Signed books and autograph signatures from great writers, poets, philosophers from 16th to 21st century

First edition, one of 490 numbered copies on laid paper, ours one of the hors commerce copies.
Friendly inscription from the author to Emile Henriot.
Two small lacks at head and foot of spine, otherwise a handsome copy.

First collected edition, one of the service de presse copies.
Fine inscription from Jules Monnerot to Julien Gracq.
Spine sunned.

First edition, one of the advance copies.
Charming autograph inscription from Albert Vidalie.
Spine slightly faded with a small tear in the middle, a fold mark at the foot of the back cover.

First edition, one of the numbered copies, the only issue with 25 hors commerce copies.
Autograph inscription from the author.
Iconography.
Handsome copy.

First edition of which no deluxe copies were printed.
Inscribed by the author to the journalist Noël B. de la Mort.
Work illustrated with a frontispiece by Maximilien Luce.
Spine faded with small light stains.

New edition on ordinary paper.
Inscribed by Jean Giraudoux to Georges Montorgeuil.

First edition, one of 300 numbered copies on alfa paper reserved for the press.
Autograph inscription signed by André Suarès.
Light worming affecting exclusively the margins, handsome copy.

Second edition.
Rare autograph inscription from Henri Noblet.
A lack at foot of unlettered spine, otherwise handsome copy.

First edition of which no deluxe copies were printed.
Inscribed by the author to Pierre Fresnay.
Three pale dampstains to covers, handsome interior condition.

First edition, of which there were no deluxe copies.
Handsome inscription from the author to Georges Simenon.
Work illustrated with drawings by the author.

First edition on ordinary paper.
Inscribed by Hermann-Paul to Karl Boès.
Illustrated with drawings by the author.

First edition, one of 800 numbered copies on Outhenin-Chalandre paper, the only issue with 20 on Japan paper.
Autograph inscription by the author.
Spine and boards slightly and marginally faded, handsome interior condition.

First collected edition, an advance copy.
Inscribed by the author to Raymond Gallimard.

First edition on ordinary paper.
Fine inscription from Emile Vitta.
Handsome copy.

First edition in French translated by Eugène Guillevic, of which there were no deluxe copies.
Inscribed by Georges Somlyo, in French, to a couple who were his friends, enriched with Guillevic's signature.
Spine and covers very lightly and marginally faded, otherwise a handsome copy.

The first edition, published in a small number of copies.
Autograph inscription from M. de Pongerville at head of front cover.
A small tear at head of spine, light foxing to covers, handsome interior condition.
Rare.

First edition on ordinary paper, false statement of edition.
Autograph inscription from the author.
Handsome copy.

First edition with no mention of deluxe copies.
Inscribed by Michel Georges-Michel to Marcel Espiau with a small drawing of a flower.
Illustrated with drawings by Roger de Valério.
Preface by Pierre Mac-Orlan.
Spine sunned, two small harmless spots on first cover.

First edition on ordinary paper, only 10 Japan and 12 Holland copies were printed on deluxe paper.
Laudatory inscription from Jean Hytier to a fellow poet.
A lack at the head of the spine, handsome interior condition.

First edition on ordinary paper.
Autograph inscription from the author.

First edition, one of 25 numbered copies on pur fil paper, the only deluxe copies.
Inscribed by Georges Piroué.
Two minute scratches at foot of spine very slightly faded, otherwise handsome copy.

First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce.
Inscribed by Lucie Faure.
Spine very slightly faded without any gravity, handsome copy.

First edition, one of 20 numbered copies on Alfa paper, the only deluxe copies with a few hors commerce copies.
Autograph inscription signed by François Clément to Roland Bailly.
Spine very slightly faded without any gravity, handsome copy.

First edition, one of 49 numbered copies on Alfa paper, the only deluxe copies.
Signed and inscribed by Alain Bosquet.
A small tear and a crease mark at the foot of the back cover.

First edition on ordinary paper.
Fine near full-page inscription by the author.

First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies along with some hors commerce.
Fine inscription by Gérard Mourgue.
Spine very lightly sunned without consequence, handsome copy.

First edition, one of 15 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce copies.
Inscribed by Marie de Balkany.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce copies.
Inscribed by Anne Huré.
Spine very slightly faded without any significance, handsome copy.

First edition, one of 30 numbered alfa copies, the only deluxe copies with a few hors commerce.
Autograph inscription by Jean-Jacques Gautier to Roland Bailly.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, deluxe copy.
Autograph inscription by Gérard Mourgue.
Handsome copy.

First edition, one of 26 numbered copies on pur fil du Marais paper, the only deluxe copies.
Fine autograph inscription by Robert de Poccadaz.
Handsome copy.

First edition, one of the numbered copies reserved for friends of "Lettres nouvelles", the only deluxe copies.
Inscription by François Sonkin.
Handsome copy.

