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  1. Costumes parisiens. Demi-deuil (pl.107, Journal des Dames et des Modes, 1913 n°48)Costumes parisiens. Demi-deuil (pl.107, Journal des Dames et des Modes, 1913 n°48)
    Victor LHUER

    Costumes parisiens. Demi-deuil (pl.107, Journal des Dames et des Modes, 1913 n°48)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  2. Costumes parisiens. Robe de linon rayé, bordée de linon rose. Fichu aussi de linon rose (pl.108, Journal des Dames et des Modes, 1913 n°48)Costumes parisiens. Robe de linon rayé, bordée de linon rose. Fichu aussi de linon rose (pl.108, Journal des Dames et des Modes, 1913 n°48)
    Charles MARTIN

    Costumes parisiens. Robe de linon rayé, bordée de linon rose. Fichu aussi de linon rose (pl.108, Journal des Dames et des Modes, 1913 n°48)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color enhanced with gold, printed on laid paper, signed upper right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies...
    Sold
  3. Costumes parisiens. Costume de chasse serge verte et écossaise (pl.109, Journal des Dames et des Modes, 1913 n°48)Costumes parisiens. Costume de chasse serge verte et écossaise (pl.109, Journal des Dames et des Modes, 1913 n°48)
    Marie-Madeleine FRANC-NOHAIN

    Costumes parisiens. Costume de chasse serge verte et écossaise (pl.109, Journal des Dames et des Modes, 1913 n°48)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  4. Menu pour le restaurant Larue 27, rue royale (Journal des Dames et des Modes, 1913 n°49)Menu pour le restaurant Larue 27, rue royale (Journal des Dames et des Modes, 1913 n°49)
    Ferdinand Jean Edouard BOSCHER

    Menu pour le restaurant Larue 27, rue royale (Journal des Dames et des Modes, 1913 n°49)

    S. n.|Paris 1913|14 x 22.50 cm|un feuillet remplié
    original menu Larue restaurant located at 27 rue Royale displaying original color illustrations of Ferdinand Jean Edouard Boscher.
    Some marginal foxing.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the...
    Sold
  5. Costumes parisiens. Veste de velours brochée, bordée de Konbiskey (pl.117, Journal des Dames et des Modes, 1913 n°52)Costumes parisiens. Veste de velours brochée, bordée de Konbiskey (pl.117, Journal des Dames et des Modes, 1913 n°52)
    Jan VAN BROCK

    Costumes parisiens. Veste de velours brochée, bordée de Konbiskey (pl.117, Journal des Dames et des Modes, 1913 n°52)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  6. Costumes parisiens. Tailleur de duvetyn rouge bordé de renard rouge (pl.120, Journal des Dames et des Modes, 1913 n°53)Costumes parisiens. Tailleur de duvetyn rouge bordé de renard rouge (pl.120, Journal des Dames et des Modes, 1913 n°53)
    Jan VAN BROCK

    Costumes parisiens. Tailleur de duvetyn rouge bordé de renard rouge (pl.120, Journal des Dames et des Modes, 1913 n°53)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  7. Costumes parisiens. Costumes pour un ensemble (pl.121, Journal des Dames et des Modes, 1913 n°54)Costumes parisiens. Costumes pour un ensemble (pl.121, Journal des Dames et des Modes, 1913 n°54)
    Bernard BOUTET DE MONVEL

    Costumes parisiens. Costumes pour un ensemble (pl.121, Journal des Dames et des Modes, 1913 n°54)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  8. Costumes parisiens. Robe à volants (pl.123, Journal des Dames et des Modes, 1913 n°54)Costumes parisiens. Robe à volants (pl.123, Journal des Dames et des Modes, 1913 n°54)
    Jan VAN BROCK

    Costumes parisiens. Robe à volants (pl.123, Journal des Dames et des Modes, 1913 n°54)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print finely enhanced color to gold, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies...
    Sold
  9. Costumes parisiens. Robe d'intérieur (pl.125, Journal des Dames et des Modes, 1913 n°55)Costumes parisiens. Robe d'intérieur (pl.125, Journal des Dames et des Modes, 1913 n°55)
    Armand VALLEE

    Costumes parisiens. Robe d'intérieur (pl.125, Journal des Dames et des Modes, 1913 n°55)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  10. Costumes parisiens. Manteau du soir en velours frappé garni de soie brochée d'argent (pl.139, Journal des Dames et des Modes, 1914 n°61)Costumes parisiens. Manteau du soir en velours frappé garni de soie brochée d'argent (pl.139, Journal des Dames et des Modes, 1914 n°61)
    [George BARBIER]

    Costumes parisiens. Manteau du soir en velours frappé garni de soie brochée d'argent (pl.139, Journal des Dames et des Modes, 1914 n°61)

    S. n.|Paris 1914|14 x 22.50 cm|une feuille
    original print in color enhanced palladium, printed on laid paper, unsigned but attributed to George Barbier.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to...
    Sold
  11. Costumes parisiens. Robe de bal en taffetas corail à volants de gaze de soie (pl.149, Journal des Dames et des Modes, 1914 n°66)Costumes parisiens. Robe de bal en taffetas corail à volants de gaze de soie (pl.149, Journal des Dames et des Modes, 1914 n°66)
    H. Robert DAMMY

    Costumes parisiens. Robe de bal en taffetas corail à volants de gaze de soie (pl.149, Journal des Dames et des Modes, 1914 n°66)

    S. n.|Paris 1914|14 x 22.50 cm|une feuille
    original print in color enhanced with gold, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies...
    Sold
  12. Costumes parisiens. Petit manteau de velours, robe de linon (pl.150, Journal des Dames et des Modes, 1914 n°66)Costumes parisiens. Petit manteau de velours, robe de linon (pl.150, Journal des Dames et des Modes, 1914 n°66)
    George BARBIER

