Patrice Goy

First edition, one of 42 numbered copies on Japon paper, the leading copies after 8 hors commerce on Chine paper.
Elegant Bradel binding in half black calf over floral paper boards by P. Goy & C. Vilaine, covers preserved (lightly soiled at edges), top edge gilt.
With a frontispiece portrait of the author on Chine paper by Jean-Louis Forain.
One tiny foxing as well as a small, clear marginal dampstain touching frontispiece.
A very good copy nicely bound.

First edition, an advance (service de presse) copy.
Half mustard-colored morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, brown paper endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.
Handsome autograph inscription signed by Robert Desnos to Colette Clément, whose name he plays on: "A Madame Colette Clément / Clément Marot non Jacques Clément (ces mots barrés) / non / hommage de l'auteur Robert Macaire."
Ex libris of recipient pasted in underneath justification.

Set of eight original color engravings, printed on laid paper and signed at the lower right and left of the plates. The plates are introduced by a text signed by Jean Cocteau and depict costumes for Shakespeare’s play (two Shepherdesses, Paulina, and Time).

Bradel binding in full decorative paper, smooth spine, brown shagreen title-piece, binding signed by Goy & Vilaine.

Original engravings created for the illustration of La Gazette du bon ton, one of the most beautiful and influential fashion magazines of the twentieth century, celebrating the talent of French designers and artists at the height of the Art Deco...

First edition, one of the press copies.
Some light reading marks in the margins.
Bradel binding in raspberry red half morocco, smooth spine, date at foot, marbled paper sides, original wrappers preserved, gilt top edge, binding signed by P. Goy & C. Vilaine.
Autograph inscription signed by Albert Camus to Gilbert Sigaux, fellow Combat companion: "... avec l'affectueuse pensée de son vieux camarade..."

First edition on ordinary paper.

A few small spots of foxing, and a faint dampstain along the right margin affecting most leaves of the volume.

Black 3/4 morocco binding, spine with five raised bands framed in black, gilt date at foot, marbled paper boards framed in gilt, comb-marbled endpapers and pastedowns, covers preserved and bound on stubs, top edge gilt, slipcase trimmed with black morocco, marbled paper slipcase boards, binding signed P. Goy & C. Vilaine.
Very rare signed and inscribed copy to Madame Charpentier, his publisher’s wife: "... son bien dévoué et respectueux..."

First edition, one of 90 copies on Holland paper, ours being one of a few lettered hors commerce copies.
Bradel binding in half brown box, smooth spine, decorated paper boards, brown endpapers and pastedowns, original covers preserved, top edge gilt, binding signed by Goy & Vilaine.
Precious autograph inscription signed by Paul Valéry: « A Victoria Ocampo, - a sus piès de Vd - ce petit rien qu'elle a bien voulu désirer. »
A superb dedication that marks the beginning of the enduring friendship between the two writers, beyond all differences.
At Valéry's death in 1945, Victoria Ocampo would recall their first meeting in December 1928 during a writers’ dinner to...

First edition, of which there were no large paper copies.
Elegant pastiche binding by P. Goy & C. Vilaine in half copper-colored calf over marbled paper boards, spine with double gilt fillets and date in gilt at foot, marbled pastedowns and endpapers, covers preserved.
Autograph inscription from Jules Barbey D'Aurevilly to his friend (Eugène) Yung, director of the La revue bleue, in pink ink.
A few spots, mostly to final leaves. 

First edition, one of 90 numbered copies on Hollande paper, the tirage de tête.
Elegant half red morocco binding over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
A very good, well-margined copy in a handsome binding. 

First edition, one of 100 numbered advance (service de presse) copies on alfa du Marais paper.
Half brown morocco Bradel binding over marbled paper boards by P. Goy & C. Vilaine, gilt date to foot of spine, yellow paper endpapers and pastedowns , advertising band preserved and mounted on guards.
Light dampstain to foot of covers, a trace of folding to upper cover, foxing to covers and the first few leaves.
A nicely bound copy.

A rare and poetic autograph inscription from Aimé Césaire to the Pataphysician Maurice Saillet.

First edition. One of 50 copies on Rives vellum, ours one of 15 hors commerce copies numbered in Roman numerals, a deluxe issue following 7 copies on Japan paper.

A fine copy with full margins, presented in a chemise and slipcase of half brown shagreen, smooth spine, sides in wood-grain paper, the ensemble signed by P. Goy & C. Vilaine.

The volume includes a full-page map of the city and its surroundings.

The author’s first book, it opens with the now famous sentence: "J'avais vingt ans. Je ne laisserai personne dire que c'est le plus bel âge de la vie".

On the half-title, signed autograph inscription in red ink by Paul Nizan to his publisher Frédéric...

New edition, after the first, also published in Rome in 1657. The second text is also dated 1688, but not at the same address. A title page for the last part: Io. Petro Bellori notae in numistata tum Ephesia, tum aliarum urbium apibus insignata, without address or place, with a bee as title vignette. In all three parts, the plates are included in the pagination. The two parts following the first were not part of the first edition; they are joined to Mnestrier's text for the first time. The illustration contains 24 plates: 12 plates for the first part, some with 2 figures. 10 plates, mostly medals for the second part. 2 plates for the third part. Superbly engraved on copper, these plates...

First edition on ordinary paper, false mention of the thirtieth edition.
Elegant half maroon morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, marbled pastedowns and endpapers, covers and spine (sunned) preserved, top edge gilt.
Autograph inscription by Louis-Ferdinand Céline.
A very good copy, nicely bound.