Antique works and archives on sculpture: monographs, exhibition catalogs, letters and manuscripts, sculptors' writings

Original albumen print photograph of Auguste Rodin, cabinet card format, mounted on stiff card. Nadar's signature in red in the lower margin. Advertisements in red on the verso. A small white area in the upper left margin, with a few imperfections from the glass plate in the same area, not affecting the portrait. Foxing to the margins.

Iconic portrait of the sculptor with close-cropped hair and pince-nez, staring fixedly into the lens.

First edition, no deluxe issues published.
Richly illustrated.
A momentous presentation copy, signed and inscribed by André Malraux: "For Jean Dubuffet - who will not agree but who may console himself with the pictures! André Malraux. Dec. 1947." (Pour Jean Dubuffet - qui ne sera pas d'accord mais qui pourra se consoler avec les images ! André Malraux. Déc. 1947.)

This highly interesting inscription by Malraux acts as a perfect demonstration of their differing views on the subject of art:

"In 1947, as Malraux published, with Editions Albert Skira, the first essay of his Psychologie de l'art entitled Le Musée...

First edition, printed in a limited run, of this extract from the Revue britannique of February 1880.

Only three known copies in the CCF (BnF, INHA, and Sorbonne).

This copy is presented in its original wrappers, with a blank temporary cover.

Pamphlet adorned with in-text black-and-white illustrations.

In Greek mythology, the Cabeiri were minor deities worshipped in mystery cults across several regions of Greece, particularly on the islands of Samothrace, Lemnos, and Imbros.

These deities, little understood even by the Greeks themselves, were remnants of an Aegean past influenced by Phoenician culture, yet they later became protectors of...

First edition, privately printed, of this offprint from the August 1811 issue of the Magasin encyclopédique.

Our copy is offered disbound, with a few minor foxing spots of no consequence.

Illustrated with one engraved plate hors texte, this pamphlet concerns a Byzantine boxwood triptych then preserved in the Library of Grenoble. 

Autograph presentation inscription from Jacques-Joseph Champollion-Figeac to the painter Pierre Revoil (1776-1842).

First edition, printed in a small number of copies, of this offprint from the Recueil des notices et mémoires de la Société archéologique de Constantine de l'année 1873.

Not in Tailliart.

Front wrapper detached then reattached, losses to the spine, small chips to the corners.

Scarce work illustrated with 14 plates printed hors texte and numbered I–XII (including plates VI bis and ter). Not in Tailliart.

A volunteer in the Corps of Engineers from 1841 onward, Baptiste-Charles Brunon (1821–1888) spent most of his military career in Algeria; after the 1871 war he returned to oversee the Engineering Corps in Constantine.

First edition describing the 388 items offered in the sale.

A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.

The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.

Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.

He later devoted himself to the cataloguing of...

First edition of the catalogue published for the exhibition of works by Max Ernst, held from 15 November to the end of December 1961.

A fine copy.

Illustrated, with a foreword by Alain Bosquet.

Signed autograph inscription by Max Ernst to Madame de Harting.

Exceptionally rare first edition of this remarkable photographic album, printed in Cairo by Mourès & Cie, the press operated by Antoine Mourès. Produced under the direction of Auguste Mariette, it constitutes the first illustrated photographic catalogue of the Boulaq Museum, the first Egyptian museum devoted to Pharaonic antiquities and the direct predecessor of the present Egyptian Museum in Cairo.

The work comprises forty albumen prints (approximately 24.5 × 18 cm), mounted on heavy card leaves hinged on guards. Each photograph is accompanied by a printed descriptive leaf - with the exception of plates 4 and 11, which are accompanied by two - the photographs being...

First edition of this album of caricatures by Frédéric-Auguste Bartholdi which he numbered and initialed (copy no. 36). Printed “in small numbers” (Bartholdi Museum), with only six located in institutions (Colmar Museum, BnF, Harvard, UPenn, NYPL, Rutgers University).

Publisher’s blue cloth binding, flat spine gilt-lettered lengthwise, upper board numerously framed in black, anchors and stars stamped in black at the corners, title and date gilt-stamped; lower board numerously framed in black, black stars at the corners and a central anchor, red edges. Slight rubbing to joints, faint...

