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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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Gustave DORÉ
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  2. Gustave DORÉ

Gustave DORÉ

Born6 janvier 1832
Died23 janvier 1883
LanguageFrench
NationalityFrance
Peintre, sculpteur, dessinateur et graveur
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  • Shadow and Light in Roland Furieux's engravings illustrated by Gustave Doré
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DORÉ, Gustave
  1. Oeuvres de François Rabelais contenant la vie de Gargantua et celle de PantagruelOeuvres de François Rabelais contenant la vie de Gargantua et celle de Pantagruel
    François RABELAIS, Gustave DORÉ

    Oeuvres de François Rabelais contenant la vie de Gargantua et celle de Pantagruel

    J. Bry aîné|Paris 1854|19 x 28.5 cm|Woodcut|relié

    First-issue illustrated edition featuring 15 full-page plates and 100 in-text figures by Gustave Doré. This edition is considerably rarer than the well-known later Doré edition published by Garnier in folio format in 1873; moreover, the Garnier edition reused 98 illustrations from the Bry edition. Printed in two columns.
    Twentieth-century half morocco binding with corners, in chocolate brown. Smooth spine decorated with gilt fillets. Brown calf title label. A good, fresh copy, with a few occasional scattered foxing.
    "Cet ouvrage populaire est fort recherché aujourd'hui pour les puissantes compositions de Gustave Doré qui s'était fait la main pour son admirable illustration des...

    €700
  2. The Doré Bible
    The Doré Bible
    La sainte BibleLa sainte Bible
    Gustave DORÉ

    La sainte Bible

    Alfred Mame & fils|Tours 1874|33 x 45 cm|2 volumes reliés

    Folio edition of the Holy Bible illustrated by Gustave Doré in two volumes.
    3/4 red calf, spine with five raised bands showing some scuffing, decorated with five blind-stamped panels framed in gilt, gilt roll on the bands and at top and bottom of spine, spine-ends rubbed, spine elaborately decorated with gilt tooling, title and volume number gilt-stamped, marbled paper boards framed in gilt, small losses of paper at upper margin of front board of both volumes, paper lifting at margin of lower cover of volume two, contemporary binding. Some foxing. 
    Translated by J.J. Bourassé and P. Janvier.
    A handsome edition with numerous monumental woodcuts after drawings by Gustave...

    €400
  3. Le chemin des écoliers - Promenade de Paris à Marly-le-Roi en suivant les bords du RhinLe chemin des écoliers - Promenade de Paris à Marly-le-Roi en suivant les bords du Rhin
    Gustave DORE, Myles Birket FOSTER

    Le chemin des écoliers - Promenade de Paris à Marly-le-Roi en suivant les bords du Rhin

    Hachette & Cie|Paris 1861|15.50 x 24.50 cm|relié
    Illustrated edition with 450 vignettes by Gustave Doré, Myles Birket Foster...
    Half-green shagreen binding, spine with four raised bands decorated with gilt quadruple compartments, gilt dots at head and foot of spine, blind-ruled frame on green cardboard boards, white watered silk endpapers and pastedowns, all edges gilt, contemporary binding.
    Light discoloration on the boards.
    Handsome copy despite some minor foxing.

    €170
  4. Les mille et une nuitsLes mille et une nuits
    ANONYME, Gustave DORÉ

    Les mille et une nuits

    Librairie de L. Hachette et Cie|Paris 1865|20 x 29 cm|2 tomes en un volume relié
    First edition illustrated with 421 illustrations (vignettes, half-page, hors-texte, double-page...) with an unparalleled profusion of images. Printed in double columns. Among the illustrators who contributed to this rather rare edition are not only Gustave Doré, but Castelli, Foulquier, Gustave Roux, F. Pierdon... The edition uses all the techniques of Romantic printing to insert the images, framing the text, as vignettes, in double-page format in the manner of L'Illustration, and makes reading the experience of total immersion in the world of the Arabian Nights, oriental and magical.
    Contemporary green half morocco with corners signed Petit (successor to Simier). Spine with raised...
    €650
  5. Le capitaine FracasseLe capitaine Fracasse
    Théophile GAUTIER, Gustave DORÉ

    Le capitaine Fracasse

    Charpentier|Paris 1866|19 x 27.30 cm|relié
    First illustrated edition, uncommon, with 60 wood-engraved plates by Gustave Doré, engraved by Huyot, Jonnard... Edition with the first address: Quai de l'école, preferable to the second.
    Half old red morocco binding with corners. Jansenist spine with raised bands bearing title, author and date at foot. Series of double fillets on boards. Light traces of rubbing. Corners and boards rubbed. Paper superbly fresh, of exquisite whiteness, except for one signature lightly browned and a slight trace of dampstain to upper margin of one engraving, and foxing to upper margin of table of contents.
    Rare condition in contemporary half morocco with beautifully fresh paper.
    "A highly...
    €1,100
  6. Before the golden age of comics, the "Age of Doré"
    Before the golden age of comics, the "Age of Doré"
    Des-agréments d'un voyage d'agrémentDes-agréments d'un voyage d'agrément
    Gustave DORÉ

    Des-agréments d'un voyage d'agrément

    Féchoz & Letouzey|Paris s. d. [1860]|36 x 27.50 cm|relié

    Album of lithographed plates in third state, first cover printed in 3 tones, black, bistre with gradients and white highlights, followed by 24 lithographs in black on 12 double-sided pages.


