Flammarion

First edition, one of 20 numbered copies on Holland paper, deluxe copies after 5 Japan.
Fine full-margined copy, with a newspaper clipping tipped in leaving a small shadow on the endpaper.

First edition on ordinary paper.
Half turquoise morocco binding, spine with five raised bands set with gilt dots and decorated with double gilt fillets, minor rubbing to spine, marbled paper boards, one tear to upper corner, marbled endpapers and pastedowns, pasted bookplate, contemporary binding.
Light scattered foxing.
Rare.

First edition on ordinary paper, with only 20 Japan copies on deluxe paper.
Charming illustrated cover by Steinlen, a light angular dampstain of no concern affecting the title and half-title pages, otherwise a handsome copy.

First edition in French, one of 60 numbered copies on pur fil paper, the only deluxe copies.
A handsome copy.

First edition of the French translation by Henri Parisot, one of 30 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition for which it was not drawn from great papers.
Nice copy.
Autograph dedication signed by Henri Azeau to Michel Couppé: "... this book of a past that is perhaps that of a future ..."

New edition expanded with postal service information.
Half brown sheep binding with small corners, smooth discolored spine decorated with a gilt typographic fleuron, marbled paper boards with some scratches, marbled endpapers and pastedowns, speckled edges, contemporary binding.
Work illustrated with folding plates at rear, the second with a tear and significant loss.

First edition, one of 25 numbered copies on Lana rag paper, the only deluxe copies.
Handsome full-margined copy.

First edition on ordinary paper.
Half black shagreen binding, smooth spine decorated with a gilt fleuron, minor rubbing to spine, marbled paper boards, corners slightly bumped, original wrappers preserved.
Foxing.
Work illustrated by Kauffmann and Lévy.

First edition, one of the rare copies on Holland paper of which no mention is made.
Half black shagreen binding, smooth spine decorated with a gilt fleuron, spine slightly warped, marbled paper boards, corners slightly bumped, original wrappers preserved.
Handsome interior condition.
Work illustrated by Kauffmann.

First Edition, press service punch at the top of the first board.
Back and flat marginally insolated, yellowed paper, first guard detached.
Autograph signed by Henri Gheon Maurice Martin du Gard.

First edition, one of 165 numbered copies on alfa paper.
Handsome copy.

First edition.
Binding of the publisher in full white canvas, smooth back, complete copy of his jacket illustrated flawless.
Rich iconography.
Signed autographs by Pierre Astier and Eduardo Arroyo to art critic Georges Raillard.

First edition trilingual Norwegian French and English.
Pleasant illustrated copy of reproductions of works by Olivier Debré.
Binding of the editor in full cartonnage illustrated with a painting of Olivier Debré on the boards, smooth back, complete copy of his fragile parchment paper jacket that has a lack in the back of the head.
Signed autograph by Olivier Debré Georges Raillard Art Criteria enriched, on the page opposite, an original drawing black, blue and orange.

New edition.
Publisher's binding in full black cardboard, smooth back.
Nice copy.
Preface by Michel Butor.
Signed autograph dedication of Michel Butor to his friend and biographer Georges Raillard: "For my dear Georges Raillard rediscover a new world."

First edition, one of the review copies service.
A small tear in the back of the back slightly insolated, flat marginally and slightly soiled.
Precious autograph dedication signed by Roger Couderc to Léon-Paul Fargue: "... the poet, so poetic, this last Baudelairian, with the admiration of an impetinous night owl removed from the countryside ..."

First Edition in paperback format.
Nice copy.
Autograph signed by Yves Bonnefoy Georges Raillard.

First edition, one of the review copies service.
Signed autograph of Jean Robinet to Mr. Hot.

First edition.
Binding of the publisher in full almond green canvas, smooth back, complete copy of his illustrated jacket that has very slight marginal tears without gravity.
Nice copy.
Rich iconography.
Introduction of Michel Butor.
Autograph dedication dated and signed by Michel Butor to his close friend and biographer Georges Raillard.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Some marginal foxing affecting principally the endpapers.

