Leipzig

First edition.

Contemporary half brown shagreen bindings, spines with four raised bands framed by blind fillets, gilt floral tools at head and tail, marbled paper boards, marbled endpapers and pastedowns, bookplates mounted at the head of the pastedowns, sprinkled edges.

A few minor spots of foxing, with press cuttings loosely inserted and leaving offsetting to the front endpapers of the first volume.

Signed autograph presentation inscription by Jules Claye, the printer of this work, to Ferdinand Taillefer on the front of the first volume: "... souvenir typographique à mon ancien et excellent collaborateur..."

First edition of this almanac of the Neue Dichtung published by Kurt Wolff, featuring the first book-form appearance of Kafka’s short story "Vor dem Gesetz" (pp. 126-128). Covers sunned, tear to spine not lacking paper, chipping to spine-ends, and corners rubbed.

First edition of the short story "Vor dem Gesetz" (Before the Law), later published verbatim in Kafka’s masterpiece "Der Proceß" (The Trial). 

Edition published one year after the original, illustrated with four fine copper-engraved plates by Charles Eisen depicting Nordic types (Icelandic women, a bear hunt, Samoyeds, a Laplander in a sleigh) engraved by Le Mire, one folding map by Bellin, thirteen maps, plans, or views (eight of them folding) engraved by Croissey, as well as a charming engraved title vignette and a headpiece by Le Gouaz.

See Sabin, 37616; Chadenat, 1633; Boucher de la Richarderie, I, 380.

Full mottled calf binding, smooth spine richly gilt in compartments decorated with gilt fleurons and geometric motifs, sometimes slightly rubbed, red morocco label, restorations to spine and joints, gilt roll...

Illustrated edition with a frontispiece and 60 in-text engravings.

No copy listed in the CCF.

Publisher's brown cloth binding, flat spine, spine and covers decorated with gilt African-inspired motifs, blind-stamped border on covers, marbled edges, minor bumping to lower corners.

A pleasing copy.

This work is a popular biography of David Livingstone, focused solely on his African expeditions, intended for a German-speaking readership.

First edition.

Contemporary Romantic bindings in half green Empire calf, flat spines slightly faded, richly gilt with Romantic decorative motifs, marbled paper-covered boards, marbled endpapers and pastedowns; Romantic period bindings.

A few light spots of foxing; a discolouration mark on a blank endpaper of the first volume.

Good edition, published by J.B. Carpzov, illustrated with a frontispiece and a copper-engraved map of Judea in the text (see Graesse IV, 209).

The work includes numerous passages printed in Hebrew.

See Röhricht, p. 240, for a separate edition of the geographical and topographical prefaces to each gospel ("chorographia").

Contemporary full stiff ivory vellum binding, smooth spine, large later-added brown morocco title label mounted on the back, bookplate pasted on the inside cover, red edges.

Some black stains on the boards.

This is the author's most important work; he also dedicated two other volumes to the Acts of the Apostles and the Epistles of Saint...

First edition of both these rare fascicules; the first is illustrated with three folding plates at the end of the volume, the second with in-text illustrations.

Contemporary half bottle-green calf binding, smooth spine gilt with fillets and dotted rolls, as well as black fillets, some minor rubbing to joints, headcap worn, marbled paper boards, marbled endpapers and pastedowns, speckled edges.

One of only three known contributions to the nascent field of Assyriology by the Austrian numismatist and traveller Isidore Löwenstern (1810–1858), who served as Danish consul in Constantinople.

Bound with, by the same author: Exposé des éléments constitutifs du système de la...

First edition.

Full blue percaline binding, smooth spine gilt with a central floral motif, date and double gilt rules at foot, brown shagreen title label with minor scuffing along the left edge, original wrappers preserved, slightly later binding signed in blind by Pierson.

Ink initials on the front endpaper and upper wrapper, serving as an ex-libris.

A handsome copy, tastefully bound by Pierson and virtually free of foxing.

Rare first edition of a work by the "German Beccaria," unrecorded in French libraries according to WorldCat, composed while the author held the chair of feudal law at the University of Leipzig, a position obtained at the age of thirty, three years prior.

Contemporary full brown sheep, smooth spine gilt with fleurons, light brown morocco lettering-piece, red edges. Bookplate of Count Giacomo Manzoni, former Finance Minister of the Roman Republic, concealing an ownership inscription written in...

First edition of the complete works of Charles Louis de Secondat, Baron de La Brède and de Montesquieu, edited by François Richer under the supervision of the author's son. Volumes 1 and 2 contain the celebrated Spirit of the Laws, introduced by a headpiece depicting the 1753 Dassier medal and illustrated with two maps—a world map and one of Europe—in the second volume. This copy is enriched with a frontispiece, painted by Jacques de Sève and engraved by Claude-Antoine Littret, from the 1767 London edition, as well as 10 additional pages containing the "Additions" in volume 3.

Rare first edition of Louis Pasteur’s text: "Recherches sur la dissymétrie moléculaire des produits organiques naturels" (pp. 1–48, also issued separately as an offprint).

The other papers included in this volume are: "Histoire des radicaux organiques", "Recherches sur les glycols", "De la synthèse en chimie organique", "Des lois des nombres en chimie et de la variation de leurs constantes", "De l’influence exercée par l’atmosphère sur la végétation", and "Pièces historiques concernant Lavoisier et N. Le Blanc".

Some scattered foxing, notably to the edges.

Half black shagreen binding, spine with four...

First edition printed in Gothic type (cf. Engelmann, I, p. 206. Sabin, 8207. Not in Howes.)