    Gray half calf binding, smooth spine, some foxing, original soft cover preserved, binding signed by Charles Septier.


    Created in 1851, this youthful work influenced by Rodolphe Töppfer's style, is now considered an incunabulum of comic strips.

    €2,500
  7. Les différents publics de Paris par Gustave DoréLes différents publics de Paris par Gustave Doré
    Gustave DORÉ

    Les différents publics de Paris par Gustave Doré

    Au bureau du journal amusant|Paris S.d (1854)|34.50 x 26.50 cm|relié
    | Gustave's 'jeunesse Doré' – talent's no need of years |

    First edition, first printing of this rare album, with its precious publisher's lithographed green cover by Belin and twenty original captioned lithographed plates by Gustave Doré.
    One of Doré's earliest efforts, his debut album of illustrations he published at age twenty-two: "In this album, Doré begins to display an unprecedented mastery of comedy and...
    €3,500
  8. From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumesFolies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes
    Gustave DORÉ

    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes

    Au bureau du journal amusant|s. l. s. d. [1859]|34.50 x 26.50 cm|relié

    20 full-page lithographs in black by Gustave Doré, in second state.
    Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

    €1,200
  9. [PHOTOGRAPHIE] Portrait photographique de Gustave Doré[PHOTOGRAPHIE] Portrait photographique de Gustave Doré
    Gustave DORÉ, Étienne CARJAT

    [PHOTOGRAPHIE] Portrait photographique de Gustave Doré

    Carjat et Cie|Paris 1865 ca|6 x 10.70 cm|une photographie
    Original albumen photograph, carte-de-visite format, mounted on card, with photographer's stamp on verso and lower margin.
    Full-length standing portrait of Gustave Doré, dressed in white, around age 35, wearing moustache and goatee. Very rare photograph of the painter in his youth, who was roughly the same age as Carjat.
    The painter, with an absent and detached air, almost melancholy, in a very dandy pose, holds a cigar in his right hand with his left hand slipped into his trouser pocket.
    Fine print. A copy held by the Musée Carnavalet in Paris, but in a much darker tonality.







    €1,400
  10. Charles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "L'Ogre et sa Femme" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known...
    €90
  11. Charles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Frontispice, "La lecture des contes en famille" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known...
    €80
  12. Charles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Tu vois bien que nous ne pouvons plus nourrir nos enfants" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as a discreet black spot in the center of the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €90
  13. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Charles MAURAND, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet se leva de bon matin & alla au bord d'un ruisseau, où il remplit es poches de petits cailloux blancs" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €90
  14. Charles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PIERDON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Lorsque les enfants se virent suls, sil se mirent à crier & à pleurer de toutes leurs forces" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pierdon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as some worming in the margin.
    These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying...
    €90
  15. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet grimpa en haut d'un arbre pour voir s'il ne découvrirait rien" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image, as well as a small tear without loss and not affecting the engraving at the bottom and wormhole in the lower margin.
    These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the...
    €100
  16. Charles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Hélène BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Ils mangèrent d'un appétit qui faisait plaisir à voir au père et à la mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Hélène Boetzel on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as "tinted...
    €80
  17. Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Georges Léon Alfred PERRICHON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Il les tira de dessous le lit l'un après l'autre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Georges Perrichon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A faint marginal dampstain, not affecting the design.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique...
    €100
  18. Charles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "En disant ces mots, il coupa, sans balancer, la gorge de ses septs filles" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A faint marginal dampstain, not affecting the design, as well as some spotting in the margins.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate...
    €100
  19. Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Le Petit Poucet, s'étant approché de l'ogre, lui tira doucement ses bottes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A light marginal dampstain, not affecting the design, as well as some foxing in the margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  20. Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Cette bonne femme n'avait point entendu parler des défenses que le roi avait faites de filer au fuseau" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A very light marginal dampstain, not affecting the design, as well as some soiling in the left margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that...
    €120
  21. Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Le fils du roi qui régnait alors demanda ce que c'était que ces tours qu'il voyait au-dessus d'un grand bois fort épais" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Very faint marginal dampstain not affecting the drawing and foxing in upper margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details...
    €100
  22. Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Emile DESCHAMPS, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Il entra dans la salle des gardes" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Emile Deschamps on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light foxing in margins, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  23. Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Ce n'étaient que des corps étendus d'hommes & d'animaux qui paraissaient morts" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Light lack to lower right corner of margin not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism...
    €100
  24. Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Ne pouvant deviner comment cette citrouille pourrait la faire aller au bal" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare and light worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the...
    €120
  25. Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jules FAGNION, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "On n'entendait qu'un bruit confus : 'Ah ! qu'elle est belle !' " - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Excellent condition.
    These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called "tinted wood." He uses...
    €90
  26. Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Jean François Prosper DELDUC, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Bonnes gens qui moissonnez, si vous ne dites pas que tous ces blés appartiennent à M. le marquis de Carabas, vous serez tous hachés menu comme chair à pâté" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jean Delduc on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Very rare foxing in the margin not affecting the design.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism thanks to the technique called...
    €100
  27. Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "L'ogre le reçut aussi civilement que le peut un ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Tales in 1862.
    Some soiling and foxing in the margins not affecting the engraving.
    These illustrations of the Tales are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the...
    €100
  28. Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Riquet à la houppe, "Elle vit sous ses pieds comme une grande cuisine pleine de cuisiniers, de marmitons, & de toutes sortes d'officiers nécessaires pour faire un festin magnifique" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming to margins not affecting the engraving.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as...
    €80
  29. Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Les grands de l'Etat s'asemblèrent & vinrent en corps prier le roi de se remarier. Cette proposition lui parut dure" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare worming to margins not affecting the engraving and crease to lower left corner of margin.
    These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate...
    €100
  30. Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    BOETZEL, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Le roi, qui s'était mis en tête ce bizarre projet, avait consulté un vieux druide" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Boetzel on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional light worming in margins not affecting the engraving.
    These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the composition to the smallest details that generate terrifying realism through the...
    €100
  31. Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "La joie de se trouver si belle lui donna envie de s'y baigner, ce qu'elle exécuta" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower right corner and very rare worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique...
    €90
  32. Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    HEBERT, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Il vint des rois de tous les pays" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Hébert on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Fold in the lower left corner and very rare and pale worming.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known...
    €100
  33. Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Charles MAURAND, Gustave DORÉ

