History, technique and invention of photography, antique photographic magazines, monographs, photo books, illustrated works

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
A precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with bla

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blac

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blac

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, as with most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with black

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "prints his own work on Ilford baryta paper, dedicating several days of work to each print, with particular concentration on rendering the whites, in contrast with blacks of

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits, and the printing paper he used is no longer commercially available. The artist "prints his own work on Ilford baryta paper, dedicating several days of work to each print, with particular concentration on rendering the whites, in contrast with blacks of

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with b

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with black

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with black

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits; the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with black

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits; the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with black

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks o

Large original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his prints himself on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks o

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin print by the famous Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rar

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin print by the renowned Belgian photographer, one of the most secretive contemporary artists, who despite early international success, chose to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin print by the renowned Belgian photographer, one of the most secretive contemporary artists, who despite early international success, chose to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, dedicating several days of work to each one, with particular concentration on rendering the whites, in contrast with

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not print new copies of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, dedicating several days of work to each one, with particular concentration on rendering the whites, in contrast with

Large original black and white photographic portrait by Marc Trivier.
Unsigned original silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not create new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast wi

Original black and white photographic portrait by Marc Trivier.
Unsigned original silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists who, despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not create new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "produces his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with bla

Original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare dens

Original black and white photographic portrait by Marc Trivier.
Original unsigned gelatin silver print, like most of Trivier's works.
Precious original gelatin silver proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare dens

Original black and white photographic portrait by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Tape repair marks and white portion torn in places.
Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, dedicating several days of work to each, with particular concentration on rendering the w

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, dedicating several days of work to each, with particular concentration on rendering the whites, in contrast with blacks of rare density. A M

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks

Large original black and white photographic portrait by Marc Trivier.
Original unsigned silver gelatin print, like most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his older portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks

Set of 8 small-format portraits of Michel Foucault by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare density. A Marc

Large original black and white photograph by Marc Trivier.
Original unsigned silver print, like most of Trivier's works.
Precious original silver print by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his old portraits; the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rare density. A Marc Trivier p

Large original black and white photograph by Marc Trivier.
Original unsigned silver gelatin print, as with most of Trivier's works.
Precious original silver gelatin proof by the celebrated Belgian photographer, one of the most secretive contemporary artists, who despite early international success, preferred to limit his production to preserve the coherence of his work. Marc Trivier does not make new prints of his earlier portraits, and the printing paper he used is no longer commercially available. The artist "makes his own prints on Ilford baryta paper, devoting several days of work to each one, with particular concentration on rendering the whites, in contrast with blacks of rar

First edition.
Work illustrated with 154 heliogravure reproductions of photographs by Fritz Kühn
Handsome copy.

first edition, one of the review copies service.
Autographed autograph dedication of the author of Christian Renaut in the Literary Fortnight below the justication of the draw at the end of volume.
The book is decorated with 20 photographs by Christian Renaut illustrating the 13 poems by Guy-René Cadou.
Preface by Gilles Servat.
Pleasant complete copy of his prayer to insert.

PIERRE & GILLES. Autobiographie en photomatons 1968-1988
Bazar édition, Paris 2012, 20,5 x 25,5 cm, publisher's binding
First edition.
Publisher's beige cloth, title label and four photo booth images pasted to upper cover.
Autograph inscription signed, in gilt felt, by Pierre who has also signed for Gilles, with a drawing showing a smiling heart and a bird with a banner in its beak, bearing the first name of the subject of the inscription.
Richly illustrated.
A very good copy.

First edition.

Iconography, text by Claude Roy.

Handsome copy.

First edition.
Publisher's binding over flexible paper boards, three tears to the spine.
Autograph inscription signed by Jacques-Henri Lartigue to José Artur.
Illustrated with photographs.

First edition printed 2000 copies signed by Patrick Gratien Marino.
This book consists of a portfolio containing 20 photographs of Patrick Gratien Marino.
Some clear dirt on the front cover of the shirt, sullied second flat head, two small tears on the back.
Rare.

