First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.
Signed by Yves Bonnefoy beneath the limitation notice.
A rare and fine copy.
New edition, partly original.
Publisher's full grey cloth, smooth spine, a pleasant copy complete with its illustrated dust jacket.
Richly illustrated.
Signed presentation inscription from Yves Bonnefoy to Jacques Hartmann and his wife Nancy.
First edition, one of 60 numbered copies on vélin d'Arche papers, the only grand papier (deluxe) copies with a few hors commerce also on vergé d'Arches.
Illustrated with 6 original lithographs by Antoni Tapies.
A very nice copy.
HAndwritten signatures of Antoni Tapies and Georges Raillard to colophon.
First edition, one of the 1000 numbered copies on vellum cloth, ours one of the hors commerce.
Illustrated book of 4 reproductions of works of Claude Garache.
Nice copy.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine with affection Yves." enriched with the handwritten signature of Claude Garache in pencil.
First edition, extensively illustrated with reproductions of works by Speedy Graphito.
Text by Jean Seisser.
On the final free endpaper, a signed presentation inscription from Speedy Graphito to a man named François, surrounded by an original drawing.
First edition, one of 150 numbered copies on Marais wove paper, the only deluxe-paper copies.
Illustrated by Edith Destouches.
A fine copy.
Deluxe first edition on Oikos paper, limited to 200 copies, this copy being one of 5 presentation copies signed by the publisher and enriched with unpublished documents relating to the discovery of the manuscript.
Swiss binding with exposed stitching, smooth cloth spine, illustrated boards and slipcase.
Original French translation of the last manuscript recovered from a deportee assigned to the Sonderkommandos.
Marcel Nadjary (1917-1971), a Greek Jew from Thessaloniki, deported to Auschwitz in the spring of 1944, was assigned to the Sonderkommando. He wrote a...
Edition of wich no leading copies exists.
Binding of the editor in full black fabric.
Iconography.
Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.
Rare autograph signed Kenzo Takada Gilles Brochard.
First edition of this issue of the magazine edited by Jean-Louis Bory, with Pierre Bourgeade as editor-in-chief.
The entire issue is devoted to the work of Arman, who also authored the texts.
Illustrated throughout.
A handsome copy.
First edition printed in 700 numbered copies, ours being one of the 50 non-commercial copies.
Publisher's binding in full blue cloth, smooth spines, copies complete with their illustrated dust jackets.
Rich iconography.
Beautiful copy in two volumes, complete with its soft cardboard case.
First edition, one of 40 numbered copies, the only copies printed on deluxe paper.
A handsome and scarce copy.
Illustrated with full-page color drawings by André François.
Pencil signature by Vincent Pachès at the colophon.
First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.
Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.
The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.
A handsome and rare copy.
Enclosed is the printed report, on Rives paper, of the...
Bibliothèque de La Pléiade edition printed on Bible paper.
Rhodoïd slightly yellowed as sometimes occurs.
Rich iconography.
Publisher's full brown grained sheepskin binding, orange top edge, smooth spine decorated with gilt fillets.
Fine copy complete with its rhodoïd, dust jacket and soft slipcase.
First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.
First edition on ordinary paper.
Publisher's full black cloth, smooth spine, black endpapers and pastedowns.
Illustrated with 100 photographs by Pierre Molinier, with text by Pierre Bourgeade.
A very good copy.
First French edition, one of 75 numbered copies on Arches wove paper, the deluxe issue.
A rare and handsome copy.
This copy is complete with the original silkscreen by Victor Vasarely, numbered and signed in justification by the artist.
First edition, one of 350 numbered copies on regular issue paper.
Publisher's full yellow cloth binding, smooth spine, housed in its black full-cloth slipcase, complete with the original silk tie.
A few minor nicks to the slipcase.
Profusely illustrated throughout.
