Sans lieu d'édition

The first edition, published in a small number of copies of this offprint.
Minor marginal worming to the front cover without affecting the text.
Rare.

First edition.
Half chocolate sheep binding, spine with five raised bands showing minor rubbing, bookplate pasted to verso of front board.
Some scattered foxing.
Rare.

First edition. Uncommon, 2 copies at the Bibliothèque Nationale de France, none in the United Kingdom, one copy in Berlin. In sheets. Since the 16th century, there had always been a man as head of the House of Austria, and the succession had been transmitted from male to male. But Emperor Charles VI had only daughters. He wanted to leave his inheritance to his eldest daughter, Marie-Thérèse, and settled his succession by means of a solemn law, called the Pragmatic Sanction. The work is a careful examination of the testament of Emperor Ferdinand I, with regard to the succession of the House of Austria. The work affirms, supported by numerous extracts from the testament, that there could be no other female heirs than his eldest daughter, should it prove that the male line was extinct. The work was certainly written to appease tensions and do justice to the testament of Charles VI, this nevertheless did not prevent the numerous conflicts that followed his decision and set Europe ablaze.

First edition.
Half brown cloth binding, smooth spine, contemporary binding.
The contents include 'Sappho' by Verlaine, and contributions by Huysmans, Zola, Cladel, Félicien Rops.

First edition published in a small number of copies. Contributions by P. Albert-Birot, F. Marc, R. Richard, L. Bérimont...
Work illustrated by Flora Klee-Palyi.
Minor lacks to spine and slight corner wear to boards without significance, handsome interior condition.

First edition, one of 120 numbered copies on white vellum, the only issue with 22 other white vellum copies enriched with the complete suite of illustrations.
Work illustrated with 4 drawings by G. Puel.
Handsome copy.

First edition published in a small number of copies.
Endpapers darkened, otherwise a rare and handsome copy.

First edition.
Illustrated, a very good copy.

Third edition.
Spine and covers slightly sunned and with tears and marginal lacks.
Rare.

First edition.
Aportrait of Rouget de Lisle, as frontispiece.
Rare.