands ruled in black, date gilt-stamped at foot, marbled paper boards, marbled endpapers, gilt top edge.

A handsome copy in an attractive binding.

First edition, one of 30 numbered copies on Pur Fil du Marais, the only deluxe copies, alongside a few hors commerce also printed on Pur Fil du Marais.

A handsome and scarce copy of this anti-Gaullist pamphlet.

First edition, one of 137 numbered copies on pure vellum paper, a deluxe issue following 80 copies on Montval paper.

A handsome copy.

First edition, one of the numbered copies on pur fil, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 50 copies printed on Madagascar paper, ours being one of 20 hors commerce copies, from the deluxe issue.

A handsome copy.

First edition of the French translation, one of 50 numbered copies on pur fil paper, the only deluxe issue.
Attractive copy, with minor foxing to the spine.

First edition, one of 158 copies printed on pur fil paper, following only 45 on Hollande.

A fine copy.

First edition, one of 275 numbered copies on Lana wove paper, the deluxe issue.

Illustrated with 31 hors-texte plates.

A fine, uncut copy, complete with its illustrated dust jacket.

First edition of this rare and sought-after work compiling, in a single volume, the main legislative and regulatory provisions from Year XIV to 1857, forming the specific legal code of the island (cf. Ryckebusch 6126).

Some light foxing, mostly at the beginning and end of the volume.

Contemporary full aubergine calf, spine with four raised bands decorated with gilt double fillets, slight rubbing to spine and boards, gilt roll-tooled head- and tailbands, boards framed with gilt triple and double fillets, marbled endpapers and pastedowns, gilt dotted edges, marbled edges, contemporary binding.

First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.

A handsome copy.

First edition of this uncommon study of the major international diplomatic crisis provoked by Mehmed Ali's expansionist policy (cf. Carré I, 294; Blackmer 261; Atabey 179; Walch, 398; Hage Chahine, 748).

Some foxing, occasional reading marks in pencil and red pencil in the margins of certain paragraphs.

Late 19th-century Bradel bindings in half khaki percaline, flat spines decorated with a gilt fleuron, gilt double rules at foot of spines, black shagreen title-pieces, marbled paper boards, original wrappers preserved, corners rubbed.

At the end of the first volume, the work is complete with the folding plate representing the Battle of Nezib.

Edmond de Cadalvène (1799–1852) served as embassy attaché, then as director of the French postal service in Alexandria, Smyrna, and later Constantinople; his knowledge of the Orient, and particularly Egypt, was vast and multifaceted. As for the Saint-Simonian Émile Barrault (1799–1869), he followed a more conventional political path: he travelled to Egypt to accompany Father Enfantin in his quest for the Woman and universal regeneration...

New edition, intended as a supplement to the various collections of *Lettres édifiantes* (see Backer & Sommervogel II, 1075; Cordier, Japonica, 424).

Some foxing, minor scuffs, and small paper flaws on the boards.

Contemporary half grey calf bindings, flat spines decorated with blind-stamped romantic arabesques and gilt fillets, gilt decorative rolls at foot, small green vellum tips, boards covered with geometric-patterned paper, marbled endpapers and pastedowns, marbled edges; romantic period bindings.

First reissue of the *Histoire de l'établissement, des progrès et de la décadence du christianisme dans l'Empire du Japon*, originally published in 1715 in three 12mo volumes. The Louvain edition (1828–1829) is a later Belgian counterfeit, published after our edition.

This was the first work by the Jesuit Pierre-François-Xavier de Charlevoix (1682–1761), compiled from existing sources (notably Crasset and Daniele Bartoli) before his own travels in North America. It should not be confused with his *Histoire et description générale du Japon* (1736, 2 vols. 4to).

A handsome copy in contemporary romantic binding.

Second edition, partially original (cf. Gay, 3227. Grandidier, I, 1776. Ryckebusch, 3188. Boucher de La Richarderie, IV, 269–271. Brunet, II, 1278).

Two volumes bound in one, illustrated with 15 engraved maps and plates: a map of the island of Madagascar, a plan of Fort Dauphin, maps of Sainte-Marie Island and Bourbon Island, depictions of inhabitants in traditional dress, genre scenes, flora and fauna.

The plates and maps have been mounted on thick paper; old repairs to pages 27 and 47.

Contemporary full calf binding, spine with five raised bands framed in gilt garlands, decorated with double gilt panels and floral ornaments, some rubbing to joints and boards; marbled endpapers and pastedowns, blind-ruled fillets to board edges.