    Charles Perrault, Contes, Les Fées, "Un jour qu'elle était à cette fontaine, il vint à elle une pauvre femme qui lui pria de lui donner à boire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Occasional worming and soiling to lower right corner, not affecting the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying...
    €80
  34. Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Les voisines & les amies tant elles avaient d'impatience de voir toutes les richesses de sa maison" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Small fold to lower right corner not affecting the engraving and occasional light worming to margin.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism...
    €100
  35. Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Ils lui passèrent leur épée au travers du corps" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Worming in margins not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as...
    €80
  36. Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "Dieu soit loué ! s'écria-t-elle, ce sont mes frères" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Two scratches in the margin, a small tear in the upper margin without loss and very rare worming not touching the engraving.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the scene to the...
    €100
  37. Lettre autographe signée adressée à Paul DallozLettre autographe signée adressée à Paul Dalloz
    Gustave DORÉ

    Lettre autographe signée adressée à Paul Dalloz

    1874|13.20 x 20.70 cm|4 pages sur un double feuillet
    Autograph letter signed by Gustave Doré addressed to Paul Dalloz. Four pages written in black ink on a double sheet of white paper, with envelope.
    Fine letter full of torment, in which Gustave Doré dreads being supported again for the rank of officer in the Legion of Honor, he who was made chevalier in 1861 after the publication of Dante's Inferno and thanks to Paul Dalloz's intervention. Doré thanks him moreover for this past influence: "Je viens te remercier encore et du plus profond de mon cœur de l'amitié toute dévouée que vous m'avez témoignée dans ces dernières circonstances ; et je t'assure que je te conserve pour ce fait des sentiments aussi...
    €1,200
  38. Le roi des montagnesLe roi des montagnes
    Edmond ABOUT, Gustave DORÉ

    Le roi des montagnes

    Librairie de L. Hachette et Cie|Paris 1861|15 x 23.70 cm|relié

    First illustrated edition by Gustave Doré. 142 vignettes and 12 plates.
    Includes: Autograph inscription by the author on a card with his red seal on the left side of the card, for an appointment.



    Contemporary half brown shagreen binding. Spine with raised bands decorated with 4 fleurons and fillets. Spine slightly faded. Some foxing. Handsome copy.
    One of the first books illustrated by Gustave Doré after Balzac's Contes drolatiques. A popular novel that enjoyed great success in its time and remains one of the classics of adventure novels for young people.

    €450
  39. [PHOTOGRAPHIE] Portrait photographique de Gustave Doré[PHOTOGRAPHIE] Portrait photographique de Gustave Doré
    Gustave DORÉ, Pierre PETIT

    [PHOTOGRAPHIE] Portrait photographique de Gustave Doré

    Pierre Petit|Paris 1860 (Ca)|5.80 x 10.30 cm|une photographie
    Original albumen photograph in carte-de-visite format, mounted on Pierre Petit cardboard mount, with his mark on the reverse.
    Full-length portrait of Gustave Doré, dressed in white, around age 30, with mustache. Very rare photograph of the painter in his youth.
    Manuscript annotation on the reverse.
    The Musée d'Orsay holds a photograph of Doré by Pierre Petit from the same period but the artist wears a black velvet waistcoat, a black coat, hands in pockets.