Partly original edition, with no mention of a deluxe paper issue.

Half black shagreen binding, spine with five raised bands tooled with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges, contemporary binding.

Pleasant copy.

First edition, one of 20 numbered copies on alfa, the only deluxe issue.

Illustrations.

A few very light, insignificant spots of foxing.

A handsome copy, complete with its illustrated dust jacket.

Autograph letter in blue and red pencil by Pablo Picasso to Max Pellequer, signed and dated by the author on June 7, 1956. The document includes the autograph address of his villa ‘La Californie’.  12 lines on the front of the letter and two lines on the back on a printed notice announcing the forthcoming publication of a book by Thérèse Leroy. 
Minor folds and a slight crease in the lower left corner. 

We have here a rare written account of Pablo Picasso engaging in self-deprecation. In his villa "Californie", the painter found a printed poster announcing the forthcoming publication of the book "La technique du...

First edition of the French translation. No grands papiers (deluxe copies) were printed.
Some loss of plastic film on the spine, two light damp-stains on the upper and lower edges.
Signed and dated by Andy Warhol with an original drawing on three pages: verso of the first cover, endpaper and title page.

Multi-coloured autograph letter from Pablo Picasso to Max Pellequer, signed and dated by the artist on September 23,  1958. The document includes the autograph address of his villa ‘La Californie’. 13 lines in a multi-coloured tip pen (orange, red, blue and green) on a sheet marked ‘VIA WESTERN UNION’.
Minor folds. Tear in the lower left corner. 

Colour is not systematically used in Pablo Picasso's letters. It would seem that the artist wanted to make a kind gesture towards his friend and banker Max Pellequer, because the more aesthetically pleasing his letters are, the more valuable they are.

The use of a...

Multi-colored autograph letter to Max Pellequer

Elegant multi-colored autograph letter by Pablo Picasso to Max Pellequer, signed and dated 'December 20, 1955'. A leaf in multi-color pencil (blue, green, orange and red).
Traces of transverse folds.
This "graphic" letter in the most literal sense constitutes a superb polychrome and artistic link in an epistolary chain that linked Picasso and his prominent patron for decades.

First edition, only two copies listed in the CCF (Archives nationales, Arras).

Spine split with some losses. 

Complete with the two successive reports (1 February 1862; 6 June 1863).

First edition of this issue entirely devoted to Guillaume Apollinaire.
With numerous contributions including those by Guillaume Apollinaire, Tristan Tzara, Pierre Albert-Birot, Paul Dermée, André Salmon, and Roche Grey. Iconography, illustrations, facsimiles; a complete copy including the portrait of Guillaume Apollinaire by Marcoussis.
Two small tears at the head and foot of the spine, a well-preserved copy.

Front cover illustrated with a portrait of Guillaume Apollinaire by Pablo Picasso.

First edition, printed in a small number of copies on laid paper, extracted from the Journal asiatique; a single copy recorded in the CCF (Strasbourg).

Rare copy preserved in its original blue paper wrappers, as issued.

Traces of a label on the left margin of the front cover, a pleasing copy overall.

Inscribed by Giovanni Antonio Arri on the upper cover to archaeologist Désiré Raoul-Rochette (1789–1854), then a member of the Académie des Inscriptions et Belles-Lettres.

First edition of this occasional text, illustrated with 4 plates outside the text.

Spine faintly faded, a rare and attractive copy.

Archbishop of Algiers from 1867, Charles Lavigerie (1825–1892) would become in 1884 Primate of Africa through his exceptional accumulation of titles, including the restored See of Carthage.

He took an early interest in the excavations of the Carthage site.

Composite copy: the first volume corresponds to the second American edition, which is partially original (with the shortened title Incidents of Travel in Yucatan), while the second is the first edition (with the full title); the text of the first volume being expanded compared to the 1841 edition. This title, originally printed in 15,000 copies, was a tremendous success and saw numerous reprints between 1841 and the author’s death in 1852 (cf. Sabin 91 297 and 91 299).

Illustrated with 96 engravings distributed as follows: 54 illustrations (some full-page in-text), including 21 plates out of text (among them a folding map and a folding frontispiece) for the first volume...