    Costumes parisiens. Petit manteau de velours, robe de linon (pl.150, Journal des Dames et des Modes, 1914 n°66)

    S. n.|Paris 1914|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  13. Costumes parisiens. Pour St Moritz. Ratine blanche garnie de Skunks et brodée de laines [Costume pour les sports d'hiver] (pl.51, Journal des Dames et des Modes, 1913 n°25)Costumes parisiens. Pour St Moritz. Ratine blanche garnie de Skunks et brodée de laines [Costume pour les sports d'hiver] (pl.51, Journal des Dames et des Modes, 1913 n°25)
    George BARBIER

    Costumes parisiens. Pour St Moritz. Ratine blanche garnie de Skunks et brodée de laines [Costume pour les sports d'hiver] (pl.51, Journal des Dames et des Modes, 1913 n°25)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  14. Costumes parisiens. Toilette d'après-midi (pl.53, Journal des Dames et des Modes, 1913 n°25)Costumes parisiens. Toilette d'après-midi (pl.53, Journal des Dames et des Modes, 1913 n°25)
    Aris METZANO

    Costumes parisiens. Toilette d'après-midi (pl.53, Journal des Dames et des Modes, 1913 n°25)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies making it, for the...
    Sold
  15. Costumes parisiens. Le Choix difficile (Journal des Dames et des Modes, 1913 n°22)Costumes parisiens. Le Choix difficile (Journal des Dames et des Modes, 1913 n°22)
    Charles MARTIN

    Costumes parisiens. Le Choix difficile (Journal des Dames et des Modes, 1913 n°22)

    S. n.|Paris 1913|22.50 x 14 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the few boards in landscape format, published on the occasion of 1st January 1913.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on...
    Sold
  16. Costumes parisiens. Manteau de ratine blanche, garniture écossaise jaune et blanc. Marin blanc et noir, fox blanc et noir (pl.44, Journal des Dames et des Modes, 1913 n°22)Costumes parisiens. Manteau de ratine blanche, garniture écossaise jaune et blanc. Marin blanc et noir, fox blanc et noir (pl.44, Journal des Dames et des Modes, 1913 n°22)
    Marie-Madeleine FRANC-NOHAIN

    Costumes parisiens. Manteau de ratine blanche, garniture écossaise jaune et blanc. Marin blanc et noir, fox blanc et noir (pl.44, Journal des Dames et des Modes, 1913 n°22)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  17. Costumes parisiens. Deshabillé du matin (pl.45, Journal des Dames et des Modes, 1913 n°22)Costumes parisiens. Deshabillé du matin (pl.45, Journal des Dames et des Modes, 1913 n°22)
    Charles MARTIN

    Costumes parisiens. Deshabillé du matin (pl.45, Journal des Dames et des Modes, 1913 n°22)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  18. Costumes parisiens. Robe du soir satin noir et tulle, bordée de brillants (pl.46, Journal des Dames et des Modes, 1913 n°22)Costumes parisiens. Robe du soir satin noir et tulle, bordée de brillants (pl.46, Journal des Dames et des Modes, 1913 n°22)
    George BARBIER

    Costumes parisiens. Robe du soir satin noir et tulle, bordée de brillants (pl.46, Journal des Dames et des Modes, 1913 n°22)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print in color finely enhanced palladium, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279...
    Sold
  19. Costumes parisiens. Manteau de zibeline à col et poignets de renard blanc (pl.30, Journal des Dames et des Modes, 1912 n°17)Costumes parisiens. Manteau de zibeline à col et poignets de renard blanc (pl.30, Journal des Dames et des Modes, 1912 n°17)
    George BARBIER

    Costumes parisiens. Manteau de zibeline à col et poignets de renard blanc (pl.30, Journal des Dames et des Modes, 1912 n°17)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  20. Costumes parisiens. Grand manteau de chinchilla (pl.31, Journal des Dames et des Modes, 1912 n°17)Costumes parisiens. Grand manteau de chinchilla (pl.31, Journal des Dames et des Modes, 1912 n°17)
    Etienne DRIAN

    Costumes parisiens. Grand manteau de chinchilla (pl.31, Journal des Dames et des Modes, 1912 n°17)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  21. Costumes parisiens. Robe de soie de Chine bordée de Chinchilla. Manteau de velours citron vert à grand col et parements de Chinchilla, gland d'argent (pl.32, Journal des Dames et des Modes, 1912 n°18)Costumes parisiens. Robe de soie de Chine bordée de Chinchilla. Manteau de velours citron vert à grand col et parements de Chinchilla, gland d'argent (pl.32, Journal des Dames et des Modes, 1912 n°18)
    Roger BRODERS

    Costumes parisiens. Robe de soie de Chine bordée de Chinchilla. Manteau de velours citron vert à grand col et parements de Chinchilla, gland d'argent (pl.32, Journal des Dames et des Modes, 1912 n°18)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
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  22. Costumes parisiens. Mise d'un jeune homme (pl.33, Journal des Dames et des Modes, 1912 n°18)Costumes parisiens. Mise d'un jeune homme (pl.33, Journal des Dames et des Modes, 1912 n°18)
    Bernard BOUTET DE MONVEL

    Costumes parisiens. Mise d'un jeune homme (pl.33, Journal des Dames et des Modes, 1912 n°18)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    A few tiny spots on the margins of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The...
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  23. Costumes parisiens. Manteau de Damas rose garni de renard bleu. Coiffure de paradis noir (pl.35, Journal des Dames et des Modes, 1912 n°19)Costumes parisiens. Manteau de Damas rose garni de renard bleu. Coiffure de paradis noir (pl.35, Journal des Dames et des Modes, 1912 n°19)
    George BARBIER

