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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
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Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
Edition-Originale.com
<p><strong>Nothing beats true Surrealism !</strong><br>A century of materialism has failed to constrain the profound modernity of Surrealism, as each works of art and literature provoke&nbsp;a revolution in the senses and consciousness.</p>
<p>While some today declare the death of Surrealism,<br>the fact remains that its corpse is exquisite...</p>
  1. Selections

Manifesting Surrealism

Nothing beats true Surrealism !
A century of materialism has failed to constrain the profound modernity of Surrealism, as each works of art and literature provoke a revolution in the senses and consciousness.

While some today declare the death of Surrealism,
the fact remains that its corpse is exquisite...

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Manifesting Surrealism
  1. L'empereur de Chine suivi de Le serin muetL'empereur de Chine suivi de Le serin muet
    Georges RIBEMONT-DESSAIGNES

    L'empereur de Chine suivi de Le serin muet

    Au sans pareil|Paris 1921|13 x 19 cm|broché
    First edition on ordinary paper, false statement of third edition.
    From the 'Dada' collection.
    Spine slightly faded.
    €100
  2. "Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie""Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie"
    Leonor FINI

    "Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie"An amusing handwritten letter, dated, signed and addressed to Gérard Leman in which she is offended by the treatment he has reserved for one of his photographs

    Paris 11 Avril 1986|21 x 29.50 cm|une feuille + une enveloppe
    Manuscript letter dated and signed by Léonor Fini, 22 lines in black ink addressed to Gérard Leman from her Parisian residence.
    Fold marks inherent to postal dispatch, envelope included.
    Gérard Leman wishes the artist to dedicate a photograph he sent her, but Leonor Fini is not pleased with the poor treatment her portrait has suffered: "Mais - mais - mais -vous monsieur vous m'envoyez aussi une photographie (belle à à signer et dédicacer. Pour cette photographie vous ne vous êtes même pas donné le peine de chercher une enveloppe longue ou plus grande. Pliée en deux. Vous l'avez malmener. Je ne la signe pas - ni je vous l'envoie." (But - but - but - you sir, you also send me...
    €300
  3. Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968
    Leonor FINI

    Lettre manuscrite datée signée et adressée à Gérard Leman sur un papier à motifs psychédéliques lui adressant ses bons voeux pour 1968

    Paris 29 Janvier 1968|21 x 29.50 cm|une feuille
    Manuscript letter dated 29 January 1968 and signed to Gérard Leman on a colorful psychedelic paper.
    12 lines in red felt-tip pen, usual folding traces. 
    Leonor Fini reports a biography about her: "The publisher Pauvert has a book about me, with text by Brion and several illustrations - some in color. You can order it in any bookshop" as well as a forthcoming publication: 'In October, a major monograph on me will be published by the Book Guild in Switzerland'.

     
    €250
  4. Frontières humainesFrontières humaines
    Georges RIBEMONT-DESSAIGNES

    Frontières humaines

    Editions du Carrefour|Paris 1929|13.50 x 19.50 cm|broché
    First edition, one of 100 numbered copies on Holland paper, the deluxe issue after 8 copies on Japan paper.
    Handsome copy complete with its double cover, illustrated with a drawing by Claude Cahun and serving as dust jacket.
    The latter has tears and lacks.
    €200
  5. Lettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoieLettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoie
    Leonor FINI

    Lettre manuscrite datée et adressée à Gérard Leman à propos d'un portrait photographique qu'elle lui envoie

    Saint Dyé sur Loire 16 mai 1978|21 x 27 cm|deux feuilles
    Handwritten letter dated and signed by Léonor Fini, 8 lines in black ink addressed to Gérard Leman from her residence in Saint Dyé sur Loire (Loire-et-Cher), concerning the photographic reproduction of one of her portraits that her correspondent had requested.
    We include this famous photographic portrait on which Leonor Fini added these few words: "ma sympathie pour Gérard Leman. Leonor Fini."
    Fold marks inherent to postal delivery.




    €250
  6. "le public est fanatique (presque) pour moi"le public est fanatique (presque) pour moi
    Leonor FINI

    "le public est fanatique (presque) pour moiHandwritten letter dated and addressed to Gérard Leman about the success of his recent exhibitions

    Saint Dyé sur Loire 28 Décembre 1978|21 x 29.50 cm|un feuillet recto-verso + une enveloppe
    Manuscript letter dated and signed by Léonor Fini, 41 lines in black ink addressed to Gérard Leman from her residence in Saint Dyé sur Loire (Loire-et-Cher), on a recto-verso sheet of blue-tinted paper.
    Fold marks inherent to postal delivery, envelope included.
    Leonor Fini is satisfied with the recent exhibitions of her works and has even sent one of her catalogues to her correspondent: "Je vous envoie à part un petit livre-catalogue de la dernière exposition de peinture (fermée pour les fêtes, elle va se réouvrir le 8 janvier- les dessins sont toujours visibles dans l'autre galerie qui est ouverte) Les deux expositions ont eu un succès et une foule journalière assez...
    €450
  7. Montmartre and Montparnasse parties, moments before WW1
    Montmartre and Montparnasse parties, moments before WW1
    Bouquet de bohèmeBouquet de bohème
    Zig BRUNNER, Gus BOFA

    Bouquet de bohèmeFirst edition - the author's personal copy

    Albin Michel|Paris 1947|13.50 x 19 cm|relié

    "It's war!" we shouted that night, over and over again. The terrible word brought us bad luck... It was 1913: the following year, we were packing our kits again. This time, for real. And not all the guests came back." p. 335

    First edition, one of only 6 copies printed on Hollande, this being copy no. 1 of the deluxe issue.
    Bound in navy blue morocco backed boards with corners, spine very lightly sunned with raised bands, gilt date at foot, marbled paper-covered boards and endpapers, edges untrimmed, top edge gilt, covers and spine preserved. Binding signed Lavaux.
    A fine copy with wide margins, attractively bound.
    Bookplate...

    €3,000
  8. Salvador DalíSalvador Dalí
    Salvador DALÍ, Robert DESCHARNES

    Salvador Dalí

    Nouvelles Editions Françaises|Paris 1973|24.50 x 32.50 cm|reliure de l'éditeur
    Illustrated edition with 48 color plates reproducing works by Salvador Dalí.
    Leaves slightly warped at upper margin.
    Publisher's binding in full olive green skyvertex, smooth spine, minor rubbing traces to joints.
    Rich iconography.
    Large and beautiful signature with a shooting star drawing in blue felt-tip pen by Salvador Dalí covering the half-title page and the facing page.
    €2,800
  9. Un autre monde - Transformations, visions, incarnations, ascensions, locomotions, explorations, pérégrinations, excursions, stations, cosmogonies, fantasmagories, rêveries, folatreries, facéties, lubies, métamorphoses, zoomorphoses, lithomorphoses, métempsychoses, apothéoses et autres chosesUn autre monde - Transformations, visions, incarnations, ascensions, locomotions, explorations, pérégrinations, excursions, stations, cosmogonies, fantasmagories, rêveries, folatreries, facéties, lubies, métamorphoses, zoomorphoses, lithomorphoses, métempsychoses, apothéoses et autres choses
    Jean Ignace Isidore Gérard GRANDVILLE, Taxile DELORD