First edition, 15 issues in 15 separate instalments, abundantly illustrated with black and white photographs. Complete with the special issue “Hommage à Picasso” (#3, 1930) and the index for the year 1929, published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text, occasional minor foxing along the margins of certain covers

Presented in a custom slipcase with a flat spine in blue morocco, title stamped in palladium and spine framed in palladium, decorative blue paper boards, sky-blue suede doublures; a handsome ensemble signed...

Rare first French edition of the travel impressions of Prince Soltykoff, more an adaptation than a strict translation (cf. Vicaire, VII, 575. Schwab, 544. Only two copies listed in the CCF).

Illustrated with a two-tone lithographed frontispiece and 20 tinted lithographic plates by Trayer and Émile Beau after drawings by the author.

Contemporary green half-shagreen binding, flat spine decorated with double gilt fillets and broad blind-stamped fillets, dark green paper-covered boards, minor restorations and rubbing to head and foot of joints, marbled endpapers and pastedowns, period binding.

Some superficial wear and very faint foxing, otherwise a pleasant copy in...

First edition of the French translation of this remarkable study originally published in Vienna in the *Mines de l'Orient*.

The work, translated and enriched with observations and explanatory notes, followed by a dissertation on the location of the Pallacopas by J. Raimond, is illustrated with six folding plates at the end (rather than four, as stated on the title page).

Contemporary binding in green half sheep, spine slightly faded, gilt-stamped with a sphinx, gilt title, cat's-eye marbled paper-covered boards, comb-marbled endpapers and pastedowns, modern binding.

Some foxing, mainly affecting the opening leaves.

Rich provides "une description très détaillée...

Autograph letter dated and signed by André Breton, 21 lines in blue ink on a single sheet, addressed to Georges Isarlo of the journal Combat-Art concerning a text given to him by his friend José Pierre.

True to form, the leading figure and high priest of Surrealism seeks to clarify matters with his correspondent: "Vous comprendrez sûrement le souci que je puis avoir de ne pas, sous un vain prétexte d'anniversaire, laisser dénaturer le sens et gâter le fruit de quarante années de lutte et voudrez bien considérer qu'il a pour tous ses signataires - répondants du surréalisme aujourd'hui - la même importance vitale que pour moi."

Autograph poem by André Pieyre de Mandiargues signed A.P.M. and dated June 5, 1974 entitled "Le plus libre graveur" and which he dedicated to Joan Miro.
Written in black ballpoint pen on a sheet, the poem, of 44 lines, contains some crossings-out and manuscript additions as well as an addition of a cut and pasted sheet in the lower right corner of the poem.
This text celebrating the painter Joan Miro and his style was published in the review XXe siècle in December 1974:
"Feu d'air ou feu de terre
 Feu de feu ou feu d'eau
 Le haut feu de Miro
 Se fait esprit de sel
 Acide ardent fumant
 Machoîre du dieu ivre
 Qui va mordre le...

First edition, illustrated with a frontispiece in each volume and a folding plate at the end of the first volume.

Bradel-style bindings in brown half cloth with small corners, smooth spines very slightly faded and ruled in gilt, marbled-paper boards with a few minor scuffs, blue-grey endpapers and pastedowns, marbled edges, bookplates pasted to the front pastedowns.

Some foxing, as usual.

Our copy is complete with all three engravings: a view of St Peter's in Rome and a plan of the remains of ancient Rome in the first volume, and Trajan's Column in the second.

It also includes a second state of the plan of the remains of ancient Rome, with slight variations...

Deluxe edition specially produced for members of the Club français du livre and printed in 1,000 numbered copies.

Publisher's special binding in full red cloth, smooth spine, housed in a black slipcase bearing at the foot of the upper cover the gilt statement : "cette édition de luxe a été spécialement réalisée pour les adhérents du Club français du livre".

Richly illustrated, with an essay by José Bergamin and the French translation prepared by Elisabeth Servan-Schreiber.

Nice copy.

A rare original edition, printed in a limited number of copies, of this extract from the Journal asiatique.

The work is illustrated with two folding plates at the end of the volume.

Contemporary half havana calf binding, smooth spine decorated with gilt fillets, rubbed joints, library classification label pasted at the head of the spine, marbled paper boards, marbled endpapers, speckled edges.