Contemporary plain full paper boards, smooth spine split at head and foot, collection label pasted on the spine and extending onto the covers, corners worn.

Foxing.

Bromme’s works, based on recent travels, constituted the principal source of information for prospective European emigrants.

He issued separate editions arranged by region or state, as here for Louisiana.

"Freud'sche Bibliothek" label pasted to the front pastedown, with manuscript number; Oscar Messerly stamp on the title page and on one further leaf.

New edition, partially original as it is augmented with three new stories and the life of the author (previously published in 1744; before this date, editions included only 10 stories).
The false title of the second volume bears the title "Diverse Works," these two volumes, although sold separately, could be placed after the six-volume Don Quixote. The original title "Exemplary Novels" was used concurrently in other editions.
Translation by Abbé Martin de Chassonville. It is illustrated with a portrait of the author engraved by Gentot after Kent, and 13 plates, of which 12 are engraved by Aveline after Folkema, and one by Daudel. The engravings are charming and pleasing, with...

The finest edition of this work, the original having appeared in 1756. It comprises 84 plates, 61 of which are folding, compared to only 40 in the original, engraved in intaglio by Moitte, Patte and Tardieu, depicting military costumes, plans and profiles, and troop formations. Published by Abbé Perau, this edition is augmented with a biography (134pp.) and several pieces (letters...), it is better organized and superbly printed in large type.
Contemporary full marbled and glazed calf binding. Decorated raised spine, head and tail rolls. Red morocco title label and volume label. Double gilt fillet frame on boards. One tear at tail. One lower corner cut on volume 1. Small lack at head...

New illustrated edition with a portrait as frontispiece, 3 title vignettes, and 41 folding plates. According to Brunet, the first octavo edition following the original quarto published in 1769 of these Commentaries. Title pages printed in red and black.
Contemporary full mottled calf binding. Spine with raised bands, gilt-tooled. Beige morocco title-piece, black basane volume label. Head of volume 2 restored. Surface abrasions on the boards, polished with wax. Traces of rubbing. A handsome copy, the paper of remarkable freshness.
Ex libris with 18th-century armorial bookplate of Biel D. de Lislemont.

First edition. Rare.

Half tan sheep bindings, smooth spines decorated with double gilt fillets showing some rubbing traces, two lower headcaps affected by small lacks due in one case to slight worm damage not affecting the text at all, and brown stains, upper headcap of volume 2 abraded, gilt names of a previous owner at foot, one joint of volume 3 cracked at head, marbled paper boards, later but 19th^century bindings. Rare and handsome copy almost entirely free from foxing.

Swedish entomologist and military officer who studied under Linnaeus. The Insects of Sweden (Insecta suecica) forms his most important contribution to...

First edition of the French translation for volumes 2, 3 and 4; second edition of the French translation for volume 1. (Not listed by Gay).

A few occasional spots, not affecting the overall freshness of the copy.

Bound in uniform olive green half percaline, smooth spines with gilt floral device and double gilt rules at foot, boards covered with decorative patterned paper, mauve endpapers and pastedowns, inner hinges discreetly restored with adhesive or partly split, all edges red.

Illustrated with 53 black plates comprising 92 engravings, 4 chromolithographs, a fine folding map of Northern and Central Africa showing the explored areas and the route taken, and a...

Illustrated edition featuring 6 full-page plates bound at the end (see Schwab 39).

No copy listed in the CCF (Catalogue Collectif de France).

Mid-19th-century Bradel binding in full marbled paper boards, smooth spine with title label mounted at the head, sprinkled edges.

A rare work, even in German libraries: it is in fact a summary compiled from the sources mentioned in the title, which were at the time not readily available in German. Johann Adam Bergk (1769–1834), a publicist and translator, was best known for his efforts to popularize idealist philosophy, particularly that of Kant, although his interests extended to many other fields.

First German edition, in part original, of this work devoted to one of Albert Schweitzer's intellectual guides, Johann Sebastian Bach, which he began in 1903 at the age of 28, at the suggestion of the preface's author, his organ professor Charles-Marie Widor. The first edition was published in 1905 in French with 455 pages. The First German edition, recognized by several scholars as constituting an entirely new work, considerably different from the previous edition, appeared in 1908 with 844 pages.

First edition, with no edition statement.
Contemporary half chocolate shagreen bindings, spines with raised bands; marbled paper boards, with laid paper endpapers and pastedowns. Spines evenly lightened. Edges rubbed. Wear to headcaps and bands. A few spots of foxing, notably on the fore-edge. A good copy.
Without doubt, just after The Man Who Laughs, Hugo’s greatest novelistic achievement, depicting on the island of Guernsey the struggle of a solitary man against the ocean.

Published by Insel Verlag, '201. Bis 230' (Ritzer, Rainer Maria Rilke Bibliographie, E56).

Bound in half green shagreen, smooth spine with minor rubbing to spine-ends, a scratch at the head of one joint, marbled paper boards, top-edge gilt, contemporary binding.

Rare and precious signed and dated inscribed copy by Rainer Maria Rilke to August Friedrich Ammann:
"To Mr. August F. Ammann In exchange, a small version of the great Reiss ins Globte Land (almost contemporary in content): Rainer Maria Rilke (Muzot, March 17, 1922)."
Herrn August F. Ammann Als eine kleine, der grossen „Reiss ins Globte Land" (inhaltlich fast...

First edition for both texts.
Contemporary quarter brown polished calf binding, spine with five raised bands ruled and decorated in gilt and blind, marbled paper boards, stylized acanthus leaves endpapers and pastedowns, marbled edges.
Exceptional reunion of these two great Nietzschean texts, the very last ones written before the philosopher succumbed to madness.