    Costumes parisiens. Manteau de Damas rose garni de renard bleu. Coiffure de paradis noir (pl.35, Journal des Dames et des Modes, 1912 n°19)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed upper right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  24. Costumes parisiens. Grand manteau de Loutre. Col d'hermine. Chapeau noir à plume changeante (pl.36, Journal des Dames et des Modes, 1912 n°19)Costumes parisiens. Grand manteau de Loutre. Col d'hermine. Chapeau noir à plume changeante (pl.36, Journal des Dames et des Modes, 1912 n°19)
    Roger BRODERS

    Costumes parisiens. Grand manteau de Loutre. Col d'hermine. Chapeau noir à plume changeante (pl.36, Journal des Dames et des Modes, 1912 n°19)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    Sold
  25. Costumes parisiens. Bijoux par Vever. Pendants de cou joaillerie et émaux translucides. Bracelet libellules émaux et diamants (pl.37, Journal des Dames et des Modes, 1912 n°19)Costumes parisiens. Bijoux par Vever. Pendants de cou joaillerie et émaux translucides. Bracelet libellules émaux et diamants (pl.37, Journal des Dames et des Modes, 1912 n°19)
    Henri VEVER

    Costumes parisiens. Bijoux par Vever. Pendants de cou joaillerie et émaux translucides. Bracelet libellules émaux et diamants (pl.37, Journal des Dames et des Modes, 1912 n°19)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, unsigned.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the time, a relatively...
    Sold
  26. Oeuvre badines et moralesOeuvre badines et morales
    Jacques CAZOTTE

    Oeuvre badines et morales

    S. n. • [ Cazin]|Londres [London] 1788|8.50 x 13.50 cm|7 volumes reliés
    Sold
  27. Manuscrit autographe de "Correspondance de Paul Roulier-Davenel recueillie par Sacha Guitry" [ensemble] placards avec notes manuscrites. [ensemble] coupures de presseManuscrit autographe de "Correspondance de Paul Roulier-Davenel recueillie par Sacha Guitry" [ensemble] placards avec notes manuscrites. [ensemble] coupures de presse
    Sacha GUITRY

    Manuscrit autographe de "Correspondance de Paul Roulier-Davenel recueillie par Sacha Guitry" [ensemble] placards avec notes manuscrites. [ensemble] coupures de presse

    S. n.|s. l. 1947|25 pages autographes ré|39 feuillets
    Sold
  28. Poèmes de FresnesPoèmes de Fresnes
    Robert BRASILLACH

    Poèmes de Fresnes

    S. n.|Louvain [Louvain] 1946|14.50 x 19 cm|en feuilles sous couverture à rabat
    Sold
  29. Histoire des rats, pour servir a l'histoire universelle. [Ensemble] Dissertation sur la prééminence des chats dans la société, sur les autres animaux d'EgipteHistoire des rats, pour servir a l'histoire universelle. [Ensemble] Dissertation sur la prééminence des chats dans la société, sur les autres animaux d'Egipte
    Claude-Guillaume BOURDON DE SIGRAIS, François-Augustin Paradis de MONCRIF

    Histoire des rats, pour servir a l'histoire universelle. [Ensemble] Dissertation sur la prééminence des chats dans la société, sur les autres animaux d'Egipte

    S. n. • chez Jean Daniel Beman|à Ratopolis [Fictional Place] • & à Rotterdam 1738 - 1741|13 x 21 cm|relié
    Sold
  30. La tefila du soldat. Livre de prières à l'usage des militaires israélites en campagneLa tefila du soldat. Livre de prières à l'usage des militaires israélites en campagne
    COLLECTIF

    La tefila du soldat. Livre de prières à l'usage des militaires israélites en campagne

    S. n.|Paris 1939|10.50 x 16 cm|reliure de l'éditeur
    Sold
  31. CanaillesCanailles
    Maurice LEMAÎTRE

    Canailles

    S. n.|s. l. 1964|20.50 x 26.50 cm|broché
    First edition for which there were no large paper copies.
    A good copy.
    Sold
  32. Arthur Rimbaud dans les collections municipales de la bibliothèque et du muséeArthur Rimbaud dans les collections municipales de la bibliothèque et du musée
    André DHÔTEL, André LEBON

    Arthur Rimbaud dans les collections municipales de la bibliothèque et du musée

    S. n.|Charleville-Mézières Septembre 1966|20.50 x 26.50 cm|broché
    Edition for which he was not drawn big papers published under the direction of the Mayor of Charleville-Mezieres André Lebon.
    Our copy is enriched by an autograph letter signed one page of André Lebon about autograph dedication of the author this book and a Rimbaud exhibition in Paris which he asks his correspondent to keep it current, enclosed envelope .
    Preface by André Dhôtel.
    Iconography attached newspaper clipping, nice copy.

    Nice copy.
    Sold
  33. Le sentiment héraldique dans l'oeuvre de J-K. HuysmansLe sentiment héraldique dans l'oeuvre de J-K. Huysmans
    Joris-Karl HUYSMANS, MEURGEY DE TUPIGNY

    Le sentiment héraldique dans l'oeuvre de J-K. Huysmans

    S. n.|Paris 1946|14 x 19 cm|broché
    First edition, one of 200 numbered copies on fine paper, the only printing. 
    A good copy.
    Sold
  34. Manuel de civilité pour les petites filles à l'usage des maisons d'éducationManuel de civilité pour les petites filles à l'usage des maisons d'éducation
    Pierre LOUŸS

    Manuel de civilité pour les petites filles à l'usage des maisons d'éducation

    S. n.|s. l. s. d. [circa 1930]|14 x 19 cm|broché
    Sold
  35. Memoires du Chevalier de ***Memoires du Chevalier de ***
    Jean-Baptiste de Boyer ARGENS