The Libyco-Punic monument of Dougga (Tunisia), also known as the Mausoleum of Atban, is one of the few well-preserved examples of Punic architecture still extant. It bore a bilingual inscription (Libyco / Punic) which was clumsily removed from the monument in 1842 by the British...

First edition, one of 1,400 numbered copies, only issue.

Outstanding publisher’s cream silk Bradel binding signed by Engel at the foot of the spine, flat spine decorated with Japanese characters; upper boards in excellent condition, elaborately decorated with a reproduction of Shinman’s starlings against a setting sun from the Henri Cernuschi collection (also illustrated pl. 26, vol. 1); corners slightly rubbed; both volumes complete with their illustrated dust jackets, showing tears and some losses.

First edition and complete run of the 9 G.L.M. cahiers issued between May 1936 and March 1939.

A few spines slightly faded, as is often the case; otherwise a pleasing copy, complete with its original publisher’s slipcase in full grey boards, with red printed title label pasted to the spine.

With numerous contributions by most of the Surrealist poets, writers, and artists, including: André Breton, René Char, Paul Éluard, Philippe Soupault, René Crevel, Valentine Penrose, Federico García Lorca, Pablo Neruda, Michel Leiris, Max Ernst, Man Ray, and André Masson, as well as several spiritual forebears of Surrealism such as Franz Kafka, Lewis Carroll, and Raymond Roussel...

Rare first edition.

No copy recorded in the CCF.

Some marginal tears and losses to the boards.

In 1838 the “Chinese Museum” opened in Philadelphia on the ground floor of the museum of Charles Willson Peale, based on the objects brought back from China by the Quaker merchant Nathan Dunn (1782–1844), who had returned from a long commercial stay in Canton (1818–1832).

The whole of this collection was also exhibited in London in 1842 and, after Dunn’s death, again in 1851, the latter showing meeting with far less success.

The fate of the objects that composed it remains obscure, but the collection fell victim to its own success and appears to have been both...

First edition, illustrated with 11 plates printed outside the text and bound in at the end of the volume.

Some tears with small losses to the spine and to the margins of the covers, a dampstain to the right-hand margin (not affecting the text) on the text leaves.

A copy preserved in its original wrappers.

A very rare first edition of this atlas only, comprising a folding map and 46 plates mounted on guards depicting a total of 135 figures.

Contemporary Bradel-style binding in black half-cloth over marbled boards, spine damaged at the foot, title label partially rubbed away along its length, boards with scuffs and losses to the marbled paper covering, bumped corners, minor wear to the edges.

An exceptionally rare standalone atlas from this landmark monograph on the Chibcha, or Muisca, civilization.

First edition of the French translation (cf. Blackmer 1752. Not in Weber or Atabey. See Barbier IV, 1083.)

Contemporary full marbled tan calf bindings, smooth spines gilt tooled in compartments with floral motifs, red morocco lettering-pieces, marbled endpapers and pastedowns, gilt fillets to board edges.

Some restorations to a few joints and spines, minor scattered foxing.

Volume IV is entirely devoted to the author’s stay in the Greek islands: Crete, Candia, Damaste, Retimo, Mount Ida, Gortyn, the labyrinth of Crete, Milo, Syphante, Seriphos, Antiparos, Paros, Naxia, Stenofa, Amorgos, Skinosa, Delos, Rhenia, Syra, Cynthos, Zia, Macrounisa, Jura, Tenos, Scio...

First edition illustrated with 7 plates printed outside the text.

A snag with loss to the front wrapper, foxing throughout, dampstain to the rear wrapper.

A commentary on the bilingual Phoenician and Greek inscription engraved on one of the two Cippi of Melqart, dating from the 2nd century BC and presented in 1782 to Louis XVI by the Grand Master of the Hospitallers.

It was then housed at the Bibliothèque Mazarine and has been preserved at the Louvre since 1864.

First edition, with three folding plates and numerous hieroglyphs in the text.

A copy preserved in its original wrappers with temporary green paper covers, a title label affixed at the head of the spine.

Occasional foxing.

The German traveller and Orientalist Julius von Klaproth (1783–1835), one of the foremost linguists of his time, devoted himself chiefly to the languages of Asia, which he spoke almost all.

