Joris-Karl HUYSMANS

Complete set of the first quarter issues (11 April-12-19 July 1886) of the symbolist journal La Vogue, the most important literary review of the late nineteenth century, containing the first appearance in print of Rimbaud’s Illuminations. Issues 1-12, published weekly, were gathered under a quarterly wrapper and offered for sale in September 1886. No deluxe copies were issued for this first quarter of the journal, which had a very limited print run. Copy as published, spine restored, upper corner of the second cover lacking.

Exceptional illuminated manuscript of 35 poems by Stéphane Mallarmé, probably copied by Joris-Karl Huysmans on watermarked Hollande laid paper, after pre-first editions of the poems published in journals. Most of the poems are preceded by a separate title-page noting the source from which it is taken.

The manuscript includes a fine charcoal portrait of Mallarmé as a frontispiece by Charles Tichon, after a photographic portrait by Van Bosch. The portrait was published in the Mallarmé issue of Empreintes...

Autograph card signed, 7 lines in black ink.
A stain in the left margin affecting the first letter of the third line.
In this note, Huysmans questions the address of Dom Besse, Benedictine monk, French writer and historian, which he had previously communicated to his correspondent and for which he seems to have made an error.
As a precaution, he details it to him again.

First edition.
Half blue morocco shagreen, smooth spine, gilt date at foot of spine, marbled paper boards, contemporary binding.
Exceptionally inscribed by Emile Zola to the playwright and opera librettist Ludovic Halévy, with the autograph signatures of Guy de Maupassant, Joris-Karl Huysmans, Léon Hennique, Paul Alexis and Henri Céard on the first flyleaf.
Provenances: from the libraries of Ludovic Halévy and Marcel Lecomte, with their bookplates on front pastedown.
Our copy also includes, on a flyleaf, an autograph note by Ludovic Halévy: "See a letter by Guy de Maupassant at the end of the volume. L.H. Inscribed by the six authors of the volume...

Complete collection in 36 issues (including three double issues) bound in three volumes - First year: 12 issues, from 8 February 1885 to 6 January 1886 - Second year: 12 issues, from 8 February 1886 to 15 January 1887 - Third year: 12 issues, from February 1887 to January 1888.
Illustrated with 4 full-page lithographs by Fantin-Latour: L'Évocation d'Erda - Odilon Redon : Brünnhilde - Jacques-Emile Blanche : Tristan et Isolde and Le pur-simple.
Three quarter brown morocco binding, smooth spine titled in gilt, marbled paper boards, marbled paper endpapers and pastedowns, orignal wrappers preserved, binding signed by Dupré.
Numerous contributions...

One of 100 copies of the magazine printed on China paper for issues 1 to 11. The specimen issue and no. 12 are on laid paper. Our copy is complete with the spine and covers of the general binding, and the twelve illustrated covers.
First edition of the complete collection of L'image, published between 1896 and 1897.
All issues of the magazine are bound together under a half sheep binding with corners, spine with five raised bands titled in gilt, marbled paper boards. Some rubbing.
Scattered foxing and marginal tears.
Complete copy of this magazine founded by the young French corporation of wood engravers, and published by the publisher of...

First edition on ordinary paper.

A few small spots of foxing, and a faint dampstain along the right margin affecting most leaves of the volume.

Black 3/4 morocco binding, spine with five raised bands framed in black, gilt date at foot, marbled paper boards framed in gilt, comb-marbled endpapers and pastedowns, covers preserved and bound on stubs, top edge gilt, slipcase trimmed with black morocco, marbled paper slipcase boards, binding signed P. Goy & C. Vilaine.
Very rare signed and inscribed copy to Madame Charpentier, his publisher’s wife: "... son bien dévoué et respectueux..."

First edition, an ordinary paper copy.
Contemporary green half shagreen, marbled paper boards, spine with five raised bands and gilt flowers, speckled edges.
With the autograph signatures of every author of the "Médan group" involved in the writing of this famous collection of short stories: Guy de Maupassant, Emile Zola, Joris-Karl Huysmans, Léon Hennique, Paul Alexis and Henri Céard on the first endpaper.
A very good and rare copy in a strictly contemporary binding.

First edition on ordinary paper.
Bradel binding in half navy blue morocco, smooth spine, burgundy morocco title-piece, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, bookplate affixed to a pastedown, binding signed by Kauffmann.
Precious signed autograph inscription by Guy de Maupassant: « À mon aimable cousine Lucie Le Poittevin et à mon cher cousin, beau-fils de Cornudet lui-même, leur bien dévoué... »
Our copy is further enriched with two autograph letters signed by Léon Hennique and Henri Céard.

Complete first edition of the first series of the most important literary journals of the late 19th century, containing the pre-publication of Rimbaud's Illuminations. No deluxe issues of this magazine printed, except for five copies of the last issue on Japon.

Bradel bindings in half brown cloth, smooth spines decorated with a central gilt flower, twice ruled at foot, gilt date at foot of first volume, red sheepskin title labels with slight...

First edition.
Contemporary Bradel binding of half dark green cloth over marbled paper boards, spine with a central gilt fleuron, double gilt fillet and date to foot, brown shagreen title label, covers preserved.
Rare autograph inscription from Joris-Karl Huysmans on this work to Palu de la Savière.
Modern ex libris to one pastedown. 

First edition, “remise en vente” wrappers, one of 300 justified copies with the false mention of the second edition as always.
Half maroon morocco Bradel binding over marbled paper boards by Bellevallée, gilt date to foot of spine, marbled pastedowns and endpapers, covers and spine preserved, top edge gilt.
Friendly autograph inscription from Joris-Karl Huysmans to Léon Cladel. 

First collected edition.
Half dark green morocco over antique paper by Goy & Vilaine, spine in six compartments, covers and spine preserved, top edge gilt.
Handsome autograph inscription from Joris-Karl Huysmans to Jean Lorrain.
Preface by abbé A. Mugnier. Worming to covers, internally good without spotting.
A very good copy handsomely bound.