Paris (France)

First edition, one of 25 numbered copies on old Japan paper, ours unnumbered.
Work illustrated with typographical ornaments that some attribute to Daragnès and others to Vertès.
Two small tears re-adhered at head, spine split at foot.

First edition, one of the numbered copies on vergé du Marais paper, ours unnumbered, the only printing with 190 on pure rag paper.
Work illustrated by Maurice Taquoy.
Handsome copy.

First edition, one of 700 numbered copies on Arches, ours unnumbered, the only printing with 25 Japan and 50 Holland.
Occasional foxing, otherwise handsome copy.

first edition.
Binder in red morocco with corners, back with five nerves set with golden fillets decorated with double golden boxes, frames of gilded nets on marbled paper plates, guards and counterplates of paper to the vat, wrappers and back preserved and bound in, golden head, Signed by Champs.
Precious signed autograph dedication of the author from Edmond About to George Sand.
Beautiful copy pleasantly established.

Fourth edition with some parts in first edition as it is expanded and the only complete one.
Bradel binding in full almond green boards, smooth spines decorated with gilt friezes, minor rubbing to spines and headcaps, brown board title labels, covers and spine preserved, contemporary bindings.
Some foxing affecting mainly the preserved covers.

First edition, one of 36 numbered copies on Hollande paper, this copy one of 6 lettered copies hors commerce, the tirage de tête.

A nice copy despite a small tear to head of first cover.

First edition, one of 150 numbered copies on Holland paper, the only deluxe copies after 8 other deluxe copies
Spine sunned, endpapers partially and lightly shadowed.
A full-margined copy.

First edition, one of 15 numbered copies on Holland paper, deluxe copy.
Full dark green morocco binding, faded spine with five raised bands set with gilt fillets and decorated with double compartments ornamented with gilt typographical motifs, gilt roulettes on headcaps, triple gilt fillet frame on boards enhanced with large gilt fleurons in corners, olive green watered silk endpapers and pastedowns, frame of sextuple gilt fillets and gilt fleurons in corners on pastedowns, gilt fillet on leading edges, all edges gilt, covers and spine preserved, elegant binding signed by Charles Lanoë.
Handsome copy pleasingly bound in full morocco.

First edition of the French translation, one of 65 numbered copies on alfa paper, the only grand papier (deluxe) copies.
Half morocco, covers and spine (sunned) preserved, top edge gilt, binding signed by Boichot.

First edition, one of 25 numbered copies on Lafuma vellum, the only deluxe copies.
Two small tears and a minute lack at foot of spine.

first edition on plain paper.
Autograph signed by Raymond Latouche to Gabriel Chavet.
Backs and boards marginally insolated.
Complete copy of his prayer to insert.

First edition.
Work illustrated with a frontispiece, 94 hors-texte plates and numerous black vignettes in the text by Bertall.
Light dampstains at foot, spine lightly sunned with lacks at head and foot, small tears with occasional minor lacks to board margins, tear at foot of spine which also has two lacks at head.
Handsome interior condition.

First edition, one of 20 numbered copies on Holland paper, the deluxe issue after 10 on Japan paper.
Full navy blue shagreen binding, faded spine with five raised bands, gilt date at foot, gilt roulettes on headcaps, marbled endpapers and pastedowns, covers framed with quadruple gilt fillets and two gilt fleurons at corners enhanced with red morocco mosaic inlays, gilt fillet on leading edges, original wrappers and spine preserved, top edge gilt on deckled edges, slipcase with navy blue shagreen spine, marbled paper boards, contemporary binding signed by Septier.
A full-margined copy.

First edition published in the Bibliothèque de La Pléiade.
Publisher's binding in full brown grained sheep, smooth spine decorated with gilt fillets, handsome copy complete with its glassine wrapper and soft slipcase.
Illustrated.

Edition of wich no leading copies exists.
Signed autograph of Thérèse de Saint Phalle Peter Loiselet "... the story of a man suffered a civilization contrary to our nature ..."
Nice copy.

First edition of the French translation, of which there were no deluxe copies.
Contributions by Guy Debord, Gianfranco Sanguenetti, Raoul Waneigem.
Handsome copy despite a vertical discoloration mark on the front board.