    Un autre monde - Transformations, visions, incarnations, ascensions, locomotions, explorations, pérégrinations, excursions, stations, cosmogonies, fantasmagories, rêveries, folatreries, facéties, lubies, métamorphoses, zoomorphoses, lithomorphoses, métempsychoses, apothéoses et autres choses

    Henri Fournier|Paris 1844|19 x 27 cm|relié
    First edition of this work considered Grandville's masterpiece and first printing of the illustrations.
    Work illustrated with a frontispiece, 36 superb hand-colored plates and 146 black woodcuts in the text.
    Contemporary half-shagreen binding in red, spine with raised bands outlined with gilt fillets and decorated with triple gilt compartments ornamented with gilt floral motifs, joints cracked at head and foot, some rubbing traces on spine, marbled paper boards, marbled endpapers and pastedowns, all edges gilt.
    Handsome copy, virtually free from foxing, of this beautiful book that was a precursor to surrealism.
    This delirious and prodigious production by...
    €1,500
  10. De Derrière les FagotsDe Derrière les Fagots
    Benjamin PÉRET

    De Derrière les Fagots

    Editions Surréalistes|Paris 1934|14 x 19.50 cm|broché
    First edition, one of 550 numbered copies on bouffant paper, the only issue after 24 pearlescent Japan and 25 light green.
    Spine and boards marginally faded as usual, spine split then reglued at head, handsome interior condition.
    €150
  11. Vigies. - In Sixième cahier de habitude de la poésieVigies. - In Sixième cahier de habitude de la poésie
    Tristan TZARA

    Vigies. - In Sixième cahier de habitude de la poésie

    GLM|Paris 1937|9.50 x 14.50 cm|agrafé
    First edition printed on green paper.
    Handsome copy despite boards very slightly and marginally discolored as usual.



    .
    €60
  12. "Bref, je suis terrifié, ne sachant pas que faire pour survivre" ["In short, I am terrified, not knowing what to do to survive"]
    "Bref, je suis terrifié, ne sachant pas que faire pour survivre" ["In short, I am terrified, not knowing what to do to survive"]
    "Bref, je suis terrifié, ne sachant pas que faire pour survivre""Bref, je suis terrifié, ne sachant pas que faire pour survivre"
    Hans BELLMER

    "Bref, je suis terrifié, ne sachant pas que faire pour survivre"Signed autograph letter addressed to his patron Claude Richard

    Paris 31 décembre 1950|20.80 x 27 cm|deux pages sur deux feuillets, enveloppe jointe
    Autograph letter by Hans Bellmer signed "H.B", addressed to Claude Richard, dated by the author December 31, 1950. Two pages in black ink on two sheets of fine pink paper, with autograph envelope enclosed.
    Discrete fold marks inherent to the sending of the letter.
    Exceptional lament of a cursed artist, sacrificing his life to his art. Endangering his health, Bellmer carefully supervises the printing of the first retrospective catalogue of his works (Vingt-cinq reproductions) of which he had received the first copies "le soir de la Noël" ["on Christmas evening"]. He addresses his Bordeaux collector-patron, Claude Richard, from his...
    €2,000
  13. Histoire de MarieHistoire de Marie
    BRASSAÏ

    Histoire de Marie

    Les éditions du point du jour|Paris 1949|12.90 x 16.50 cm|broché
    First edition, one of 2500 copies on vélin alfa.
    Foreword by Henry Miller.
    Precious copy signed and inscribed by Brassaï to André Malraux : "Pour André Malraux cordial hommage de Brassaï Paris, le 13 mai 1949".
    €800
  14. Dali de DraegerDali de Draeger
    Salvador DALI, Max GÉRARD

    Dali de Draeger

    Le Soleil Noir|Paris 1968|29 x 31 cm|reliure de l'éditeur
    - Dali's famous snail drawing -
    First edition.
    Publisher's binding, smooth spine, with its illustrated dust jacket.
    Numerous illustrations.
    Outstanding signed and inscribed copy across the title page and facing endpaper, by Salvador Dali to Ms Elisa Hanioti, painter herself and close friend of Gen Paul.
    Dali's intial D takes the form of his famous "snail drawing".

    Former British officer Captain Moore, alleged secret agent during WW2 and Dali's secretary from 1956 to 1974, added the words "Paris, 1969" and signed at the bottom of the title page.
    €4,000
  15. Adieu ne plaiseAdieu ne plaise
    André BRETON

    Adieu ne plaise

    P.A.B.|Paris 1954|12 x 18 cm|en feuilles
    First edition, one of 99 numbered copies on laid paper, the only deluxe copies.
    Fine and rare copy of this speech given by André Breton at the funeral of Francis Picabia who died on November 30, 1953.
    Manuscript signature by P.A.B. on the justification page.
    €600
  16. Lettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques PauvertLettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques Pauvert
    André BRETON

    Lettre autographe datée et signée à propos d'un règlement qu'il vient de recevoir pour une de ses contributions chez Jean-Jacques Pauvert

    S. n.|Paris 12 Mai 1964|21 x 26 cm|une page
    Autograph letter dated and signed by André Breton (11 lines in black ink from his Parisian residence on rue Fontaine) acknowledging receipt of a cheque he received from Jean-Jacques Pauvert's publishing house.
    Crease mark inherent to folding for mailing.
    He apologizes for responding so late to his correspondent, asks him to thank Jean-Jacques Pauvert and to convey his regards.


    €400
  17. Ode à Charles FourierOde à Charles Fourier
    André BRETON, Jean GAULMIER

    Ode à Charles Fourier

    Librairie C. Klincksieck|Paris 1961|16.50 x 25 cm|broché
    - Breton to Magritte: birth and immortality of Surrealism -

    First edition of Jean Gaulmier's critical study of André Breton's poem "Ode à Charles Fourier", published in its entirety with commentary. The poem is preceded by an important introduction in three parts: "Birth of the poem", "Surrealism and Fourierism" and "Fourierism and literature". Iconography. Restoration to the upper right-hand corner of page 65.
    Rare copy signed and inscribed by André Breton: "To René Magritte, another Prince of Attractions, his friend André Breton"
    Breton's inscription bears witness to...
    €3,000
  18. Saroka la géanteSaroka la géante
    Jacques CARELMAN

    Saroka la géante

    Le terrain vague|Paris 1965|22.50 x 29 cm|reliure de l'éditeur
    First edition of this surrealist tale, one of the numbered copies, ours unnumbered, the only deluxe copies.
    Work illustrated with 40 collages reminiscent of Max Ernst's style
    Publisher's full red moiré cloth binding, smooth spine, complete with its illustrated dust jacket whose spine and covers are slightly yellowed as is usual.
    €60
  19. La mort difficileLa mort difficile
    René CREVEL

    La mort difficile

    Simon Kra|Paris 1926|13 x 18 cm|broché
    First edition, one of 500 numbered copies on R.S. paper.
    Handsome copy

    €120
  20. With an exceptional and unrecorded artist's proof
    With an exceptional and unrecorded artist's proof
    Le soleil des eaux, spectacle pour une toile des pêcheursLe soleil des eaux, spectacle pour une toile des pêcheurs
    René CHAR, Georges BRAQUE

    Le soleil des eaux, spectacle pour une toile des pêcheurs[The Sun of the Waters]

    Henri Matarasso|Paris 1949|23 x 28.50 cm|Etching|Broché sous chemise et étui

    First edition, one of 170 numbered copies on vélin du Marais, the only issue after 30 copies on Arches.