Nephew of Jules de Loynes, Secretary General of the Navy and member of the Compagnie de l'Orient founded by Richelieu in 1642, Étienne de FLACOURT (1607–1660) was appointed Governor of Fort-Dauphin in Madagascar in 1648. He spent seven years on the island, seeking to exploit its resources and convert the local population to Christianity. He also explored nearby islands and took possession of the Mascarene Island, which he named Île Bourbon. Returning to France in 1655, he became the first traveller to provide a detailed description of Madagascar, with particularly notable ethnographic and botanical content: "Sa relation comprend deux parties. Dans la première, Flacourt fait une description générale de Madagascar, puis des descriptions particulières des provinces avec leurs rivières et les îles voisines : ces descriptions sont complètes et portent sur la religion, le langage, les usages et le gouvernement des habitants et aussi sur les plantes, les métaux et les animaux. La seconde partie est le récit des événements qui se sont passés depuis l'arrivée des Français dans l'île en 1642 : elle est complétée par la relation de quelques voyages qui ont été faits dans les îles voisines et dans les Mascareignes […] . Sans doute, il n'a pas tout vu et il ne peut pas tout rapporter : mais, après avoir bien étudié, il en arrive aux mêmes conclusions que son prédécesseur Cauche, dont il connaissait la relation, et, comme lui, il fait une peinture très enthousiaste des ressources végétales et minérales de Madagascar. Lorsque l'on a lu son livre, qui est le premier ouvrage sérieux sur la grande île, on comprend pourquoi la colonisation française n'a pas alors réussi malgré les grands avantages que l'on pouvait retirer de Madagascar. Dans l'édition de 1658 est une addition de 42 pages relative aux causes de l'insuccès que la Compagnie a eu : cette addition ne se trouve pas dans l'édition de 1661". Cf. Bourgeois & André, XI, 475.

This copy includes, bound at the end, a 17-page octavo pamphlet entitled "Cause pour laquelle les interessez de la Compagnie n'ont pas fait de grands profits à Madagascar". This text, extracted from the appendix of the original 1658 edition, has been inserted into the volume and is not part of the 1661 edition.

A handsome copy of this scarce work, complete with all its maps and plates.

Rare first edition of the French translation (not recorded by Sabin or Cordier).

Contemporary half calf bindings, spines with four raised bands ruled in gilt and adorned with blind-stamped typographic ornaments and gilt fillets, gilt Greek-key rolls at foot, marbled paper boards showing some scuffing with losses to paper at a few corners, marbled edges.

Some foxing.

The Scottish naval officer Basil Hall [Edinburgh 1788 – Gosport 1844], son of geologist and antiquary Sir James Hall, undertook numerous voyages as a Royal Navy officer to the East Indies, the seas of China, Japan, and Korea, the coasts of South America, the United States, and Canada, publishing detailed and engaging travel accounts. "Korea had been sketchily explored by Europeans but it was not until the Alceste and Lyra expedition of 1816-17 under Captains Murray Maxwell and Basil Hall that detailed information was obtained about the Ryukyus" Hill.

A handsome copy, finely bound at the time of publication.

Provenance: two bookplates mounted on the pastedowns, including that of the Bourbon de Rouvre family.

First edition, one of the review copies.
A very good copy.
Inscribed by Gabriel Matzneff to his friend, the Belgian literary critic Pol Vandromme: "Pour Pol Vandromme, avec l'espoir de le revoir prochainement en Belgique ou à Paris, amitiés fidèles. Gabriel Matzneff."
 

First edition on ordinary paper, with the printed dedication to Marshal Pétain.

Discreet restorations to the spine.

Our copy is housed in a chemise and slipcase of navy blue half morocco, smooth spine lettered with author, title, and date in palladium, decorated paper boards, grey paper pastedowns, slipcase trimmed with matching navy morocco and decorated paper sides; binding signed by Boichot.

An exceptional copy inscribed by General de Gaulle to Colonel Émile Mayer, his “great friend [...] without whom this book could not have been conceived,” as stated in the author’s own inscription, which continues: “Receive, my Colonel, my deepest gratitude and my profound respect.”

A visionary soldier and theorist whom de Gaulle would later acknowledge as his strategic mentor, Émile Mayer corrected the very proofs of this work, which is here presented to him in these warm lines. Fifteen years before the First World War, Mayer had predicted the trench warfare to come. From the 1920s, de Gaulle frequented the salon of this great thinker of military art, whose Jewish origins and Dreyfusard sympathies had subjected him to calumnious antisemitic attacks and suspension from the army between 1899 and 1907. Both Mayer and de Gaulle opposed the immobile dogma of the French General Staff. Their military prophecies proved extraordinarily accurate concerning the mechanisation of the modern army: “For fifteen years, they confronted the same themes, not without disagreements, and each evolved while enriching the other” (Milo Lévy-Bruhl). At their weekly lunches they exchanged perspectives on the future of corps and tactics, both convinced of the futility of the Maginot Line. Mayer favoured a strategy of aerial and chemical warfare, while de Gaulle advocated the use of armoured divisions. Despite their differences, Mayer actively promoted the ideas of his protégé, and assisted in revising France and Her Army—having been won over, after the shock of the reoccupation of the Rhineland, to de Gaulle’s ambition of creating a professional armoured army. De Gaulle addressed these remarkable words of gratitude to his mentor just two weeks before Mayer’s death on November 28, 1938, which grieved him deeply.

An exceptional presentation copy from General de Gaulle of his essential and visionary work on military strategy—a significant testimonial linking two independent spirits who revolutionised the theoretical understanding of national defence.