    Memoires du Chevalier de ***

    S. n.|à Paris 1747|8 x 13.70 cm|2 parties en un volume relié
    Sold
  36. Lancelot. Légende dramatique en 4 actes et 7 tableaux inspirée du vieux flamandLancelot. Légende dramatique en 4 actes et 7 tableaux inspirée du vieux flamand
    Maurice CARÊME

    Lancelot. Légende dramatique en 4 actes et 7 tableaux inspirée du vieux flamand

    S. n.|Bruxelles [Brussels] 1938|14 x 19.50 cm|broché
    First edition, one of 600 copies Featherweight.
    Signed autograph of Maurice Carême Renee Garcia.
    Sticker pasted title on the cover, silent back.
    Nice copy.
    Sold
  37. Le règne arriveLe règne arrive
    Pierre BETTENCOURT

    Le règne arrive

    S. n. • [ Pierre Bettencourt]|Saint-Maurice-d'Ételan 1945|21.50 x 22 cm|broché
    First edition of only a few copies on Arches.
    Spine slightly wrinkled, otherwise a good copy with good margins.
    Sold
  38. Conversations avec Dieu écrites en Normandie pour l'édification des dames par un pirate des hautes mersConversations avec Dieu écrites en Normandie pour l'édification des dames par un pirate des hautes mers
    Pierre BETTENCOURT, Max JACOB

    Conversations avec Dieu écrites en Normandie pour l'édification des dames par un pirate des hautes mers

    S. n. • [ Pierre Bettencourt]|Saint-Maurice-d'Ételan 1948|14 x 22.50 cm|broché
    Sold
  39. Oeuvres diversesOeuvres diverses
    Jean-Jacques ROUSSEAU

    Oeuvres diverses

    S. n.|à Neuchâtel 1764|9.50 x 16.80 cm|9 volumes reliés
    Sold
  40. L'épée d'académicien de Jean HamburgerL'épée d'académicien de Jean Hamburger
    COLLECTIF, Jean HAMBURGER

    L'épée d'académicien de Jean Hamburger

    S. n.|Paris 1974|21 x 27 cm|broché
    first edition printed in small numbers.
    Signed autograph of Jean Hamburger Professor Jean-Philippe Mery.
    Frontispiece, a photograph reproducing the sword of Jean Hamburger shaped by the house Cartier.
    Back slightly and marginally insolated boards.
    Sold
  41. L'épée d'académicien du professeur Etienne BeaulieuL'épée d'académicien du professeur Etienne Beaulieu
    COLLECTIF, Etienne BEAULIEU

    L'épée d'académicien du professeur Etienne Beaulieu

    S. n.|Paris 1983|15 x 21 cm|broché
    first edition printed in small numbers.
    Signed autograph Etienne Beaulieu Professor Jean-Philippe Mery.
    Iconography.
    Nice copy.
    Sold
  42. L'épée d'académicien du professeur Marcel BessisL'épée d'académicien du professeur Marcel Bessis
    COLLECTIF, Marcel BESSIS

    L'épée d'académicien du professeur Marcel Bessis

    S. n.|Paris 1981|18.50 x 23.50 cm|broché
    First edition printed in a small number of copies.
    Autograph inscription from Marcel Bessis to a friend.
    Iconography.
    A good copy.
    Sold
  43. L'épée d'académicien du professeur Jean BernardL'épée d'académicien du professeur Jean Bernard
    COLLECTIF, JEAN-BERNARD

    L'épée d'académicien du professeur Jean Bernard

    S. n.|Paris 1973|18.50 x 23.50 cm|broché
    First edition printed in a small number of copies.
    Iconography.
    Spine and covers slightly and marginally sunned, otherwise a good copy.
    Unavailable
  44. Costumes grecsCostumes grecs
    Athina TARSOULI

    Costumes grecs

    S. n.|Athènes [Athens] 1941|25 x 35.50 cm|en feuilles sous chemise
    Sold
  45. Memoires de M de *** pour servir a l'histoire des négociations depuis le traité de Riswick jusqu'à la paix d'UtrechtMemoires de M de *** pour servir a l'histoire des négociations depuis le traité de Riswick jusqu'à la paix d'Utrecht
    Jean-Baptiste COLBERT DE TORCY

    Memoires de M de *** pour servir a l'histoire des négociations depuis le traité de Riswick jusqu'à la paix d'Utrecht

    S. n.|à La Haye [The Hague] 1756|9.50 x 16.50 cm|3 tomes en 3 volumes reliés
    Sold
  46. Advertissement aux françois sur les causes et consequences des troubles presens, et de l'intention du manifeste de Monsieur le Prince de CondéAdvertissement aux françois sur les causes et consequences des troubles presens, et de l'intention du manifeste de Monsieur le Prince de Condé
    ANONYME

    Advertissement aux françois sur les causes et consequences des troubles presens, et de l'intention du manifeste de Monsieur le Prince de Condé

    S. n.|s. l. 1615|-|relié
    Sold
  47. Acajou et Zirphile [Ensemble] Réponse du public à l'auteur d'AcajouAcajou et Zirphile [Ensemble] Réponse du public à l'auteur d'Acajou
    Charles Pinot DUCLOS

    Acajou et Zirphile [Ensemble] Réponse du public à l'auteur d'Acajou

    S. n.|A Minutie [Fictional Place] • [Paris] 1776|11 x 18 cm|relié
    Sold
  48. Voyage autour de ma chambreVoyage autour de ma chambre
    Xavier de MAISTRE

    Voyage autour de ma chambre

    S. n.|à Turin 1794|9 x 15.50 cm|relié
    Sold
  49. Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)
    Andréa de NERCIAT

