Barcelona

Extremely rare reissue of this journal. None of the institutions consulted hold this edition (see Palau, 71807).

Contemporary full ivory vellum binding with overlapping edges, flat spine with calligraphic title running lengthwise, boards slightly soiled.

The book was most likely reinserted into its original binding; a few small stains.

The first Spanish edition was issued the same year in Seville by Sebastián de Armendáriz - bookseller, publisher, and forerunner of Spanish journalism - at the press of Thomas Lopez de Haro.

It appears that the document used as the basis for Armendáriz’s account was a report by an eyewitness to the events, Count Paolo Amerighi.</

First edition of the French translation prepared by Lamole de Tamayo of this monumental publication, long sought after for its exceptionally rich iconography: 107 plates hors texte, including 2 in colour (mostly portraits), 2 folding colour maps, and a very large number of in-text figures and photographs (portraits, views, reproductions of early engravings, types and costumes, portraits, etc.).

Publisher’s bindings in half brown shagreen, smooth spines decorated with gilt fillets and dotted tooling, as well as blind-stamped panels; gilt titles and ornaments in relief on the green percaline boards; publisher’s bindings signed E. Domenech-Barna.

Some rubbing to the spines with l

Rare first edition.

No copies recorded in the CCF.

Our copy is issued in its original wrappers, in temporary grey paper covers, with a later title label to the spine.

Some losses to the temporary covers, a small hole to the title page also affecting the following four leaves with loss of letters.

A very rare record of the forces engaged on both the Spanish and French sides during the Peninsular War (1808-1814).

It comprises a sequence of 149 tables arranged chronologically, from the state of the regular troops in 1808, prior to the French intervention, through to 10 March 1814. 

Though unofficial in nature, it constitutes an essential source for histori

Autograph letter dated and signed by Antoni Tàpies addressed to his close friend, art critic Georges Raillard, the greatest French specialist of his work (16 lines in blue ballpoint pen from Barcelona).
Fold marks inherent to the letter's mailing, envelope included.
Having directed the French Institute of Barcelona from 1964 to 1969, Georges Raillard befriended and collaborated with numerous Spanish and Catalan artists including Joan Miro and Antoni Tapies, whose biographies he would also write.
The Catalan artist regrets not being able to participate in the farewell dinner organized by his friends Georges and Alice Raillard but does not despair of seeing t

Autograph letter dated and signed by Antoni Tàpies addressed to his close friend the art critic Georges Raillard, the greatest French specialist of his work (19 lines in blue ballpoint pen from Barcelona).
Fold marks inherent to the letter's envelope placement, envelope included.
Having directed the French Institute of Barcelona from 1964 to 1969, Georges Raillard formed friendships and collaborated with numerous Spanish and Catalan artists including Joan Miro and Antoni Tapies, whose biographies he would also write.
The Catalan artist relays the notion of "art impliqué" recently employed in Catalonia: "... je viens de voir une citation... dans laqu

Autograph letter signed by Antoni Tàpies addressed to Georges Raillard, his close friend and greatest French specialist of his work. Sheet written in blue ballpoint pen on letterhead paper bearing the author's name with his Barcelona address at the bottom "C. Zaragoza, 57 - Tel. 217 33 98 - Barcelona-6". Traces of folds inherent to the letter's envelope insertion.
The Catalan artist writes to his friend about newspaper articles, including one published in the Catalan daily l'Avui: "Voici l'article que tu m'as demandé. J'ajoute un de l'AVUI où j'amplifie quelques détails. Merci encore pour ta présence à Sénanque. Nous pensons beaucoup à vous et envoyons nos fé