    Custom chemise and slipcase, chemise in half blue box calf, flat spine with blind and palladium-stamped lettering, date in palladium at foot, patterned paper boards, slipcase edged in blue box calf, patterned paper boards, sides and spine in petrol blue paper, signed by Boichot.
    A very fine copy.
    Illustrated with 3 original etchings in black by Georges Braque and one in black and grey as frontispiece.
    Signed by René Char and Georges Braque on the colophon, with an exceptionally added original artist's proof signed in pencil on...

    €5,800
  21. L'aventure en soi - AutobiographieL'aventure en soi - Autobiographie
    Sarane ALEXANDRIAN

    L'aventure en soi - Autobiographie

    Mercure de France|Paris 1990|14 x 20.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Signed autograph inscription from Sarane Alexandrian to art critic Dominique Paulvé.

    €80
  22. Le revolver à cheveux blancsLe revolver à cheveux blancs
    André BRETON

    Le revolver à cheveux blancs

    Edition des cahiers libres|Paris 1932|14.50 x 19.50 cm|broché
    First edition, one of 1000 numbered copies on alfa paper, the only issue after 10 on Japan paper.
    Handsome copy.

    €200
  23. Héros-limiteHéros-limite
    Ghérasim LUCA, Jacques HÉROLD

    Héros-limite

    Le Soleil Noir|Paris 1953|12 x 18.50 cm|broché
    First edition, one of 500 numbered copies on snow-white offset paper.
    Spine sunned, one stain to upper right margin of back cover, handsome interior condition.
    Work illustrated with 3 drawings by Jacques Hérold.
    Autograph inscription signed by Ghérasim Luca to gallerist Nane Stern enriched with a drawing representing the constellation of the Great Bear, thus linking their two names.

    €400
  24. Vie du marquis de SadeVie du marquis de Sade
    Gilbert LELY

    Vie du marquis de Sade

    Jean-Jacques Pauvert|Paris 1965|14 x 22 cm|broché
    New edition with some parts in first edition as entirely revised.
    Iconography.
    Handsome copy.
    Fine autograph inscription signed by Gilbert Lely: "Pour monsieur Thierry de Clermont-Tonnerre qui a bien droit à la reconnaissance du marquis de Sade, auquel il a donné par deux fois l'hospitalité de sa belle collection 10/18. Mais n'est-il pas son parent par alliance ? (Voyez ci-après pages 458, 461, 489, 644.) Hommage très distingué de Gilbert Lely" ["For Monsieur Thierry de Clermont-Tonnerre who has every right to the gratitude of the Marquis de Sade, to whom he has twice given hospitality in his beautiful collection 10/18. But is he not his relative by marriage? (See...
    €60
  25. Hémisphères - Revue franco-américaine de poésie. French American quarterly of Poetry. Collection complète du N°1 au N°6Hémisphères - Revue franco-américaine de poésie. French American quarterly of Poetry. Collection complète du N°1 au N°6
    Ivan GOLL, COLLECTIF

    Hémisphères - Revue franco-américaine de poésie. French American quarterly of Poetry. Collection complète du N°1 au N°6[Hémisphères – Franco-American Review of Poetry. Complete run of issues No. 1 to No. 6.]

    Editions Hémisphères|New York Eté 1943-1945|15.50 x 24 cm|6 numéros brochés en 5 volumes

    First edition of this magazine led by Ivan Goll, uniting French surrealists then in exile in the United States with their American peers.
    Several contributions including those from Saint-John Perse, Roger Caillois, William Carlos Williams, Alain Bosquet, Ivan Goll, André Breton, Aimé Césaire, André Masson, Henry Miller, Kurt Seligmann, Denis de Rougemont, Julien Gracq, Eugène Guillevic, Robert Lebel...
    Illustrations by George Barker, André Masson, Wifredo Lam, Yves Tanguy.
    Pleasant and rare collection despite a small piece missing at the foot of the spine on the double issue 2 & 3.
    Complete collection in 6 issues and 5 deliveries (numbers 2 & 3 being double) of this...

    €2,500
  26. Un DivertissementUn Divertissement
    Franz KAFKA, Max ERNST

    Un Divertissement[An Entertainment]

    GLM|Paris 1938|12.50 x 16 cm|broché
    First edition in French, one of 15 numbered copies on Japon impérial paper, from the deluxe issue.
    Discreet restorations at head and foot of spine, handsome copy.
    Illustrated with a frontispiece by Max Ernst.
    €1,800
  27. Une saison en enferUne saison en enfer
    Arthur RIMBAUD

    Une saison en enferA Season in Hell

    Alliance typographique (M.J. Poot & Cie)|Bruxelles [Brussels] 1873|12.50 x 18.50 cm|relié sous étui
    Une saison en enfer [A Season in Hell]
    Alliance typographique (M. J. Poot & Cie) Bruxelles 1873 | 12,5 x 18,5 cm | full morocco and custom slipcase

    First edition published in small numbers at the author's expense.
    Binding in full black morocco elaborately decorated in blind, original wrappers preserved, half black morocco slipcase, outstanding binding signed Semet & Plumelle.
    This very scarce first edition of Une saison en enfer is a major collector's piece on several counts: it remains the only work published by Rimbaud himself, then a young unknown 19-year-old poet. He eventually never honored his debt towards the...
    €28,000
  28. Oeuvres complètes, volume I & II - Complet en deux volumesOeuvres complètes, volume I & II - Complet en deux volumes
    Federico GARCÍA LORCA

    Oeuvres complètes, volume I & II - Complet en deux volumes

    Gallimard • , Bibliothèque de La Pléiade|Paris 1996-1990|10.50 x 17.50 cm|reliure de l'éditeur
    Bibliothèque de La Pléiade edition printed on Bible paper.
    Publisher's full brown grained sheep bindings, orange top edges, smooth spines decorated with gilt fillets.
    Fine complete set with its protective covers but lacking dust jackets and slipcases.
    €80
  29. Minotaure N°6 de la deuxième annéeMinotaure N°6 de la deuxième année
    André BRETON, Paul ÉLUARD

    Minotaure N°6 de la deuxième année[Minotaure No. 6 of the second year]

    Albert Skira|Paris 1934|24.50 x 31 cm|broché
    First edition.
    Minor rubbing to the spine and along the edges of the covers, otherwise a pleasing, clean copy.
    Cover illustrated by Marcel Duchamp.
    Literary and artistic contributions by Pierre Mabille, Brassaï, Paul Eluard, Ambroise Vollard, Antoine de Saint-Exupéry, Charles-Ferdinand Ramuz, Salvador Dali, Pierre Courthion, Louise de Vilmorin, André Breton, Pierre-Jean Jouve, Benjamin Péret, Gisèle Prassinos, Hans Bellmer, Léon-Paul Fargue, Stéphane Mallarmé, Paul Klee, Yves Tanguy, Wassily Kandinsky, Paul Cézanne...
    €1,200
  30. Le surréalisme et la peintureLe surréalisme et la peinture
    André BRETON