    Les Aphrodites ou fragments thali-priapiques pour servir à l'histoire du plaisir (volumes I et II sur III)

    S. n.|Lampsaque [Lapseki] • (Paris) 1793 (1909)|13.50 x 19.50 cm|2 volumes reliés
    Sold
  50. Une épée pour Pierre DehayeUne épée pour Pierre Dehaye
    Michel DURAFOUR, Georges MATHIEU

    Une épée pour Pierre Dehaye

    S. n.|s. l. 1977|17 x 25 cm|broché
    First edition, one of 565 copies printed on Rives, only drawing with a few copies reserved for the collaborators, ours one of those prints for Jacqueline and Pierre Dehaye.
    Signed autograph Dehaye Pierre Alain Vernay.
    illustrated book of photographic reproductions of the academician sword designed by Georges Mathieu.
    Nice full copy of his rodhoïd.
    Sold
  51. Le grand orgue de Saint-Sulpice de Paris construit par Aristide Cavaillé-Coll en 1862Le grand orgue de Saint-Sulpice de Paris construit par Aristide Cavaillé-Coll en 1862
    Marcel DUPRÉ

    Le grand orgue de Saint-Sulpice de Paris construit par Aristide Cavaillé-Coll en 1862

    S. n.|s. l. s. d. [circa 1965]|22 x 28 cm|une feuille
    first edition.
    Signed autograph of organist Marcel Dupré to Marguerite Blanchot, Maurice sister: "... organist of the great organ of Chalon-sur-Saône Cathedral, in the cordial remembrance of the recital of November 18, 1965."
    The pamphlet includes a brand fold in the middle.
    Sold
  52. Les Confessions de J. J. Rousseau, suivies des Rêveries du promeneur solitaireLes Confessions de J. J. Rousseau, suivies des Rêveries du promeneur solitaire
    Jean-Jacques ROUSSEAU

    Les Confessions de J. J. Rousseau, suivies des Rêveries du promeneur solitaire

    S. n.|à Genève [Geneva] 1782|12 x 20 cm|2 volumes reliés
    Sold
  53. 5 cuts5 cuts
    Stéphanie OURSLER

    5 cuts

    S. n.|Roma [Rome] 1975|17 x 23.50 cm|broché
    first edition.
    Signed autograph and dated Stephanie Oursler, Italian, painter and engraver Jacques Castex.
    Iconography.
    Text Italo Mussa.
    A slight hitch without first flat head gravity.
    We attached the invitation to the exhibition of works of Stephanie Oursler.
    Sold
  54. PicciolaPicciola
    Xavier Boniface SAINTINE

    Picciola

    S. n.|Paris 1847|16.50 x 25.50 cm|relié
    Sold
  55. Sermon pour la consolation des cocus prononcé au sujet de A... B... cocu par arrestSermon pour la consolation des cocus prononcé au sujet de A... B... cocu par arrest
    ANONYME

    Sermon pour la consolation des cocus prononcé au sujet de A... B... cocu par arrest

    S. n.|Cocupole [Fictional Place] s. d. [circa 1850]|13.50 x 18.50 cm|relié
    Sold
  56. Les belles grecques, ou l'histoire des plus fameuses courtisanes de la GreceLes belles grecques, ou l'histoire des plus fameuses courtisanes de la Grece
    Catherine DURAND BEDACIER

    Les belles grecques, ou l'histoire des plus fameuses courtisanes de la Grece

    S. n.|à Amsterdam 1755|10 x 17.50 cm|relié
    Sold
  57. Memoires de M. de La Porte, premier valet de chambre de Louis XIVMemoires de M. de La Porte, premier valet de chambre de Louis XIV
    Pierre de LA PORTE

    Memoires de M. de La Porte, premier valet de chambre de Louis XIV

    S. n.|à Genève [Geneva] 1756|14 x 8 cm|relié
    Sold
  58. Les bijoux indiscretsLes bijoux indiscrets
    Denis DIDEROT

    Les bijoux indiscrets

    S. n. • ( Cazin)|Monomotapa [Fictional Place] 1781 S.d.|7 x 12.50 cm|relié
    Sold
  59. L'an deux mille quatre cent quaranteL'an deux mille quatre cent quarante
    Louis-Sébastien MERCIER

    L'an deux mille quatre cent quarante

    S. n.|à Londres [London] 1775|9 x 16.50 cm|relié
    Sold
  60. [ESCLAVAGE] Réclamations et observations des colons, sur l'idée de l'abolition de la traite et de l'affranchissement des Nègres[ESCLAVAGE] Réclamations et observations des colons, sur l'idée de l'abolition de la traite et de l'affranchissement des Nègres
    [David DUVAL DE SANADON]

    [ESCLAVAGE] Réclamations et observations des colons, sur l'idée de l'abolition de la traite et de l'affranchissement des Nègres

    S. n.|s. l. Septembre 1789|12 x 21 cm|relié
    Sold
  61. Journal de Monsieur le Cardinal duc de RichelieuJournal de Monsieur le Cardinal duc de Richelieu
    Armand Jean Du Plessis, Cardinal duc de RICHELIEU, Alfred de VIGNY

    Journal de Monsieur le Cardinal duc de Richelieu

    S. n.|s. l. 1648 et 1649|7.50 x 13 cm|relié
    Sold
  62. Michel Foucault. Portrait 9Michel Foucault. Portrait 9
    (Michel FOUCAULT) Bruno de MONES

    Michel Foucault. Portrait 9

    S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
    Sold
  63. Michel Foucault. Portrait 10Michel Foucault. Portrait 10
    (Michel FOUCAULT) Bruno de MONES

