Some "tirages de tête" (most limited deluxe issues)

First edition, one of 30 numbered copies on pur fil paper, this copy one of five not for sale.

A rare and fine copy.

First edition of Royaume-farfelu, published in Paris by Gallimard (Éditions de la Nouvelle Revue Française, 3, rue de Grenelle) in 1928. Limited edition of 572 copies: 13 on Imperial Japan paper, 23 on Pannekoek Dutch laid paper (including 3 hors commerce lettered copies), 486 on Lafuma Navarre wove paper, and 50 hors commerce copies on Alfa paper reserved for reviewers.

This is copy no. IX, one of the thirteen deluxe copies on Imperial Japan paper, the most sought-after of the three deluxe issues. Original printed wrappers, as issued.

The preliminary leaf bears the...

First French edition, translation by Roger Caillois and René L.F. Durand, one of 33 numbered copies on pur fil, the only deluxe paper issue.

Rare and very fine copy.

First edition, one of 110 numbered copies on deluxe paper, our copy unnumbered, the only large-paper issue.

With a photographic portrait of Léon Blum as frontispiece.

Some scattered foxing, notably to the edges and endpapers; minor marginal tears to the covers, without significance.

First edition, one of 40 numbered copies on alfa paper, our copy not specifically numbered, issued as the only deluxe paper copies.

A few small spots of foxing, mainly affecting the edges and the endpapers, which show two small traces of adhesive paper.

First edition, one of 20 numbered copies on alfa paper, our copy lettered "A" among the 8 hors commerce lettered copies, the only deluxe paper issue.

A tear at the foot of the spine at the level of the sewing supports, otherwise a pleasant wide-margined copy.

Dated and signed autograph presentation by the publisher beneath the print statement: "Affectueusement reservé à mon admirable collaboratrice Suzanne qui est aussi la plus charmante & la plus précieuse des filleules - que dis-je ? la seule filleule qui compte ! Paris 18 octobre 1942."

First illustrated edition with 19 original lithographs by Miklos Bokor, printed in 175 numbered copies on Arches vellum, this copy being one of the 15 artist’s proofs signed and justified by the artist.

Autograph signatures of Yves Bonnefoy and Miklos Bokor at the colophon.

Signed autograph inscription by Yves Bonnefoy to a couple of close friends.

A fine copy, complete with its chemise and slipcase.

First edition entirely hand-painted by Jacques Capdeville and printed in 30 numbered copies on vellum, with a small number of hors-commerce copies also issued.

Rare and fine copy, complete with its full flexible paperboard slipcase and with the musical setting of the poem by John Supko, on tracing paper.

Handwritten signatures of Philippe Denis and Jacques Capdeville in the colophon.

First edition of the French translation, one of only 34 numbered copies printed on pure vellum paper, the sole deluxe paper issue.

A fine and rare copy.

First edition in book form, issued for the centenary of the birth of Pierre Jean Jouve; one of 33 numbered copies on pure wove vellum, the deluxe issue.

A fine copy.

First edition, one of 50 numbered copies printed on Edogawa Japan paper, the deluxe issue.

A handsome copy, complete—as with all copies on Japan paper—with the author’s portrait frontispiece by Armand Rassenfosse.

First public edition of this text by Jean Cassou, written under the pseudonym Jean Noir, one of 50 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First collected edition, one of 13 numbered copies on pur fil paper, our copy being one of 3 hors commerce, the only copies on deluxe paper.

A fine copy.

First edition, one of 50 numbered copies on Holland paper, being the only large paper issue.

Bradel binding with decorative paper featuring red and gold motifs, flat spine, small restorations to spine-ends and joints, brown shagreen title label with a corner skilfully restored, endpapers and pastedowns of blue paper with gilt motifs, soiled soiled covers and spine preserved, gilt top edge on deckle, contemporary binding.

Exceptional and precious presentation copy signed by Claude Farrère: "Pour Max-Anély que j'admire et pour mon ami Segalen. Claude Farrère." [For Max-Anély I admire and for my friend Segalen. Claude Farrère]

First public edition of this text written under the pseudonym François la Colère, one of 50 numbered copies on Madagascar paper, the deluxe issue.

Rare and fine copy.

First published edition of this text by Pierre Bost, written under the pseudonym Vivarais, one of 50 copies on Madagascar paper, deluxe issue.

Fine copy.

First public edition of this text by Elsa Triolet, written under the pseudonym Laurent Daniel, one of 58 numbered copies on Madagascar paper, the deluxe issue.

Fine copy.

First edition, one of 45 numbered copies printed on Rajasthan jute paper, the only deluxe issue.

Manuscript signature of Emil Cioran at the colophon.

Spine very slightly faded, of no significance.

Rare and fine copy, complete with the three tantric paintings reproduced hors-texte in colour on cream paper.