New edition bearing a false statement of 128th edition.

Half heather red morocco binding, spine with five raised bands set with black fillets, gilt fillet frame on boards of Africanist-patterned paper, almond green paper endpapers and boards, original wrappers preserved, restorations to boards, top edge gilt, binding signed by Boichot.
Autograph inscription signed by Antoine de Saint-Exupéry on the half-title page: "Pour madame Capietto. En souvenir de quelques passages à Alger et, cette fois ci, d'une semaine bien mélancolique. Et avec toute mon amitié.
Antoine de Saint Exupéry." (For Madame Capietto. In memory of some visits to Algiers and, this time, of a very melancholy week. And with all my friendship. Antoine de Saint Exupéry.)







 

Illustrated edition comprising 54 plates depicting twelve views and over sixty different costumes, along with monuments and picturesque scenes (including bullfights), most of them based on drawings executed in 1809 and 1810 (cf. Colas, 439; Lipperheide, 1214; Brunet, I, 1226, no. 3; Quérard, I, 506).

Contemporary half blond calf bindings, spines with four false raised bands adorned with triple gilt and black fillets, gilt rolls at head and foot, marbled paper boards with minor surface losses along the fore-edges, marbled endpapers and pastedowns, marbled edges. Unsigned bindings, yet attributable to Thouvenin.

Scattered foxing, small tear on page 63 of volume 5.

"J'ai tâché d'offrir à mes lecteurs quelque chose de neuf […] Ce sont particulièrement des ouvrages en langues étrangères qui ont servi de base à ma description et au texte explicatif d'estampes jusqu'alors inédites pour la France. Sans négliger le voyage pittoresque de don Antonio Ponz, dont j'ai eu constamment l'original espagnol sous les yeux, j'ai recouru plus particulièrement à deux ouvrages publiés récemment en Angleterre, l'un en 1812, l'autre en 1813. Le texte magnifique de ces ouvrages est enrichi d'un grand nombre d'estampes qui ont été transportées dans le mien. M. Bradford, auteur du plus considérable des deux, étoit attaché en qualité de dessinateur à l'état-major de lord Wellington. L'autre, publié sous ce titre modeste, Costumes of Portugal, est rempli d'observations ingénieuses et piquantes…" (Preface, pp. V–VII).

The historical overview, spanning from the Carthaginians to Ferdinand VII, occupies volume 1; the second volume describes Catalonia and the kingdoms of Valencia, Murcia, and Granada. The next volume is devoted to the kingdom of Seville (including Cádiz and Algeciras), Gibraltar, the Jewish communities of Spain, Andalusia, and the kingdom of Galicia. Volume 4 covers the principality of Asturias, Old Castile, Biscay, and the kingdoms of Aragon, Navarre, and León.

The fifth volume continues with the kingdom of León, New Castile (including a description of Madrid), the kingdom of Córdoba, and Majorca.

The sixth and final volume is entirely dedicated to Portugal.

The charming period binding is by Thouvenin, who signed only one volume (La Suisse) of this impressive collection that has passed through our hands.

Provenance: from the library of Sinety, with an armorial bookplate affixed to the front pastedown of each volume.

First edition, illustrated with 39 full-page plates and numerous in-text vignettes (cf. Lorenz IX, 494).

Bradel binding in full brown buckram, smooth spine gilt-stamped with a floral tool, gilt double fillet at foot, green morocco label, modern binding signed by Lobstein-Laurenchet.

Some foxing, mostly to the first and last leaves.

A pleasant copy.

Very rare first edition illustrated with 4 maps and 2 plates out of text: map of Amsterdam Island, map of part of the northwest coast of America, of the northern mouth of Queen Charlotte Sound, plan of Bokerelle port on the northwest coast of America, sea wolves and sea lions (cf. Sabin 61001. Howes 7897. F. Monaghan 1174. Lada Mocarski 89. Gay 272. Ferguson 980. Hill 230. Borba de Moraes II, 663: "A description of Bahia appears in Vol. I").

Scattered foxing. Minor losses and rubbing to joints.

Contemporary full khaki green calf bindings, spines faded and decorated with raised false bands adorned with gilt garlands, dotted lines, and gilt rules, along with blind-stamped typographic motifs, cherry calf labels for title and volume numbers, joints restored, gilt roulettes on caps, gilt and blind garland borders on covers, gilt fillets on edges, marbled edges.

A naval officer, Pierre-François Péron was long involved in the fur trade between the northwest coast of America and China. He notably described parts of California (a journey to Monterey in 1796), Tasmania, New South Wales, Hawaii, and Sumatra. He provides highly valuable information on British Columbia and the Vancouver and Queen Charlotte Islands. According to Henry R. Wagner, Péron's full name (1769–1840) was Pierre François. He should not be confused with the explorer François-Auguste Péron (1775–1810).

A handsome copy preserved in a charming period romantic binding signed by Duplanil.

First edition, with no copies issued on deluxe paper.

Two unobtrusive creases to the front cover, a well-preserved copy.

Illustrated content.

First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.

First edition on ordinary paper, bearing the correct colophon dated August 25, 1978.