Collective Edition on current paper.
Precious autograph signed by Jean Tardieu: ".. A Jacques Hébertot the ageless pioneer of the new theater, Sincerely Jean Tardieu"
Nice copy.

New edition of the French translation established by André Gide, one of 40 numbered copies on pur fil paper, the only deluxe copies.
Bradel binding in half cardboard imitating vellum, smooth spine, marbled paper boards, covers and spine preserved, top edge gilt, contemporary binding.
Handsome copy.

First edition, one of 480 numbered copies on Marais laid paper, the only issue after 1 Japan ancien and 19 Japan.
Work illustrated with a portrait of Jules Barbey d'Aurevilly engraved by Noyon as frontispiece as well as 62 facsimile reproductions of dedications by Jules Barbey d'Aurevilly.
Handsome copy despite minor foxing affecting mainly the endpapers and two stains at the foot of the first cover.

First edition, one of 80 numbered copies on pur fil du Marais paper, ours unnumbered, the only deluxe copies along with some other pur fil du Marais hors commerce copies.
Handsome copy.
Volume II only.

First edition, one of 100 numbered copies on alfa paper, the only deluxe copies with some hors commerce also on alfa paper.
Iconography.
Work illustrated on the cover with a portrait of André Breton by Max Ernst.
Spine and covers lightly and marginally discolored, two small lacks at head and foot of covers.

First edition on ordinary paper.
Bradel binding, small tears on the joints, a small tear to head of a headpiece, contemporary binding.
Handsome autograph inscription signed by Alphonse Daudet to Eugène Labiche.
Occasional foxing mostly in the margins of some leaves.

First edition on ordinary paper.
Two stains at foot of front cover and at head of back cover.

First edition, one of 34 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
Handsome copy.

First edition, one of 10 numbered copies on pur fil paper Johannot, the tirage de tête.
Ex-libris pasted to foot of title page, with a frontispiece portrait of the author.
A nice copy.

First edition, review copy.
Signed autograph of the author Michel Mohrt.
Back slightly insolated without gravity, otherwise nice copy.

First edition, one of 13 numbered copies on Or Turner paper, large paper copy, the fewest copies.

Rare and nice copy with double cover.

First edition, one of 97 numbered copies on pur fil paper, the only grand papier (deluxe) copies.
Tiny stains to spine (not serious).
Rare.

first edition of which he was not drawn large papers.
Rare autograph signed Ferdinand Massy: "In Vonoven citizen, homage to the author F. Massy.."
Illustrated cover of Maximilien Luce drawing.
Preface by Charles Malato.
A small lack in foot of the back.

First edition, one of 950 numbered copies on Rives, the only issue with 50 Japan.
Spine and boards lightly and partially faded, handsome interior condition.

First edition, one of 600 numbered copies on vellum, the only deluxe copies after 20 Japan and with some hors commerce copies.
Work illustrated with a frontispiece portrait of Philippe Soupault by Alexandre Alexeieff.
Minor tears of no consequence at head and foot of spine, otherwise a handsome copy.

First edition, one of 50 numbered copies on Hollande paper.
Spine sunned, light marginal foxing to the front cover.
A full-margined copy.

First edition, an advance copy, with the statement "second edition" at the foot of the title page.
A crease mark at the head of the rear cover.

First edition, one of 400 numbered copies on vellum, ours unnumbered but justified S.P.
Handsome copy.

First edition, one of 400 numbered copies on Outhenin-Chalandre paper, the only issue after 10 on Holland paper and with some hors commerce copies.
Spine and boards marginally discoloured as usual, handsome interior condition.

First edition, one of 300 copies numbered on siren offset.
Illustrated book of drawings by Joan Miro.
Pleasant well complete copy, as he stipulated to the justification of the draw, the original color lithography Valerio Adami rise triptych he justified and signed.
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First edition of the French translation by Roger Martin du Gard and the author, one of 550 numbered copies on Alfama du Marais vellum, the only deluxe copies.
Spine very lightly sunned, handsome interior condition.

First edition of the French translation by Auguste Dietrich, one of the rare copies on Holland paper of which no mention is made.
of which there were no deluxe copies.
Half brown morocco binding with corners, spine with four raised bands, green olive and turquoise morocco title-label and translator's name-label, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt retaining deckled edges.
Minor scuffs of no consequence at foot of first board.
Rare copy handsomely bound.