First edition, one of 17 numbered copies on alfa paper, the only deluxe copies.
Inscription by Hélène Parmelin.
Spine very lightly faded without gravity, handsome copy.

First edition, one of 15 numbered copies on alfa paper, the only deluxe copies.
Inscribed by Paul van den Bosch.
Handsome copy.

First edition, one of 15 numbered copies on alfa paper, the only deluxe copies.
Inscribed by Paul van den Bosch.
Handsome copy.

First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies along with a few hors commerce.
Inscription by Christian Mégret.
Spine very slightly faded without any concern, handsome copy.

First edition.
Head of collection, bound in a single volume, from No. 1 of June 1880 to No. 20 of January 1882. Issues No. 13 (June 1881), 14 (July 1881) and 19 (December 1881) are lacking. Bradel binding, full caramel cloth with smooth spine decorated with a gilt fleuron and the author's gilt cipher at foot, with fir-colored sheep title label.
Inscribed by the review's director, Francis Maratuech, to Jules Clarétie, on the first page of issue No. 1.
Jules Clarétie's copy, as evidenced by the inscription, the cipher on the spine of the binding, and the watermark on one of the endpapers. Head and foot rubbed, surface wear to title label, a stain on the first...

First edition, of which there were no deluxe copies.
Inscribed by the author to a close friend.
Small stains at head of front board, rear board soiled, handsome interior condition.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription signed by Eduardo Manet.

First edition with no mention of deluxe copies.
Fine full-page autograph inscription by the author.
Work illustrated by A. Berlant.
Handsome copy.

First edition, one of the copies reserved for subscribers of the cahiers and friends of the C.E.L.F.
Inscribed by the author to a poet friend.

New revised edition, one year after the first edition.
Inscription from Guillevic.
Cover illustrated with a black and white photographic portrait.
Iconography.
Spine with minor rubbing traces, covers very slightly and marginally faded with some corner creases, handsome interior condition.

First edition on ordinary paper.
Only 8 copies were printed on Holland paper in deluxe format.
Fine inscription from Robert Goffin.
Cover illustrated with an oil portrait by Liliane Barbin, reproduced in black and white.
Iconography.
Spine very slightly pinched at head and tail, handsome copy.

First edition on ordinary paper. Only 8 copies were printed on Holland paper in deluxe format.
Inscribed by Alain Bosquet.
Cover illustrated with a black and white photographic portrait.
Iconography.

First edition of the French translation, on ordinary paper, with no mention of deluxe copies.
Inscribed by the translator.

First edition.
Signed autograph inscription from Charles Vincent Aubrun to one of his colleagues.
Spine and covers lightly and marginally sunned, handsome interior condition.

First edition, one of the Sirène offset copies reserved for the press service; only 56 Arches deluxe copies were printed.
Fine inscription by Arlette Albert-Birot.
Dampstains to foot of spine and marginally to boards, tiny nick to head of first board, handsome interior condition. We include with this copy the subscription card and invitation to the dinner organized for the book's publication in March 1970.

First edition, on ordinary paper. Only thirty Alfa copies were printed on deluxe paper.
Inscribed by the author.
Black and white photographic portrait of the author as frontispiece.
We include with this copy two fascicles of press extracts about the author's work.
Handsome copy.

First edition, printed on ordinary paper. Only 5 Holland and 17 Vellum deluxe copies were printed.
Fine inscription from the author.
Covers and spine marginally faded, a few tiny spots on the covers.

First edition, on ordinary paper, with no mention of deluxe copies.
Inscribed by the author.
Spine and boards very slightly faded, otherwise a handsome copy.

First edition.
Inscription by Pierre Camo addressed to M. Pierre Edmond Lévy "to complete his collection of rarities", on the half-title page.
Covers and spine marginally and slightly faded, two tiny corner lacks at head of first endpaper.

New edition.
Autograph inscription from the author.
Illustrated.

First edition printed in a very small number of copies.
Autograph tribute from the author.
A small crease mark throughout the body of the work.
Rare.

First edition, one of 750 copies on ordinary paper. Only 2 copies were printed on special paper.
Autograph inscription by the author.
Work illustrated with a drawing by Félix Labisse.
Spine and covers slightly and marginally faded.

First edition, one of the numbered copies on alfa paper, the only printing with 25 Holland and 60 pure thread copies.
Inscribed by André Frénaud.
Spine very lightly sunned, otherwise a handsome copy complete with its publisher's wraparound band.

New edition, one of 300 copies on offset paper, the only issue together with 30 on pur fil.
Inscribed by the author.

First edition, one of 500 numbered copies on Hélioneige laid paper, the only deluxe copies.
Inscribed by the author.
Cover illustrated with a fragment of a Carpaccio painting.
Handsome copy.

