Théophile GAUTIER

First edition, with no deluxe paper copies issued.

Half aubergine shagreen binding, spine with four raised bands decorated with triple gilt compartments, marbled paper boards, marbled endpapers and pastedowns, speckled edges. Contemporary binding.

This collection of poems is followed by essays on Henry Murger by Théophile Gautier, Jules Janin, Arsène Houssaye, and Paul de Saint-Victor.

Our copy is enriched with an autograph note signed by Henry Murger, informing his correspondent that he will visit him soon.

First edition. Bibliothèque des chemins de fer series. Quite scarce. The novel was previously serialized in the Moniteur universel from March to May 1857. 12-page Hachette catalogue bound in at the end.
Full early 20th-century tan morocco binding, signed at the foot of the inside front cover by A. J. Gonon, housed in a beige slipcase trimmed with morocco. Spine with raised bands, compartments decorated. Wide gilt fillet border on pastedowns. Untrimmed copy. Occasional foxing. Spine slightly sunned. Original wrappers preserved, spine portion missing. A good copy.

First printing of this edition illustrated with drawings by Delort engraved by Mongin. Small print run on vélin after 150 copies on deluxe paper. 14 plates on papier hollande. A frontispiece portrait. Preface by Judith Gautier.
Full bordeaux roan binding signed Bonleu (bottom of pastedown) with unidentified initials stamped in gilt, 2 interlaced English letters AC. Spine uniformly sunned, now light brown. Numerous gilt-tooled motifs on spine, ruled in gilt at head and foot of spine. Large inner dentelle numerously ruled and tooled in gilt. Traces of rubbing at heads of spine, joints and corners. Some scuffing along the joints. Some leaves protruding in volume II.
H

Partly original edition, with 8 of the 12 stories in this collection appearing here for the first time.
Contemporary half red shagreen binding, smooth spine decorated with black and gilt fillets, marbled paper boards, marbled endpapers, speckled edges.

A small angular loss to the headcap, light rubbing to the spine.

Three autograph letters signed by Gérard de Nerval (2 pages signed « Gérard »), Théophile Gautier (1 page), and a third, unsigned letter (1 page) penned by a certain « Robert » (cf. Nerval's letter)
 
Louis Desessart, Théophile Gautier's appointed publisher, co-published Nerval’s play Léo Burckart with Barba in 1839. Following financial difficulties, he was forced to take refuge « in that sad and charming city of Brussels ».
 
The three friends wrote this letter from Paris, where they had reunited following Nerval’s long journey to th

First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who

First edition, of which only 500 copies were issued. With an etched frontispiece portrait of Théophile Gautier by Émile Thérond.

With a substantial prefatory letter by Victor Hugo.

Full red morocco binding, gilt date at the foot of spine, marbled endpapers, Baudelairian ex-libris from Renée Cortot’s collection on the first endpaper, wrappers preserved, top edge gilt. Pale foxing affecting the first and last leaves, beautiful copy perfectly set.

First edition
Contemporary red half Russian morocco, the spine with double gilt fillets, corners very lightly rubbed.
Presentation copy, inscribed by Théophile Gautier to Monsieur Bufquin des Essarts on half-title.

First edition, one of three or four cop­ies printed on vellum skin, the most limited issue. A few copies printed on japon, 12 on Whatman, 12 on chine, and 350 copies on laid paper. Edited by Philippe Burty, the book features 42 sonnets and as many original etchings.
Contemporary full dark purple morocco binding, slightly recolored spine with five raised bands, gilt title, purple wa­tered-silk pastedowns and endleaves followed by vellum endleaves, inner gilt dentelle, sides and spine-ends framed in gilt, all edges gilt, marbled paper slip­case bordered in purple mo­rocco, binding signed by Au­guste Petit.

Only two oth­er vellum cop­ies recorded: Melot and Delteil