In this vehement critique of Champollion, published six months after the latter’s untimely death, he seeks—though not entirely in good faith—to call into question the method and results of the scholar from Grenoble, disputing in particular the priority and...

First edition printed in a small number of copies of this offprint from the August 1858 issue of the Annales de philosophie chrétienne, vol. XVIII, p. 85.

Our copy is preserved in its original wrappers, housed in the publisher's contemporary plain paper covers.

Minor marginal losses to the covers.

Only three copies recorded in the CCFr (BnF, Sorbonne, BULAC).

One of the author's earliest publications. Victor-Honoré Guérin (1821-1891) was entrusted with a mission to Palestine and the island of Rhodes in 1854.

During two subsequent missions to Palestine [1863 and 1870], he visited more than 1,500 localities, towns and villages, thereby acquiring an...

First edition of this rare catalogue for the sale of the antiquities collection of Claude-Madeleine Grivaud de La Vincelle (1762-1819), deputy head of accounting at the Chamber of Peers, archaeologist, and numismatist.

497 lots are described.

Late nineteenth-century bradel binding in half blue cloth, smooth spine, brown shagreen title label lettered lengthwise, marbled paper boards.

Some minor foxing, otherwise a pleasant copy.

Offprint from the Revue archéologique, eleventh year, printed in a small number of copies.

Pamphlet illustrated with 2 plates on separate leaves.

Only three copies recorded in the CCF (Bibliothèque nationale de France, Lyon, and Annecy).

Traveller and amateur archaeologist, Jules de Bertou (1809–1881) had begun his career as an orientalist in conventional fashion, visiting Petra in 1837 and excavating the site of ancient Tyre from 1838 onwards, work that yielded a creditable memoir (Essai sur la topographie de Tyr, 1843), before turning to an ultimately fruitless attempt at concordism between archaeological discoveries and a literalist reading of the...

First edition illustrated with 1 folding plate consisting of a copper-engraved reproduction of the Choiseul Marble by Poisson (cf. Monglond II, 651.)

A restored tear to the verso of the folding plate.

Bradel binding in full marbled paper-covered boards, smooth spine, brown shagreen lettering-piece, red edges, modern binding.

A pleasing copy.

First edition illustrated with a large folding plate inserted out of text reproducing the Greek portion of the Rosetta Stone (cf. Quérard I, 48.)

Our copy is preserved in its original wrappers, in temporary root-pattern paper covers.

A key figure in the establishment of literary repositories during the Revolution, and their transformation into libraries, the antiquarian Hubert-Pascal Ameilhon (1730-1811) remains an important, though far too neglected, figure in bibliography and the sciences.

This relative oblivion owes much to the small number of works published during his lifetime : the work offered here constitutes an essential link in the decipherment of the...

Rare first edition, illustrated at the end of the volume with two folding plates.

Only two copies recorded in the CCF (BnF and Strasbourg). Backer & Sommervogel III, 1242 (59).

Our copy is preserved in its original provisional yellow paper wrappers,

With a few minor spots of foxing on the folding plates.

The Neapolitan Jesuit Raffaele Garrucci (1811–1885) devoted his work to the study of the Church Fathers as well as to both pagan and Christian antiquities.

He became one of the foremost disciples of Father Giuseppe Marchi, alongside the renowned Giovanni Battista de Rossi.

Autograph note signed by Jean Paulhan, 20 lines in black ink addressed to Felia Leal, publisher of "Paroles transparentes," a work by Jean Paulhan illustrated with 14 original lithographs by Georges Braque.

Paperclip marks to the upper left corner.

The note refers to a planned collaboration with Marc Chagall:
"Saturday,

Dear Felia
well, Chagall approves of the short summary. He even seems delighted with it. He says he has had many such ideas. But we are to discuss it in a few days, when he passes through Paris. (He is attending the Rembrandt anniversary celebrations, to which he has been invited by the...

Autograph envelope addressed by André Breton to his friend Géo Dupin, curator of the La Cour d'Ingres art gallery at 17 quai Voltaire, from whom the Pope of Surrealism acquired several paintings.

The address is written in black ink (some letters slightly smudged).

A well-preserved example.

Black-and-white photographic postcard depicting a young Ludmila Tcherina.

