First Editions

First edition
Handsome copy.
Other contributions: Rochefort: "L'Europe entre la Gestapo et le Guépéou"...

First edition.
Handsome copy.
Autograph tribute signed by the director of the Célinian review.

First edition, with no mention of deluxe copies.
Bradel binding in full decorative paper, smooth spine decorated with a black morocco title-label underlined with gilt fillets, covers and spine preserved, binding signed P. Goy & C. Vilaine.
Autograph inscription from Marcel Pagnol to Marius Richard: "A Mr Marius Richard qui le protégea et ne cessa de l'encourager par la plus flatteuse bienveillance, Fortunio confirme son respectueux attachement et le prie d'agréer ce livre, son premier livre, en témoignage de profonde reconnaissance." ["To Mr Marius Richard who protected him and never ceased to encourage him with the most flattering benevolence, Fortunio confirms his respectful attachment and asks him to accept this book, his first book, as a testimony of profound gratitude."]
Rare and important autograph inscription from Marcel Pagnol, then assistant professor of English at the Lycée Condorcet in Paris, to one of his first supporters, the politician and journalist Marius Richard, the father of his close friend and collaborator Carlo Rim.

First edition, one of the numbered copies on Finland vellum.
Spine sunned and faded.
Signed autograph inscription from Pierre Emmanuel to Charles Westphal: "... en union de pensée..." ["...in unity of thought..."]

First edition on ordinary paper.
Spine lightly sunned with two small tears at head and foot.
Beautiful autograph inscription signed by André Salmon, written from his Provençal property La Hune, to his close friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob: "La Hune 1966. Dès 1920, la critique officielle soviétique - en n' les Editions d'Etat - recommande finement de ne mettre mes ouvrages qu'entre les mains de "citoyens tous éprouvés" A toi, cher Carlo Rim. André Salmon" ["From 1920, official Soviet criticism - in the State Editions - subtly recommends putting my works only in the hands of 'fully tested citizens' To you, dear Carlo Rim. André Salmon"].

First edition in French, one of 17 hand-numbered copies, the only deluxe copies.
Handsome full-margined copy.

Signed autograph letter of three pages by Marcel Pagnol addressed to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim, pseudonym of Jean Marius Richard, one of his oldest accomplices.
(33 lines in blue ink on Théâtre des Variétés letterhead).
Folding traces inherent to being placed in an envelope, a date inscribed in pencil by Carlo Rim, probably that of the receipt of this letter.
In this very fine letter of indulgent and touching tenderness for his old friend Carlo Rim with whom he is slightly at odds, Marcel Pagnol shows less clemency for the theatrical criticisms of Roger Martin du Gard:
"Mon cher Jean,
Je reçois un mot de toi - Il est petit, mais il me fait grand plaisir. Il y a eu entre nous quelque pique imbécile. Partageons en la responsabilité, et embrassons nous Folleville ! J'ai d'ailleurs des nouvelles de toi, par les littéraires - où je regarde tes dessins chaque semaine. Je t'avoue d'ailleurs que c'est la seule raison pour laquelle j'achète ce journal, dont la page des théâtres est en général absolument hilarante par l'incompréhension absolue de M. Martin (du Gard). Il a d'ailleurs été très gentil pour moi, mais il s'y connait autant que moi en peinture. Quand déjeune-t-on ensemble ? Téléphone donc à Gras, qui est aux Variétés tous les jours de 3 à 7. Tous mes respects chez toi. Ton vieux Marcel." ["My dear Jean,
I receive a note from you - It is small, but it gives me great pleasure. There has been some foolish quarrel between us. Let us share the responsibility, and embrace each other Folleville! I have news of you, moreover, through the literary papers - where I look at your drawings each week. I confess to you moreover that it is the only reason for which I buy this journal, whose theatre page is generally absolutely hilarious by the absolute incomprehension of M. Martin (du Gard). He has moreover been very kind to me, but he knows as much about it as I do about painting. When shall we lunch together? Do telephone Gras, who is at the Variétés every day from 3 to 7. All my respects to your household. Your old Marcel."]
Tutor to the aspiring bachelor Jean Marius, the very young graduate Marcel Pagnol preferred to teach him bilboquet, mocking the uselessness of the baccalauréat.
This was the beginning of an unbreakable friendship between the two artists whose literature, theatre and films contributed to the fame of the land of cicadas.