    Michel Foucault. Portrait 10

    S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille
    Sold
  64. Michel Foucault. Portrait 11Michel Foucault. Portrait 11
    (Michel FOUCAULT) Bruno de MONES

    Michel Foucault. Portrait 11 Michel Foucault. Portrait 11. Original photograph

    S. n.|s. l. • [Paris] avril 1984|24 x 30.50 cm|une feuille

    (FOUCAULT Michel) MONèS Bruno de. Michel Foucault. Portrait 11. Original photograph
    N. n., n. p. [Paris] avril 1984, 24 x 30,5 cm, one photographic plate
    Original photograph. Vintage black and white silver gelatin print.
    Artist’s proof, signed on verso.
    A portrait of the philosopher Michel Foucault.
    One small tear without lack to top, not touching image.
    1983 saw the beginning of a regular collaboration between Bruno de Monès and the Magazine littéraire which was to last until the middle of the 1990s.
    Sold
  65. Gilles Deleuze. PortraitGilles Deleuze. Portrait
    (Gilles DELEUZE) Bruno de MONES

    Gilles Deleuze. Portrait

    S. n.|s. l. • [Paris] octobre 1988|24 x 30.50 cm|une feuille
    Sold
  66. Roland Topor. PortraitRoland Topor. Portrait
    (Roland TOPOR) Bruno de MONES

    Roland Topor. Portrait

    S. n.|s. l. • [Paris] 1978|24 x 30.50 cm|une feuille
    Sold
  67. René Depestre. PortraitRené Depestre. Portrait
    (René DEPESTRE) Bruno de MONES

    René Depestre. Portrait

    S. n.|s. l. • [Paris] s. d. [circa 1980]|24 x 30.50 cm|une feuille
    Sold
  68. Les moeursLes moeurs
    François-Vincent TOUSSAINT

    Les moeurs

    S. n.|s. l. 1748|9.50 x 16.50 cm|3 parties reliées en un volume
    Sold
  69. Histoire de Justine ou Les Malheurs de la vertu [avec] Histoire de Juliette ou les Prospérités du viceHistoire de Justine ou Les Malheurs de la vertu [avec] Histoire de Juliette ou les Prospérités du vice
    Donatien Alphonse François de SADE

    Histoire de Justine ou Les Malheurs de la vertu [avec] Histoire de Juliette ou les Prospérités du vice

    S. n. • [ Jules Gay]|En Hollande [Holland] • [Bruxelles] [Brussels] 1797 [circa 1870]|9 x 14.50 cm|11 volumes reliés
    Later edition, the sixth according to Pia, one of the very rare de luxe copies printed entirely on China paper (unknown to Dutel) and enriched with a suite of plates printed in red (also on China), not mentioned in any bibliography. 
    This copy has all 104 illustrations (44 for Justine and 60 for Juliette) and the entire suite printed in red.
    Contemporary half cherry red shagreen over marbled paper boards , spine in five compartments, covers blindruled, top edge gilt.
    A few very tiny spots to text volumes and edges of plate volumes, not serious.
    An exceptional copy with good margins on China paper with the complete set of plates and a further set printed...
    Sold
  70. Le relais de Saint-Quentin, fragment du voyage à ArrasLe relais de Saint-Quentin, fragment du voyage à Arras
    ANONYME

    Le relais de Saint-Quentin, fragment du voyage à Arras

    S. n.|s. l. s. d. [circa 1930]|20.50 x 26.50 cm|broché
    New print edition "under the mantle of the fireplace for guests to CC", one of 100 numbered copies on Madagascar, the only major paper.
    Signed autograph of Gabriel Astruc Dr. L. Weill below the justification of the draw.
    Nice copy.
    Sold
  71. Vrindâvan perdue et retrouvéeVrindâvan perdue et retrouvée
    Huguette JEAN-HERBERT, Auguste CHABAUD

    Vrindâvan perdue et retrouvée

    S. n.|s. l. 1959|14.50 x 26 cm|broché
    first edition printed 500 numbered on rod.
    Signed autograph Huguette Jean-Alain Vernay Herbert and his wife.
    illustrated book of photographic frontispiece.
    slightly shaded flat, nice interior state.
    Sold
  72. Tutte le opere :  I. Historie di Nicolo Machiavelli. II. Il Principe. La Vita di Castruccio Castracani da Lucca. Il Modo che tene il Duca Valentino. I Ritratti delle cose della Francia et della Alamagna. III. Discorsi. IV. I Sette Libre dell'arte della guerra. V. Dell'Asino d'oro. Capitolo dell' occasione. Capitolo di fortuna. Capitolo della ingratitvdine. Capitolo dell' ambitione. Decennale, cioè compendio delle coste fatte in X. anni in Italia. Novella piacevolissima. Mandragola, comediaTutte le opere :  I. Historie di Nicolo Machiavelli. II. Il Principe. La Vita di Castruccio Castracani da Lucca. Il Modo che tene il Duca Valentino. I Ritratti delle cose della Francia et della Alamagna. III. Discorsi. IV. I Sette Libre dell'arte della guerra. V. Dell'Asino d'oro. Capitolo dell' occasione. Capitolo di fortuna. Capitolo della ingratitvdine. Capitolo dell' ambitione. Decennale, cioè compendio delle coste fatte in X. anni in Italia. Novella piacevolissima. Mandragola, comedia
    Nicolas MACHIAVEL

    Tutte le opere : I. Historie di Nicolo Machiavelli. II. Il Principe. La Vita di Castruccio Castracani da Lucca. Il Modo che tene il Duca Valentino. I Ritratti delle cose della Francia et della Alamagna. III. Discorsi. IV. I Sette Libre dell'arte della guerra. V. Dell'Asino d'oro. Capitolo dell' occasione. Capitolo di fortuna. Capitolo della ingratitvdine. Capitolo dell' ambitione. Decennale, cioè compendio delle coste fatte in X. anni in Italia. Novella piacevolissima. Mandragola, comedia

    S. n.|s. l. • [Genève] [Geneva] 1550 [ca.1620]|16 x 22.50 cm|5 volumes reliés
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  73. Contes et nouvelles en versContes et nouvelles en vers
    Jean de LA FONTAINE, Charles EISEN

    Contes et nouvelles en vers[Tales and Novellas in Verse]

    S. n.|à Amsterdam • [Paris] 1762|12 x 18.50 cm|2 volumes reliés

    The so-called Fermiers Généraux edition, using the editions of 1685 and 1696 for the text and adding tales by d’Autreau and de Vergier, present in the 1718 edition.

