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First edition on ordinary paper.
A pleasing copy.
Signed autograph inscription from Yves Bonnefoy to François Erval.
New edition of the French translation.
Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.
First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.
Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.
Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.
The first edition, first printing, numbered in the press, with only 23 large paper copies on Hollande paper.
With a frontispiece portrait of Apollinaire by Picasso.
Discreet restorations to spine.
With a chemise of half red morocco over paper boards by Boichot, spine in six compartments, date to foot of spine, identical paper slipcase with red morocco edging.
Rare autograph inscription signed by Guillaume Apollinaire: “for Henri Ghéon whose poetry I am fond of, Guillaume Apollinaire”.
This copy also with five manuscript corrections by Apollinaire on pages 71, 77, 92, 110 and 189.
A good copy with a rare autograph inscription by the poet.
First edition, without volumes III to V, which were published posthumously in 1957.
Volume I: Energy (points, meridians, circulation), illustrated with 100 plates, including 44 in two colors.
Volume II: The use of energy, with 17 illustrations.
The diplomat and sinologist George Soulié de Morant (1878–1955) introduced the practical application of acupuncture to France in 1929, overcoming considerable resistance from the academic establishment.
Endpapers slightly and marginally soiled; two repaired tears to the head and foot of the spine of the second volume; otherwise, a pleasing set.
Copy from the library of Maurice Peyrache, with his ink stamps on the
First edition, one of 50 copies printed on Madagascar paper, ours being one of 20 hors commerce copies, from the deluxe issue.
A handsome copy.
First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.
Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.
A pleasing copy.
First edition printed in small numbers of this offprint from the Mercure de France published on May 15, 1920. OCLC does not locate any copies in North America and only three in Europe (Bnf, Bibliothèque Doucet, Universitätsbibliothek Basel).
Covers with frayed margins, second cover partially shaded, one small piece of paper missing from the right margin of a page due to the fragility of the paper.
Signed and inscribed copy to painter Bernard de Blois: “En sympathie de voisin de logis et d'esthétique. Canudo 1922.” [”In sympathy as a neighbor of lodgings and aesthetics. Canudo 1922.”]
Extremely rare first edition of the libretto of t
First edition, a first impression copy numbered in the press.
Binding in half brown morocco, spine in five compartments, gilt date at the foot, geometric pattern paper boards and endpapers in the same paper, top edge gilt, wrappers and spine preserved in perfect condition, binding signed by T. Boichot.
Apollinaire's second major poetic work with bold graphic innovations and a portrait of Guillaume Apollinaire by Pablo Picasso as frontispiece.
“Some of the best war poems, all languages combined, are brought together in this collection, alongside experimental works such as Les Fenêtres (close to Cubism) and La Jolie Rousse, which were far ahead of their ti
First edition, one of 470 numbered copies on Holland paper, the only deluxe copies with 59 on China paper.
Full violet morocco binding, spine with five raised bands uniformly sunned, date and place gilt at foot, double gilt fillet on edges and headcaps, endpapers and pastedowns - framed with wide gilt dentelle - of paste paper, all edges gilt on witnesses, covers and spine preserved, binding signed David. Upper corner of first cover lightly rubbed.
Bookplate pasted on front pastedown.
Handsome copy of this collection containing three fantastic tales: "L'entrevue", "Le Pavillon fermé" and "Marceline ou la punition fantastique".