With a printed stamp to the upper right corner of the half-title page; publisher's price sticker affixed to the foot of the lower cover.
A handsome copy.

First edition, with no deluxe copies issued.
A pleasant copy.
Inscribed by Gabriel Matzneff to his friend, the Belgian literary critic Pol Vandromme: "Pour Pol Vandromme, en amical hommage. Gabriel Matzneff."
 

First edition on ordinary paper.
A well-preserved copy.
Concise yet striking presentation copy, inscribed and signed by Gabriel Matzneff to his friend, the Belgian literary critic Pol Vandromme: "Pour Pol Vandromme, torero de première classe, amicalement. Gabriel Matzneff."
 

First edition, one of 330 numbered copies on alfa paper.
Pleasant copy.

First edition, with no copies printed on deluxe paper.

A pleasing copy.

Signed autograph inscription from Yves Coppens to Emile Noël.

First edition, one of 50 numbered copies on China paper, the only copies printed on deluxe paper.

A pleasing copy.

Illustrated with plates by Louis Dunki.

First edition, complete with the 15 etched portraits by Jeanron.
At the beginning of the volume, the index listing the engraved portraits has been discreetly marked in pencil in the left margin beside each name.
Scattered light foxing.

Contemporary red half shagreen binding, spine with four raised bands framed by double gilt fillets and broad black rules, some rubbing to the spine, marbled paper-covered boards faintly and very marginally faded, marbled endpapers and pastedowns, one split to an edge.

"On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

First edition, one of the 100 numbered copies on Holland paper, the only deluxe copies ("grand papier").
Very nice copy.

Original photograph depicting Charles Gounod, full face.

Vintage gelatin silver print mounted on cardboard, produced by photographer Isidore Alphonse Chalot at 18, rue Vivienne, Paris.

Autograph inscriptions in black then blue ink on the verso by the recipient, A. Lasserre, inspector at the Opéra Garnier: "Portrait de Ch. Gounod signé le soir de la 926eme représentation de Faust (samedi 29 septembre 1888) A. Lasserre."

Additional handwritten note in pencil in the right margin of the verso: 1867e représentation de Faust le 28 septembre 1929.

Printed stamp at foot of the verso: "Maison Martinet Albert Hautecoeur, 18, bd des Capucines."

Charles Gounod’s dated autograph signature to upper right corner of the photograph : "Ch. Gounod 29 7bre / 88."

First edition of the catalogue of the 33 works by Paul Cézanne exhibited at the Galerie Bernheim Jeune & Cie from Wednesday 1st to Saturday 18th December 1920.

Upper cover lightly sunned along the edges, printed stamp and shelf number to upper left corner of the inside front cover; otherwise a rare and attractive copy.

Some pencil annotations in the margins of a few of the listed works.

Catalogue illustrated with 10 reproductions of the artist’s works.

Introductory text by Octave Mirbeau.

New edition, partly original as revised, of this study first published in 1858 in the Revue des Deux Mondes (Sabin 40127. Ryckebusch 5041).

Minor chips to the corners of the covers, some occasional foxing.

A member of one of the oldest families in Martinique, Romuald Le Pelletier de Saint-Rémy (1809–1882) served as president of the Central Agency of Colonial Banks; he wrote extensively on West Indian issues and colonial ventures in South America.

Inscribed by the author Romuald Le Pelletier de Saint-Rémy on the front free endpaper.

First edition, one of 10 numbered copies on Madagascar paper reserved for the author, the smallest limitation on deluxe paper after the 2 copies printed on pure rag paper, also hors commerce, printed for Jacques Hébertot.
A very handsome copy.

First edition, (cf Röhricht p. 499. Hage Chahine 2893.)

Rare, light foxing without significance.

Binding in half green cloth, smooth spine slightly faded, decorated with cold fillets, a slight abrasion near the gilt title, marbled paper boards, sprinkled edges, binding of the period. Preliminary pages, departure of the expedition, Lebanon, excursion to Baalbek and the Cedars of Lebanon, military pilgrimage to Jerusalem, the French garrison in Lebanon.

First edition of the vocal and piano score of the opera Déjanire by Camille Saint-Saëns.

A few pencil annotations in the margins of certain staves.

Our copy is presented in a 3/4 shagreen clamshell box, spine with five raised bands framed by gilt garlands and decorated with gilt fleurons, gilt lettering at foot of spine: "Inscribed by composer". Boards, endpapers and pastedowns in marbled paper. Spine of the box slightly faded.

Inscribed, dated and signed by Camille Saint-Saëns to music critic Edouard Beaudu.

Rare first edition illustrated with an original frontispiece etching by Raoul Cordier, depicting an authentic portrait of Nasser-ed-Din.

Minor losses and tears to the soiled cover margins, with a larger marginal loss to the rear cover; clean and attractive internal condition.

The only edition of this biography written on the occasion of Nasser-ed-Din Shah Qajar's (1831–1896) second European tour. He ruled Persia from 1848 until his death and was the first Persian monarch to visit the West. The reforms he introduced to the country ultimately led to his assassination by a fanatic.

