Goncourt Prize

First edition, with no deluxe copies issued, bearing the correct July 2010 colophon.

One of the rare first-proof copies bearing the following printed notice on the rear wrapper: "Premières épreuves non corrigées, dont le contenu ne peut en aucun cas être repris ou reproduit, en tout ou partie (y compris de courts extraits), sur tous supports, sans accord préalable et exprès de l'attachée de presse. / Attachée de presse : Soizic Molkhou / tél : 01 40 51 30 36 / [[email protected]](mailto:[email protected]) / Mise en vente indicative du 8 septembre 2010."*

With a manuscript correction to the printed notice: the words "premières""non" have been struck through, and the...

First edition on ordinary paper, without edition statement, bearing the correct colophon dated 30 November 1918.

The 128 deluxe paper copies would only be issued six months later, during the summer of 1919.

Light spotting to the margins of the endleaves, small l and a faint dampstain to the title page and following leaves, a bluish stain to the margins of pp. 339-340 inherent to the quality of the paper.

Bound in contemporary half forest-green morocco over corners, spine with five raised bands ruled in black, gilt date at foot, cat’s-eye patterned paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed...

First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.

First edition, one of the advance review copies.

Spine and covers slightly and marginally sunned, internally clean and well-preserved.
Work for which Patrick Modiano was awarded the "Prix Goncourt" in 1978.
Rare inscribed copy, signed by Patrick Modiano to Jean-François Revel.
 

True first edition, with no deluxe paper copies issued.

Half red morocco over marbled boards, corners in morocco, spine with five raised bands adorned with gilt fillets and double gilt compartments, date stamped in gilt at foot, minor rubbing to the bands, gilt fillet border on the marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and backstrip with a few minor losses preserved, a light scratch to an upper corner, contemporary binding signed by C. Septier.

Inscribed by one of the authors on the half-title page, to Marcel Gropiot.

A handsome copy attractively bound in a period...

Original black and white photograph depicting Maurice Druon in his Académie Française regalia.

A fine copy. Enclosed is the handwritten envelope addressed to the recipient by Maurice Druon.

Inscribed and signed by Maurice Druon in blue ink in the right margin of the photograph: "Avec mes meilleurs souhaits Druon."

Provenance: from the collection of the noted autograph collector Claude Armand.

Later edition published only a few months after the first edition.
An attractive copy of this work, which won the 2001 Prix Goncourt and was adapted for television a few years later.
Dated and signed presentation inscription from Jean-Christophe Rufin to a woman named Muriel, to whom he also wishes a merry Christmas.

Published one month after the first edition.
A pleasing copy.
Signed autograph inscription from Jacques Borel to François Escoube in this work, which was awarded the Prix Goncourt in 1965.

First edition, one of 30 numbered copies on vergé pur fil, the only large-paper copies.
"Collection Goncourt" ex-libris pasted to a flyleaf.

"When Batouala was first published in Paris a half-century ago, it was not only an event of major literary importance, but also a turning point in both the intellectual and political history of contemporary Africa. A creation of Rene Maran, an Afro-Caribbean who had years of direct experience in Africa as an employee of France's colonial service, Batouala was the first great novel about Africa by a Black writer." (Donald E. Herdeck...

First edition, one of the press review copies.

A pleasing copy.
It is the work for which Patrick Modiano was awarded the "Prix Goncourt" in 1978.
Rare signed autograph inscription from Patrick Modiano to his friend, the actor and dubbing artist Roger Lumont.
 

First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.

Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.

A pleasing copy.

First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.

Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and...

First edition, one of 75 numbered copies on pure laid paper, the only deluxe-paper copies offered for sale (5 copies on Japan paper and 10 on Dutch handmade paper were also printed hors commerce; cf. Pierrette & Georges Dupont, Bibliographie des écrits d'Henri Béraud).
A rare and attractive copy with full margins of the author's masterpiece.