First edition for which no deluxe copies are mentioned, one of the first issue copies numbered at the press.
Modern Bradel binding in full late 19th century watered silk, smooth spine, black oasis title label, covers and spine (with some lacks) preserved, elegant pastiche binding.
Cover illustrated by Guillaume.
Rare copy of this novel written almost entirely by Jean de Tinan.
First edition, one of 35 numbered copies on deluxe paper, the only deluxe copies.
Rare and handsome copy.
First edition, one of 75 numbered copies on surfine colored paper.
Work illustrated with 3 aquatints by Mimi Parent.
One scratch with three light stains on the first cover.
Handsome copy.
Precious and surrealist autograph inscription signed by José Pierre to Marie Cermínová Toyen: "A Toyen, les violons monégasques fabriqués secrètement dans les presbytères en partant de l'anémone de mer, José." (To Toyen, the Monégasque violins secretly manufactured in presbyteries starting from the sea anemone, José.)
Signatures of José Pierre and Mimi Parent below the justification page.
First edition, one of 35 numbered copies on vélin Rivoli, the only deluxe paper issue.
A very fine copy.
First French edition.
Profusely illustrated.
Text by Edgar Morin, Georges Lois, Jean-Paul Gaultier, Eric Troncy, Jérôme Sans.
Valuable signed autograph inscription from Jean-Paul Goude to Sonia (Rykiel) in capital letters: "POUR SONIA QUE J'AIME."
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy.
On the half-title page, a signed autograph inscription from Colette: "A monsieur F. Porlier. Colette.", Colette having added after Claudine s'en va : bon vent !
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy, notwithstanding a crease mark to the lower right corner of the upper cover.
Fine signed presentation inscription by Colette: "A monsieur F. Porlier ce vieux péché littéraire que je n'aime plus beaucoup. Colette."
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies printed on wove paper.
A pleasing copy, despite a small tear to the upper right margin of the front free endpaper.
On the page following the title, a fine signed autograph inscription by Colette: "A monsieur F. Porlier. Nantes, février 1933. Colette. J'aime beaucoup "et autres" ! Colette.", Colette having ironically circled the words "et autres" appearing in a paragraph outlining her alleged collaboration with her former husband Willy in the writing of the work.
Illustrated edition with colour drawings by Chas Laborde, one of the numbered copies on wove paper.
A pleasing copy.
Autograph signed inscription by Colette: "A monsieur F. Porlier en souvenir d'une passante. Colette."
First edition printed in 500 copies on rag vellum, numbered and signed by Ferdinand Bac.
A pleasing and scarce copy, with a bookplate and a bibliophile’s label pasted to the verso of the upper cover.
Autograph signed inscription by Ferdinand Bac to Maître Gilbrin in violet ink: "... en souvenir de l'aimable visite à la \"surintendance\" de Compiègne, le nonagénaire Ferdinand Bac mai 1949." enhanced with an original pencil drawing depicting Napoleon III in profile, overlooking the signed inscription.
First issue of Albert Dubout’s colour illustrations, printed in 600 named and numbered copies on vélin de Rives.
Bradel-style binding in half chocolate-brown morocco with corners, smooth spine, gilt date at foot, moiré-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, gilt top edge, contemporary signed binding by Bernasconi.
A few light spots of foxing.
A fine, attractively bound copy of the first work illustrated by Albert Dubout.
New edition.
A handsome copy.
Fine inscribed copy, signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche my last novel before I began to edit the diaries and be drowned in them. Perharps because I had arrived at humor and could bear to make the journey backwards. Anaïs Nin."
Original black and white photograph depicting Boris Yegorov in flight suit.
A fine copy.
Rare autograph of Boris Yegorov in blue ink in the left margin of the photograph.
On 12 October 1964, aboard Voskhod 1, Boris Yegorov made his sole flight as a physician, participating in the first mission in history to carry three crew members.
Provenance: from the collection of the renowned autograph collector Claude Armand.
First edition on ordinary paper despite a mention of twelfth edition.
Paper yellowed and slightly brittle at the edges, a small insignificant lack at the head of the leaves of the first gathering which was poorly cut.
Beautiful autograph inscription signed by André Malraux on the half-title page: "A André Germain - cet ancien portrait de moi-même où je ne me reconnais guère que par endroits - avec le fidèle souvenir et la sympathie d'André Malraux." (To André Germain - this old portrait of myself in which I hardly recognize myself except in places - with faithful memory and the sympathy of André Malraux.)
Exhibition catalogue listing 66 paintings by Félix Vallotton exhibited at the Druet gallery, 20, rue Royale in Paris, from 22 April to 3 May 1929.
Light worming to the first cover, otherwise a handsome copy.
Catalogue illustrated with 7 photographic reproductions of works by Félix Vallotton.