Histoire d'O [Story of O]
Jean-Jacques Pauvert | Sceaux 1954 | 12 x 19 cm | original wrappers

First edition, one of 480 numbered copies on Vergé paper, ours being one of the few "hors commerce" (advance copies), the only deluxe paper after 20 copies on Arches and 100 others on Vergé for the press.
Our copy is complete with the rare vignette drawn and engraved by Hans Bellmer in sanguine and present on about 200 copies only.
Preface by Jean Paulhan.
Beautiful copy of this masterpiece of erotic literature.

First edition, one of 106 numbered copies on Lana rag paper, the only deluxe copies.
A handsome copy.

The first edition, of which there were no deluxe copies.
Handsome copy.
Signed autograph inscription from Pierre Gripari to Serge Marion: "... avec le bonjour de Quilp..." ["... with greetings from Quilp..."]

First edition, one of 300 copies on offset, the only issue after 40 pur fil.
Minimal foxing to margins of covers, handsome and rare copy.
Preface by Claude Sernet.

First edition, one of 60 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite a small shadow caused by a press cutting glued to a flap of the crystal paper protecting the work.

First edition, one of 56 numbered copies on pure wove paper, deluxe copy.
Handsome copy despite light worming to the edges.
Work illustrated with an original etching by François Salvat as frontispiece.

First edition, one of 70 numbered copies on Lana vellum for each of the volumes, deluxe copy.
Handsome copy.

First edition, one of 25 numbered copies on Lana laid paper, ours bearing No. 1, the only deluxe copies.
Handsome copy.

First edition published in the Bibliothèque de La Pléiade.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Handsome copy complete with its cellophane wrapper.
Rich iconography.

First edition of the French translation, one of 38 numbered copies on pur fil paper, the deluxe copies after 21 on vélin d'Arches.
Very handsome copy.

First edition, one of 62 numbered copies on Montval, deluxe copy.
Fine copy.

L'amant de la Chine du nord [The North China Lover], Gallimard, Paris 1991, 15x21,5cm, original wrappers.
First edition, one of 70 numbered copies on vélin pur chiffon de Rives, the only deluxe issue (grands papiers).
A copy in perfectly mint condition of this novel hailed by the French critics as a return to “the Duras of the great books and the great days,” giving a mature and complex outlook on the dramatic experiences of Duras's adolescence.

First edition, one of 50 copies on Annonay rag paper, the only deluxe copies.
Handsome copy illustrated with photographs in hors-texte.

First edition on ordinary paper.
Spine slightly faded with two tears at head and foot.
Signed autograph inscription from René Crevel to mademoiselle Jacob.

First edition, one of 500 numbered copies on Arches paper, ours unnumbered.
Light foxing affecting the covers and margins of some leaves, covers marginally sunned, a small lack at head of spine.
Signed autograph inscription from Francis Jammes to Florent Schmitt and his wife.

First edition without statement of edition, one of the first issue copies bearing the reproduction of Francis Carco's signature.
Half green morocco with corners, smooth spine faded, marbled paper boards, endpapers and pastedowns, covers and spine (in poor condition) preserved, top edge gilt, binding signed Lucie Weill.
A bookseller's description label pasted on the rear endpaper.

First edition, one of 1100 numbered copies on Lafuma paper, the only issue after 25 Japan and 100 Holland copies.
Work illustrated with 40 black lithographs by Gus Bofa.
Slipcase marginally yellowed and faded.
Handsome copy.
Autograph inscription dated and signed by Gus Bofa to his friend Carlo Rim and his wife Alice.
Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob.

First edition, one of 400 numbered copies on laid paper.
Iconography.
Very fine copy of this important correspondence between the author and his secretary.

First edition, one of 85 numbered copies on handmade laid paper reserved for the Friends of Fine Books.
A handsome full-margined copy in double wrappers.