First edition, limited to 59 numbered copies on Arches vellum, signed in pink pencil by André Masson beneath the limitation statement.
Rare and fine copy.
Illustrated with two original etchings by André Masson, printed full-bleed and issued hors texte.

First edition, one of the 81 numbered copies on Holland paper, the only deluxe issue.

A handsome copy.

First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.

Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.

A pleasing copy.

First edition printed in 125 numbered copies on B.F.K. de Rives paper, ours being one of the 25 containing the two black etchings by Robert Lagarde, the colour suite, and the additional plate, a deluxe issue.

A few spots to the covers, internally clean and pleasing; copy complete with its publisher’s prospectus.

Each etching and additional plate is signed and justified by Robert Lagarde.

First edition, one of 200 numbered copies on “light green paper,” the only deluxe paper issue announced.

Turquoise half morocco binding, smooth spine, date in gilt at foot, marbled paper boards, endpapers, and pastedowns, original wrappers and spine preserved, top edge gilt; an elegant contemporary binding signed by G. Gauché.

A very handsome copy, finely bound by Georges Gauché and complete with its publisher's prospectus. 

Signed presentation inscription by René Crevel: "My dear Georges, here, in its finest form: Diderot’s Harpsichord, if you can help him play his music? With all my affection. René" (our own...

First edition, deluxe issue, one of 58 numbered copies on Montval paper signed by the artist on the colophon, with two original colour lithographs signed by Max Ernst.

Additionally illustrated with 11 full-page drawings reproduced in black and reproductions of paintings by the artist, including one folding plate.

Copy as issued, green wrappers illustrated with an original artwork by Ernst in perfect condition without any trace of discolouration as is commonly the case.

First edition printed on laid paper and illustrated with numerous tables embellished with Chinese ideograms.
Contemporary full brown Russia morocco binding, spine slightly faded, with five raised bands decorated with triple black panels, a few rubs to the spine, gilt initials W. H. W. to the centre of the upper cover, comb-marbled endpapers and pastedowns, triple gilt fillet border to the pastedowns, all edges gilt, double gilt fillets to the turn-ins, corners slightly bumped, unsigned period binding attributable to R. Petit.
Born in Poland, Michel-Alexandre Kleczkowski (1818–1886) served as Consul General of France, Minister Plenipotentiary in China, and Professor...

First edition, one of the scarce copies on Holland laid paper, not mentioned in the justification.

The seven volumes of text are in their original wrappers, with deckle edges preserved, showing small marginal tears and, at times, minor losses to certain spines and covers.

Our copy is complete with its in-folio atlas volume comprising 30 maps with outlines heightened in colour (cf. Vicaire VI, 397-398. F. Monaghan p. 74, no. 1157.)

The atlas is bound in contemporary full dark blue cloth, smooth spine, printed title label laid down on the spine, gilt device on the upper cover, a few scratches to the boards, contemporary binding.

This remains the finest contemporary...

First edition, one of the rare copies printed on Japan paper, with no mention of such.

Illustrated with a portrait frontispiece and 15 full-page illustrations within the text.

Contemporary half red shagreen binding with corners, spine in five compartments ruled in black, marbled paper boards, black stains at the foot of the upper cover, marbled endpapers, top edge gilt.

Minor rubbing and small losses to the spine, a few light foxing marks. 

Written by one of the defenders of the citadel of Bitche during the Franco-Prussian War, this account constitutes a tribute to Colonel Louis-Casimir Teyssier (1821–1916), who managed to hold the stronghold for seven months...

First edition, one of 70 numbered copies on Arches wove paper.

Our copy is enriched with the autograph signatures of Jacques Prévert — who signed as Jacques Rêve-vert (with the word “vert” highlighted in green) — and of André Pozner, each accompanied by two small drawings: a little cat for Jacques Prévert and a camel’s hump for André Pozner.

A fine copy, complete with its slipcase.

First edition, one of 69 numbered copies on pur fil, the only deluxe paper copies.

A very handsome copy.

First edition, one of 100 copies numbered on pur fil du Marais, the deluxe issue.
A handsome copy, despite a few insignificant foxing spots at the head of the upper cover.

In 1955, the book was splendidly adapted for the screen by Jean Delannoy, starring Jean Gabin, Robert Dalban, Serge Lecointe, Anne Doat and Jimmy Urbain.

First edition, one of 275 numbered copies on Lana wove paper, the deluxe issue.

Illustrated with 31 hors-texte plates.

A fine, uncut copy, complete with its illustrated dust jacket.

First edition, one of 20 numbered copies on Japan paper, the smallest issue of the deluxe edition, along with 20 on Arches.

Spine and covers marginally faded and sunned as usual, with minor paper losses at the flaps.

