Mercure de France

First edition on current paper, mention of sixth edition.
Binding full marbled sheepskin, back with five nerves set with golden garlands and adorned with gilded boxes decorated with golden floral motifs, golden wheels on the headdresses, framing of triple golden fillets on the boards, golden leaves in spandrels boards, guards and contreplats of handmade paper, framing of a golden lace on the contreplats, gilt fillets on the cups, preserved covers, gilded head, Contemporary binding.
Nice copy pleasantly established.
Precious autograph dedication dated and signed by Henri de Régnier to the actress Lucile Nycot who created the role of Don Juan in this piece assembled by Lugné-Poe at the Théâtre de l'Oeuvre on February 16, 1921: "A miss Lucile Nycot who interprets with talent the Creole beauty of Don Juan, the grateful author, who thanks her and who admires him Henri de Regnier, February 16, 1921. "
Our copy is enriched with annotations, erasures and manuscript additions in pencil or color by Lucile Nycot about the role that was surprisingly devolved to him by Lugne-Poe.
It was indeed by provocation against Henri de Regnier to whom he wanted to show the omnipotence of the modern director against the author that Lugne-Poe attributed the male role of Don Juan the actress Lucile Nycot.

First edition, one of copies de première émission numbered to la presse, mention de second edition.
Spine slightly sunned, small tears and une tache in the margins of the covers.
Autograph inscription signed by Léon Bloy to Henri Boutet : "... qur j'aime absolument..."

First Edition, one of 27 numbered copies on Holland paper, ours one of the 12 out of trade, draw of head.
Back and flat slightly and marginally insolated without gravity, a small clear spot in the foot of the second flat, nice copy at all margins.
Autograph dedication signed by André Dhôtel to Georges Duhamel.

First Edition, one of 12 numbered copies on Holland paper, leading print after 2 China.
Publisher's binding in soft creamy cardboard, smooth back mute.
A tear glued to the back of the head, dirty cardboard, blunt corners, some small foxing.
Rare.
Ex-libris glued to the front of the back of the first binding plate.
Signed autograph of Francis Viélé-Griffin to Achille Hepp: "... this hyperborean poem ..."

First edition, on current paper, of the French translation by Yves Bonnefoy.
Nice copy.
Autograph signed by Yves Bonnefoy Robert Ellrodt: "... who knows what it is ..."

First edition, one of 197 copies numbered and justified by Francis Viélé-Griffin on "pur-fil" paper , only great papers after 49 Arches paper.
Back very slightly insolated, a small spots on the first board.

Partly first edition on current paper.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason: "For Raymond with admiration affection Yves."
Nice full copy of his jacket.

New edition.
Back slightly insolated.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond and Janine Mason with my friendliest thoughts."

First Edition, one of the numbered copies on vellum, ours one of 300 out of trade.
Signed autograph of Yves Bonnefoy to his friend the sculptor and painter Raymond Mason and his wife: "For Raymond Mason ... with admiration and great affection Yves."
Nice copy.

First edition on current paper.
Autograph dedication dated and signed by Pierre Jean Jouve to the sculptor and painter Raymond Mason.
Back and boards marginally insolated.

First edition, on current paper, of the French translation by Yves Bonnefoy.
Autograph signed by Yves Bonnefoy to his friend the sculptor and painter Raymond Mason.
Nice copy.

First edition on current paper.
Autograph signed by Yves Bonnefoy to his friend the sculptor and painter Raymond Mason.
Nice copy.

First edition on current paper.
Autograph signed by Yves Bonnefoy to his friend the sculptor and painter Raymond Mason.
Nice copy.

First edition, one of the numbered copies on offset.
Signed autograph Yves Bonnefoy to his friend the sculptor and painter Raymond Mason: "Dear Raymond I dare not bring you" beginning and end of the snow "knowing your work, well soon, anyway. Yves. "
Nice copy.

New edition of the French version by Pierre Jean Jouve.
Signed autograph dedication of Pierre Jean Jouve to his friend the sculptor and painter Raymond Mason.
Back and flat slightly and marginally insolated.

First edition on current paper.
Autograph signed by Yves Bonnefoy to Charles Dobzynski.
Nice copy.

First edition, one of the 770 numbered copies on "pur-fil" paper, ours one of the 25 hors commerce literate.
Autograph signed by Paul Fort to a friend named Clément.
Nice copy at all margins despite slight marginal stings on the boards and back.

first edition, one of the review copies service.
autograph dedication of the author autograph signed and dated from François Gibault to Pierre Dumayet: "... who was of those who helped Céline to emerge from the shadow ..."
Pleasant copy.

