First edition of this collection of articles that Émile Zola wrote during the Dreyfus Affair, notably the famous « J'Accuse...?! » which appears for the first time in volume form. The last part entitled Mon Père is a compilation of articles in homage to François Zola.
Half binding, smooth spine, original wrappers preserved, binding signed C. Vilaine.
Autograph inscription by Émile Zola to historian and journalist Maurice Dreyfous.
First edition. 14 full-page plates including two folding, numerous illustrations in the text, as well as twelve pages of tables with hieroglyphic and Chinese characters.
Beige calf binding, elaborately gilt spine, boards stamped with the arms of the Society of Writers to the Signet. Minor foxing. Spine, corners and spine-ends restored, some wear to spine and boards.
A rare copy of this abundantly illustrated treasure trove of esoteric science, serving as an initiation into the mysteries of Egypt through the study of hieroglyphics.
One of the rarest and most interesting works by Pierre Lacour, a painter, engraver and literary scholar who succeeded his father as professor and director of the Bordeaux School of Painting. Lacour is known for his studies of ancient monuments, Hebrew and ancient languages; only a year before Champollion's deciphering of hieroglyphics, Lacour claims in these pages to find passages from the Bible in Egyptian texts. His study namely suggests a hieroglyphic meaning for the name of Moses.
Provenance: arms of the Society of Writers to the Signet, association of Scottish lawyers founded in the late 16th century. Library shelf label pasted to the flyleaf.
First edition, one of 20 numbered copies on hollande, the only deluxe issue (grand papier) after 10 copies on japon.
Bound in gray half morocco in panels, smooth spine, gilt date at foot, abstract decorative paper boards, black onionskin pastedowns and flyleaves, original wrappers preserved, pastedown bookplate, top deckled edge gilt, binding signed Boichot.
Small tears with small lacks of paper to the margin of an endpaper and on the front cover.
The work is dedicated to Paul Verlaine who wrote the preface "which was a way of advertising to gay readers" (Graham Robb, Homosexual Love in the Nineteenth Century, p. 210).
Precious signed and inscribed copy to Catulle Mendès who will go on to write six years later "the first description of a male homosexual orgasm" (Graham Robb) in his novel La Maison de la Vieille.
This novel, although still tinged with a moralistic, guilt-ridden view of homosexuality, features the first gay sex scene in a French novel. It takes place near the Opera, in a palatial Turkish bath house, one of Paris' most famous cruising spots at the time when the influence of the Arabian Nights and the prospect of hedonistic pleasures were all the rage: "In this overheated atmosphere, Jacques savors the pleasures of body reflection and massage. Then comes the 'unpleasant brusqueness of the shower' before entering the steam bath, where several bodies lie naked and immodest. Suddenly, a young man of twenty appears with 'an aristocratic bearing, a blond head, the fat, bulging chest of the Capitoline Antinous statue'. It was love at first sight. Jacques looks out for him, follows him 'panting' and thus succumbs to 'unnatural vice'" (François Buot, Gay Paris, Une histoire du Paris interlope entre 1900 et 1940).
Neil Bartlett even suggests Oscar Wilde might have read the novel based on the plea he wrote to the Home Secretary from Reading Gaol, which features a similar description of his erotomania (Paul Hallam, The Book of Sodom, 1993).
This deluxe copy is exceptionally inscribed to Catulle Mendès, who also pioneered the writing of novels centered around gay and lesbian protagonists.
Provenance: library of Comte René Philipon, specialist in occult sciences, collector, entomologist and patron of the arts, with his pastedown bookplate featuring the Rosicrucian symbol of the Phoenix rising from the ashes.
An Annotated Bibliography of Homosexuality, II, 6694.
