Drogues, alcools et autres addictions

First edition printed on vélin d'Angoulême, complete with the six banned poems. Wrapper in third state according to Carteret’s classification.

3/4 red half morocco bindings, boards framed with a gilt fillet, spine in five raised bands with title and author gilt-stamped, compartments tooled with a small gilt thistle device, original wrappers and spine preserved, combed endpapers and flyleaves, top edge gilt, binding signed Victor Champs.

Wrappers backed, two minute marginal tears to the upper wrapper expertly restored, and a small paper loss to the spine, copy virtually free from foxing.

Exceptionally rare first-issue copy bearing, in addition to the...

First edition, privately printed in a small number of copies as an offprint from issue No. 6 of the review Hermès, devoted to the theme of emptiness, of which Henri Michaux was the first editor-in-chief.

A few stains to the upper wrapper.

Signed autograph inscription by Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Quelques mots encore amicalement à Bernard Saby. Henri Michaux."

Inspired both by his investigations into serial music and by his experiments with mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux welcomed him into the pages of...

Original ink on cartridge paper, signed in ink on the lower right with Henri Michaux's monogram “HM.” A tiny tear, causing no effect, at the top of the leaf.
The drawing has been authenticated by M. Franck Leibovici, Henri Michaux's beneficiary, and will be entered into the catalogue raisonné in preparation.

Autograph letter signed by Charles Baudelaire, written in pencil and addressed to his mother. Dry-stamped stationery of the Grand Hôtel Voltaire, Faubourg Saint-Germain. Address to Madame Aupick in Honfleur (Calvados) in the author's hand, together with several postal markings dated 13 and 14 July 1858. Several underlinings, deletions and corrections by Baudelaire. Trace of a wax seal bearing Charles Baudelaire's initials in pencil, probably in the author's hand. A small portion of the second leaf has been excised, with no loss of text.
This letter was first published in the Revue de Paris on 15 September 1917.
From the former collection of...

Long autograph letter signed by Claude Farrère, approximately 160 lines in blue ink (8 pages on two double leaves), to his friend Pierre Louÿs thanking him notably for his thoughtfulness.
Traces of folds inherent to being placed in an envelope, envelope included.
Claude Farrère praises his friend's thoughtfulness towards him: "Thank you for your letter... not only because it is exquisite, - six times more than you can believe, - but much more because I know very well that you told it to me so as 'not to worry me...' as you say." and is amazed by the problems raised by these recent articles: "Said in parentheses, I am quite stunned by the one...

First edition of this paean to intoxication, adorned with a charming engraved frontispiece depicting Bacchus seated on a barrel, holding a wine cup in one hand and a bunch of grapes in the other.

Cf. Vicaire 326. Bitting 415. Barbier II, 75 d. Oberlé, Une bibliothèque bachique, 523 (for the 1798 ed.).

Bound in contemporary fawn half-calf with corners, spine with five raised bands decorated with gilt fillets, marbled paper boards, corners slightly worn, edges speckled red.

This work abounds with anecdotes and quotations drawn from the history of many lands. It asserts "that wine gives wit," offers "a catalogue of some illustrious drinkers," and claims "that...

First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.

Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

Fourth edition, partly original, revised and considerably enlarged from these lectures given at the Paris School of Pharmacy. The work is illustrated with 600 figures within the text. 

Slight losses or small corner tears to the spines and boards, minor scattered foxing.

A pleasant copy.

First appearance of the 18 poems by Charles Baudelaire published on pages 1079–1093 of the Revue des Deux Mondes, showing numerous variations from the text of the first edition issued in 1857 by Poulet-Malassis & De Broise.

Full black shagreen binding, smooth spine, double blind-ruled borders on covers, comb-marbled endpapers and pastedowns, slightly later binding.

A rare and attractive copy.

Third edition, partly original, expanded with 25 poems, along with a lengthy introduction by the poet Théophile Gautier and several articles and letters by Barbey d'Aurevilly, Dulamon, Sainte-Beuve, Charles Asselineau, Custine, Edouard Thierry et Émile Deschamps selected by Baudelaire.
With a steel-engraved frontispiece portrait of the author by Nargeot.
One of the rare first issue copies with the correct date of 1868 on the title and without statement of edition.
This comprehensive edition contains 25 unpublished poems, totaling 151 poems (100 poems in the 1857 edition). Among the new poems, eleven are from Les Épaves.
Although...