Inscribed and signed by Edmond Dutemple to Monsieur Brunet, with date.

First edition in French, one of 1,000 numbered copies on Annonay rag paper, the only deluxe paper copies.

Illustrated with numerous photographs. Preface by Maurice Herzog. Foreword by the Duke of Edinburgh.

Publisher’s full flexible boards binding. Lacking slipcase, spine sunned with minor tears at head and foot.

Rare and handsome autograph inscription, dated and signed by General John Hunt: "A M. Robert Moch vous témoignant notre reconnaissance de nous avoir préparé la trace jusqu'au sommet du signal de l'Iséran le 3 janvier - et pour vous exprimer nos regrets de ne pas l'avoir suivie ! John Hunt 7/1/54."

This copy is further enhanced with the handwritten signature of Edmund Hillary beneath the inscription.

First edition, one of 40 copies printed on Crèvecoeur du Marais paper, the only copies on deluxe paper.

A pleasant copy, despite a faint sunning at the foot of the spine.

New edition, with mention of the print run.
Illustrated.
Two losses to the spine; complete with its illustrated dust jacket, which shows small chips and angular tears. One gathering poorly opened with minor marginal losses not affecting the text.

Bookplate affixed to the verso of the front cover.

Rare signed presentation inscription by Albert Schweitzer: "A monsieur et madame André Fontan en souvenir de leur passage à Lambarené le 2.6.1963, avec mes bonnes pensées. Albert Schweitzer."

First edition on regular paper.
Pleasant copy.
Inscribed and signed by Jean d'Ormesson to Jacqueline Rendoing.




 

New edition. A steel-engraved portrait frontispiece, printed on China paper and mounted. Printed in very small type, arranged in two columns.

Full polished blond calf binding, signed by Thouvenin at foot of spine. Smooth spine with blind-stamped Gothic architectural elements heightened with gilt dots, gilt fillets and title. Covers blind-stamped with a large Gothic window surrounded by architectural ornaments. Multiple blind-ruled frames with corner fleurons and gilt fillets. Inner dentelles. All edges gilt. Joints discreetly cracked at head. Some foxing and occasional browning to a few pages. Minor rubbing. Spine slightly dulled. A handsome copy.

First edition, with no copies printed on deluxe paper.
Minor creases to the front cover, without consequence.
Amusing signed inscription by François Cavanna to a friend named Paul: "Pour Paul, ces galopardes, ces galipettes dans les coins noirs de l'histoire. Cavanna."
 

First edition, with no copies printed on deluxe paper.

A pleasant copy despite two small creases at the foot of the front cover.

Inscribed and signed by Jean Favier to the Belgian literary critic Pol Vandromme.

New edition, one of the review copies.
A handsome copy.
Lengthy signed autograph inscription from Gabriel Matzneff to his friend, the Belgian literary critic Pol Vandromme: "Pour Pol Vandromme que j'aimerais beaucoup revoir à Paris ou lors d'un de mes prochains séjours en Belgique, ce roman qui s'est, en onze ans, bonifié, comme le vin, avec mon très amical et fidèle souvenir. Gabriel Matzneff."
 

First edition on ordinary paper.
Pleasant copy despite some minor foxing to the edges, publisher's wraparound band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme: "Bon noël ! cher Pol Vandromme, Bonne année ! et beaucoup d'amitiés de Jean d'Ormesson"



 

First edition, one of the review copies.

A handsome copy, complete with the wraparound band: "Les rois mages racontés par Michel Tournier".

Inscribed and signed by Michel Tournier to the Belgian literary critic Pol Vandromme: "Pour Pol Vandromme en toute amitié."

First edition on ordinary paper.
A handsome copy despite a few tiny spots on the front cover, with the promotional band preserved.
Inscribed by Jean d'Ormesson to the Belgian literary critic Pol Vandromme : "... les baisers les plus affectueux de Casimir et l'amitié reconnaissante de J.O."



 

First edition of the French translation, one of 44 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine very slightly sunned without consequence, bookplate affixed to the verso of the front cover, a handsome copy.

First edition, first issue, illustrated with 21 original etchings by Jules Lalauze. Printed in a limited edition following 220 copies on deluxe paper. One of 20 copies on Wattman paper, no. 40. Title pages printed in red and black. A fine impression. An exceptional copy with the engravings in four states (sometimes bound further within the volume), whereas even the copies on Japan paper contain only three states, two of which are proofs on Japan paper. Volume IV is unfortunately lacking in this set. Original wrappers and spines preserved.
Contemporary half orange morocco binding, signed by Canaps on the upper flyleaf. Spine with raised bands, tooled with four crosses composed of four tulips and circles in the corners. Gilt title, volume number and date. Double gilt fillets on covers. Untrimmed copy, with full margins, of pristine whiteness. Some traces of rubbing. Darker areas on certain boards.

A superb copy.