The American first edition, of which no deluxe copies were printed.
Publisher's full blue cloth binding, smooth spine.
Complete with dust jacket showing lacks and tears to spine and board margins, a letter inscribed in blue ink at head of front endpaper.

The first edition, of which there were no deluxe copies
Handsome copy.
Autograph inscription signed by Christian Millau to Jean-Pierre Rudin: "... le récit d'une époque épique..." ["... the story of an epic era..."], the latter having offered it to a friend named Pierre for his 91st birthday and bearing a signed autograph inscription.

First edition of this selection of quotations compiled and presented by Bernard Thomas.
Two tears to spine.
Autograph inscription signed by Bernard Thomas to a friend named Jean-Pierre.

The first edition, of which there were no deluxe copies.
Handsome copy.

First edition, one of 75 numbered copies on alfa mousse paper, the only deluxe copies.
Handsome copy.

First edition, one of 230 numbered copies on alfa paper, the only deluxe copies along with 45 on pur fil.
Spine slightly darkened.
Manuscript signature by Blaise Cendrars on the half-title page.

First edition, one of 300 numbered copies bound in full cloth, the only deluxe copies.
Publisher's binding in full brown cloth, smooth spine, with a photographic portrait of Henri Béraud in a medallion on the first cover.
Precious dated and signed autograph inscription from Jean Butin to Germaine Béraud, Henri's widow: "A Germaine Béraud, qui, après les derniers beaux jours, partagea le pain noir de l'épreuve et de l'injustice. En souhaitant que ce livre puisse contribuer à servir la mémoire du grand écrivain. Le 3/8/79." ["To Germaine Béraud, who, after the last beautiful days, shared the dark bread of hardship and injustice. Hoping that this book may help serve the memory of the great writer. 3/8/79."]

First edition, one of 25 numbered copies on Holland paper, deluxe copy.
Fine copy.
Introduction and notes by G. Jean-Aubry.

First French edition on ordinary paper.
Small light stains on the spine and front cover.
Autograph inscription dated and signed by Saul Bellow to his friend Nadine Nimier, wife and widow of Roger Nimier: "For my dear friend Nadine : for her kind eyes. Saul."

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies after 10 on vélin d'Arches.
Spine slightly darkened, handsome copy.

Autograph letter signed by Francis Carco, 15 lines, written in blue ink from the Plaza Hotel in Nice, regarding an article he intends to have published in Le Figaro concerning the poems that his correspondent had sent him.
Fold inherent to postal delivery.
"Nice, 10 Mars 1941 Hotel Plaza.
Cher monsieur, je vous remercie de votre lettre ainsi que des poèmes et des renseignements qu'elle contient. J'écrirai l'article dans une dizaine de jours et l'enverrai au Figaro. Nous verrons alors ce qu'on me répondra. Soyez sans crainte : il passera. Très cordialement à vous. F. Carco." ["Dear Sir, I thank you for your letter as well as for the poems and information it contains. I will write the article in about ten days and send it to Le Figaro. We shall then see what they reply. Have no fear: it will be published. Very cordially yours. F. Carco."]

Autograph letter signed by Francis Carco of 20 lines, written in black ink from Nice, to Roger Bellion, Roger Rabiniaux in literature, to whom he presents his apologies for the delay in responding due to his state of physical and mental fatigue related to his work as a writer.
Fold inherent to postal delivery.
"Nice, 29 Novembre 1941.
Cher ami, je suis bien en retard avec vous. Excusez-moi... mais je ne viens pas à bout de mon sacré roman de Gringoire et je suis complètement à plat. Où en est le vôtre, de roman ? Y travaillez-vous ? Avance-t-il ? Donnez-moi de vos nouvelles. Vous me trouverez ici et ravi de vous revoir - tout le mois prochain. Merci pour mon ami Picon ! Vous êtes chic (je n'en doutais pas) et je suis heureux d'avoir eu à le constater. Bon courage, mon cher Bellion. Je vous serre très cordialement la main. F. Carco." ["Nice, November 29, 1941.
Dear friend, I am quite late in responding to you. Forgive me... but I cannot manage to finish my damned Gringoire novel and I am completely exhausted. How is your novel coming along? Are you working on it? Is it progressing? Give me your news. You will find me here and delighted to see you again - all next month. Thank you for my friend Picon! You are wonderful (I never doubted it) and I am happy to have been able to confirm this. Good luck, my dear Bellion. I shake your hand most cordially. F. Carco."]