First edition, one of 280 numbered copies on Ingres paper, the only issue after 20 on Holland paper.
Handsome copy.

Edition on ordinary paper.
Rare and nice copy.

New edition illustrated with 6 anonymous wood engravings, one of 80 numbered copies on Arches laid paper, the only issue after 3 Japan copies.
Small corner lacks to spine and boards, first endpaper shaded, otherwise handsome interior condition.

First edition illustrated with 13 hors-texte engravings by the author, one of 950 numbered copies on offset snow paper, ours unnumbered.
Handsome copy.

First edition, one of 40 numbered Arches copies, deluxe issue after 20 on Holland paper.
Fine copy.

First edition on ordinary paper, with statement of second edition.
Handsome copy.

First edition.
Illustrated with 4 engravings and a map at the end.
One joint cracked at foot, scattered foxing, some leaves poorly cut causing lacks to their margins without touching the text, discoloration to the frontispiece and the facing title page, stains to the back cover.

First edition, one of 1200 numbered copies on Alfa paper ours unjustified.
Signed autograph of Henri Massis Eugene Montfort.
Illustrated book of two portraits of Raymond Radiguet by Jean Cocteau.
A head hole of the first flat affect, is diminishing, the first fifty pages.

First edition, one of 100 numbered copies on Rives paper, the only deluxe copies after 10 on China paper.
Two lacks at head and foot of spine, worming to front cover, otherwise handsome copy.

First edition, one of 36 numbered copies on pure rag vellum, the only deluxe copies.
Autograph inscription signed by Pierre Bourgeade to Pierre Bredèche.
Bookplates pasted on an endpaper.
Fine copy.
.

First edition, one of the 26 copys numbered on pure vellum cloth only leading copies.
Signed autograph of Pierre Bourgeade Peter Bredeche.
Bookplate pasted on a guard.
Nice copy.
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First edition, one of 1500 numbered copies on Lafuma vellum.
Work illustrated with a frontispiece by Pierre Guastalla.
Handsome copy despite some occasional light worming.

First edition, one of 55 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy despite a very slight tear at the head of the first endpaper.

First edition, one of 100 numbered copies on Madagascar paper, the only deluxe copies after 7 Japan and 15 Arches vellum.
Handsome copy.

First edition, one of 24 numbered copies on alfa paper, ours bearing number 1, the only deluxe copies.
Handsome copy.

First edition, one of 45 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 53 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy.

First edition, one of 26 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 29 numbered copies on alfa paper, the only deluxe copies.
Handsome copy despite small stains at the foot of the back cover.

First edition, one of 26 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, of which there were no deluxe copies.
Handsome copy.

First edition, one of 1600 numbered copies on laid paper.
A small stain at the foot of the spine, otherwise a handsome copy.

First edition, one of 647 numbered copies on pur fil, the only deluxe copies after 109 reimposed.
Half vellum-style boards binding with corners, smooth spine, brown morocco title label, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding.
Handsome copy.

First edition, one of 40 numbered copies on vélin de Rives, the only deluxe copies.
Bookplates pasted on an endpaper.
Handsome copy.
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First edition, one of 35 numbered copies on pur fil paper, the only deluxe copies.
Illustrated with a photographic portrait of Max Jacob as frontispiece.
Bookplates pasted on an endpaper.
Handsome copy.
.

First edition, one of 35 numbered copies on Hollande paper, the tirage de tête.
Ex-libris pasted onto an endpaper.
A nice copy.
.

First edition, one of 40 numbered copies on pure rag vellum, the only deluxe copies.
Bookplates pasted on an endpaper.
A handsome copy.
.

First edition, one of 29 numbered copies on Holland paper, the deluxe copies ("tirage de tête").
Nice copy.

First edition, one of 30 numbered copies on pur fil paper, the only deluxe copies.
Bookplates pasted on an endpaper.
A handsome copy.
.

First edition, one of 25 numbered copies on Hollande paper, deluxe issue.
Bookplates pasted on an endpaper.
Handsome copy.