Contributions by Brassaï, Magda Bolumar, Joan Miro, Joan Brossa, Luis Bunuel, Alexander Calder, Eduardo Chillida, Jacques Dupin, Nina Kandinsky, Roland Penrose, Pablo Picasso, Rafols Casamada, Georges Raillard, Josep Lluis Sert, Michel Tapié, Yvon Taillandier, Antoni Tapies, Patrick Waldberg...
First edition of the illustrations by Henry Lemarié, one of 3,450 copies printed on Rives wove paper (No. 1059).
Magnificent work illustrated by Henry Lemarié with 3 title vignettes and 57 large wood-engraved plates hors texte, hand-coloured using the pochoir process.
One of the most desirable illustrated editions of La Fontaine's Fables produced in the twentieth century.
Spines of the chemises sunned, boards lightly and partially discoloured, as is often the case, otherwise a pleasing set.
First edition of Henry Lemarié's illustrations, issued in 3,450 copies, this being one of the copies on Rives wove paper (no. 1073).
Spines of the chemises decorated with gilt compartments and lacework tools, slipcase panels adorned with a large illustration depicting artistic attributes and highlighted in gold.
Boards of the volumes lightly and partially sunned.
The work is illustrated throughout with black-and-colour in-text illustrations by Henry Lemarié.
An attractive, richly illustrated copy in an elegant presentation.
First edition, one of 85 numbered copies printed on Arches wove paper, this being one of the 15 deluxe copies issued with an additional suite of the 7 original drypoints and 8 rejected drypoints on Auvergne paper, all individually numbered and signed in pencil by Brigitte Simon, from the deluxe issue.
The upper cover lightly and uniformly sunned.
Fine copy, complete with its original grey cloth chemise and slipcase.
Illustrated with 7 original drypoints by Brigitte Simon.
Claude Esteban and Brigitte Simon's handwritten signatures beneath the limitation statement.
Signed autograph inscription from Brigitte Simon to the...
First edition, one of 38 copies printed, this being one of the 30 copies issued with a wash drawing by Marcel Dumont.
A fine copy.
Illustrated with an original wash drawing by Marcel Dumont.
Manuscript signatures of Marcel Dumont and François Cheng in pencil on the colophon.
First edition illustrated with reproductions of works by Zao Wou-Ki.
A pleasing copy.
Dated and signed autograph inscription from Zao Wou-Ki to Catherine and François Trèves.
First edition, one of 60 numbered copies on mustard popset paper, the deluxe issue.
Illustrated with drawings by René Magritte.
A very good copy.
Our copy is complete with the additional suite of letters and drawings by René Magritte issued with the deluxe copies.
First edition, one of 250 numbered copies, this being one of 10 numbered in Roman numerals, the deluxe issue.
Illustrated with original black engravings by Ania Staritsky.
A rare and very handsome copy, complete with its original school-style green flexible card chemise, marginally faded.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
As stated in the limitation notice, our copy does indeed contain a manuscript page by Michel Butor and an original signed collage by Ania Staritsky.
First edition, one of 30 numbered copies on featherweight wove paper, the only issue after 15 copies on Lana wove paper.
Illustrated with 2 original engravings by Ania Staritsky, signed by her, together with drawings by Elsabeth Hellens and Léopold Survage.
A handsome copy.
First edition printed in 35 numbered copies on "vieux grès" rag paper from the Moulin de Larroque, this copy one of 10 hors commerce copies.
Illustrated with original color engravings by Ania Staritsky, who also devised the book’s original design with the collaboration of Claude Nardin.
A rare and very handsome copy preserved in its original full grey cloth slipcase.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
Our copy is enriched with a two-page autograph letter, dated and signed, from Ania Staritsky to Claude Nardin concerning the making of this work.
First edition printed in 25 numbered copies on pure rag paper, pulled on Ania Staritsky’s press on the occasion of an exhibition of her works at Larroque.
Illustrated with 7 original engravings numbered and signed in justification by Ania Staritsky who also designed the original layout of the work with the collaboration of Claude Nardin.
A rare and handsome copy complete with the following 7 engravings :
- Magical cockerel
- Fishing of flies
- Fire hamste
-...