    Le surréalisme et la peinture

    Gallimard|Paris 1965|21.50 x 28 cm|reliure de l'éditeur
    Third edition with some parts in first edition.
    Publisher's full black cloth binding, smooth spine, complete with its illustrated dust jacket which shows no defects.
    Rich iconography.
    €120
  31. André BretonAndré Breton
    (André BRETON) Julien GRACQ

    André Breton

    José Corti|Paris 1948|12 x 19 cm|broché
    First edition on ordinary paper, only 20 Marais and 50 pur fil deluxe copies were printed.
    With frontispiece portrait of André Breton by Hans Bellmer.
    Two small angular lacks at head and foot of first cover, two tears with lacks at head and foot of spine, paper yellowed as usual.
    €50
  32. Le Clavecin de DiderotLe Clavecin de Diderot
    René CREVEL

    Le Clavecin de Diderot

    Editions Surréalistes|Paris 1932|12 x 19 cm|broché
    First edition on ordinary paper.
    Spine slightly faded with two tears at head and foot.
    Signed autograph inscription from René Crevel to mademoiselle Jacob.
    €250
  33. O solitude ! O fontaines ! O solitude ! O fontaines !
    Pablo PICASSO, Paul DERMÉE

    O solitude ! O fontaines !

    GLM|Paris 1937|14.50 x 19.50 cm|broché
    First edition, one of 250 numbered copies on vellum, the only issue after 25 Holland paper.
    The work illustrated with a frontispiece drawing by Pablo Picasso.
    Light dampstain to margins of leaves, otherwise handsome copy.

    €120
  34. Méridiens encyclopédiquesMéridiens encyclopédiques
    ESPINOZA, René MASSAT

    Méridiens encyclopédiques

    GLM|Paris 1937|14.50 x 19.50 cm|broché
    First edition, one of 175 numbered copies on vellum, the only issue after 25 Normandy vellum.
    The work illustrated with a frontispiece drawing by Espinoza.
    Handsome copy with covers not discolored as is usually the case, a small tear to upper left corner of rear endpaper.

    €50
  35. Dépêches au Cerf-VolantDépêches au Cerf-Volant
    Basile SAINTE-CROIX [SAINTE-CROIX-LOYSEAU]

    Dépêches au Cerf-Volant

    GLM|Paris 1936|14.50 x 19.50 cm|broché
    First edition, one of 200 numbered copies on vellum, the only issue after 8 hollande.
    Handsome copy.

    €100
  36. DéchirureDéchirure
    Gregorio PRIETO, Lucien JUBLOU

    Déchirure

    GLM|Paris 1935|16 x 22 cm|broché
    First edition, one of 100 numbered copies on tinted hélio, the only issue after 25 normandy vellum.
    Work illustrated with a frontispiece drawing by Gregorio Prieto.
    Handsome copy.

    €50
  37. Quarante Comptines nouvellesQuarante Comptines nouvelles
    Fernand MARC, Lucien COUTAUD

    Quarante Comptines nouvelles

    GLM|Paris 1937|12.50 x 17 cm|broché
    First edition, one of 430 numbered copies on vellum, the only deluxe copies after 20 on Arches vellum
    Handsome copy.
    Work illustrated with 5 images by Lucien Coutaud.
    €50
  38. Point du JourPoint du Jour
    André BRETON

    Point du Jour

    Nrf|Paris 1934|12 x 19 cm|relié
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Half red morocco with corners, spine with four raised bands slightly faded, marble-covered paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
    Signed autograph inscription from André Breton to the Provençal writer, caricaturist and filmmaker, Carlo Rim, intimate friend and confidant of numerous artists and authors among the greatest figures of the 20th century: Antonin Artaud, Marcel Pagnol, Fernandel, Raimu, Max Jacob, Edith Piaf, Tristan Bernard...
    €580
  39. Grains et IssuesGrains et Issues
    Tristan TZARA

    Grains et Issues

    Denoël & Steele|Paris 1935|14.50 x 19.50 cm|broché
    First edition on ordinary paper.
    Spine slightly sunned.
    Autograph inscription by Tristan Tzara: "Au Journal des poètes, hommage de l'auteur".

    €230
  40. De Derrière les FagotsDe Derrière les Fagots
    Benjamin PÉRET

    De Derrière les Fagots

    Editions Surréalistes|Paris 1934|14 x 19.50 cm|broché
    First edition, one of 550 numbered copies on bouffant paper, the only issue after 24 on nacreous Japan paper and 25 on vert lumière paper.
    Spine and covers marginally faded as usual, handsome interior condition.
    €180
  41. Lettres de Jeunesse avec des Poèmes inéditsLettres de Jeunesse avec des Poèmes inédits
    Paul ÉLUARD

    Lettres de Jeunesse avec des Poèmes inédits

    Seghers|Paris 1962|14.50 x 23 cm|broché
    First edition, one of 32 numbered copies on Hélio neige Libert paper, ours being one of the 12 hors commerce copies, deluxe issue.
    Very handsome copy.

    €500
  42. Catalogue de la première exposition du groupe "Le Grand Jeu"Catalogue de la première exposition du groupe "Le Grand Jeu"
    Roger GILBERT-LECOMTE, René DAUMAL

    Catalogue de la première exposition du groupe "Le Grand Jeu"[Catalogue of the First Exhibition of the Group Le Grand Jeu]

    Editions Bonaparte|Paris 1929|15.50 x 23.50 cm|agrafé
    Very rare first edition of the catalogue for the inaugural exhibition of the "Le Grand Jeu" group, held from 8 to 22 June 1929.
    Texts by Roger Gilbert-Lecomte and René Daumal.
    A very fine and rare copy illustrated with two reproductions of works by Joseph Sima.



    €2,300
  43. Monsieur TénorMonsieur Ténor
    Kurt SELIGMANN, Pierre COURTHION

    Monsieur Ténor

    GLM|Paris 1936|19.50 x 25 cm|broché
    First edition printed in 70 numbered copies on Normandy vellum, ours unnumbered and unsigned by Guy Lévis-Mano.
    Work illustrated with an etching by Kurt Séligmann as frontispiece.
    A handsome copy.
    €1,000
  44. "Albert Robida" - In Les Contemporains n°24"Albert Robida" - In Les Contemporains n°24
    Alfred LE PETIT, Alphonse KARR

    "Albert Robida" - In Les Contemporains n°24

    Au bureau du Journal "Les contemporains"|Paris s. d. [1880]|20 x 29.50 cm|en feuilles
    First edition of this issue of the magazine founded by writer Félicien Champsaur and illustrator Alfred Le Petit, consisting of two folded sheets.
    Handsome copy.
    On the first, a color woodcut depicting Albert Robida by Alfred Le Petit.
    On the following, text by Félicien Champsaur in first edition titled "Albert Robida".
    €200
  45. Juan GrisJuan Gris
    WALDEMAR GEORGE

    Juan Gris

    Nrf|Paris 1931|12.50 x 16.50 cm|broché
    First edition on ordinary paper, fifth edition statement.
    Spine and covers lightly and marginally sunned, handsome copy.
    Booklet illustrated with an unpublished portrait of the artist engraved on wood by Georges Aubert as well as reproductions of works by Juan Gris.