First edition, one of 25 numbered copies on pur fil paper, deluxe issue.
Bookplates pasted on an endpaper.
Handsome copy.

First edition of some parts, one of 25 numbered copies on Holland paper, deluxe copy.
Bookplates pasted on an endpaper.
Handsome copy.
.

First edition for most of the text, one of 43 numbered copies on Holland paper, deluxe copy.
Bookplates pasted on an endpaper.
Handsome copy.
.

First edition, one of 36 numbered copies on Holland paper, the deluxe copies ("tirage de tête").
Bookplate pasted on a guard.
Nice copy.
.

First edition, one of 30 numbered copies on pur fil, the only deluxe copies.
Bookplates pasted on an endpaper.
Handsome copy.
.

Edition, press service of punch foot in the second flat.
autograph dedication of the author autograph signed and dated by Claude Aveline Jean Cassou and his family: "... The FAT Mr. reflections that are on the commerce of men, too, but I am, alas, that the preface Claude.. to Cassou "
spine and marginally discolored boards.

First edition, one of 60 copies numbered and reserved for "Happy Sheets".
Signed autograph Henry Poulaille Pierre Dominique.
Yellowed paper.

Collective Edition and partly original, press service of punch foot of the second flat.
Signed autograph Claude Aveline in Ida, Isabelle and Jean (Cassou): "... by recommending the latter part of this collection, then it appears here for the first time (as they are lazy) Their Claude."
Back slightly insolated.

First edition, of which there were no deluxe copies.
Cover illustrated by Hervé Morvan.
Handsome copy despite minor scratches at head of back cover.

First edition, one of 975 numbered copies on alfa paper, the only deluxe copies with 25 on pure linen.
Complete with its errata sheet.
Spine lightly sunned.

first edition on the current paper.
Signed autograph Beatrix Beck Jacques Mallard.
A little walk in the first flat spot.

first edition for which there is no mention of leading copies, review copy.
Signed autograph of Pierre-Henri Simon Monique Nathan.
A small tear head of the first flat, yellowed paper.

First edition on ordinary paper, only 10 Japan and 20 Holland copies were printed.
Small tears to spine, one joint cracked at head and foot.

first edition.
Binding half black shagreen, spine slightly thinned to four nerves decorated with black boxes, flat black cardboard, guards and contreplats paper to the tank top corners bumped, small rips on the cuts, sprinkled edges, contemporary binding.
Rare autograph signed by Delphine Gay: "To his dear Delphine" topped the first volume of the title page.
Nice copy.

First edition, on current paper, the French translation.
Precious autograph signed Joseph Breitbach Coutaud Lucien and his wife.
Three gaps on the back slightly insolated, lightly soiled boards.

First edition, one of 550 numbered copies on satin alfa paper.
Spine very lightly sunned but without consequence, otherwise a handsome copy.

New edition of the French translation by Pierre Loti and Emile Vedel.
Signed autograph Emile Vedel Dr. Belières enriched with the handwritten signature of Pierre Loti.
A small lack filled Length of a flat, traces of folds in margins flat.

First edition, review copy.
Signed autograph of Eugene Ionesco Claude (Bonnefoy) and his wife Nicole.
Little sunshine Length back and boards, otherwise pleasant complete copy of his illustrated jacket.

Second edition, illustrated with 31 double-page plates mounted on tabs, including 29 maps and plans (16 folding) of which 11 are heightened in colors; the first edition dating from 1788. XLI pages for the analysis of the maps.
Contemporary green vellum binding. Jansenist spine with raised bands. Red morocco title label. 2 corners skillfully restored and small restoration to the first 2 raised bands. Very handsome copy.
Fine atlas which, in addition to the colored map of Greater Greece and its islands, provides maps of the different provinces, the plan of Athens, elevations of the principal monuments (Parthenon, Greek theatre, Greek house...), certain great battles. It was originally conceived to accompany the Voyage du jeune Anacharsis by Abbé Barthélémy, a romantic fantasy of a young philosopher traveling in ancient Greece in the 4th century BC. It was sold separately or with the collection of 5 volumes of the novel.

First edition, one of 55 numbered copies on pure thread paper, the only deluxe copies.
Spine and boards lightly and marginally sunned at head and foot.