Collective edition, partly original. It is illustrated with 3 frontispiece titles and 23 figures by François Chauveau. The three frontispiece titles dated 1660, the title page of the second volume with the date 1664, the other two title pages dated 1660. In the second volume, the privilege is also dated 1664, while the other two volumes have the privilege dated 1660. The second volume is therefore the 1664 reprint, identical in every respect to the 1660 edition, with the exception of the collation of the preliminary pieces. The three discourses as well as the examinations of each piece appear for the first time.

Binding in full 20th-century chocolate morocco signed Alix at the bottom of the endpapers. Spine with raised bands decorated with 4 grotesque panels, author, title, volume number, and date in gold. Large and rich interior border. Triple fillet border on the boards. Gilt edges. Minimal traces of rubbing. Volumes of great purity, with paper of beautiful freshness. Slipcases edged with chocolate morocco covered with old laid paper.

Magnificent copy.

Very rare first edition of this excellent grammar.

A few occasional spots, otherwise a pleasing copy.

Contemporary-style binding in half forest green morocco-grained shagreen, spine with five raised bands, marbled paper boards, marbled endpapers, binding signed by Laurenchet.

The third part contains fables, tales, and poems in both Wolof and French.

Abbé David Boilat (Saint-Louis, Senegal, 1814 – Nantouillet, 1901), a missionary in Senegal, left behind a significant body of work: this grammar, the Esquisses sénégalaises, and several unpublished manuscripts.

Rare critical edition of this medieval chivalric romance. Includes a preface on the origins of chivalry and early tournaments, along with a foreword to aid the understanding of the narrative. This edition also features two tales: Histoire de messire Floridan et de la belle Ellinde, et Addicion extraites des cronicques de Flandres, qui est très belle chose.
Contemporary full polished red morocco. Smooth spine with decorative gilt tooling, red morocco label for title and volume number. Triple gilt fillet border on covers. Gilt edges. Gilt inner dentelles. A few small spots of foxing. Title-page of the first volume reinforced at lower margin, an old restoration. Tail of volume I slightly worn.

A very handsome copy.

First edition, one of 80 numbered copies on Hollande paper, the deluxe issue.
Fine copy.

First edition, illustrated with an allegorical frontispiece by Cazes engraved by Tardieu, a title vignette by Humblot repeated, and four repeated headpieces by the same artist, as well as a folding map of ancient Greece and a plate of medals. Title pages printed in red and black.
Contemporary full mottled and polished calf. Spine richly gilt in compartments. Red morocco title label, volume label in gilt-decorated brown calf. Losses to the headcaps of volumes I and III. Splits to the upper joints of volume I. In volume I, from pages 190 to 370, two small wormholes affect the upper margin; from page 371 onwards, these gradually develop into short tunnels, extending 1.5 cm along the upper margin near the fore-edge. The two flyleaves before the title page of volume I have been removed, the volume opening directly onto the title page. Generally clean, with occasional browning or faint foxing to a few leaves.

First edition, no deluxe copies printed.
Handsome copy.
Important presentation copy inscribed by Claude Lévi-Strauss to Jean-François Revel.
 

First edition, one of 1,500 copies printed on vellum paper, this one unnumbered.

A handsome copy.

Illustrated with a frontispiece by Jean Berque.

Exceptional full-page signed presentation inscription from Abel Bonnard to Hubert Lyautey, the first Resident-General of the French Protectorate in Morocco: "A monsieur le maréchal Lyautey, qui, marmi tant d'autres illustres, a aussi sauvé la beauté du Maroc. En respectueux hommage. Abel Bonnard."

First edition on ordinary paper, with a mention of the fourth edition.
Bradel binding in green almond half percaline, smooth spine slightly faded and decorated, gilt fillet at foot, brown shagreen label, marbled paper boards, original wrappers preserved, extremities very slightly rubbed, contemporary binding.
Inscribed and signed by Guy de Maupassant to Paul Hervieu.
 

First edition, one of the review copies.

A pleasant copy despite a repaired tear at the foot of one joint.

Inscribed and signed by Blaise Cendrars to Georges Le Cardonnel.

First edition, illustrated with an allegorical frontispiece and 34 half-page engravings by Sébastien Le Clerc.

Contemporary full red morocco binding with elaborate dentelle gilt decoration. Spine with raised bands, richly tooled in gilt with onion flower motifs. Red morocco title and volume labels. Wide gilt dentelle border on the covers, executed with small tools. Gilt edges. Headcaps, joints, and corners restored; gilt decoration on the headcaps renewed. Noteworthy: the engraving on p.125 has been printed in reverse.

Bookplate with the armorial bearings of Pierre de Laussat, apparently reaffixed to the front endpaper.

First edition, one of 62 numbered copies on madagascar paper, deluxe copy.
Some light foxing affecting mainly the edges.
Half dark blue morocco binding, spine with five raised bands, cat's-eye paper boards, combed paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed by Devauchelle.
Handsome copy beautifully executed.

First edition, one of the advance review copies.

Spine and covers slightly and marginally sunned, internally clean and well-preserved.
Work for which Patrick Modiano was awarded the "Prix Goncourt" in 1978.
Rare inscribed copy, signed by Patrick Modiano to Jean-François Revel.
 