    From an edition of 2,000 copies on vergé de Hollande, the present copy is one of the rare first issue copies in contemporary morocco with uncensored engravings and a fleuron error on p. 240 of vol. 1, later corrected.

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  74. Contes et nouvelles en versContes et nouvelles en vers
    Jean de LA FONTAINE

    Contes et nouvelles en vers

    S. n.|à Amsterdam 1767|12.50 x 19 cm|2 tomes en 2 volumes reliés
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  75. Histoire de la conjuration de Louis-Philippe-Joseph D'Orléans [...] surnommé EgalitéHistoire de la conjuration de Louis-Philippe-Joseph D'Orléans [...] surnommé Egalité
    Galart de MONTJOIE

    Histoire de la conjuration de Louis-Philippe-Joseph D'Orléans [...] surnommé Egalité

    S. n.|à Paris 1796|13 x 21.20 cm|3 volumes reliés
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  76. Acajou et Zirphile, conte. [Ensemble] Histoire du prince Titi. A. RAcajou et Zirphile, conte. [Ensemble] Histoire du prince Titi. A. R
    Charles Pinot DUCLOS, Thémiseul de SAINT-HYACINTHE

    Acajou et Zirphile, conte. [Ensemble] Histoire du prince Titi. A. R

    S. n. • Chez François Foppens|A Minutie [Fictional Place] • [Paris] ; • à Bruxelles [Brussels] 1744 - 1736|9 x 16.50 cm|2 ouvrages en un volume relié
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  77. Carte de presse originale de Maurice Blanchot
    (Maurice BLANCHOT)

    Carte de presse originale de Maurice Blanchot

    S. n.|Elbeuf S.d (Circa 1900)|6.50 x 10 cm|une feuille
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  78. Photographie originale de Maurice Blanchot assis tenant dans ses bras le masque mortuaire de l'"Inconnue de la Seine"
    (Maurice BLANCHOT)

    Photographie originale de Maurice Blanchot assis tenant dans ses bras le masque mortuaire de l'"Inconnue de la Seine"

    S. n.|Elbeuf S.d (Circa 1900)|9 x 9 cm|une feuille
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  79.  Antologia del Surrealisme - Poetes surrealistes francesos Antologia del Surrealisme - Poetes surrealistes francesos
    Paul ÉLUARD

    Antologia del Surrealisme - Poetes surrealistes francesos

    S. n.|s. l. s. d. [ca. 1933-1934]|21 x 29.70 cm|en feuilles
    Since 1927, Paul Eluard regularly stays in Catalonia. In this month of September 1929 spent with Salvador Dali in Cadaques, he met the poet JV Foix (1893-1887), figure of Barcelona's avant-garde, close to Joan Miro and Federico Garcia Lorca, translator and Philippe Soupault Pierre Reverdy. The two men decide to publish all the editions L'Amic de les Arts the first bilingual anthology of surrealist poetry. Announced in 1933 and then in 1934, it unfortunately never happen due to financial difficulties of the publisher. In 1934 published by Editions Jeanne Bucher too distant collection, probably inspired the project initiated by Eluard and Foix: Small anthology of...
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  80. Élémens de mathématiques
    ANONYME

    Élémens de mathématiques

    S. n.|s. l. s. d. [circa 1700]|19 x 26.50 cm|relié
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  81. Nugae Venales sive ut cum Plauto loquamur, ridicularia atrae bili vel melancholiae expenllendae nata, hor sqNugae Venales sive ut cum Plauto loquamur, ridicularia atrae bili vel melancholiae expenllendae nata, hor sq

    Nugae Venales sive ut cum Plauto loquamur, ridicularia atrae bili vel melancholiae expenllendae nata, hor sq

    S. n.|s. l. 1632 - 1636|7 x 12.50 cm|relié
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  82. Le Poète sans fardLe Poète sans fard
    [François GACON]

    Le Poète sans fard

    S. n.|s. l. s. d. [circa 1700]|9.50 x 17 cm|relié
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  83. Les chroniques de la manécanterie, deuxième année complèteLes chroniques de la manécanterie, deuxième année complète
    COLLECTIF

    Les chroniques de la manécanterie, deuxième année complète

    S. n.|Paris Janvier-Décembre 1913|15.50 x 24 cm|relié
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  84. Les chroniques de la manécanterie, première année complèteLes chroniques de la manécanterie, première année complète
    COLLECTIF

    Les chroniques de la manécanterie, première année complète

    S. n.|Paris Janvier-Décembre 1912|15.50 x 24 cm|12 fascicules reliés en 1
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  85. L'amour baroque - Manuscrit autographe complet signé à la présentation inédite  L'amour baroque - Manuscrit autographe complet signé à la présentation inédite
    René FALLET

    L'amour baroque - Manuscrit autographe complet signé à la présentation inédite Baroque Love

    S. n.|s. l. 1969-1970|-|en feuilles sous couvertures cartonnée
    L'amour baroque [Baroque Love] – Complete signed unpublished autograph presentation manuscript.