First edition, rare and very sought after according to Clouzot. Precious copy with the title page having the correct date of 1848. This work is the first to be published recounting Nerval's stay in Egypt and will be followed the same year by Femmes du Liban. These two main texts will form the famous Voyage en Orient in 1851.
Copy free from foxing, some leaves have angular fold marks.

Binding in half green shagreen, spine in four compartments enhanced with gilt stipples, decorated with double gilt spine panels and fleurons, black fillets, some signs of rubbing, marbled paper boards, two corners restored, sprinkled paper endpapers, charming contemporary binding.

Our copy is enriched with a receipt for the amount of seventy-five francs signed by Gérard de Nerval and mounted on the guards.

Extremely rare in good condition according to Clouzot.

Autograph signed carte de visite from René Clair, at his Parisian address, addressed to the Provençal writer, caricaturist and filmmaker Carlo Rim.
(9 lines in black ink).
Carlo Rim added a date in the lower right margin of the verso of the card.
"Pardonne moi, cher Carlo de répondre si tard à ta gentille lettre que je n'ai lue que d'un oeil (opération de la cataracte) et trouve, ici, je te prie, les voeux retardataires et les amitiés affectueuses pour vous de ton fidèle René." ["Forgive me, dear Carlo, for replying so late to your kind letter which I have read with only one eye (cataract operation) and find, here, please accept my belated wishes and affectionate friendship for you from your faithful René."]

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Complete with publisher's (advertising) slip, iconography.
Signed autograph inscription from Hubert Juin to the poet Charles Dobzynski of communist allegiance and close friend of Louis Aragon, the latter having been his witness at his marriage to his wife Elsa Triolet: "Pour Charles Dobzynski ici présent (en ces pages) cet Aragon, avec mon amitié." ["For Charles Dobzynski here present (in these pages) this Aragon, with my friendship."]

First edition.
Publisher's binding in full brown grained sheep, orange top edge, smooth spine decorated with gilt fillets.
Rich iconography.
Handsome copy complete with its cellophane wrapper, lacking dust jacket and slipcase.

First edition.
A light dampstain at head of spine, foxing to spine and boards.
Inscribed by Patrick Modiano to Luc Estang.

Signed autograph letter from Alphonse Daudet, 13 lines in black ink.
Fold marks inherent to postal delivery, small ink stains that have bled below the signature.
"My dear friend
at the Ministry of Agriculture, bad news. The application arrived at the cabinet without any recommendation from Madame Foucade. Would it be possible for Madame l'Epine to write a line immediately (words underlined) to the Minister, so that she flags this application - in short for illegible word, since it's only about admission to an examination - to the attention of Mr. de Boureuille Secretary-General, the Valette of the Thing? Kind regards and apologies. Alphonse Daudet."

First edition, one of 50 numbered copies on vellum, the only deluxe copies.
Some foxing affecting mainly the endpapers.
Preface by Francis Poulenc, iconography.
Autograph inscription dated December 1936 and signed by Marthe de Kerrieu to a couple of friends presenting her wishes and wishing them happy holidays for the end of year, enhanced with the signature of Francis Poulenc.

First edition, one of 196 numbered copies on Arches paper, the only issue after 4 copies on Japan paper.
Handsome copy.
Fine autograph inscription signed by André Billy to a critic named Dailly.

First edition, one of 194 numbered copies on Arches paper, the only printing after 6 Japan.
Handsome copy despite a slight vertical shadow on the first cover.

The first edition, of which there were no deluxe copies.
Spine slightly sunned with tears and damage at head and foot.
Autograph inscription signed by Paul Poiret to (Gaston) Rageot.