First edition of the French translation, one of 150 numbered copies on pur fil, the only deluxe copies issued after 25 copies on Holland paper.

A fine copy with all edges untrimmed.

First edition - only published issue of this journal of the Resistance.
Minor rubbing at head and foot of spine, slight tears in margins of covers.
Anonymous texts by Claude Bourdet, Maurice Clavel, Jean-Louis Curtis, Yves Gandon, Flavien Monod and Maximilien Vox, who was the magazine's director.
This single issue was put together between December 1943 and March 1944, but La Revue noire could not be published during the Occupation. The final press proof was given on 15 February 1944 and the imprint is dated 15 February 1945.
A rare and pleasant copy.

Autograph letter signed, addressed to his friend Thierry Maulnier, 14 lines in blue ink on Revue universelle letterhead, concerning an article soon to be published and requesting another one in response to Pierre Drieu la Rochelle.

Henri Massis, editor-in-chief of the journal, summarizes the situation for his friend: "Votre \"Réveil de l'héroïsme ? \" passe dans le n° du 1er février. Je crois qu'il serait intéressant de répondre à l'article que Drieu la Rochelle a publié, ce matin, dans les Nouvelles littéraires. Qu'en pensez-vous ? Donnez-moi cela pour le n+ du 15... L'heure du déjeuner (vers une heure) est la plus propice pour notre rendez-vous."

The Revue universelle, a monarchist-leaning periodical, was founded by Jacques Bainville and Henri Massis.

Autograph letter signed, addressed to his friend Thierry Maulnier, 26 lines in blue ink on letterhead of the Revue universelle, in which he urges him to contribute an article on André Gide's political stance.

Henri Massis, editor-in-chief of the journal, presses his friend: "Il me faudrait très rapidement votre prochaine chronique. Il me semble qu'il y aurait quelque chose à tirer de l'article de Ramon Fernandez sur l'évolution d'André Gide dans la N.R.F. du 1er juillet". Il faudrait saisir ce qui concerne proprement Gide pour s'attacher à certaines réflexions sur le socialisme., le marxisme ou à une phrase comme celle-ci qui mériterait quelques commentaire : "Les jeunes gens d'aujourd'hui (dont Gide est soucieux de ne point se désolidariser) vont à la révolution comme leurs aînés de 1914 allaient à la guerre..."

The Revue universelle, a monarchist-leaning publication, was founded by Jacques Bainville and Henri Massis.

Autograph letter, dated and signed, addressed to Thierry Maulnier: 16 lines written in violet ink on a sheet bearing the letterhead of Éditions Charlot in Paris, concerning his book "La vallée heureuse".

"Paris le 24 dec.46,

Mon cher Thierry Maulnier,

c'est bien de la guerre industrielle qu'il s'agit dans la Vallée heureuse et vous l'avez parfaitement compris. Je m'en console en lisant Blaise de Montluc qui se plaignait déjà de l'invention de l'arquebuse, l'innocent ! Merci de tout coeur de ce que vous avez écrit dans Concorde. J'en suis profondément touché, et surtout heureux que mon livre ait établi le contact entre nous. Je veillerai à ce qu'il ne s erompe pas. Croyez-moi, cher Thierry Maulnier, bien affectueusement à vous. Jules Roy."

Fierce autograph letter signed, addressed to Jacques Chardonne—though not named—comprising 30 lines in black ink on letterhead of the journal Le Nouveau Fémina, concerning cultural life and current political affairs.

Folding marks inherent to mailing, a black ink stain not affecting the text, and two small holes: the first causing the loss of one letter—the second "e" in Hecquet; the second resulting in the loss of the word "il".

"Les dernières lettres sont épatantes. Et courtes, comme il fallait pour ne pas trop s'éloigner du drame. Les oeuvres complètes de Léon Blum vont paraître chez Albin Michel. On va voir. Anatole de Monzie, homme d'une très belle intelligence n'a rien écrit de fameux. Aujourd'hui, le moins ignare s'appelle Ramadier (Paul Ramadier, several times a minister after the Liberation) Il n'a pas été réélu. C'est un franc-maçon acharné. Mendès-France est un marchand de cravates me dit Stephen Hecqu[e]t. [Il] faut supprimer son nom de ma dernière lettre (celle qui est si longue, où je parle des hommes politiques susceptibles d'écrire). A bientôt. Roger Nimier."

Autograph letter signed by Jean-Jacques Henner to his friend Castagnary, 18 lines in black ink on a bifolium.

The letter is almost entirely devoid of punctuation.

A date written in violet ink, likely indicating when the recipient received the letter.

"Mon cher ami,

votre très aimable invitation m'est arrivée malheureusement un peu en retard vous aviez l'adressé place Clichy au lieu de place Pigalle et à mon grand regret je ne suis pas libre j'en suis désolé vous savez tout le plaisir que j'ai a venir chez vous soyez donc mon interprète auprès de madame Castagnary et excusez moi. Votre tout  dévoué JJHenner."

