Autograph letter signed addressed to his mother by a fading Baudelaire: “L'état de dégoût où je suis me fait trouver toute chose encore plus mauvaise” N. p. [Bruxelles] Sunday morning 14 [August 1864], 13,4 x 20,6 cm, 3 pages on a folded leaveAutograph letter signed in black ink, addressed to his mother and dated “Sunday morning the 14th.” A few underlinings, deletions and corrections by the author.Formerly in the collection of Armand Godoy, n°188.

For this hundredth anniversary of the disappearance of Proust, the investigators of Le Feu Follet takes you to the side of Plaisirs et des Jours in search of a lost text by young Marcel, disguised as an obscure quotation on the copy of the painter Jean Béraud.

Very rare and sought-after first edition of one of the most important autobiographical works in the history of French literature, masterpiece and major work by George Sand.

On April 3, 1862, Victor Hugo succeeded, from his English rock, in the feat of publishing simultaneously and in the four corners of the world the most important humanist novel of the century. However, even today, booksellers and bibliographers doubt the success of this tour de force and continue to quarrel over the precedence of one publication over another. False testimonies (from Adèle), erroneous information (from gazettes), abusive interpretations (from bibliographers), failing memory (from Hugo) and disorderly precipitation (from Meurice and Vacquerie) against a background of exacerbated rivalry (between Lacroix and Pagnerre), the he Feu Follet investigation takes you through the twists and turns of an exceptional editorial adventure, the source of one of the most tenacious bibliographical misunderstandings, wrongly attributing precedence to the Belgian edition over the French and ignoring the real difference between the Lacroix and la Pagnerre: the text supplement.Let's listen again to the voice of the master Hugo and his love for the animals that he mirrored to each character in Les Misérables: Valjean-Madeleine's good bear, Fantine the mouse, Cosette the lark and above all Javert, "this dog son of 'a female wolf "…Edition-originale.com offers you this week its literary bestiary.

For this hundredth anniversary of the disappearance of Proust, the investigation of Le Feu Follet takes you to the side of Plaisirs et des Jours in search of a lost text by young Marcel, disguised as an obscure quotation on the copy of the painter Jean Béraud.

Composed of words and as many silences, friendship is revealed and remains a mystery. For what ? " Because. » replies the philosopher. Writers are more eloquent and from the ink poured in the name of brothers of souls were born some of the most beautiful pages of our literature. Le Feu Follet presents to you today its investigation into a luminous friendship between a woman of letters and a man in the shadows and a selection of lyrical flights between luxury friends and friends first.

Original photographs, limited to only 30 numbered copies. Printed on Premium Luster 270 g, mounted on Dibond (aluminum). Hanging system on the back. Certificate of authenticity provided by Librairie Le Feu Follet. Photo credits @Librairie Le Feu Follet.

The new catalog by Le Feu Follet pays tribute to the body in motion: staged by Loïs Hutton, celebrated by Pavlova, painted by Barbier, sketched by Picabia, photographed by Allégret, illustrated by Iacovleff, exhibited by Colette… Enough to make Édith Piaf tourner la tête and Cloots, Brissot's and Olympe de Gouges' head fall.

"You are the only Algerian writer to have thought that this news, the importance of which I do not exaggerate, could affect me at a time when all my anguish is directed towards Algeria."