First edition for which there is no mention of leading copies.
Binding in half saffron percaline with corners, smooth back adorned with a gilded floret, double gold thread tail, piece of brown shagreen that includes scratches, marbled paper plates, preserved covers, Contemporary binding signed by Pierson.
Rare and precious autograph signed by Alphonse Allais to (Léon) Roger-Milès.

First edition.
Bradel binding in half violet cloth, faded smooth spine decorated with gilt floral motif, faded blue shagreen title-label, marbled paper boards, blue-grey paper endpapers and pastedowns, contemporary binding.
Gift inscription in ink from a previous owner on the half-title page, some foxing.
Work illustrated with a frontispiece portrait of General Thiard.

New edition, thousand mention.
Nice copy.
Binding half cartonnage vellum style, smooth back adorned with golden edging on the head and tail, title piece of orange shagreen, marbled paper plates, guards and contreplats of handmade paper, preserved cover, binding of the era signed by J. Chevron, binder at Provins.
autograph dedication of the author autograph of Gyp to Madame Prunier in violet ink.

First edition.
Contemporary half green shagreen Empire binding, spine with five raised bands decorated with gilt dots and gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, marbled top edge, original wrappers preserved.
Some minor foxing of no consequence, gift inscription in ink from a previous owner on the half-title page.

First edition, one of 15 numbered copies on Holland paper, deluxe copy.
Handsome full-margined copy.

First edition, one of the review copies service.
Marginal and slightly shaded boards without gravity.
Autograph dedication signed by Jean Dutourd to Jean-François Revel.

First edition.
Bradel binding in half sienna cloth, smooth spine decorated with gilt botanical motif, double gilt fillets at foot, black shagreen title-label, marbled paper boards, orange paper endpapers and pastedowns, contemporary binding.
Scattered foxing, gift inscription in ink by a former owner on endpaper.
Work illustrated with a portrait frontispiece and a facsimile of a manuscript letter.

First edition of the French translation prepared by Marie Canavaggia, one of the review copies.
Spine slightly sunned and creased.
Inscribed and signed by Alberto Moravia to Claude Bonnefoy.

First edition, one of 110 numbered copies on alfa paper, the only deluxe copies.
Rare and handsome copy.

First edition, one of 10 numbered copies on Holland paper, only leading copies.
Binding half morocco navy corners, back with four nerves set with gilded nets decorated with quadruple gilded boxes, framing gilt fillets on the marble paper plates, guards and contreplats of handmade paper, covers and back preserved, gilded head , signed binder of Maylander.
Cover illustrated by José Roy.
Beautiful copy perfectly established.
Our copy is enriched by a handwritten letter dated 1917 from four pages of Georges Courteline in which he undertakes a detailed biography of his brother.

Edition illustrated with original compositions by Julien Le Blant and original etchings by Louis Muller, one of 38 numbered copies on China paper.
Half red morocco binding, smooth spine, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, top edge gilt, contemporary binding signed by Creuzevault.
Our copy is incomplete of the quadruple suite of etchings as stipulated in the justification.
Handsomely bound copy.

First edition on current paper.
A date inscribed above the autograph, probably that of the date on which it was written, a golden label of bookstore glued at the foot of the second board.
Autograph dedication signed by Jean Dutourd to Madame Rousseau-Girard.

First edition on current paper.
Autograph dedication dated 1943 and signed by Paul Fort to a friend named Michel.

First edition, one of 100 numbered copies on pur fil.
Handsome full-margined copy.

First edition on current paper.
Autograph dedication dated and signed by Paul Fort to Angèle Canonge.

first edition on plain paper.
An autograph signed by Georges Barbarin to Henri Béraud.
Small tears in the head and foot of the back which also has a clear wetting in the foot.
Complete copy of his prayer to insert.

first edition for which no large papers have been taken, one of the review copies service.
A beautiful autograph signed by Maurice Simart to Henri Béraud: "... free spirit and fervent heart ..."
Discolored back and with a small lack in foot.

first edition for which it was not taken from large papers.
Autograph signed by Serge Mestre to Françoise Dumayet.
Pleasant copy.

first edition on plain paper.
Our copy is enriched with an autograph signed card of Edouard Drumont pasted on the page of false title.
Small tears at the head and foot of the back.