    €50
  46. Man RayMan Ray
    Georges RIBEMONT-DESSAIGNES

    Man Ray

    Nrf|Paris 1924|12.50 x 16.50 cm|broché
    First edition on ordinary paper, fifth edition statement.
    Spine and covers lightly and marginally sunned, handsome copy.
    Booklet illustrated with an unpublished portrait of the artist engraved on wood by Georges Aubert as well as reproductions of works by Man Ray.

    €50
  47. Marc ChagallMarc Chagall
    WALDEMAR GEORGE

    Marc Chagall

    Nrf|Paris 1928|12.50 x 16.50 cm|broché
    First edition printed on ordinary paper.
    Spine and covers slightly and marginally sunned, handsome copy.
    Fascicle illustrated with an unpublished portrait of the artist engraved on wood by Georges Aubert as well as 29 reproductions of works by Marc Chagall.

    €50
  48. OrénoqueOrénoque
    Fernand LEGER, Robert GANZO

    Orénoque

    S. n.|Paris 1937|15 x 21.50 cm|broché
    First edition illustrated with 3 original drawings by Fernand Léger and printed in 150 numbered copies on Rives laid paper.
    A rare and handsome copy.
    €800
  49. Je sublimeJe sublime
    Benjamin PÉRET

    Je sublime

    Editions Surréalistes|Paris 1936|10 x 14.50 cm|broché
    First edition, one of 200 numbered copies on laid paper, the only issue after 1 nacre Japan, 15 imperial Japan and 25 Normandy.
    Front cover and spine slightly faded as usual.
    €350
  50. Le Surréalisme au CinémaLe Surréalisme au Cinéma
    Jacques B. BRUNIUS, Marcel DUCHAMP

    Le Surréalisme au Cinéma

    Arcanes|Paris 1954|14 x 19.50 cm|broché
    First edition with illustrated cover by Marcel Duchamp.
    Iconography.
    Handsome copy.
    €100
  51. Le Surréalisme et la PeintureLe Surréalisme et la Peinture
    André BRETON

    Le Surréalisme et la Peinture

    Gallimard|Paris 1979|21.50 x 28 cm|reliure de l'éditeur
    New edition.
    Publisher's binding in full black cloth, smooth spine, with the illustrated dust jacket which shows very light marginal tears of no consequence.
    Rich iconography, handsome copy.
    €100
  52. Prière d'insérer du Second Manifeste du Surréalisme d'André Breton
    André BRETON

    Prière d'insérer du Second Manifeste du Surréalisme d'André Breton

    Simon Kra|Paris 1930|15 x 24 cm|une feuille
    First edition of this document announcing the publication, for March 1930, of André Breton's "Second Manifeste du Surréalisme".
    Fine and rare copy.
    Texts by Roger Vitrac, Robert Desnos, Georges Ribemont-Dessaignes, Georges Limbour, Jacques Baron.
    €250
  53. Martinique charmeuse de Serpents. - Exemplaire de Jean PaulhanMartinique charmeuse de Serpents. - Exemplaire de Jean Paulhan
    André BRETON, André MASSON

    Martinique charmeuse de Serpents. - Exemplaire de Jean Paulhan

    Editions du Sagittaire|Paris 1948|14.50 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Paper yellowed as is often the case.
    Work illustrated with hors-texte illustrations by André Masson.
    Precious autograph inscription signed by André Breton to Jean Paulhan.

    €800
  54. Prière d'insérer de "La Femme visible" de Salvador Dali rédigé par André Breton et Paul EluardPrière d'insérer de "La Femme visible" de Salvador Dali rédigé par André Breton et Paul Eluard
    Salvador DALÍ, André BRETON

    Prière d'insérer de "La Femme visible" de Salvador Dali rédigé par André Breton et Paul Eluard

    Editions Surréalistes|Paris 1930|20.50 x 26.50 cm|une feuille
    Publisher's slip written jointly by Paul Eluard and André Breton for the first edition of "La Femme visible" by Salvador Dali published by Editions surréalistes de José Corti in 1930.
    Two very light marginal tears and two small crease marks at the foot of the document.
    Handsome copy.
    €300
  55. Position politique du SurréalismePosition politique du Surréalisme
    André BRETON

    Position politique du Surréalisme

    Editions du Sagittaire|Paris 1935|12 x 19 cm|broché
    Edition with some parts in first edition on ordinary paper.
    A label mark at the foot of the spine.
    Fine copy.
    €120
  56. Le Géranium ovipareLe Géranium ovipare
    Georges FOUREST

    Le Géranium ovipare

    José Corti|Paris 1935|14 x 19.50 cm|broché
    First edition, one of 150 Service de Presse copies on châtaignier blanc paper.
    Pleasant copy despite a small black ink mark at the head of the first cover.
    Autograph inscription signed by Georges Fourest to Roger Lannes.
    €300
  57. Sans Titre. - Encore un an de sans Titre, par un Homme noir, blanc de Visage. - Broussailles de la Pensée. - Vapeurs ni Vers ni Prose. - Rien, quelque chose. - Et la Lune donnait et la Rosée tombait Sans Titre. - Encore un an de sans Titre, par un Homme noir, blanc de Visage. - Broussailles de la Pensée. - Vapeurs ni Vers ni Prose. - Rien, quelque chose. - Et la Lune donnait et la Rosée tombait
    Xavier FORNERET

    Sans Titre. - Encore un an de sans Titre, par un Homme noir, blanc de Visage. - Broussailles de la Pensée. - Vapeurs ni Vers ni Prose. - Rien, quelque chose. - Et la Lune donnait et la Rosée tombait

    Arcanes|Paris 1952|14 x 19.50 cm|broché
    First edition, one of 979 copies on châtaignier condat paper.
    Contribution by André Breton, introduction and bibliography by Willy-Paul Romain.


    €50
  58. L'Amour de l'Art. - Quatorzième Année complète du N°1 au N°10L'Amour de l'Art. - Quatorzième Année complète du N°1 au N°10
    René HUYGHE, COLLECTIF

    L'Amour de l'Art. - Quatorzième Année complète du N°1 au N°10

    Librairie Alcan|Paris Janvier-Décembre 1933|25 x 32 cm|10 fascicules agrafés
    First edition of this complete year 1933 which intends to present a history of contemporary art beginning at the end of Impressionism" to go up to "Cubism".
    Handsome set despite two stains and a slash of purple ink on the first and second covers of No. 6.
    Contributions by Jean Mistler, René Huyghe, Claude Roger-Marx, Waldemar George, Germain Bazin, André Salmon, Jean Cassou, Paul Fierens, Roger Brielle, Wilhelm Uhde, André Lhote...
    Issues illustrated with reproductions of works by Paul Signac, Eugène Delacroix, Jean-Louis Forain, Jacques-Emile Blanche, Pierre Bonnard, Edouard Vuillard, Maurice Denis, Félix Vallotton, Henri Matisse, Raoul Dufy, Kees Van Dongen, Albert Marquet...
    €800
  59. Romancero gitanRomancero gitan
    Yves BRAYER, Federico GARCÍA LORCA

    Romancero gitan

    Les Bibliophiles du Palais|Paris 1975|25.50 x 32.50 cm|en feuilles sous chemise-étui
    Edition illustrated with 17 original full-page lithographs by Yves Brayer and printed in 200 numbered copies on grand vélin d'Arches.
    Handsome copy complete with its chemise and slipcase.
    Autograph inscription signed by Yves Brayer to Bernard Gauche enhanced with an original watercolor depicting two toreros.
    €500
  60. Une Leçon de MoraleUne Leçon de Morale
    Paul ÉLUARD

    Une Leçon de Morale

    Gallimard|Paris 1949|12 x 19 cm|broché
    First edition on ordinary paper.
    Handsome copy.