First edition, one of 450 copies on offset paper, the only deluxe copies with 50 Arches.
Fine autograph inscription by Claude Stéphane to one of his friends.
Furthermore, our copy, like all copies from the deluxe issue, contains an original color watercolor by the author, which he has signed, mounted facing the endpaper where the inscription appears.
Finally, our copy retains the complete etching by Claude Stéphane, on loose sheet, as frontispiece and engraved by Jacques David.
Boards very slightly and marginally faded at head, handsome copy.
Rare.

First edition, one of 100 copies on bouffant Costa reserved for the press service.
Signed autograph inscription by Georges Charaire.
Cover illustrated by Paul Ackerman.
A tiny nick without loss at foot of spine, fine copy.

First edition on ordinary paper.
Inscribed by the author.
Handsome copy complete with its publisher's wraparound band.

First edition of which there were no deluxe copies.
Inscribed by the author.
Handsome copy complete with its dust jacket.

First edition, one of 240 hand-numbered copies on Licorne offset, the only printing with 40 on Rives.
Beautiful full-page inscription by the author to a couple who were friends of his.

First edition on ordinary paper.
Autograph inscription by the author.
Spine very slightly sunned.

The first edition, of which there were no deluxe copies.
Inscribed by the author to a couple of his friends.
Handsome copy retaining publisher's wraparound band.

First collected edition, of which there were no deluxe copies.
Autograph inscription by the author.
Small stains to front cover, otherwise a handsome copy.

First edition, of which there were no deluxe copies.
Autograph inscription by the author.

First edition, of which there were no deluxe copies.
Inscribed by Jean Rousselot with a small drawing of a locomotive.
Handsome copy retaining publisher's wraparound band.

First edition, of which there were no deluxe copies.
Handsome full-page autograph inscription by the author.

New edition, one of numbered copies on bulky paper, the only issue with 20 on pur fil.
Autograph inscription from the author.
Spine slightly faded.

First edition, of which there were no deluxe copies, false statement of third edition.
Inscribed by the author.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription from the author.

First edition, one of the numbered copies on "bouffant" paper, the only printing with 40 copies on handmade paper.
Autograph inscription from the author to a couple of his friends in which he confesses his sadness at having lost his cat.
Spine very slightly faded, without significance.

First edition of which no deluxe copies were printed.
Autograph inscription from the author.

First edition on ordinary paper.
Fine autograph inscription signed by the author.
Notes by Henri de Montherlant.
Spine and boards slightly and marginally faded, otherwise handsome copy.

First edition, one of 162 numbered copies on pur fil, deluxe printing after 52 Montval.
Inscription from Marcel Arland.
Handsome copy.

First edition on ordinary paper.
Handsome autograph inscription from the author.

First edition, one of the numbered copies on bouffant paper, the only printing with 25 on pur fil.
Author's inscription.
Spine very slightly sunned, otherwise handsome copy.

First edition, a Service de Presse (advance) copy.
Inscribed by the author.
Spine very slightly sunned with two small stains.

First edition on ordinary paper.
Autograph inscription from the author.
A handsome copy.

First edition, one of 500 numbered copies, the only issue with 30 on laid paper.
Autograph inscription from the author.
Work illustrated by G. Bigot.
Minor light stains of no consequence to the front cover.
A rare and handsome copy.

First edition, one of 250 numbered copies on alfa paper, ours one of the hors commerce copies, the only deluxe copies along with 20 on pure rag paper.
With a presentation by Arlette Albert-Birot, inscribed by her to a couple who were her friends.

First edition of the second version of the French translation established by Bérot de l'Arvette and printed on fine paper.
Rare inscription from Sir Cecil Tavelet.

First edition of which no deluxe copies were printed.
Inscribed by Henry Spiess.
Spine very slightly sunned, a descriptive bookseller's label pasted in margin of the endpaper which also bears a bookplate.
Provenance: from Albert Natural's collection of French-Swiss poets which he formed from the nineteen twenties.

First edition, one of 52 copies on Montval laid paper, deluxe copy.
Signed autograph inscription from Marcel Jouhandeau to Yvonne Langevin.
Handsome copy.

First hors commerce collected edition printed in 300 copies on laid paper.
Inscribed by Henry Spiess.
Rare and handsome copy.

First edition, of which there were no deluxe copies.
Precious autograph inscription by the author to Moïse Kisling mentioning a mutual friend, who also inscribed the book to Moïse Kisling.

First edition, of which there were no deluxe copies.
Inscribed by the author to Jean Leymarie.
A handsome copy.

First edition, of which there were no deluxe copies.
Inscribed by the author to Jean (Leymarie).
A handsome copy.

First edition, of which there were no deluxe copies.
Inscribed by the author to Jean (Leymarie).
Handsome copy.

First edition, of which there were no deluxe copies.
Inscribed by the author to Jean (Leymarie).
Handsome copy.