On ferme
Handwritten signature of the author on the half-title page.
Book illustrated with a frontispiece and original lithographs by Maurice Berdon.
Bites on slightly and partially shaded guards.

Copies inscribed by the author, i.e. a handwritten dedication to a close friend. As moving accounts of the genesis of the book and the writer's links with the people of his time, inscriptions are a unique record of the author's life.
First edition on ordinary paper.
Some scattered foxing.
Bradel binding in full combed paper, smooth spine, navy morocco lettering-piece framed with gilt fillets, elegant pastiche binding signed by Thomas Boichot.
Rare and precious autograph inscription signed by Hector Malot: "A Guy de Maupassant, son dévoué confrère."
First edition, of which there were no large paper copies.
Elegant pastiche binding by P. Goy & C. Vilaine in half copper-colored calf over marbled paper boards, spine with double gilt fillets and date in gilt at foot, marbled pastedowns and endpapers, covers preserved.
Autograph inscription from Jules Barbey D'Aurevilly to his friend (Eugène) Yung, director of the La revue bleue, in pink ink.
A few spots, mostly to final leaves.
First edition of 30 copies printed on Japon paper of this offprint of L'Artiste for November 1890.
Contemporary Bradel binding of beige paper boards, ex-libris to pastedown.
Autograph inscription signed from Paul Verlaine to Edmond Bonnaffé on the justification of printing at end: “Exemplaire de Monsieur E. Bonnaffé. P. Verlaine [Monsieur E. Bonnaffé's copy. P. Verlaine]”. Edmond Bonnaffé (1825-1903) was a wealthy collector and noted historian of art, very close to the artistic movements of the age.
These pages by Verlaine are a critical review of the book by Roger Marx of the same name (Paris, 1890). In it, the poet discusses the great names in Art...
First edition.
Rare autograph inscription from Gustave Glotz to a friend : "... à Simone, bien affectueusement."
Illustrated.
Occasional foxing (not serious), a clear stain to lower cover of the second volume.
First edition, one of numbered copies on alfa.
A good copy.
Autograph inscription from Irène Némirovsky to monsieur Maier.