First edition, one of 30 numbered copies on Japan paper, deluxe issue.
Work illustrated with 90 black and white drawings by Carlègle.
As preface, a curious "unpublished text" by Gustave Flaubert.
Very handsome copy as issued, retaining its deckled edges.

First edition, one of 55 numbered copies on alfa paper, the only deluxe copies after 25 on Arches.
Handsome copy.

first edition for which it was not taken from large papers.
Signed autograph signed by Lucette Valensi to Pierre Dumayet.
Pleasant copy.

first edition, one of the review copies service.
Precious signed autograph dedication of the author of Maurice de Vlaminck to his friend Montmartrois Pierre Mac Orlan: "... his old friend the painter Vlaminck ..."
Stitches at the head of the first board.

First edition, one of 15 numbered copies on Holland paper, deluxe copy.
Full dark green morocco binding, faded spine with five raised bands set with gilt fillets and decorated with double compartments ornamented with gilt typographical motifs, gilt roulettes on headcaps, triple gilt fillet frame on boards enhanced with large gilt fleurons in corners, olive green watered silk endpapers and pastedowns, frame of sextuple gilt fillets and gilt fleurons in corners on pastedowns, gilt fillet on leading edges, all edges gilt, covers and spine preserved, elegant binding signed by Charles Lanoë.
Handsome copy pleasingly bound in full morocco.

First edition, one of 40 numbered copies on Chine, the tirage de tête.
Usual foxing mostly in the margins of some leaves.

First edition, one of 140 numbered copies on laid paper, the only deluxe copies after 60 on Arches laid paper.
Half red shagreen binding with corners, spine with four raised bands set with black fillets, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding.
Handsome copy.

Edition for which he was not drawn large paper, review copy.
Precious autograph signed Aurel David Alexander Vialatte.
Pitting on the boards, nice interior state.
complete copy of his prayer to insert.

First collected edition translated by André Pieyre de Mandiargues, one of 20 numbered copies on alfa paper, the only deluxe copies.
Cover illustrated with a drawing by Max Ernst.
Handsome copy.

First French edition, one of 60 numbered copies on Lana laid paper, ours one of 10 hors commerce copies, from the deluxe edition.
Spine very lightly sunned without consequence.
Handsome full-margined copy.

First collected edition, one of 20 numbered copies on pur fil paper, the only deluxe copies after 10 Holland.
Autograph signature of Claude Farrère on the half-title page.
Spine sunned, full-margined copy.

First edition, one of 300 numbered copies on vélin de Prioux paper, resreved for the Lardanchet selections.
Spine slightly sunned.

First edition, one of 165 numbered copies on pure Arches laid paper, deluxe copy.
A crease mark to the foot of the second cover, light foxing to the top edge, handsome copy.

First edition, one of 165 numbered copies on pur fil paper d'Arches paper, the tirage de tête.

A little light foxing to top edge.

A very good copy.

First edition, one of 110 numbered copies on alfa paper, the only large paper copies.
A good copy.

First edition, one of 50 numbered copies on China paper, the tirage de tête.
A few inevitable spots considering the quality of the paper, a well-margined copy.

first edition on the current paper.
Signed autograph of jean dutourd to a couple of his friends, and Philippe Aimée (born Lemercier): "... the research of the present time (easily) ..."
Nice copy.

first edition on the current paper.
Signed autograph of jean dutourd to a couple of his friends, Philippe (Guerin) and Aimee (born Lemercier): "... these little jokes written by contemplating the girscardiens street youth Nevers Affectionately John..."
Nice copy.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated by jean dutourd stepsister Aimee (Guérin born Lemercier) and her husband Philippe (Guerin): "... At Philip and Scrooge living rue Jacob, this book is obviously written for them. .. "
Pleasant copy despite a trace of sunshine Length of the second flat.

first edition on the current paper.
autograph dedication of the author autograph signed and dated by jean dutourd to sister-Aimée (Guérin born Lemercier). "... For Ina, with all the affection of his old wolf"
A head fold trace of the first flat, otherwise pleasant exempalire.

first edition on the current paper.
Binding half black shagreen, back with four nerves crimped nets and an anthracite jewel, marbled paper plates, guards and contreplats of handmade paper, preserved covers, modest binding.
Signed autograph of paul reboux to Mr. Villon.