First edition of this advertising booklet published on the occasion of the fiftieth anniversary of the Kléber company in Colombes and produced after the design by Jean Garcia.
Text by Jean Giono.
Each double page is illustrated in full-page color and opens with 2 pages of black and white photographs by Roger Catherineau and Michel Desmarteau.
Spine and boards lightly and marginally yellowed, handsome interior condition.

Edition with 47 original photographs by Germaine Krull in heliogravure.
A tiny clear spot to head of upper cover.
A good copy.

First edition, one of 50 numbered copies on pur fil paper.
Work illustrated with 32 original astrophotographs hors texte printed on coated paper, obtained with the telescope of the Forcalquier observatory and at the private observatory of Marcel de Kerolyr.
Some traces of rubbing and angular tears to spine and boards (with two discreet restorations using adhesive on verso and foot of first cover), three small angular lacks to foot of second board, which is inevitable given the fragility of this work.

Portrait of Andy Warhol. Original photograph printed by the artist Large original photograph portrait in black and white, made and printed by Marc Trivier. Unsigned silver print, as most of Trivier's works. Unique print from the artist. Small stain on the upper margin.
Artists, madmen, abattoirs, trees – Marc Trivier photographed each of his subjects with the same interrogative intensity. All his photographs are in the same square format, simple and confined, with no retouching or alteration of the framing, and seem less to show off a subject – famous or unknown, in or out of power, dead or alive

First collected hors commerce edition printed in 100 numbered and hand-justified copies on Holland paper.
Preface by Abel Bonnard.
Frontispiece with an original silver gelatin print by Wladimir Rehbinder mounted on cardboard, portrait of the countess
Light worming to spine marginally affecting boards, handsome interior condition.
Rare.

First edition of this beautiful photography book.
Publisher's full cream cloth binding, smooth spine, boards slightly and marginally sunned, handsome interior condition.
Text by J.M. Espinas and preamble by J. Oliver.

First edition of the French translation.
Publisher's full black cloth binding, dust jacket preserved.
Richly illustrated.
A very fine copy.

First edition of the French translation.
Publisher's full black cloth binding, dust jacket preserved.
Rich iconography.
Handsome copy.

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each issue contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in photogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». ["We believe we are advancing progress by further engaging the public with this entirely French disco

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». Thus Paul Nadar concluded his introduction as a presentation of this precious review, containing a p

First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... ». Thus Paul Nadar concluded his introduction as a presentation of this precious review, containing a p

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy includes at least two plates, including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie... » ["We believe we are advancing progress by further interesting the public in this entirely French discov

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebr

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a print by the celebr

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a photograph by

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography...". Thus Paul Nadar concluded his introduction as a presentation of this precious journal, containing a photograph by

First edition of this extremely rare scholarly journal founded and directed by Paul Nadar.
Each copy contains at least two plates outside the text, including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography...". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal, c

First edition of this extremely rare scholarly review founded and edited by Paul Nadar.
Each issue contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure.
Contributions by P. Nadar, A. and L. Lumière, A. Marey, G. Geffroy, J. Grand-Carteret, J. Demarçay, Davison, S. Ferrand, H. Fourtier, C. Gravier, A. Guerronnan, Ponton d'Amécourt, H. Reeb, L. Vidal, J. Waterhouse... "Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie..." ["We believe we are advancing progress by further interesting the public in this entirely French discovery

First edition, of which there were no deluxe copies.
Illustrated brochure with photographs notably by G. Besson, Nora Dumas, G. Noël.
Handsome copy.

First edition.
Illustrated booklet with 10 figures in the text.
Development with pyrogallic acid, projection lantern...
Covers with minor spotting of no consequence, handsome interior condition.
Rare.

First edition on ordinary paper, only 50 copies were printed on Arches paper.
Photographs by Boubat, Clergue, Doisneau, Sieff, etc...
Corner dampstains at foot.