First edition, one of 30 numbered copies on Larroque pure rag paper, this copy one of 10 hors commerce copies, from the deluxe issue.
Illustrated with original engravings by Ania Staritsky, who also designed the book’s original maquette with the collaboration of Claude Nardin.
A rare and very handsome copy, complete with its slipcase and chemise in full saffron cloth.
Our copy is enriched with a signed 10-line manuscript poem by Janine Mitaud, an original etching, and a second state of one of Ania Staritsky’s engravings.
Manuscript pencil signatures of Ania Staritsky and Janine Mitaud at the colophon.
A unique copy entirely transcribed by hand by Michel Butor for Claude Nardin; the paper, handmade by Georges Duchêne at the Moulin de Larroque, is on antique 15; the wrapper, made of "grès de larroque" rag paper, is adorned with an impression by Ania Staritsky.
The work is illustrated with original colour engravings by Ania Staritsky, who also devised the original layout of the book with the collaboration of Claude Nardin.
A rare and very fine copy, complete with its brown full moiré cloth slipcase, slightly and marginally faded.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
Our copy is...
First edition of this work devoted to the oeuvre of Ania Staritsky.
Illustrated with an original work by Ania Staritsky on the cover.
A rare and very attractive copy, spine plain and unlettered, boards slightly and marginally sunned, without seriousness.
Copy enriched with an artist’s proof engraving, justified and signed by Ania Staritsky in pencil
First edition, one of 56 numbered copies on B.F.K. de Rives laid paper.
Illustrated with original engravings by Ania Staritsky.
A rare and very fine copy, complete with its slipcase and grey full-cloth chemise.
Pencil signatures of Ania Staritsky and Albert Dasnoy on the colophon.
Autograph inscription signed by Albert Dasnoy to Claude Nardin, enriched with the handwritten signature of Ania Staritsky.
First edition, one of 50 numbered copies on Rives mould-made wove paper, the only printing after 20 hors commerce copies on Sirène offset paper.
Illustrated with colour linocuts and woodcuts after collages by Ania Staritsky.
Minor offsetting from glassine onto the inner flaps, tears to the spine.
Pencil signatures of Jacques Lemaire and Ania Staritsky at the colophon.
First edition, one of 42 numbered copies on tabac du moulin paper, issued under limon de rocaille wrappers, our copy one of 12 hors commerce copies, the only issue after 15 copies on papier saumon des eaux claires.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work, with the collaboration of Claude Nardin, here in his first contribution.
Rare and very fine copy preserved in its full burlap chemise and slipcase (spine of the chemise and boards of the slipcase slightly sunned at the margins).
Pencil signatures of Jacques Lemaire and Ania Staritsky on the colophon.
...
First edition, one of 37 numbered copies on Nivôse rag paper.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.
Rare and very attractive copy, preserved in its original old-rose full cloth slipcase (spine slightly faded and two faint stains at the foot of the boards, not serious).
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
A unique copy, exceptionally enriched with two original gouaches by Ania Staritsky, both signed, a manuscript text by Michel Butor, an original collage by Ania Staritsky, as well as a...
First edition, printed in 40 numbered copies on hand-made pure rag paper from the Moulin de Larroque, this being one of the 10 hors commerce copies.
The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the volume with the assistance of Claude Nardin.
A rare and very fine copy, complete with its full grey cloth slipcase, slightly discoloured at the edges, and its double chemise.
Manuscript pencil signature by Ania Staritsky at the colophon.
Our copy is further enriched with two original collages by Ania Staritsky, both signed.
First illustrated edition issued for the Club français des bibliophiles, one of the numbered copies.
Publisher’s full olive-green cloth bindings, smooth spines, gilt medallions in relief depicting General de Gaulle and Free France stamped at the centres of the upper covers, fine copies complete with their original glassine wrappers.
A complete set in three volumes, richly illustrated.
Autograph inscription dated and signed by Charles de Gaulle in the first volume, manuscript signatures dated in the second and third volumes.