First edition printed on vélin d'Angoulême. Complete copy with the six banned poems and the usual misprints.

Half shagreen binding, spine with four raised bands twice ruled in gilt with gilt fleurons, marbled paper boards, marbled pastedowns and flyleaves, contemporary binding. Some foxing scattered foxing.  

Rare first edition of the French translation, with no copies printed on deluxe paper.

Spine slightly sunned, a vertical shadow on the lower cover, internally clean and attractive.

First edition, one of 50 numbered copies on Holland paper, being the only large paper issue.

Bradel binding with decorative paper featuring red and gold motifs, flat spine, small restorations to spine-ends and joints, brown shagreen title label with a corner skilfully restored, endpapers and pastedowns of blue paper with gilt motifs, soiled soiled covers and spine preserved, gilt top edge on deckle, contemporary binding.

Exceptional and precious presentation copy signed by Claude Farrère: "Pour Max-Anély que j'admire et pour mon ami Segalen. Claude Farrère." [For Max-Anély I admire and for my friend Segalen. Claude Farrère]

Third edition and the last revised by the author, partly original as 25 poems appear here for the first time, bringing the total to 151 poems (as against 100 in the 1857 edition). Copy of the second issue, with a title page dated 1869 and bearing the statement of third edition.
Illustrated with a steel-engraved portrait of Charles Baudelaire by Nargeot as frontispiece.
A few minor spots of foxing, as often encountered.
The upper cover and the half-title page bear the wording: "Oeuvres complètes". According to Clouzot, the volume was sold either separately on its own or as the first volume of the collected works, whose publication extended over several years.
It should...

First edition of the Petits poëmes en prose, later entitled Le Spleen de Paris – Petits poëmes en prose. Second edition of Les Paradis artificiels.

Some foxing, mainly at the beginning and end of the volume.
Contemporary half black shagreen binding, spine with five raised bands ruled in gilt and decorated with gilt tools, marbled paper sides, marbled endpapers and pastedowns, speckled edges, corners slightly rubbed.
The half-title bears the designation: "Oeuvres complètes". The work was issued separately, either on its own or as the fourth volume of the complete works, the publication of which extended over several...

The second édition originale on ordinary paper. Fifteen hundred copies had been printed, plus 4 on chine paper, a few copies on hollande and on vélin.
Complete with the portrait of the author by Félix Bracquemond (often missing), here in first state on papier chine pasted on the page (before letters, i.e. “L'Artiste” on top of the portrait).
Orange half cloth Bradel binding, smooth spine double ruled in gilt, gilt date at foot, slightly scratched brown shagreen title-label, marbled paper boards, slightly later 19th-century binding.

Mistakenly considered as “partly original”, this edition was entirely...

The second édition originale on ordinary paper. Fifteen hundred copies had been printed, plus 4 copies on chine paper, and a few other copies on hollande and on vélin.
Half brown morocco, slightly sunned spine with five raised bands, marbled paper boards double ruled in gilt, mould made paper pastedowns and endpapers, gilt top edge. Foxing. Complete with the portrait of the author by Félix Bracquemond (often missing), here in second state on papier chine pasted on the page.

Mistakenly considered as “partly original”, this edition was entirely revised by the author, with 35 newly composed poems and 55 “deeply rewritten” poems [profondément...

First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper.

Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Skilful and discreet repair to the top of a joint.
Illustrated with 6 vignettes by André Derain.

Handsome inscription signed by Antonin Artaud: “à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud...

First edition, one of the first-issue copies press-numbered, from a total limitation of just 23 deluxe copies on Holland paper.
Illustrated with a frontispiece portrait of Guillaume Apollinaire by Pablo Picasso.
Spine sunned with discreet restorations.

Our copy is preserved in a red half morocco chemise, spine with five raised bands, date lettered at the foot, paper-covered boards, matching paper slipcase edged in red morocco, the whole signed by Boichot.

Rare signed autograph inscription by Guillaume Apollinaire: « à Henri Ghéon dont j'aime la poésie, Guillaume Apollinaire ».
Our copy further contains five manuscript corrections in ink by...

First edition, printed on vélin d'Angoulême paper, with the usual misprints and including the six condemned poems, one of the few copies given to the author and “intended for friends who do not deliver literary services”.
Full emerald morocco binding, signed by Marius Michel, original wrappers preserved.