    €1,500
  40. [PHOTOGRAPHIE] Portrait photographique de Gustave Doré[PHOTOGRAPHIE] Portrait photographique de Gustave Doré
    (Gustave DORÉ) [NADAR] Félix Tournachon dit NADAR

    [PHOTOGRAPHIE] Portrait photographique de Gustave Doré[PHOTOGRAPHY] Photographic portrait of Gustave Doré]

    Nadar|Paris s. d. [1867]|6.60 x 10.40 cm|une photographie
    Nadar, Paris N.D. (but 1867), 6,6x10.4 cm, photograph

    Original photograph on albumin paper in a visiting card format, laid down on card by Nadar, initialed and with a red border.
    Doré poses with his arm on a fringed chair, the same as in the portraits of Théophile Gautier, Edouard Manet and Alexandre Dumas.
    Manuscript annotation to verso.
    We have not been able to find any copies of this photograph in any of the international public collections.
    €1,200
  41. Voyage aux PyrénéesVoyage aux Pyrénées
    Hippolyte Adolphe TAINE, Gustave DORÉ

    Voyage aux Pyrénées

    Hachette|Paris 1860|15.50 x 24.50 cm|relié
    First octavo edition and first under this new title. The work had been published under the title Voyage aux eaux des Pyrénées in 1855, in a small format and with 64 wood engravings by Gustave Doré; in this edition, 9 of the woodcuts published in 1855 are not included, so there are 332 new woodcuts (Louis Dézé).
    Contemporary binding in half midnight blue shagreen, spine with four raised bands decorated with gilt compartments, fillets and stippling, paper boards in cardboard style, endpapers and pastedowns of watered paper, all edges gilt.
    Some rubbing to head and foot of spine, two corners slightly rubbed, endpapers and pastedowns somewhat darkened.
    Two bookplates...
    €450
  42. La légende de Croque - MitaineLa légende de Croque - Mitaine
    Ernest L'ÉPINE, Gustave DORÉ

    La légende de Croque - Mitaine

    Librairie de L. Hachette et Cie|Paris 1863|24.50 x 32 cm|relié
    First edition illustrated with 177 drawings by Gustave Doré, including vignettes, plates, headpieces... All engraved by Maurand, Sarglat... Fine printing on large white laid paper. Title page in red and black.
    Contemporary half red morocco binding with corners in long grain. Smooth spine richly decorated with large romantic tools in compartments. Triple fillet rule on boards. Original wrappers preserved. Rubbing to joints, headcaps and edges. Corners bumped and slightly turned. Joint fragile at tail of upper board. Fine copy, with very white paper free from foxing.
    This fable features Charlemagne and his brave knights, and all the characters from Ariosto.
    €650
  43. Les contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultresLes contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres
    Gustave DORE, Honoré de BALZAC

    Les contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres

    Garnier frères|Paris 1860 (S.d)|13.50 x 20 cm|relié
    Sixth edition and second printing of the 425 compositions by Gustave Doré. "masterpiece where each vignette is a discovery" (Béradi)
    Full red long-grained morocco binding signed Thivet (at the top of the first endpaper). Richly decorated spine with raised bands. Gilt title. Triple gilt ruling on boards. Rich inner gilt border. All edges gilt. Spine slightly faded.
    Scattered foxing.
    Superb copy, very rare in full binding, moreover in full morocco.
    "The idea of illustrating these texts had been suggested by the Bibliophile Jacob, Paul Lacroix, who had been commissioned by Balzac's widow for the philological revision of the text. The illustrations fall within a caricatural...
    €650
  44. Voyage aux PyrénéesVoyage aux Pyrénées
    Hippolyte Adolphe TAINE, Gustave DORÉ

    Voyage aux Pyrénées

    Librairie de L. Hachette et Cie|Paris 1860|15.50 x 23.30 cm|relié
    Third edition with some parts in first edition and definitive illustrated edition by Gustave Doré.
    Contemporary half red shagreen binding, spine decorated with triple compartments and gilt fleurons, compartments and cold fillets, cloth boards decorated in blind, white cloth pastedowns and endpapers, all edges gilt.
    Two corners slightly bumped, soiling to pastedowns and endpapers, binding signed in blind Vigneau et Pasquier.
    Some foxing.
    €200
  45. Cervantès, Don Quichotte, Les meuniers les tirèrent l'un l'autre, par les pieds, par la tête. Gravure originale sur bois debout. Tome 2, ch.29Cervantès, Don Quichotte, Les meuniers les tirèrent l'un l'autre, par les pieds, par la tête. Gravure originale sur bois debout. Tome 2, ch.29
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Les meuniers les tirèrent l'un l'autre, par les pieds, par la tête. Gravure originale sur bois debout. Tome 2, ch.29

    Hetzel|Paris 1863|31 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate specially created for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.
    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled through...
    €45
  46. Cervantès, Don Quichotte, Celui-ci répondit pour le singe. Gravure originale sur bois debout. Tome 2, ch.25
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Celui-ci répondit pour le singe. Gravure originale sur bois debout. Tome 2, ch.25

    Hetzel|Paris 1863|31 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quichotte: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il...
    €45
  47. Cervantès, Don Quichotte, Montésinos me dit que tous ces gens de la procession étaient les serviteurs de Durandart et de Bélerme. Gravure originale sur bois debout. Tome 2, ch.23
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Montésinos me dit que tous ces gens de la procession étaient les serviteurs de Durandart et de Bélerme. Gravure originale sur bois debout. Tome 2, ch.23

    Hetzel|Paris 1863|31 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quichotte: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il...
    €45
  48. Cervantès, Don Quichotte, Ils virent qu'il avait les yeux fermés comme un homme endormi. Gravure originale sur bois debout. Tome 2, ch.22
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Ils virent qu'il avait les yeux fermés comme un homme endormi. Gravure originale sur bois debout. Tome 2, ch.22