New edition.
Handwritten signature of Paul Claudel on a guard probably added to our copy.

first edition for which it was not taken from large papers.
Autographed autograph dedication of the author from Henriette Psichari to Pierre Dumayet.
Back slightly insolated.

first edition on plain paper.
Autographed autograph dedication of the author from Claude Roy to Pierre Dumayet.

first edition of this choice and the presentation established by Alain Bosquet.
Autograph signed by Alain Bosquet to Pierre Dumayet.
Back insulated.

first edition on plain paper.
Autograph signed by Maurice Saillet to Pierre Dumayet.
Insolated back with a wetting in the foot.

first edition, one of the 30 numbered copies on Holland paper, ours one of the few off-trade, head shot after 15 white Narcissus vellum.
Autograph signed by Pierre-Jean Jouve to Gaetan Picon.
Pleasant copy.

first edition, one of the 35 numbered copies on vellum of Arches paper, drawing of head after 10 white laid Narcisse and 15 Holland paper.
Autographed autograph dedication of the author of Pierre-Jean Jouve to Geneviève and Gaetan Picon.
Pleasant copy.

first edition, one of 65 copies numbered on vergé d'Auvergne Narcisse, drawing of head.
Signed autograph signed by Yves Bonnefoy to Geneviève and Gaëtan Picon.
First flat very slightly and marginally discolored at the head.
Beautiful copy.

first edition for which it was not taken from large papers.
Autograph signed by Jean-Louis Bory to Pierre Dumayet.
Complete copy of his illustrated jacket.

first edition of the French translation for which it was not taken from large papers.
Presentation by Michel Gresset.
Autographed autograph dedication of the author from Michel Gresset to Pierre Dumayet: "... hoping that this (re) discovery will interest him ..."
Pleasant copy.

First edition, one of 3 numbered copies on Chine, the tirage de tête.
About Alfred de Vigny, Stendhal, Balzac and Sainte-Beuve, Marie de France and fairy tales...
Small marginal lacks, not serious, on the covers.
Rare and nice copy with edges preserved.

first edition, one of the review copies service.
Autographed autograph dedication of the author from Rachilde to Marie Huot.
Our copy is enriched with an autograph ticket signed by Rachilde in which she ardently arouses her patriotism and her struggle against the anti-patriots.
Illustrated book of a portrait of Rachilde by Lita Besnard in frontispiece.
Wrinkled back with small gaps at the foot and head.

first edition on plain paper.
Original signed and signed autograph from Georges Duhamel to Georges Crucy.
A small lack in the back, clear discharges of red traces on the second board, annotations in pencil on the last guard.

First edition, one of the numbered copies on vellum, ours one of the 300 trade off.
Signed autograph Yves Bonnefoy Claude Roy.
Back and boards and marginally slightly discolored and pitted harmless, pleasant inner state.

First edition on ordinary paper.
A nice copy.

Collective Edition and partly original, punch press service head of the second flat.
Signed autograph Claude Aveline in Ida, Isabelle and Jean (Cassou): "... that is of course not absent from these pages ..."
Back slightly insolated.

Edition on current paper, copies of the first issue.
Binding half blue shagreen navy stripe, back to two slightly thinned nerves, boards, guards and paper contreplats to moiré, wrappers and back preserved and bound in, gilded head.
Signed autograph Francis Carco Peter to Lacretelle enriched with a self-portrait in the smoking cigarette.
Signing autograph in black ink, Francis Carco below the justification of the draw.

First edition, one of the 55 copys numbered on "pur-fil" paper only leading copies.
Binding half shagreen maroon stripe, back to two slightly thinned nerves, marbled paper plates, guards and contreplats salmon paper, wrappers and back preserved and bound in, gilded head.
Precious autograph signed and dated Boudard Alphonse Marie-Hélène Simonin, Albert's wife: "... with my deep friendship this behind cherry bars."

First edition, one of the copies of the first issue.
Binding half percaline mustard, back smoothes decorated with gilded nets double head and tail, marbled paper plates, guards and contreplats mustard paper, soiled wrappers preserved and bound in (a clumsy restoration on the back of the first flat with a adhesive patch), corners bumped, damaged lower corner, contemporary binding.
Signed autograph of John Maurice Magre to Tinan.
Some little foxing.

First edition, one of the copies of first issue numbered in the press.
Signed autograph of John Moréas Aimee Tessandier "... incomparable Clytemnestra, her admirer ..."
Small tears on the back, yellowed paper.

Edition now rare.
Bound in red half shagreen, spine slightly thinned with four nerves, golden tail date marbled paper plates, guards and contreplats of handmade paper, stored and lined blankets.
Introduction and notes by Paterne Berrichon and facsimile of a letter from Ménélick Rimbaud.
Signed autograph of Paterne Berrichon, the name of the dedicatee was scraped.
The sheet comprising the first guard which include the ENOI Paterne Berrichon page of half-title and bibliography dérelié.

First edition in French, one of 30 numbered copies on pur fil paper, the only large paper copies.
Iconography.
A very good copy.

First edition, a first impression copy numbered in the press.
Small lacks to head and foot of spine, occasional foxing.

First edition, one of 99 numbered copies on Arches paper, this copy one of 3 lettered hors commerce, the only large paper copies after 1 on Madagascar paper.
A very good copy.

First edition of which there were no large paper copies.
Spine sunned, one small lack to head of first free endpaper.

First edition, one of 15 numbered copies on vélin d'Arches paper, the tirage de tête.
A good copy.

First edition, one of 237 numbered copies on Ingres paper, the only large paper copies after 60 on Arches paper.
A good copy.