First edition, one of 30 numbered copies printed on handmade pure rag paper.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work with the collaboration of Claude Nardin.
A rare and very fine copy, complete with its chemise and brown cloth slipcase.
Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.
Inscribed by Philippe Jones to Claude Nardin at the colophon.
Our copy is enriched with a five-line autograph manuscript text by Philippe Jones, as well as an original collage by Ania Staritsky, signed by her.
First edition, one of 35 numbered copies printed on "mousse d'épave" paper, ours one of 10 copies hors commerce.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.
Rare and very fine copy, complete with its chemise and slipcase in full grey cloth (spine of the chemise slightly faded).
Manuscript pencil signatures of Jean-Claude Renard and Ania Staritsky at the colophon.
Our copy contains a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky, signed by her.
Fine signed...
First edition, printed in 40 numbered copies on "citronnelle de lin troué" paper, this being one of the copies numbered from 11 to 30 (No. 30).
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work with the assistance of Claude Nardin.
A rare and very fine copy, complete with its chemise and slipcase in full olive green cloth.
Pencil signatures of Jacques Izoard and Ania Staritsky at the colophon.
A unique copy, exceptionally enriched with a manuscript text by the poet Jacques Izoard, an original engraving by Ania Staritsky signed by her, as well as three engravings not retained for...
First edition printed in 150 numbered copies on Licorne du Marais paper, our copy being one of a few hors commerce copies, justified and signed by Ania Staritsky at the colophon.
The work is illustrated with 16 colour illustrations, either in the text or full-page, by Ania Staritsky, who also designed the original layout of the volume.
A rare and fine copy, complete with its chemise and slipcase in full raspberry red cloth.
Manuscript pencil signature of Robert Droguet on the half-title.
First edition, one of 10 numbered copies on Arches laid paper, deluxe issue.
A rare and very fine copy.
We include two invitation cards to the private view of the exhibition of works by Ania Staritsky held at Galerie Les Mains libres on 6 November 1975 between 6pm and 8pm.
Pencil signature of Michel Butor at the colophon.
As stated in the limitation page, our copy does indeed contain an original collage by Ania Staritsky, signed by her, as well as a manuscript text by Michel Butor.
Inscribed, dated and signed by Michel Butor to Claude Nardin, who was a collaborator of Ania Staritsky.
First edition, one of 35 numbered copies on "mousse d'épave" paper, this being one of the 10 hors commerce copies.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work.
A rare and very fine copy, complete with its chemise and slipcase in old-rose full cloth.
Pencil signatures of Philippe Jones and Ania Staritsky on the colophon.
Our copy includes a manuscript text by the poet Jean-Claude Renard, as well as an original collage by Ania Staritsky, signed by her.
Framing his manuscript, an autograph inscription signed by Jean-Claude Renard to Claude Nardin, who...
First edition printed in 30 numbered copies on handmade rag paper, this copy unnumbered.
Illustrated with original colour engravings by Ania Staritsky, who also designed the book’s original layout.
A rare and very fine copy, complete with its chemise and brown cloth slipcase.
Pencil signatures of Philippe Jones and Ania Staritsky at the colophon.
As stated in the limitation page, this copy includes a manuscript text by the poet Philippe Jones as well as an original signed collage by Ania Staritsky.
First edition printed in 35 numbered copies on Antique 15 paper, our copy being one of the 10 hors commerce copies.
The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the book.
A rare and very fine copy, complete with its chemise with flaps, the spine slightly discoloured, and its grey cloth slipcase.
Pencil signatures of Michel Butor and Ania Staritsky on the colophon.
As stated in the limitation, our copy is enriched with a 19-line autograph manuscript by Michel Butor, together with an original drawing and a collage by Ania Staritsky.
The upper cover of...
First edition, one of 45 numbered copies, this being one of the rare hors commerce copies corresponding to the 8 deluxe paper copies on "Tabac du Moulin" vat paper, issued in "Tourbe de Varennes" wrappers.