    Hetzel|Paris 1863|31 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  49. Cervantès, Don Quichotte, Finalement, maître et valet restèrent trois jours chez les mariés, où ils furent traités comme des rois. Gravure originale sur bois debout. Tome 2, ch.22
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Finalement, maître et valet restèrent trois jours chez les mariés, où ils furent traités comme des rois. Gravure originale sur bois debout. Tome 2, ch.22

    Hetzel|Paris 1863|31 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  50. Cervantès, Don Quichotte, Pour être si grièvement blessé, dit Sancho, ce garçon-là jase beaucoup. Gravure originale sur bois debout. Tome 2, ch.21
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Pour être si grièvement blessé, dit Sancho, ce garçon-là jase beaucoup. Gravure originale sur bois debout. Tome 2, ch.21

    Hetzel|Paris 1863|43 x 21 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  51. Cervantès, Don Quichotte, Il ne fut pas moins ravi d'un autre choeur de danse qui entra bientôt après. Gravure originale sur bois debout. Tome 2, ch.20
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Il ne fut pas moins ravi d'un autre choeur de danse qui entra bientôt après. Gravure originale sur bois debout. Tome 2, ch.20

    Hetzel|Paris 1863|43 x 21 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  52. Cervantès, Don Quichotte, L'hidalgo se décida à piquer sa jument. Gravure originale sur bois debout. Tome 2, ch.17
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, L'hidalgo se décida à piquer sa jument. Gravure originale sur bois debout. Tome 2, ch.17

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. Light foxing to lower right margin, not touching the plate.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first travelled to Spain in 1855, accompanied by Théophile Gautier and the publisher Paul Dalloz. In 1861, fulfilling a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an experienced hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the...
    €45
  53. Cervantès, Don Quichotte,Don Quichotte qui s'était déjà jeté à genoux au côté de Sancho. Gravure originale sur bois debout. Tome 2, ch.10Cervantès, Don Quichotte,Don Quichotte qui s'était déjà jeté à genoux au côté de Sancho. Gravure originale sur bois debout. Tome 2, ch.10
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte,Don Quichotte qui s'était déjà jeté à genoux au côté de Sancho. Gravure originale sur bois debout. Tome 2, ch.10

    Hetzel|Paris 1863|43 x 21 cm|une feuille
    First edition. Wood engraving signed on the plate by the artist. Light foxing not affecting the engraving.
    Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this...
    €45
  54. Cervantès, Don Quichotte, De l'aventure, Sancho resta moulu, Don Quichotte épouvanté, le grison meurtri de coups et rossinante fort peu catholique. Gravure originale sur bois debout. Tome 2, ch.58
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, De l'aventure, Sancho resta moulu, Don Quichotte épouvanté, le grison meurtri de coups et rossinante fort peu catholique. Gravure originale sur bois debout. Tome 2, ch.58

    Hetzel|Paris 1863|43 x 21 cm|une feuille
    First edition. Wood engraving signed on the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places...
    €45
  55. Cervantès, Don Quichotte, S'il vous plaît, seigneur, de devenir notre hôte, vous serez accueilli avec courtoisie et libéralité. Tome 2, ch.58
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, S'il vous plaît, seigneur, de devenir notre hôte, vous serez accueilli avec courtoisie et libéralité. Tome 2, ch.58

    Hetzel|Paris 1863|43 x 21 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. Pale foxing in the upper margin not affecting the engraving.
    Plate created specifically for the illustration of Don Quixote by Cervantes for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la...
    €45
  56. Cervantès, Don Quichotte, Un jour donc il demanda au duc et à la duchesse la permission de prendre congé d'eux. Tome 2, ch.57Cervantès, Don Quichotte, Un jour donc il demanda au duc et à la duchesse la permission de prendre congé d'eux. Tome 2, ch.57
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Un jour donc il demanda au duc et à la duchesse la permission de prendre congé d'eux. Tome 2, ch.57

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. Some pale spotting in the margin of the plate.
    Plate created specifically for the illustration of Don Quixote by Cervantes for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable Hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet...
    €45
  57. Cervantès, Don Quichotte, Retirez-vous, Seigneur Don Quichotte ; la pauvre enfant ne reviendra point à elle tant que votre grâce restera là. Tome 2, ch.46
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Retirez-vous, Seigneur Don Quichotte ; la pauvre enfant ne reviendra point à elle tant que votre grâce restera là. Tome 2, ch.46

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed on the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, accompanied by Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an avid hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily for the illustration of Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the places he traveled...
    €45
  58. Cervantès, Don Quichotte, Le gouverneur Sancho Panza rendant la justice. Tome 2, ch.45
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Le gouverneur Sancho Panza rendant la justice. Tome 2, ch.45

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. A small foxing spot in the upper margin, not touching the engraving.
    Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré traveled to Spain first in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there mainly with a view to illustrating Don Quixote: "I am therefore going to...
    €45
  59. Cervantès, Don Quichotte, Là se termine le chant de l'amoureuse Altisidore. Tome 2, ch.44
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Là se termine le chant de l'amoureuse Altisidore. Tome 2, ch.44

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. Some very discreet worming.
    Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

    Gustave Doré first travelled to Spain in 1855, in the company of Théophile Gautier and the publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a learned hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour...
    €45
  60. Cervantès, Don Quichotte, Puis il alla prendre la bénédiction de son seigneur. Tome 2, ch.44
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Puis il alla prendre la bénédiction de son seigneur. Tome 2, ch.44

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.
    Plate created specifically for the illustration of Cervantes' Don Quixote in the Hachette edition of 1863.