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Jean d'Ormesson to Brigitte Oechslin.

First edition of the French translation, for which no deluxe copies were printed.
A label trace with slight paper lack to the head of the front cover.
Handsome copy of this work adapted for cinema by the author.

First edition on ordinary paper.
Handsome copy.
Autograph inscription signed by Michel de Saint-Pierre to Michel Lesca: "... ce portrait d'un médecin non-conformiste..." ["...this portrait of a non-conformist doctor..."]

First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies with a few hors commerce copies on the same paper.
Rare and handsome copy.

First edition in French, one of 300 numbered copies on pure watermarked rag paper, the only deluxe copies.
Handsome copy.

First edition in French, of which there were no deluxe copies.
Handsome copy.
Rare manuscript signature of Ilya Ehrenbourg on the endpaper.

First edition, of which there were no deluxe copies.
Spine slightly sunned, otherwise handsome copy.
Precious signed autograph inscription from Louis Althusser to Jean-Pierre Richard: "Pour Monsieur Richard qui fut et reste mon premier maître, cette longue dissertation... et ma très respectueuse affection." ["For Monsieur Richard who was and remains my first master, this long dissertation... and my most respectful affection."]

The first edition, of which there were no deluxe copies.
Covers marginally shaded.
Fine autograph inscription dated and signed by André Thirion: "A la belle Lou Mollgaard que j'imagine mal chantant les filles de Camaret mais qui n'aurait pas déparé les plus beaux soirs de la Jungle. Avec l'admiration de l'auteur. Thirion" ["To the beautiful Lou Mollgaard whom I can hardly imagine singing the girls of Camaret but who would not have been out of place in the most beautiful evenings at the Jungle. With the author's admiration. Thirion"].

First edition in French, established by Boris Vian, a Service de Presse (advance) copy.
Bradel binding in full blue wood-grain paper, smooth spine with navy blue shagreen title-label set with red, covers and spine preserved.
Name of the dedicatee inscribed in blue ballpoint pen to the right of Boris Vian's autograph inscription.
Inscribed and signed by Boris Vian.

First edition printed on ordinary paper.
Half green morocco-grained shagreen binding, smooth spine decorated with a gilt cartouche adorned with cold arabesque set with dots and gilt fillets, gilt friezes at head and foot, marbled paper boards, combed paper endpapers and pastedowns, top edge gilt on deckled edges, original wrappers preserved, contemporary binding.
Autograph inscription signed by Guy de Maupassant to Monsieur Olivieri.
Provenance: from the library of the Count de Keller with his bookplate bearing the motto "Vaillant et veillant" pasted on the front pastedown.

The first edition, of which there were no deluxe copies.
Spine and boards slightly and marginally yellowed and foxed, front endpaper shaded due to the presence of a newspaper clipping.
Fine autograph inscription signed by André Salmon, paying tribute to Victor Hugo, to his close friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob: "A toi Carlo Rim, pour toi Aice, ma chanson des rues et des bois fourrée d'un art d'être grand-père. En embrassant Alice et Carlo. André Salmon La Hune (qui les attend) Mars 1968" ["To you Carlo Rim, for you Aice, my song of streets and woods stuffed with an art of being a grandfather. Embracing Alice and Carlo. André Salmon La Hune (who awaits them) March 1968"].

First edition, one of 250 numbered copies on pure thread paper, the only deluxe copies after 60 on laid Arches paper.

Half apple green shagreen binding with corners, spine with five raised bands lightly faded set with blind fillets, gilt date at foot, frame of black fillets on marbled paper boards, pebbled paper endpapers and pastedowns.

First edition first issue for which no grand papier (deluxe copies) were printed, one of the rare service de presse (advance copies).
Some very discreet restorations to spine, paper browned, some discreet traces folds at the bottom of some leaves.

A handsome copy, as issued. The book is housed in a slipcase signed by Julie Nadot, reproducing the original design of the cover and spine.

This first edition of L'Étranger was printed on 21 April, 1942 with a run of 4,400 copies: 400 advance copies (service de presse), 500 copies without statement and 3,500 copies with false statements from the second to eighth “edition”.
The advance copies, not intended for sale, do not include the indi­cation of price [25 francs] on the back of the cover.