    €50
  61. Mort aux vaches et au champ d'honneurMort aux vaches et au champ d'honneur
    Benjamin PÉRET

    Mort aux vaches et au champ d'honneur

    Arcanes|Paris 1953|14 x 19.50 cm|broché
    First edition, one of 1100 numbered copies on Spécial Téka paper, the only issue with 50 on vélin d'Arches.
    Handsome copy.
    €50
  62. View Series IV N°4View Series IV N°4
    COLLECTIF, Esteban FRANCÉS

    View Series IV N°4

    View|New York Décember 1944|23.50 x 30.50 cm|agrafé
    First edition.
    Contributions by Lionel Abel "A B and C on Lautreamont", Man Ray "Ruth Roses and revolver", Giorgio Di Chirico "Hebdomeros", André Breton "Full margin", Jean Helion "Salute"...
    Cover illustrated by Esteban Frances, illustrations by Ossip Zadkine, Man Ray, Mark Rothko, Alexander Calder, Gustave Doré...
    €100
  63. View Series II N°3View Series II N°3
    COLLECTIF

    View Series II N°3

    View|New York October 1942|18.50 x 26.50 cm|agrafé
    First edition.
    Contributions by Roger Caillois "Vertigo", Parker Tyler "The endless island", Nicolas Calas "The new Prometheus", Paul Eaton Reeve "Homage to battling Siki", Charles Henri Ford "Epigrams"...
    Cover illustrated by Hanani, illustrations by Kurt Seligmann, André Masson, Pavel Tchelitchew, Gustave Doré...
    €80
  64. View Series V N°4View Series V N°4
    Francis PONGE, COLLECTIF

    View Series V N°4

    View|New York November 1945|23.50 x 30.50 cm|agrafé
    First edition.
    Contributions by Francis Ponge "A new introduction to the pebble", Edouard Roditi "William Harnett: american necromantic", Wallace Fowlie "The example of Max Jacob", Parker Tyler "I see the pattern of Nijinski clear"...
    Cover illustrated by Leon Kelly, illustrations by Marc Chagall, Georgia O'Keeffe, Max Jacob, Joan Miro, Paul Klee, Georges Rouault...
    €80
  65. View Series VII N°6View Series VII N°6
    Paul NOUGÉ, COLLECTIF

    View Series VII N°6

    View|New York Printemps 1947|23.50 x 30.50 cm|agrafé
    First edition.
    Contributions by Paul Nougé "Music is dangerous", Marius Bewley "Death in America", Paul Goodman "The musical dogs"...
    Cover illustrated by Pavel Tchelitchew, illustrations by Ruffino Tamayo, André Masson, Joan Miro, Esteban Frances...
    €80
  66. "Je suis, de nouveau, en mauvais termes avec Max Ernst, Masson devenu gaulliste est parti hier pour Paris.""Je suis, de nouveau, en mauvais termes avec Max Ernst, Masson devenu gaulliste est parti hier pour Paris."
    André BRETON

    "Je suis, de nouveau, en mauvais termes avec Max Ernst, Masson devenu gaulliste est parti hier pour Paris."Unpublished signed autograph letter addressed to Marcel Jean

    New York 23 octobre 1945|17.10 x 25.40 cm|2 pages sur un feuillet et une enveloppe
    Unpublished autograph letter signed by André Breton addressed to Marcel Jean, two pages written in blue ink on a sheet. "Air mail" envelope enclosed. Creases inherent to mailing.
    This letter is mentioned and very briefly quoted in Marcel Jean's autobiography, Au galop dans le vent.
    Important and lengthy letter sent from New York when Breton, in exile since 1943 as he was considered a "dangerous anarchist" by the Pétainist government, was forced - like many intellectuals - to leave France in order to continue working. He shares with his friend the "overwhelming despair" ["l'accablement"] that the city brings him and one still senses his...
    €2,000
  67. Le surréalisme et l'après-guerreLe surréalisme et l'après-guerre
    Tristan TZARA

    Le surréalisme et l'après-guerre

    Nagel|Paris 1948|12 x 19 cm|broché
    First edition, one of 50 numbered copies on vélin alma, the only deluxe copies.
    Spine and boards marginally sunned, spine with a light dampstain at foot.
    €250
  68. "Enfin ! Considérant l'objet fermé, disons-nous qu'il n'y a plus qu'à attendre les événements..."
    André BRETON

    "Enfin ! Considérant l'objet fermé, disons-nous qu'il n'y a plus qu'à attendre les événements..."Unpublished signed autograph letter addressed to Jean Schuster

    Saint-Cirq-Lapopie 9 octobre 1956|13.50 x 18 cm|1 page sur un double feuillet et une enveloppe
    Autograph letter signed by André Breton addressed to Jean Schuster; one page written in black ink on a double sheet of white paper. Envelope included.
    The writing of this letter coincides with the publication date of the very first issue of the journal Le Surréalisme même: "At last! Considering the closed object, let us say that there is nothing left but to await events..." Breton, then at his house in Saint-Cirq-Lapopie, plans to return to Paris for this occasion: "This was necessary - and the great cold of the morning - to bring us back to Paris: we will be there Friday and I will stop by the Musset in the evening."
    Jean...
    €800
  69. Le Titan - Lithographie originale signée sur BFK de Rives d'André MassonLe Titan - Lithographie originale signée sur BFK de Rives d'André Masson
    André MASSON

    Le Titan - Lithographie originale signée sur BFK de Rives d'André Masson

    Aubier|1972|65 x 50 cm|une feuille
    Original lithograph printed on BFK de Rives paper. "Artist's proof" notation written in pencil at lower left. Artist's signature in pencil at lower right of the plate.
    Margins soiled with small creasing marks.
    Mysterious landscape with luxuriant vegetation, fire at center, depicts the titan against a background of hills in green and orange tones.
    €450
  70. Prière d'insérer de "Le Bétrou"
    Julien TORMA, [Emmanuel PEILLET]

    Prière d'insérer de "Le Bétrou"