The work is illustrated with 9 original colour engravings by Ania Staritsky, who also designed the original layout of the book.
A rare and very fine copy, complete with its chemise and slipcase in full saffron cloth.
Pencil signatures of Jean Follain and Ania Staritsky at the colophon.
As stated in the limitation page, our copy indeed includes a manuscript text by the poet Jean Follain as well as an original collage by Ania Staritsky...
First edition printed in 20 numbered copies on hand-made "papier rose jouvencelle" produced by Georges Duchêne.
Illustrated with original engravings by Ania Staritsky, who also designed the original layout of the work.
This copy is exceptionally enhanced with an original collage by Ania Staritsky, signed by her, and with an 8-line autograph manuscript text by Gaston Puel, together with an additional suite of the engravings by Ania Staritsky (one of which bears two small holes).
The spine of the chemise and the boards of the slipcase are slightly and marginally faded, without seriousness.
A rare and very fine copy, complete with its...
First edition, one of 35 copies printed on B.F.K. de Rives paper, numbered and signed by Michel Seuphor and Ania Staritsky at the colophon, our copy being one of the few hors commerce.
Illustrated with original engravings by Ania Staritsky, who also designed the original layout of the work.
A rare and pleasing copy, complete with its chemise and slipcase in full anise cloth.
Our copy is exceptionally enriched with an original collage signed by Ania Staritsky and an 8-line autograph manuscript text signed by Michel Seuphor,
First edition, one of 37 numbered copies on handmade paper "Ecume de cépage" under "Chaume de Juillet" wrappers, the only issue after 8 copies on handmade paper "Tabac du moulin".
The work is illustrated with 9 original colour engravings by Ania Staritsky, who also designed the original layout of the book.
A rare and very fine copy, complete with its chemise and slipcase in full orange cloth.
Pencil signatures of Jean Follain and Ania Staritsky on the colophon.
First edition. Text in Russian, one of a sole issue of 15 copies numbered by Ania Staritsky. Our copy is one of 5 on coton écru, followed by ten copies on cotton in various colours.
Produced in collaboration with Claude Nardin, comprising 14 cotton pages stamped with original engravings by Ania Staritsky, in which the text is fully integrated into the composition.
A masterwork of Lettrism, printed entirely on cotton, by the Russian-Belgian artist of Ukrainian origin Ania...
First edition, one of 35 numbered copies on Rives paper, the deluxe issue.
At the colophon, manuscript signatures in pencil by Micheline Catti and Ghérasim Luca.
A rare and handsome copy.
As stated in the limitation, our copy is complete with the original drypoint by Micheline Catti and the original etching by Ghérasim Luca, both signed by them in pencil.
First edition, one of the only issue of 35 numbered copies on handmade "Olive" and "Coquillage" papers, our copy one of the 5 hors commerce copies signed and numbered in pencil by Ania Staritsky.
Original engravings by Ania Staritsky ; entirely hand-set by Arlette Albert-Birot after Ania Staritsky’s original design.
The "Olive" and "Coquillage" papers, as well as the cover, were designed by Georges Duchêne.
Our copy is complete with the original collage by Ania Staritsky, signed by the artist.
A rare and very attractive copy housed in its chemise and slipcase in olive-green cloth.
Deluxe edition specially produced for members of the Club français du livre and printed in 1,000 numbered copies.
Publisher's special binding in full red cloth, smooth spine, housed in a black slipcase bearing at the foot of the upper cover the gilt statement : "cette édition de luxe a été spécialement réalisée pour les adhérents du Club français du livre".
Richly illustrated, with an essay by José Bergamin and the French translation prepared by Elisabeth Servan-Schreiber.
Nice copy.
First edition, one of 56 copies numbered on Arches paper, deluxe issue.
A handsome copy complete with its brown full board slipcase.
As stated in the limitation page, our copy is complete with the metallic frontispiece signed by Nicolas Schoffer.
Foreword by Henri Chopin.
First edition of the French translation by Eugène Guillevic, printed in 35 copies numbered and signed in the colophon on japon ancien, ours one of the 10 hors commerce lettered copies.