First edition of the theatrical adaptation by Albert Camus, one of 65 numbered copies on pure thread paper, deluxe copy.
A transverse crease mark at the foot of the rear board.
Handsome copy.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.
Handsome and rare copy.

First edition in volume form, one of 300 numbered copies on Holland paper, the only issue along with 60 copies on rough paper called 'Chandelle' and 30 on Whatman.
Rare and handsome copy.

First edition in volume form, one of 300 numbered copies on Holland paper, the only edition along with 60 copies on rough paper called 'Chandelle' and 30 on Whatman.
A rare and handsome copy.

First edition in volume form, one of 300 numbered copies on Holland paper, the only edition along with 60 copies on rough paper called 'Chandelle' and 30 on Whatman.
A rare and handsome copy.

First edition in volume, one of 300 numbered copies on Holland paper, the only printing with 60 coarse paper called 'Chandelle' and 30 Whatman.
Rare and handsome copy.

First edition printed in 200 copies, ours one of the numbered copies on Arches paper.
Spine and covers marginally and lightly darkened.
Autograph inscription signed by Edouard Champion to the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon.
We include a calling card from Edouard Champion on which he specifies to the dedicatee his address in Gstaad at the Winter Palace hotel.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
First cover marginally shaded, small sunning at head and foot of spine.
Autograph inscription signed by Roger Rabiniaux to his friends Gilbert and Geneviève Lafragette: "... ce livre burlesque et lyrique mais qui n'est pas un jeu Gilbert, qui est le témoignage du désarroi d'un homme et d'une société... Mais qui est un cri tragique..." ["... this burlesque and lyrical book which is not a game Gilbert, which is the testimony of the disarray of a man and a society... But which is a tragic cry..."]

Rare death notice for André Salmon, who died on March 12, 1969 at the age of 88 in his villa in Sanary-sur-Mer "La Hune".
Inherent central fold crease from mailing, minor spotting without consequence.
Provenance: from the library of the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.

First edition of the French adaptation by Yves Régnier, one of 700 numbered copies on alfama paper, the deluxe copies after 19 on vélin du Marais.
Handsome copy.

First edition, one of 250 numbered copies on vellum, the only issue after 25 Holland paper.
The work illustrated with a frontispiece drawing by Pablo Picasso.
Light dampstain to margins of leaves, otherwise handsome copy.

First edition, one of 175 numbered copies on vellum, the only issue after 25 Normandy vellum.
The work illustrated with a frontispiece drawing by Espinoza.
Handsome copy with covers not discolored as is usually the case, a small tear to upper left corner of rear endpaper.

First edition, one of 200 numbered copies on vellum, the only issue after 8 hollande.
Handsome copy.

First edition, one of 100 numbered copies on tinted hélio, the only issue after 25 normandy vellum.
Work illustrated with a frontispiece drawing by Gregorio Prieto.
Handsome copy.

First edition, one of 155 numbered copies on pure paper, the only deluxe copies after 50 on Holland paper.
Fine copy.

First edition printed in 300 numbered copies on pure Lafuma paper.
Handsome copy.
Signed and inscribed by Vincent Muselli to N. Pascault.

First edition, one of 30 numbered copies on Johannot laid paper, the only deluxe copies.
Handsome copy.

First edition in paperback format.
Handsome copy considering the poor quality of this fragile paper, a small good-luck charm from the dedicatee at the head of the endpaper.
Covers illustrated by Brassaï and Jacques Prévert.
Autograph inscription dated summer 1969 in Antibes and signed by Jacques Prévert to Jean Folliet on pages 160-161, enhanced on the title page with a small drawing in black ink representing a puppet theater whose canopy encircles the title of the work and within which two characters can be distinguished.
On the verso of the back cover appears an autograph inscription signed by Brassaï: "Comme co-auteur de la couverture bien amicalement pour Jean Folliet, le 10/10/63. Brassaï." ["As co-author of the cover very cordially for Jean Folliet, 10/10/63. Brassaï."]