Illustrated with 8 original lithographs by Georges Annenkoff.

As with all copies from the deluxe issue, this copy includes the complete double suite of illustrations on vellum and on China paper.

First edition, one of 38 numbered copies on alfa paper, the only deluxe copies issued.

A very handsome copy.

First edition of Pierre Drieu la Rochelle's first book, one of 150 numbered copies on Hollande laid paper, the only deluxe copies.
Precious autograph inscription signed by Pierre Drieu la Rochelle : « to Charles Maurras this anxious testimony. Pierre Drieu la Rochelle ex. sergeant in the 146^th Infantry. October 1^st, 1917. »
Important testimony of the young Drieu la Rochelle's admiration – then in full intellectual development – for the « master of Martigues » to whom he sends this copy of his war poems composed in 1916 after being wounded at Verdun.
Demobilized and...

Unique copy printed on vellum and numbered 1, the deluxe issue of this very rare first edition, limited to 25 numbered copies.

Printer's proof stamp on the half-title: "E. Capiomont & Cie imprimeurs. 37, rue de Seine, Paris 30Janvier 188. Epreuve"

Full chocolate-brown morocco, spine very slightly faded with four raised bands, date and the word "Épreuves" lettered in gilt at foot, gilt rolls to headcaps, marbled endpapers and pastedowns, pastedowns framed with six gilt fillets, original wrappers preserved, top edge gilt, double gilt fillets to board edges, bookplate pasted to one pastedown; matching chocolate-brown morocco-edged slipcase with marbled-paper...

First and complete edition in 7 issues of this review founded and directed by Emmanuel Berl and Pierre Drieu la Rochelle, one of the rare copies on Madagascar paper of which no mention is made.

Bound in half red morocco-grained shagreen with corners, spine with five raised bands set with black fillets, some very light traces of rubbing on spine, date and place gilt at foot, marbled paper boards, endpapers and pastedowns of moiré-effect and gilt paper, top edge gilt, contemporary binding signed by Lagadec, elected best craftsman of France in 1927.

Manuscript signature of Emmanuel Berl at...

First edition in French, one of 8 numbered copies on Imperial Japan paper, ours being one of 3 hors commerce copies, deluxe printing.
Some foxing to boards and certain deckled edges.
A rare full-margined copy.

First edition, one of 100 numbered copies on hollande paper, deluxe issue (only the first volume numbered).
Each volume includes a historical introduction by Philippe De Gaulle.
Ex-libris pasted to the front of each volume.
A very fine copy with wide margins, complete in twelve volumes of this important work, commencing in 1905 and concluding in April 1969.

First edition, one of 350 numbered copies on handmade paper, ours unnumbered, the only deluxe copies.

Half-shagreen red binding, spine with five raised bands highlighted with gilt dotting and decorated with double gilt fillets, small stains on spine, marbled paper boards, endpapers and pastedowns, front cover preserved, corners very slightly bumped, speckled top edge, contemporary binding.

Precious autograph inscription dated and signed by Marcel Bleustein, who took the pseudonym Blanchet during the Resistance, to Paul Verneyras.
Press man, union activist and politician, Paul Verneyras joined the Resistance from 1940 by participating in the...

First edition, one of 150 numbered copies on vellum, the only deluxe copy.
Bound in half red chagrin, spine with five raised bands set with gilt dotted lines and decorated with double gilt fillets, marbled paper boards, endpapers and flyleaves of mould-made paper, first cover preserved, speckled top edge.
A pleasant copy.

First edition, one of 100 numbered copies on handmade vellum, the only deluxe copies.

Bound in half-red shagreen, spine with five raised bands decorated with gilt dots and ornamented with double gilt fillets, marbled paper boards, marbled endpapers and pastedowns, front cover preserved, top edge speckled.

Preface by General Roques.

Handsome copy complete with its folding map at the end of the volume.
 

First edition, one of 9 numbered copies on japon, only deluxe issue aside from 35 copies on pur fil, and a few on coloured paper.

Full black morocco binding, flat spine, author’s name palladium-stamped, title stamped lengthwise in palladium and blind, grey long-grain shagreen inlays to boards with author and title stamped lengthwise in palladium and in blind, turn-ins framed in morocco, light plum suede pastedowns and flyleaves, three palladium decorated deckled edges, outstanding custom binding by Thomas Boichot.

First edition, one of 41 numbered copies on Hollande paper, from the deluxe issue.

Contemporary half black morocco binding, smooth spine, wood-effect paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, other edges untrimmed, binding signed L. Bergeron. 

A fine copy.

First edition, one of 25 numbered copies on bouffant vellum paper from the Salzer mills, ours being No. 1, the only deluxe paper issue.
Handsome copy of this work awarded the Grand Prix du Roman of the Académie française.