First edition, no copies printed on deluxe paper. This copy bears the resale dust jacket from Robert Marin, with the new publisher’s label mounted to the foot of the title page.
The spine is cracked and has undergone repairs, with a tear at the foot of one joint; internally clean given the inherent fragility of the poor-quality paper used.
 
 
« Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les S.S. seront en définitive impuissants devant nous. »
 
This seminal work on the Nazi concentration camps was the third and final publication of the short-lived publishing house founded by Marguerite Duras and Robert Antelme, her husband from 1940 to 1946.
Initially overlooked at the time of its discreet release—with only a few copies sold—it was redistributed the following year under new covers by Robert Marin. The book suffered from the influx of postwar writings on the subject. And yet, as F. Lebelley observed, « à une époque où les récits abondent, la puissance particulière de ce livre-là, d'une sobriété première, bouleverse tel un texte fondateur. Livre d'écrivain aussi qui a pris, reconnaît Duras, 'le large de la littérature'. Robert Antelme n'en écrira jamais d'autre. Malgré les éloges et les honneurs, L'Espèce humaine restera l'œuvre unique d'une vie » (in Duras, ou le Poids d'une plume).
 
Thanks to the intervention of Albert Camus, the book was republished in 1957 by Gallimard, and finally reached a wider readership.
 
It has since been recognised as one of the most important literary works to grapple with the harrowing but necessary reflection on the concentration camps and the human condition. It paved the way for writers such as his friend Jorge Semprun to begin forging a new path in writing about the unspeakable.
 
As early as 1947, Antelme wrote in his foreword: « nous revenions juste, nous ramenions avec nous notre mémoire, notre expérience toute vivante et nous éprouvions un désir frénétique de la dire telle quelle. Et, dès les premiers jours cependant, il nous paraissait impossible de combler la distance que nous découvrions entre le langage dont nous disposions et cette expérience. [...] Comment nous résigner à ne pas tenter d'expliquer comment nous en étions venus là?? Nous y étions encore. Et cependant c'é_

New edition, illustrated with drawings by de Neuville and Benett.
Publisher’s gilt-pictorial cloth binding known as “à un éléphant, titre dans l’éventail”, with Engel’s signature at the foot of the front cover plaque, spine featuring a lighthouse, rear cover of type “i” as defined by Jauzac, all edges gilt.
Headcaps very slightly compressed, faint trace of a removed label to the verso of the front board.
A handsome copy.
Le Tour du monde en quatre-vingts jours is an adventure novel. It tells the story of an English gentleman, Phileas Fogg, who wagers he can travel around the world_

Autograph note signed by Caran d'Ache to a lady friend, 18 lines in pencil on a bifolium, with each letter written in uppercase.

Tears repaired with adhesive patches, minor loss to corners not affecting the text.

"Admirable madame ! Grandpierre & non Dampierre est votre proche voisin rue d'Offemont. Je me traîne à vos pieds heureux de baiser la pointe de vos pieds. Caran d'Ache."

The rue d'Offemont, located in the Plaine Monceau district, is now known as rue Henri Rochefort.

First edition, printed in 105 copies on Rives wove paper, this copy being one of the 60 with an original etching signed in pencil by Annie Proszynska.

Colophon signed in pencil by both Guy Rohou and Annie Proszynska.

Illustrated with 15 original etchings by Annie Proszynska, including a frontispiece, a full-page plate, a double-page plate, and 12 in-text illustrations.

A fine copy, complete with its original Siena moiré cloth chemise and slipcase.

First edition of the retrospective exhibition catalogue of 109 works by George Bottini, held at Galerie L. Dru from 15 April to 8 May 1926.

Minor foxing to the front cover, not affecting legibility.

Text by Adolphe Tabarant.

A rare and appealing copy.

Catalogue for the exhibition of 28 works by Edouard Vuillard held at Galerie Bernheim Jeune & Cie from Monday 13 to Saturday 25 February 1911.

Three light halos along the left margin of the upper cover, and a small tear along the right margin of the lower cover.

Illustrated catalogue featuring 3 reproductions of works by Edouard Vuillard.

Rare.

First deluxe large octavo edition illustrated by George Roux.
Publisher’s pictorial binding by Hetzel signed Engel, known as "type 4 globe" design, with "lighthouse" spine and lower cover of Engel "i" type as per Jauzac, all edges gilt.
Original blue endpapers marginally faded, as usual; headcaps very slightly compressed; some foxing at the beginning and end of the volume.
Sequel to Robur le conquérant, Maître du monde recounts Robur’s return to civilization aboard an amphibious vehicle.
Un drame en Livonie is a detective novel centred on the story of an innocent man accused of a murder he did not commit in Livonia.

Exhibition catalogue of the 43 works by Kees Van Dongen shown at the Galerie Bernheim Jeune from Tuesday, March 1 to Wednesday, March 9, 1921.

Illustrated catalogue with 5 reproductions of Van Dongen's works.

Ink annotations on the verso of the front wrapper, the title page, and continuing on the final two pages of the catalogue, regarding a painting by the artist. Minor, usual rust marks around the staples.

Rare.