    Autograph manuscript signed, with edits in black, red, green, purple and blue felt-tip pen on printed scrap paper, with a number of additions, corrections, and deletions.

    241 leaves, of which 238 marked with their folio number and 3 unnumbered, various formats (but essentially 4to and 8vo, rectos only with the occasional annotations or collages to verso) in salmon pink covers with title and autograph inscription to the publisher Alex Grall as well as black chemise with autograph titlepiece, signed once more on the...
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  86. Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.
    Maurice BLANCHOT

    Correspondance complète de Maurice Blanchot avec sa mère, sa soeur Marguerite, son frère René et sa nièce Annick.Maurice Blanchot's complete correspondence with his mother, his sister Marguerite, his brother René and his niece Annick

    S. n.|s. l. s. d. [1940-1991]|Formats divers|ensemble constitué d'environ 1000 lettres complètes et 400 lettres amputées
    BLANCHOT Maurice
    Maurice Blanchot's complete correspondence with his mother, his sister Marguerite, his brother René and his niece Annick
    1928-1991, various sizes, a collection comprising more than 1200 complete letters
    An exceptional set of more than 1200 autograph letters signed by Maurice Blanchot addressed mostly to his mother Marie, his sister Marguerite and his niece Annick, as well as a few to his brother René and his sister-in-law Anna. Some of Anna Blanchot's written parts have been excised, but the letters remain complete of Maurice Blanchot's writings. To the 1200 complete letters, we join a few incomplete additional...
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  87. Album amicorum, suite de dessinsAlbum amicorum, suite de dessins
    Paul GAVARNI, [Paul GAVARNI as] Sulpice Guillaume CHEVALIER

    Album amicorum, suite de dessinsAlbum amicorum, a set of drawings

    S. n.|s. l. (vers 1846)|21.50 x 27 cm|relié
    GAVARNI, Sulpice-Guillaume Chevalier, known as Paul. Album amicorum, a set of drawings. N.p., n.d. [but c. 1846], no author given. 27 x 21.5 cm, bound.

    AN ITALIANATE ALBUM OF 52 ORIGINAL DRAWINGS in pen and ink by Paul Gavarni.
    Bound in full green blindstamped shagreen in the Romantic style, bearing the gilt initials ‘SC' (for Sulpice Chevalier, Galvani's real name) on the upper cover and ‘PD' (for Paul Delaroche) on the lower, gilt filet to inside edges. 50 leaves, of which 12 on brown paper, a.e.g. Foxing. A few tears, a few careful restorations.
    48 drawings (14 x 18.7 cm) mounted on to larger paper leaves (overall size 20.5 x 26 cm), with rice-paper...
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  88. Ornamenti diversi [Ensemble] Alcune decorazioni di nobili sale ed altri ornamenti [Ensemble] 36 planches détails architecture Rome (Ca 1800)Ornamenti diversi [Ensemble] Alcune decorazioni di nobili sale ed altri ornamenti [Ensemble] 36 planches détails architecture Rome (Ca 1800)
    Giocondo ALBERTOLLI

    Ornamenti diversi [Ensemble] Alcune decorazioni di nobili sale ed altri ornamenti [Ensemble] 36 planches détails architecture Rome (Ca 1800)

    S. n.|s. l. 1782|36.50 x 52 cm|relié
    First edition of these two works, of which the first appeared in 1782 and the second in 1787.
     
    Ornamenti has an engraved title and dedication and 24 illustrations on 22 plates; Alcune decorazioni has 24 plates. This set is followed by 36 lithographed plates published around 1800 of architectural details from the buildings of ancient Rome, based on the famous book by Desgodetz on the ancient buildings of Rome. All the engravings are on thick paper.
    Modern marbled paper boards, black morocco title-piece. Scattered foxing, dampstain to second title and in the margin of initial leaves of first volume. Paper good throughout.
     
    The son of an architect...
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  89. Nouvelle méthode pour apprendre à jouer de la harpe. Avec des leçons faciles pour les commençans, des menuets allemands et italiens et autres jolis airs ; et la partition pour l'accorder avec les pédales et sans les pédalesNouvelle méthode pour apprendre à jouer de la harpe. Avec des leçons faciles pour les commençans, des menuets allemands et italiens et autres jolis airs ; et la partition pour l'accorder avec les pédales et sans les pédales
    Michel CORRETTE

    Nouvelle méthode pour apprendre à jouer de la harpe. Avec des leçons faciles pour les commençans, des menuets allemands et italiens et autres jolis airs ; et la partition pour l'accorder avec les pédales et sans les pédales

    S. n.|à Paris, • à Lyon, • à Dunkerqueet aux adresses ordinaires [Dunkirk] 1774|22 x 29 cm|relié
    The very rare first edition with a lovely frontispiece illustration of a young harpist beneath the charming quatrain: “La Harpe entre vos mains Silvie / Ne laisse rien à désirer / De vos beaux yeux : l'âme est ravie / Peut-on vous voir sans vous aimer !” [The harp in your hands, Silvie| Leaves nothing to be desired| A glance at your eyes thrills me| How could you not be admired?]. Engraved title within a circular frame surrounded by musical instruments, manuscript ex dono at foot. The work, including the text, is entirely engraved.
     
    Contemporary half calf over marbled boards. Worming to inner margin of first six leaves very discreetly repaired.
     
    The work begins with a...
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  90. Entretiens de Phocion, sur le rapport de la morale avec la politiqueEntretiens de Phocion, sur le rapport de la morale avec la politique
    Gabriel Bonnot Abbé de MABLY

    Entretiens de Phocion, sur le rapport de la morale avec la politique

    S. n.|à Amsterdam 1763|9.50 x 17 cm|relié
    Sold
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