Gallimard (1911 - )

First edition of some parts, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Spine very lightly yellowed without consequence, three small black spots on the spine.

First edition, one of 55 numbered copies on pure linen paper, deluxe copy.
Spine slightly yellowed.

First edition, one of 63 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy despite the spine very slightly yellowed without significance.

First collected edition, one of 105 numbered copies on wove paper, the only deluxe copies.
Two shadows left by the justification bookmark.
Handsome copy despite the spine very slightly yellowed without gravity.

First edition, one of 110 numbered copies on pur fil, the only deluxe copies after 25 on Holland paper.
Handsome copy despite the spine slightly yellowed and a crease to the lower right margin of the first cover.

First edition, one of 61 numbered copies on pur fil, the only deluxe copies.
Handsome copy.
After spending his youth in Oran, Claude de Fréminville met Camus in preparatory class at Algers during the 1932-1933 school year, before pursuing his university studies in Paris. It was in France that he joined the Communist Party, and encouraged Camus to do the same, which he did the following year. He planned to create with André Belamich and Albert Camus a political-literary magazine, la nouvelle journée, sponsored by Giono, which would be a bridge between Europeans and Muslims. In 1938, he was part of the editorial team of Rivages, which Charlot published and printed. In 1939, during a...

First edition, one of 55 numbered copies on pur fil, the only deluxe copies.
Handsome copy despite the spine being very slightly yellowed without consequence.

First edition, one of 30 numbered copies on pure linen paper, the only deluxe copies.
Handsome copy.

First edition, one of 95 numbered copies on pur fil, the deluxe copies after 18 on Holland paper.
A handsome copy despite the spine very slightly yellowed without consequence.

First edition, one of 130 numbered copies on pure thread paper, deluxe copies after 25 on Holland paper.
Fine copy.

Edition en partie originale.
Comme habituellement, petites traces de frottements sur les mors et sur le dos.
Envoi autographe daté et signé de Jacques Prévert à Gaëtan Picon enrichi de trois dessins représentant, à chaque fois et dans des tailles différentes sur les pages de faux-titre, de titre et de justification du tirage, un jongleur s'exercant avec des boules de couleurs différentes.

First edition on ordinary paper.
Four stains on the slightly sunned spine and at the foot of the back cover.
Autograph inscription signed by Simone de Beauvoir to Madame Mandinaud.
Madame Mandinaud was Simone de Beauvoir's official typist. She transcribed all the writer's works, including Les Mandarins which won the Prix Goncourt in 1954.

First edition in French, of which there were no deluxe copies.
Handsome copy with the illustrated dust jacket.
Rare signed and inscribed copy from Orhan Pamuk to Christian Le Guerrone.

Edition from the same year as the first edition.
A discharge mark from adhesive tape at the foot of the page featuring the autograph inscription.
Half brown shagreen binding with corners, faded spine with five raised bands, some scratches on the spine, date and "Prix Goncourt" mention gilt at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, modest binding.
Autograph inscription signed by Robert Merle to Georges Feutrel who was awarded the Prix Goncourt in 1949.