    Collège de Pataphysique|Paris 1983|15.50 x 24 cm|une feuille
    Publisher's advertising slip printed on green paper for the first edition of "Le Bétrou" published in the Cahiers du Collège de Pataphysique in 1983.
    One of the rare literary hoaxes whose true author has not yet been officially revealed. The works of Julien Torma, alleged Surrealist writer who died in 1933, were revealed by the Collège de Pataphysique. But when Henri Béhar attempted to attribute these works to some Pataphysicians such as Noël Arnaud, Eugène Ionesco, Jacques Prévert, Boris Vian or Raymond Queneau, the latter replied: "... I can assure you that I had nothing to do with the creation of the character of Torma. No more, moreover, than the other authors you mention (with the...
    €50
  71. 1492 Revue internationale des arts et des lettres N° spécial 3 : Robert Desnos
    COLLECTIF

    1492 Revue internationale des arts et des lettres N° spécial 3 : Robert Desnos

    S. n.|s. l. Mars 1963|13.50 x 21.50 cm|agrafé
    First edition of this issue entirely dedicated to Robert Desnos.
    Minor stains without consequence at the head of the first cover.
    Contributions by Jean Cocteau, Marcel Jouhandeau, Jean Cassou, Lise Deharme, Maurice Cury, Raphaël Sorin...
    €30
  72. Dieu est-il français ?Dieu est-il français ?
    Yves BONNEFOY

    Dieu est-il français ?

    S. n. • [ La Révolution La Nuit]|s. l. • (Paris) 1946|11 x 14 cm|une feuille rempliée
    Very rare first edition of this Surrealist tract, published simultaneously with "Traité du pianiste," Yves Bonnefoy's first book.
    This fierce text also reproduces a quotation from the Marquis de Sade: "Oui, citoyens, la religion est incompatible avec l'idée de liberté ; vous avez compris cela : Jamais l'homme libre ne s'abaissera devant les dieux du christianisme."
    Two inevitable small corner losses, given the extreme fragility of this publication issued by the micro-group "La révolution La nuit" founded by the author.

    €400
  73. Manuscrit autographe intitulé "Un peu jaguar..."Manuscrit autographe intitulé "Un peu jaguar..."
    André BRETON

    Manuscrit autographe intitulé "Un peu jaguar..."

    mai 1953|21 x 27 cm|une feuille
    André Breton autograph manuscript titled "Un peu jaguar...", written for issue no. 7 of May 1953 of the journal Médium. 12 lines written in black ink in a careful hand on a white sheet. Two transverse folds of no consequence.
    This is the final version of the text; an intermediate version of this article is visible on the Archives Breton website.
    An interesting chronicle concerning the Swedish painter Max Walter Svanberg: "De Malmö (Suède) notre très admiré ami Max Walter Svanberg nous écrit pour protester contre la manière dont ont été récemment présentées ses toiles à Paris..." ["From Malmö (Sweden) our much...
    €1,000
  74. Manuscrit autographe de deux chroniques intitulées "Assez souillé !" et "Courrier transpyrénéen"
    André BRETON

    Manuscrit autographe de deux chroniques intitulées "Assez souillé !" et "Courrier transpyrénéen"

    novembre 1952|20.90 x 13.40 cm|une feuille
    André Breton autograph manuscript comprising two short texts titled "Assez souillé !" and "Courrier transpyrénéen", written for issue no. 1 of November 1952 of the journal Médium. 18 lines written in black ink in a careful hand on a white sheet.
    A tiny pinhole in the upper right margin of the sheet.
    "Assez souillé !" ["Enough soiled!"] recounts the reception given by the journal Médium to Céline's panegyric by Albert Paraz. The chronicle titled "Courrier transpyrénéen" ["Trans-Pyrenean Mail"] announces the publication of the latest work by critic Juan Eduardo Cirlot titled Surrealismo. Breton also...
    €1,350
  75. Manuscrit autographe signé de deux chroniques intitulées "Une fameuse gorgée de poison" et "ça !"Manuscrit autographe signé de deux chroniques intitulées "Une fameuse gorgée de poison" et "ça !"
    André BRETON

    Manuscrit autographe signé de deux chroniques intitulées "Une fameuse gorgée de poison" et "ça !"

    mai 1953|21 x 27 cm|une feuille et un petit papillon
    André Breton autograph manuscript signed "A.B.", of two chronicles entitled "Une fameuse gorgée de poison" and "ça !", written for issue no. 7 of May 1953 of the review Médium. One long page written in black ink in careful handwriting on a white sheet, some corrections and additions sometimes in blue ink. Included is a small slip in Breton's hand, concerning an article by René Alleau, containing a small printed text annotated by him in red and blue ballpoint pens and bearing an explanatory note at the top.
    Two transverse folds of no significance.
    This is the final version of these two texts; an intermediate version of...
    €1,350
  76. Manuscrit autographe signé intitulé "3² + 4² = 5²"Manuscrit autographe signé intitulé "3² + 4² = 5²"
    André BRETON

    Manuscrit autographe signé intitulé "3² + 4² = 5²"

    mai 1953|21 x 27 cm|une feuille
    André Breton autograph manuscript signed "A.B." entitled "3² + 4² = 5²", written for issue no. 7 of May 1953 of the review Médium. 18 lines written in black ink in careful handwriting on a white sheet. Two transverse folds of no significance.
    This is the final version of the text; an intermediate version of this article can be seen on the Breton Archives website.
    An interesting chronicle on Paul Sérant's work devoted to René Guénon and his work published by éditions La Colombe: "Of this work, one of the most considerable of our time, M. Paul Sérant offers a penetrating study."
    €1,200
  77. « Mais il faut continuer à vivre et pour cela se réserver une part de solitude qu'avec angoisse aussi je vois diminuer chaque jour. »« Mais il faut continuer à vivre et pour cela se réserver une part de solitude qu'avec angoisse aussi je vois diminuer chaque jour. »
    André BRETON

    « Mais il faut continuer à vivre et pour cela se réserver une part de solitude qu'avec angoisse aussi je vois diminuer chaque jour. »Unpublished signed autograph letter addressed to Gaston Puel

    Antibes 9 mars 1948|21.80 x 27 cm|2 pages sur un feuillet
    Unpublished autograph letter signed by André Breton addressed to Gaston Puel; two pages on one leaf written in blue ink with fine and careful handwriting, numerous underlinings.
    Foxing and marginal adhesive traces.
    A very fine letter, imbued with benevolence, in which the Pope of Surrealism shares his numerous and time-consuming occupations with his young correspondent, while reassuring him about his talent and future.
    Gaston Puel began corresponding with André Breton at the Liberation. They had never met at the time of this letter, written four years later: « Je suis heureux que vous ayez pensé à m'adresser votre photographie. C'est un grand pas de...
    €1,500
  78. NadjaNadja
    André BRETON

    Nadja

    Nrf|Paris 1928|12 x 19 cm|relié

    First edition, one of 796 numbered copies on pur fil paper, the only grands papiers (deluxe copies) after 109 reimposed.
    Full green board Bradel binding, title piece in glazed yellow calf, covers and spine preserved, contemporary binding.
    Presentation copy inscribed by André Breton: “à Edmond Jaloux, hommage très dévoué. André Breton” “To Edmond Jaloux, a very devoted tribute. André Breton”.
    Edmond Jaloux, who was one of the earliest promoters of surrealism, wrote at the release of this atypical novel and misunderstood by most of his contemporaries, the most laudatory article of the time, concluding with this admiring admission of the impotence of...