Presentation copy, signed and inscribed by Hélène Iliazd to Claude Nardin in pencil in the colophon.
A rare copy complete with its folders and guards made of various papers, its folded parchment chemise with a large outward flap, and its blue cloth chemise and slipcase.
This first edition, conceived and produced by Hélène Iliazd and Ania Staritsky in memory of Iliazd, contains an unpublished poem by the Russian poet, with his autograph Russian...
First edition, one of 85 numbered copies and 3 hors commerce copies, ours one of the 70 on B.F.K. de Rives paper.
A fine copy complete with its chemise and slipcase in full black cloth, spine of the chemise slightly faded, a small tear at the foot of the lower panel of the slipcase.
Illustrated with 19 original photographs signed in pencil by Henri Maccheroni.
First edition, one of 10 copies numbered and signed by Eugène Guillevic and Ania Staritsky in the limitation page. Printed on Verveine de Puymoyen paper specially designed for this work, ours being one of the few hors commerce copies, from the most limited deluxe issue (tirage de tête).
Illustrated with 5 original copper engravings in colour by Ania Staritsky.
A rare and pleasing copy, complete with its almond-green cloth chemise and slipcase, the spine of the chemise slightly yellowed.
As stated in the limitation page, our copy includes an original collage by Ania Staritsky and the six-line autograph manuscript poem signed by Eugène...
First edition.
Publisher’s full brown grained sheepskin binding, orange top edge, smooth spine ruled in gilt.
Richly illustrated.
Copy complete with its dust jacket, acetate wrapper and soft slipcase.
Acetate wrapper slightly yellowed.
First edition, one of 35 numbered copies on B.F.K. de Rives paper, signed by Michel Seuphor and Ania Staritsky at the limitation page, our copy one of the few hors commerce.
Illustrated with original engravings by Ania Staritsky.
A rare and handsome copy, complete with its chemise and matching brown cloth slipcase.
Our copy, like the first 10 copies, exceptionally contains an original collage signed by Ania Staritsky, a 9-line manuscript text signed by Michel Seuphor, and a suite of all the engravings by Ania Staritsky. This association copy is also inscribed in pencil by Ania Staritsky to her collaborator Claude Nardin who...
First illustrated edition with 19 original lithographs by Miklos Bokor, printed in 175 numbered copies on Arches vellum, this copy being one of the 15 artist’s proofs signed and justified by the artist.
Autograph signatures of Yves Bonnefoy and Miklos Bokor at the colophon.
Signed autograph inscription by Yves Bonnefoy to a couple of close friends.
A fine copy, complete with its chemise and slipcase.
First edition entirely hand-painted by Jacques Capdeville and printed in 30 numbered copies on vellum, with a small number of hors-commerce copies also issued.
Rare and fine copy, complete with its full flexible paperboard slipcase and with the musical setting of the poem by John Supko, on tracing paper.
Handwritten signatures of Philippe Denis and Jacques Capdeville in the colophon.
Edition partly original, one of 90 numbered copies on hollande paper, the only issue following 10 on japon, 2 on Chapelle and 2 hors-commerce copies. Volume illustrated with 8 woodcuts by Manolo, four of which are full-page.
Manuscript signatures of Manolo and Pierre Reverdy on the colophon.
A...
Rare first edition of this sticker album entirely devoted to the glory of the Castro regime and the Cuban Revolution.
The album comprises 268 small, mounted, colour stickers, each captioned and arranged in strict chronological order of events, including 16 portrait plates of the principal figures (the Castro brothers, Camilo Cienfuegos, Ernesto "Che" Guevara, Faure Chaumont, Rolando Cubelas, Victor Bordon, Eloy Gutierrez, Crecencio and Faustino Perez, etc.).
No copy recorded in the CCFr, which comes as little surprise for this type of production.
Our copy, issued in original illustrated colour wrappers, is housed in a modern oblong slipcase, full decorated boards in the...