Pinholes to the corners of the card.

Signed autograph inscription by Ludmila Tcherina, in white felt-tip pen, to the prominent autograph collector Claude Armand: "A Claude bien amicalement Tcherina."

Provenance: from the collection of the renowned autograph collector Claude Armand.

Rare first edition, as referenced by Clouzot (see Guide du bibliophile français XIX^e siècle, p. 256).

A few insignificant spots of foxing, a small black ink stain at the bottom of pages 354–355. Complete with the errata leaf at the end of the volume.

Caramel half calf binding, spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools, gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls, endpapers and pastedowns in cat’s-eye paper, all edges gilt. Roman bookseller’s label at the top...

First edition, with the author's facsimile signature and date "october 1940" on the endpaper.
Split hinges, some foxing on the endpapers.
Publisher's sand-colored cloth binding, black title-label on the front cover.
Handsome copy of this notebook reproducing 82 sketches made in London air-raid shelters during the Blitz.

“Yes I have sarcasm in my words, yes I do not know how to flatter and bend my back, how to beg in official salons […] I am nothing but a braying schemer, but if I had submitted - yes I would be comfortable."

Long autograph letter dated August 1896 and signed by Paul Gauguin to painter Daniel de Monfreid. Four pages in black ink on two lined sheets.
Small tears to margins not affecting the text, traces of folds inherent to sending.
In the midst of his descent into hell, abandoned in his Tahitian artificial paradise, Gauguin feels cursed : “Definitely, I was born under a bad...

Autograph letter dated and signed by Edgar Degas, addressed to the dealer Charles Deschamps, director of Durand-Ruel’s London branch. Three pages in ink on a bifolium.
Minor marginal tears not affecting the text, folds from mailing.
Recently returned from New Orleans, Degas writes to his London dealer to announce the imminent arrival of a delicate composition of dancers, Le Foyer de la danse à l’Opéra de la rue Le Peletier, now held at the Musée d’Orsay: "In the meantime you will receive the little picture you saw in progress and which you had the idea of selling to Mr. Huth - May you succeed! [...] As for the price, it seems to me that...

Manuscript list by André Malraux (20 lines in blue ballpoint pen) providing details and instructions for André Parinaud concerning the publication of his works forming the "Ecrits sur l'art" collection illustrated with photographs by Roger Parry.

Fold marks inherent to postal mailing.

Resistance member and contributor to Combat, André Parinaud was a journalist, columnist, art critic and writer. From 1959 to 1967, he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields : literature, painting, theater, cinema... He would then conduct more than 1000...

First edition, one of 120 numbered copies on holland paper, deluxe copy.
Very handsome copy.
Autograph inscription signed by André Malraux to his friends Minka and Karl-Hans [Strauss] enhanced with two small drawings in red and blue ink representing cats.
Minka, a Rothschild descendant, and Karl-Hans Strauss, were important patrons and collectors of art and music close to André Malraux. Their correspondence seems to reveal that in the 1970s the elderly writer was hunting around the world, with his last companion Sophie de Vilmorin, for works for their collection. At the end of his life, he thus rediscovered this youthful passion that inspired his first work...

First edition, a Service de Presse (advance) copy.

Iconography at rear.

Precious autograph inscription signed by André Malraux to the diplomat and great resistance fighter, faithful among the faithful of General De Gaulle, Gaston Palewski to whom this work is dedicated below the printed dedication: "C'est pour vous distraire. Vous recevrez vos exemplaires convenables la semaine prochaine" ["This is to entertain you. You will receive your proper copies next week"].
 

First edition published in 20 instalments, illustrated with wood-engraved vignettes in the text after Célestin Nanteuil, Français, Karl Girardet, Jules David, etc., and 20 copper-engraved or lithographed plates after Diaz, Decamps, Hazé, A. Guignet, E. Hedouin, Théodore Chasseriau, Alophe, Couture, etc. The original covers of all instalments are bound at the end. The covers erroneously announce 30 engravings instead of the 20 actually included.
Later binding in red Russian half morocco with corners, spine in five raised bands richly gilt, date in gilt at foot, gilt fillet frame on pasteboard covers. Considerable rubbing and bumped corners.