    Gustave Doré first travelled to Spain in 1855, in the company of Théophile Gautier and the publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a learned hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  61. Cervantès, Don Quichotte, Mort de Don Quichotte.
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Mort de Don Quichotte.

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.

    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, accompanied by Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an informed hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de cet illustre hidalgo pour étudier tous les lieux qu'il a...
    €45
  62. Cervantès, Don Quichotte, On releva Don Quichotte et on lui découvrit le visage qu'on trouva pâle, inanimé et inondé de sueur. Tome 2, ch. 64
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, On releva Don Quichotte et on lui découvrit le visage qu'on trouva pâle, inanimé et inondé de sueur. Tome 2, ch. 64

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. A long tear without loss to the left margin of the plate.

    Plate created specifically for the illustration of Cervantes' Don Quixote for the 1863 Hachette edition.

    Gustave Doré first traveled to Spain in 1855, accompanied by Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an informed hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "Je me rends donc dans la patrie de...
    €45
  63. Cervantès, Don Quichotte, Dis-moi, toi qui réponds, était-ce la vérit, était-ce un songe ?. Tome 2, ch. 62
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Dis-moi, toi qui réponds, était-ce la vérit, était-ce un songe ?. Tome 2, ch. 62

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist. Some light foxing.

    Plate specially created for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.


    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious...
    €45
  64. Cervantès, Don Quichotte, L'on regarda la maison, où il y eut grande assemblée de dames. Tome 2, ch. 62
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, L'on regarda la maison, où il y eut grande assemblée de dames. Tome 2, ch. 62

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.

    Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, a knowledgeable hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the...
    €45
  65. Cervantès, Don Quichotte, Voilà comme je châtie les insolents qui ne savent pas retenir leur langue. Tome 2, ch. 60
    Gustave DORE, Héliodore PISAN

    Cervantès, Don Quichotte, Voilà comme je châtie les insolents qui ne savent pas retenir leur langue. Tome 2, ch. 60

    Hetzel|Paris 1863|21 x 43 cm|une feuille
    First edition. Wood engraving signed in the plate by the artist.

    Plate created specifically for the illustration of Cervantes' Don Quixote for the Hachette edition of 1863.

    Gustave Doré first traveled to Spain in 1855, in the company of Théophile Gautier and publisher Paul Dalloz. In 1861, responding to a commission from the journal Le Tour du monde, he returned there with Baron Jean Charles Davillier, an experienced hispanophile, who would recount their journey in his Voyage en Espagne.
    Doré went there primarily with a view to illustrating Don Quixote: "I am therefore going to the homeland of this illustrious hidalgo to study all the...
    €45
  66. Histoire aussi intéressante qu'invraisemblable de l'intrépide capitaine Castagnette neveu de l'homme à la tête de boisHistoire aussi intéressante qu'invraisemblable de l'intrépide capitaine Castagnette neveu de l'homme à la tête de bois
    Gustave DORÉ, Ernest L'ÉPINE

    Histoire aussi intéressante qu'invraisemblable de l'intrépide capitaine Castagnette neveu de l'homme à la tête de bois

    Hachette & Cie|Paris 1872|22.50 x 31 cm|reliure de l'éditeur
    Third edition.
    Publisher's full navy blue cloth binding, smooth spine faded, headcaps lightly rubbed, front cover decorated with gilt ornament, marbled endpapers and pastedowns, corners slightly bumped, marbled edges.
    Work illustrated with 43 wood vignettes by Gustave Doré.
    Occasional foxing, two ink stains in margins of pages 72 and 73.
    €70
  67. Exceptional Copy on Vellum Skin
    Exceptional Copy on Vellum Skin
    Sonnets et eaux-fortesSonnets et eaux-fortes
    Edouard MANET, Camille COROT

    Sonnets et eaux-fortes

    Alphonse Lemerre|Paris 1869 [achevé d'imprimer 20 décembre 1868]|36.30 x 27 cm|relié

    First edition, one of three or four cop­ies printed on vellum skin, the most limited issue. A few copies printed on japon, 12 on Whatman, 12 on chine, and 350 copies on laid paper. Edited by Philippe Burty, the book features 42 sonnets and as many original etchings.
    Contemporary full dark purple morocco binding, slightly recolored spine with five raised bands, gilt title, purple wa­tered-silk pastedowns and endleaves followed by vellum endleaves, inner gilt dentelle, sides and spine-ends framed in gilt, all edges gilt, marbled paper slip­case bordered in purple mo­rocco, binding signed by Au­guste Petit.

    Only two oth­er vellum cop­ies recorded: Melot and Delteil...