    €4,800
  79. Lettre autographe signée adressée à Arnost Budik
    Roger CAILLOIS

    Lettre autographe signée adressée à Arnost Budik

    Paris 25 juin 1972|21 x 27 cm|une page sur un feuillet, enveloppe jointe
    Autograph letter signed by Roger Caillois addressed to Arnost Budik; one page written in black ink on a sheet of tissue paper. Envelope included.
    Some punch holes in the margin of the letter and envelope, not affecting the text, as well as some folds inherent to the folding of the missive.
    Roger Caillois thanks the Czech writer for the "issues of Gravida that [he] was kind enough to send [him]". Arnost Budik was indeed part of the editorial committee of this Belgian surrealist magazine and seems to have solicited a contribution from Caillois: "Please find enclosed a text that I have just completed." Caillois was alongside...
    €200
  80. Indicateur des chemins de coeurIndicateur des chemins de coeur
    Tristan TZARA, Louis MARCOUSSIS

    Indicateur des chemins de coeur[Guide to the Paths of the Heart]

    Editions Jeanne Bucher|Paris 1928|-|broché
    First edition printed in 100 copies, ours numbered on Arches laid paper.
    Work illustrated with three hors-texte etchings by Louis Marcoussis, pink laid paper cover decorated with an engraved vignette on the front cover.
    Very handsome copy.
    €2,800
  81. Vingt ans de surréalisme 1939-1959Vingt ans de surréalisme 1939-1959
    Jean-Louis BÉDOUIN

    Vingt ans de surréalisme 1939-1959

    Denoël|Paris 1961|14.50 x 20.50 cm|broché
    First edition, one of 25 numbered copies on alfa paper, the only deluxe copies.
    Iconography.
    Handsome copy.
    €300
  82. Lettre autographe signée inédite adressée à Sarane AlexandrianLettre autographe signée inédite adressée à Sarane Alexandrian
    André BRETON (Sarane ALEXANDRIAN)

    Lettre autographe signée inédite adressée à Sarane Alexandrian

    Paris mercredi 12 mars 1947|20.80 x 27 cm|1 page sur un feuillet, enveloppe jointe
    Unpublished autograph letter signed addressed to Sarane Alexandrian, one page written in blue ink on a sheet with the letterhead of the 1947 International Exhibition of Surrealism. Envelope enclosed.
    This letter is a response to a letter sent the day before by Sarane Alexandrian, partially accessible on the Breton Archives website.
    Born in Baghdad and engaged in the Resistance in the Limousin, it was during this period that Sarane Alexandrian discovered Dadaism. At twenty years old, he became André Breton's right-hand man and was entrusted by the latter with directing the secretariat of Cause in order to respond to applications from numerous young artists...
    €1,800
  83. Donner à voirDonner à voir
    Paul ÉLUARD

    Donner à voir

    Gallimard|Paris 1939|12 x 19 cm|broché
    First edition, one of 55 numbered copies on alfa paper, the only deluxe copies after 28 on pur fil, ours unnumbered.
    Minor traces of sunning to head and foot of spine.
    €350
  84. A la grande nuit ou le bluff surréalisteA la grande nuit ou le bluff surréaliste
    Antonin ARTAUD

    A la grande nuit ou le bluff surréaliste[To the Great Night or the Surrealist Bluff]

    Chez l'auteur|Paris 1927|12.50 x 16.50 cm|agrafé
    First edition, printed in a small number of copies, consisting of Antonin Artaud's response to his expulsion from the Surrealist movement by André Breton.
    A small tear at the foot of the spine.





    €600
  85. La Tour de Feu N°73 : Les trois sacrements du poèteLa Tour de Feu N°73 : Les trois sacrements du poète
    COLLECTIF

    La Tour de Feu N°73 : Les trois sacrements du poète

    La tour de feu|Paris Avril 1962|14.50 x 23 cm|broché
    First edition.
    Spine and covers with minor corner worming.
    Contributions by Jean Follain "Je ne suis pas d'accord", Edmond Humeau "Ne pensez qu'aux vivants", Adrian Miatlev "Vie des saints"...
    €30
  86. La Tour de Feu N°85 : Etre ou ne pas être avec LupascoLa Tour de Feu N°85 : Etre ou ne pas être avec Lupasco
    COLLECTIF

    La Tour de Feu N°85 : Etre ou ne pas être avec Lupasco

    La tour de feu|Paris Mars 1965|14.50 x 23 cm|broché
    First edition.
    Light corner creases to covers, not affecting text.
    Contributions by Emmanuel Looten "Néogénèse", Ernest Haumesser "Remontons au déluge ou les pré-lupasciens", Gaston Chaissac...
    €30
  87. La grammaire de Jarnac. In La tour de feu N°80La grammaire de Jarnac. In La tour de feu N°80
    COLLECTIF

    La grammaire de Jarnac. In La tour de feu N°80

    La tour de feu|Paris Décembre 1963|14.50 x 23 cm|broché
    First edition.
    A crease at foot of front cover, worming to rear cover.
    Contributions by Pierre Boujut, Adolphe Grad, Fred Bourguignon, Jean Laurent...


    €30
  88. Bulletin de souscription pour l'achat d'un exemplaire de "Maltraité de peinture" de Jacques HéroldBulletin de souscription pour l'achat d'un exemplaire de "Maltraité de peinture" de Jacques Hérold
    Jacques HÉROLD

    Bulletin de souscription pour l'achat d'un exemplaire de "Maltraité de peinture" de Jacques Hérold

    Falaize|Paris 1957|10 x 15 cm|une feuille
    First edition of the rare subscription bulletin for "Maltraité de peinture" by Jacques Hérold which was to be printed by Falaize in February 1957.
    Handsome copy.
    €50
  89. Dictionnaire de médecine amusante précédé d'un portrait-souvenir de Paul Colinet par Edmond KindsDictionnaire de médecine amusante précédé d'un portrait-souvenir de Paul Colinet par Edmond Kinds
    Paul COLINET [MONTAGNET] [Edmond KINDS] docteur DESGOSSES

    Dictionnaire de médecine amusante précédé d'un portrait-souvenir de Paul Colinet par Edmond Kinds

    André de Rache|Bruxelles [Brussels] 1971|16.50 x 25.50 cm|broché
    First edition, one of the numbered copies on bouffant Da Costa paper, ours an hors commerce copy.
    Handsome copy.
    Cover illustrated by Robert Willems.
    Autograph inscription dated and signed by Edmond Kinds, alias Doctor Desgosses to Robert Dupuy: "... ces souvenirs d'un autre temps et de ses jeux..." ["... these memories of another time and its games..."]
    €60
  90. Miro sculptures. In Repères N°22Miro sculptures. In Repères N°22
    Joan MIRÓ

    Miro sculptures. In Repères N°22

    Galerie Maeght Lelong|Paris 1985|22 x 31 cm|broché
    Bilingual first edition (French-English) illustrated with photographic reproductions of works by Joan Miro.
    Handsome copy.
    Text by Jean-Christophe Bailly.
    Provenance: from the library of art publisher Alex Grall with his printed label at head of title page as bookplate.

    €40
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