First edition, a Service de Presse (advance) copy.

Iconography at rear.

Precious autograph inscription signed by André Malraux to the diplomat and great resistance fighter, faithful among the faithful of General De Gaulle, Gaston Palewski to whom this work is dedicated below the printed dedication: "C'est pour vous distraire. Vous recevrez vos exemplaires convenables la semaine prochaine" ["This is to entertain you. You will receive your proper copies next week"].
 

Rare first edition.
Spine and boards marginally sunned, boards slightly soiled, one transverse fold on the front board.
Reading marks and pencil annotations by the dedicatee in margins of some leaves.
Autograph inscription signed by Robert Denoël to the Provençal writer, filmmaker and caricaturist Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob.

First edition, one of 200 hors commerce copies numbered on salmon paper and reserved for friends of Martine Carol and Jacques Laurent, deluxe copy.
Spine of chemise sunned, boards of the red felt slipcase partially faded at their margins, press cuttings included.
Autograph inscription signed by Martine Carol who created the role of Caroline chérie to her friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu, Marcel Pagnol, but also Max Jacob and André Salmon: "A toi Carlo à qui je dois mon 1er film... avec l'espoir de te retrouver très très bientôt. Je t'embrasse Caroline Martine" ["To you Carlo to whom I owe my first film... with the hope of seeing you again very very soon. I embrace you Caroline Martine"] enriched with an autograph inscription signed by Cecil Saint-Laurent: "Avec mon admiration" ["With my admiration"].

First edition, one of 430 numbered copies on vellum, the only deluxe copies after 20 on Arches vellum
Handsome copy.
Work illustrated with 5 images by Lucien Coutaud.

New edition of the French translation and first edition of the French translation established by Guy Lévis Mano, one of 98 numbered copies on vellum, deluxe issue.
Handsome copy of this work with the original text in Castilian facing the French translation.

Amusing autograph letter signed by composer Vincent Scotto, sent from his Parisian home, to his great friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of André Salmon and Max Jacob (15 lines in blue ink) about his state of health and the upcoming pleasure of sharing a pastis with him once he is perfectly "vertical".
Folding traces inherent to postal handling.
"Mon cher vieux,
ta lettre m'a fait plaisir. J'ai été horizontal pendant quelques jours par la faute d'une saloperie de congestion mais tu me connais, je ne me suis pas laissé faire. Je suis maintenant un peu en biais et j'espère être bientôt vertical, j'en profiterai pour aller prendre un pastis avec toi. S'il te plait d'assister à l'une des premières de mon opérette à Mogador donne moi un coup de fil. Ton Vincent Scotto.
P.S. Bonne année pour 1949 car il est trop tard pour celle-ci." ["My dear old friend,
your letter pleased me. I was horizontal for a few days because of a damned congestion but you know me, I didn't let it get the better of me. I'm now a bit slanted and I hope to be vertical soon, I'll take the opportunity to go have a pastis with you. If you'd like to attend one of the premieres of my operetta at Mogador give me a call. Your Vincent Scotto.
P.S. Happy New Year for 1949 as it's too late for this one."]

First edition, one of 40 numbered copies on vellum, the only printing after 1 pure rag lutétia cream and 10 Holland.
Handsome copy.

First edition, one of 108 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Half burgundy morocco binding with bands, spine slightly faded with four raised bands, marbled paper boards, endpapers and pastedowns, slightly soiled covers and sunned spine preserved, top edge gilt, signed binding by Myriam Lambert.
A handsomely established copy.

First edition, one of 310 numbered copies on pur fil, the only deluxe copies after 80 on Holland paper.
Handsome copy.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Half red morocco with corners, spine with four raised bands slightly faded, marble-covered paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Signed autograph inscription from André Breton to the Provençal writer, caricaturist and filmmaker, Carlo Rim, intimate friend and confidant of numerous artists and authors among the greatest figures of the 20th century: Antonin Artaud, Marcel Pagnol, Fernandel, Raimu, Max Jacob, Edith Piaf, Tristan Bernard...