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  68. Histoire des croisadesHistoire des croisades
    Joseph MICHAUD, Gustave DORÉ

    Histoire des croisades[The History of the Crusades]

    Furne, Jouvet & Cie|Paris 1877|31.50 x 43.60 cm|2 volumes reliés

    First edition illustrated with 2 frontispiece portraits and 100 hors-texte plates by Gustave Doré engraved by Bellanger, Pannemaker, Pisan...



    Publisher's binding in full vermillion percaline cloth signed Magnier. Smooth spine decorated with 6 richly ornamented compartments. Large plate on the upper cover with a cross with pointed ends at center, 4 swords, 4 blazoned shields and 4 crescents in the corners. The second cover repeats the central part of the decoration of the first cover. Spine slightly sunned. Minor cuts at head and tail. Some foxing on otherwise white paper. Corners slightly turned.
    Fine copy of this capital text, the fruit of 30 years of research...

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  69. Les Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultresLes Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres
    Gustave DORE, Honoré de BALZAC

    Les Contes drolatiques colligez es abbayes de Touraine et mis en lumière par le sieur de Balzac pour l'esbattement des pantagruelistes et non aultres

    Ez Bureaux de la société générale de Librairie|Paris 1855|12.50 x 20 cm|relié
    Fifth edition and first printing of the 425 drawings by Gustave Doré.
    Half brown sheep binding, smooth spine decorated with gilt and black fillets, traces of rubbing to spine, joints slightly cracked at head and foot, marbled paper boards, marbled endpapers and pastedowns, one upper corner slightly bumped.
    Some minor foxing.
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  70. Les Contes de PerraultLes Contes de Perrault
    Charles PERRAULT, Gustave DORÉ

    Les Contes de PerraultThe Fairy Tales of Charles Perrault

    Hetzel|Paris 1880|28.50 x 39 cm|relié
    Les Contes de Perrault [The Fairy Tales of Charles Perrault]
    Hetzel, Paris 1880, 28,5x39cm, bound.
    New edition illustrated with 40 full-page engravings by Gustave Doré. One of the copies beautifully printed on thick paper H. Odent & Cie.
    Red cloth publisher's binding. First cover, spine and part of the second cover uniformly lightened, covers and corners a little rubbed. A few quires slightly sticking out.
    Rare copy scarcely without any foxing.
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  71. The RavenThe Raven
    Edgar Allan POE, Gustave DORÉ

    The Raven

    Harper & Brothers|New York 1884|37 x 47 cm|relié
    Harper & Bros. New York, 1884.
    First American edition. Wonderfully illustrated with 26 full page engravings by Gustave Doré.
    Grey cloth publisher's binding, spine and front cover elaborately gilt.
    "The poet's melancholy luxury sparked Doré's saddened imagination, and he poignantly rendered the inexpressible sadness of this dark idyll..." (Blanche Roosevelt, La Vie et les oeuvres de Gustave Doré)
    Well preserved copy without any foxing throughout.
    Rare copy of this masterpiece from the twilight years of the nineteenth century's most celebrated book illustrator.
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  72. Fierabras, légende nationaleFierabras, légende nationale
    Gustave DORE, MARY-LAFON

    Fierabras, légende nationale

    Librairie Nouvelle|Paris 1857|22 x 28 cm|relié
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  73. Charles Perrault, Contes, Le Petit Chaperon rouge,  "En passant dans un bois, elle rencontra compère le Loup" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Chaperon rouge,  "En passant dans un bois, elle rencontra compère le Loup" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Chaperon rouge, "En passant dans un bois, elle rencontra compère le Loup" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  74. Charles Perrault, Contes, Le Petit Chaperon rouge, "Cela n'empêche pas qu'avec ses grandes dents il avait mangé une bonne grand'mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Chaperon rouge, "Cela n'empêche pas qu'avec ses grandes dents il avait mangé une bonne grand'mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Chaperon rouge, "Cela n'empêche pas qu'avec ses grandes dents il avait mangé une bonne grand'mère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  75. Charles Perrault, Contes, Le Petit Chaperon rouge, "Le Chaperon rouge fut bien étonné de voir comment sa grand'mère était faite en son déshabillé" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Chaperon rouge, "Le Chaperon rouge fut bien étonné de voir comment sa grand'mère était faite en son déshabillé" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Chaperon rouge, "Le Chaperon rouge fut bien étonné de voir comment sa grand'mère était faite en son déshabillé" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  76. Charles Perrault, Contes, Le Petit Poucet, "En marchant il avait laissé tomber le long du chemin les petits cailloux blancs qu'il avait dans ses poches" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "En marchant il avait laissé tomber le long du chemin les petits cailloux blancs qu'il avait dans ses poches" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PIERDON, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "En marchant il avait laissé tomber le long du chemin les petits cailloux blancs qu'il avait dans ses poches" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  77. Charles Perrault, Contes, Le Petit Poucet, "Une bonne femme vint leur ouvrir" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Petit Poucet, "Une bonne femme vint leur ouvrir" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Le Petit Poucet, "Une bonne femme vint leur ouvrir" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    A pale marginal dampstain, not touching the image.
    These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as "tinted...
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  78. Charles Perrault, Contes, La Belle au bois dormant, "Il marcha vers le château qu'il voyait au bout d'une grande avenue où il entra" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Il marcha vers le château qu'il voyait au bout d'une grande avenue où il entra" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, La Belle au bois dormant, "Il marcha vers le château qu'il voyait au bout d'une grande avenue où il entra" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  79. Charles Perrault, Contes, La Belle au bois dormant, "Il vit sur un lit, dont les rideaux étaient ouverts de tous côtés" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Belle au bois dormant, "Il vit sur un lit, dont les rideaux étaient ouverts de tous côtés" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORE, Louis DUMONT

