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New edition of the French translation.
Half saffron percaline Bradel binding, smooth spine slightly sunned and decorated with a central gilt motif and double gilt fillet at foot, brown shagreen title label with a few scuffs, marbled "cat’s-eye" paper boards, preserved wrappers, lightly rubbed corners, contemporary binding.
First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.
Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.
Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.
First edition, one of 50 copies printed on Madagascar paper, ours being one of 20 hors commerce copies, from the deluxe issue.
A handsome copy.
First edition, one of the copies from the first issue numbered at the press, with the spurious statement of second edition.
Modern Bradel-style binding in ochre half cloth, smooth spine decorated with a central gilt fleuron and double gilt rule at foot, navy morocco lettering-piece, marbled paper boards.
Signed autograph presentation inscription from Louis Pergaud to Louis Chaffurin.
New edition of the French translation first published in the author’s collected works, one of 550 numbered copies on pure wove paper, the only issue after 80 copies on Arches wove paper.
Contemporary forest green half morocco over marbled boards, corners, spines lightly sunned with four raised bands, gilt decorative rolls and richly gilt compartments, marbled endpapers, original upper wrappers preserved, top edges gilt.
First edition of the French translation, sixth edition statement.
Contemporary half blue sheepskin binding, spine with four raised bands ruled in black and decorated with gilt floral motifs, gilt initials at foot, cat’s-eye paper boards, marbled endpapers and pastedowns.
A pleasant copy.
First edition on ordinary paper.
A pleasing copy.
Signed autograph inscription from Yves Bonnefoy to François Erval.
First edition, one of 65 copies on Arches; our copy is unnumbered but correctly justified "vergé d’Arches" at the foot of the lower cover. One of the only deluxe papers issued.
Two slight sunning marks at head and foot of the spine, which is also lightly pinched at the foot.
A pleasing copy.
First edition printed in small numbers of this offprint from the Mercure de France published on May 15, 1920. OCLC does not locate any copies in North America and only three in Europe (Bnf, Bibliothèque Doucet, Universitätsbibliothek Basel).
Covers with frayed margins, second cover partially shaded, one small piece of paper missing from the right margin of a page due to the fragility of the paper.
Signed and inscribed copy to painter Bernard de Blois: “En sympathie de voisin de logis et d'esthétique. Canudo 1922.” [”In sympathy as a neighbor of lodgings and aesthetics. Canudo 1922.”]
Extremely rare first edition of the libretto of...
First edition, a first impression copy numbered in the press.
Binding in half brown morocco, spine in five compartments, gilt date at the foot, geometric pattern paper boards and endpapers in the same paper, top edge gilt, wrappers and spine preserved in perfect condition, binding signed by T. Boichot.
Apollinaire's second major poetic work with bold graphic innovations and a portrait of Guillaume Apollinaire by Pablo Picasso as frontispiece.
“Some of the best war poems, all languages combined, are brought together in this collection, alongside experimental works such as Les Fenêtres (close to Cubism) and La Jolie Rousse, which were far ahead of their...