    Charles Perrault, Contes, La Belle au bois dormant, "Il vit sur un lit, dont les rideaux étaient ouverts de tous côtés" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  80. Charles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Louis BREVIERE, Gustave DORÉ

    Charles Perrault, Contes, Cendrillon, "Approchant la pantoufle de son petit pied, il vit qu'elle y entrait sans peine & qu'elle lui était juste comme de cire" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Louis Brevière on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862.
    Rare worming and soiling in the margin not touching the image.
    These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him, everything contributes to the dramatization of the tale, from the theatrical staging of the tableau to the smallest details that generate terrifying realism through...
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  81. Charles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Le Chat eut soin de s'informer qui était cet ogre" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  82. Charles Perrault, Contes, Le Chat botté, "Au secours ! au secours ! voilà M. le marquis de Carabas qui se noie" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Le Chat botté, "Au secours ! au secours ! voilà M. le marquis de Carabas qui se noie" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    François PANNEMAKER, Gustave DORÉ

    Charles Perrault, Contes, Le Chat botté, "Au secours ! au secours ! voilà M. le marquis de Carabas qui se noie" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  83. Charles Perrault, Contes, Peau d'Âne, "La jeune princesse, outrée d'une vive douleur, n'imagina rien autre chose que d'aller trouver la fée des Lilas, sa marraine" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "La jeune princesse, outrée d'une vive douleur, n'imagina rien autre chose que d'aller trouver la fée des Lilas, sa marraine" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Héliodore PISAN, Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "La jeune princesse, outrée d'une vive douleur, n'imagina rien autre chose que d'aller trouver la fée des Lilas, sa marraine" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  84. Charles Perrault, Contes, Peau d'Âne, "Elle partit la même nuit dans un joli cabriolet attelé d'un gros mouton qui savait tous les chemins" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, Peau d'Âne, "Elle partit la même nuit dans un joli cabriolet attelé d'un gros mouton qui savait tous les chemins" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, Peau d'Âne, "Elle partit la même nuit dans un joli cabriolet attelé d'un gros mouton qui savait tous les chemins" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
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  85. Charles Perrault, Contes, La Barbe bleue, "S'il vous arrive de l'ouvrir, il n'y a rien que vous ne deviez attendre de ma colère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de HollandeCharles Perrault, Contes, La Barbe bleue, "S'il vous arrive de l'ouvrir, il n'y a rien que vous ne deviez attendre de ma colère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande
    Gustave DORÉ

    Charles Perrault, Contes, La Barbe bleue, "S'il vous arrive de l'ouvrir, il n'y a rien que vous ne deviez attendre de ma colère" - Gravure originale sur bois debout, tirée sur chine et contrecollée sur vergé de Hollande

    Hetzel|Paris 1862|29.90 x 42.10 cm|une feuille
    Sold
  86. AtalaAtala
    François René de CHATEAUBRIAND, Gustave DORÉ

    Atala

    Hachette et Cie|Paris 1863|30 x 42.70 cm|relié
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  87. Oeuvres de RabelaisOeuvres de Rabelais
    François RABELAIS, Gustave DORÉ

    Oeuvres de Rabelais

    Garnier frères|Paris 1873|31 x 43 cm|2 volumes reliés
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  88. Oeuvres de François Rabelais contenant la vie de Gargantua et celle de PantagruelOeuvres de François Rabelais contenant la vie de Gargantua et celle de Pantagruel
    François RABELAIS, Gustave DORÉ

    Oeuvres de François Rabelais contenant la vie de Gargantua et celle de Pantagruel

    J. Bry aîné|Paris 1854|19 x 29 cm|relié
    Sold
  89. Aventures du baron de Münchhausen Aventures du baron de Münchhausen
    Rudolf Erich RASPE, Gustave DORÉ

    Aventures du baron de Münchhausen

    Charles Furne|Paris 1862 (S.d.)|20.50 x 29.50 cm|relié
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  90. La ménagerie parisienneLa ménagerie parisienne
    Gustave DORÉ

    La ménagerie parisienne

    Au bureau du journal pour rire|Paris s. d. [1854]|34.50 x 26.50 cm|broché sous étui
    La Ménagerie parisienne
    Au bureau du journal pour rire | Paris [1854] | 34.5 x 26.5 cm | original wrappers with custom slipcase
    Very rare first edition and first issue of this album comprising a title sheet and 24 lithographs in black and white, the first print, engraved by Vayron and all captioned.
    Copy with the publisher's green cover. Very skilled colour restoration on a small section of the cover's first board. Some folding on the cover, otherwise a beautiful copy as published.
    Our copy is presented in a slipcase recovered in paste paper with a title label in black morocco.
    Provenance: R. & B. L. library with its ex-libris on the recto of the...
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