First edition.
Publisher's full grey cloth Bradel binding, smooth spine, front board illustrated with a photograph, one upper corner slightly bumped.
Rich iconography, handsome copy.

First edition, one of 75 numbered copies on B.F.K. de Rives paper reserved for the A.B.L., deluxe copies after 50 Arches.
Light foxing affecting some deckled edges, bookplate pasted to one endpaper.
A full-margined copy.

First edition, a Service de Presse (advance) copy.
Precious signed autograph inscription from Yvonne Renault-Magny to Henri Béraud.
Spine with a small tear at foot, worming to front cover.
Provenance: from Henri Béraud's library on the Île de Ré.

First edition.
Precious dated and signed autograph inscription from Binet-Valmer to Henri Béraud.
Spine lightly sunned with a small repaired tear at foot, occasional light foxing to endpapers.
Provenance: from Henri Béraud's Ré library.

First edition, a Service de Presse (advance) copy.
Precious signed autograph inscription from Jacques de Lacretelle to Henri Béraud.
Some occasional light foxing.
Provenance: from Henri Béraud's library on the Île de Ré.

First edition, with printed press service stamp on back cover.
Precious autograph inscription signed by Louis Rougier to Henri Béraud: "... ce petit livre d'un lyonnais..." ["... this little book by a Lyon native..."]
Spine sunned, light marginal tears without consequence to front cover.
Provenance: from the Ré Island library of Henri Béraud.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious autograph inscription signed by Count Sforza to Henri Béraud.
Three tears with small lacks to spine, light dampstains to margins of verso of cover boards.
Provenance: from Henri Béraud's library on Île de Ré.

First edition on ordinary paper.
Precious signed autograph inscription from Binet-Valmer to Henri Béraud.
One white stain on the spine, slight foxing of no consequence.
Provenance: from the Île de Ré library of Henri Béraud.

Nouvlle édition en partie originale.
binding à la bradel en demi percaline indigo, spine lisse bruni orné d'un motif floral doré, double filet doré en queue, pièce de titre de chgrin marron, plats de papier marbré, couvertures conservées, binding de l'époque.
Précieux envoi autographe signé de Georges Courteline : "Hommage tout à fait cordial à Henri Béraud de son bien dévoué et reconnaissant confrère..."
Provenance : de la bibliothèque rétaise d'Henri Béraud.

First edition, a Service de Presse (advance) copy.
Precious autograph inscription signed by Claude Farrère to Henri Béraud: "... en toute amitié..." ["... in complete friendship..."]
Two small tears at head and foot of spine.
Provenance: from the library of Henri Béraud.

First edition, a service de presse (advance) copy.
Precious signed autograph inscription from Binet-Valmer to Henri Béraud: "... hommage d'admiration ..." ["tribute of admiration"]
An angular fold mark at the head of the front cover, some small marginal foxing on the boards.
Provenance: from Henri Béraud's library in Ré.

First edition, a Service de Presse (advance) copy.
Fine and valuable signed autograph inscription from Binet-Valmer to Henri Béraud: "... qui vient d'écrire d'admirables et courageuses chroniques ..." ["... who has just written admirable and courageous chronicles..."]
Small lack to head of spine, some minor marginal spotting to covers.
Complete with publisher's slip.
Provenance: from Henri Béraud's library on Île de Ré.

First edition printed on alfa paper.
Autograph inscription from Jacques de Lacretelle.
A good copy.

First edition, one of 50 numbered copies on deluxe paper, the only deluxe copies.
Spine lightly sunned without consequence, a small marginal tear on the first cover.

First edition.
Half mouse grey morocco with corners, spine with five raised bands decorated with double gilt compartments ornamented with grotesques, date and publisher's name gilt at foot, gilt fillet frame on marbled paper boards, pale marginal dampstain at head of front board, marbled endpapers and pastedowns, marbled top edge, illustrated covers and spine preserved, contemporary binding signed by Salvador David.
Some foxing on endpapers.

Complete and definitive edition, one of 20 numbered copies on Japan paper, deluxe copy.
Half navy blue shagreen binding, spine with five raised bands set with gilt dots decorated with gilt double compartments adorned with gilt typographical motifs, one joint slightly cracked at head, gilt fillets on marbled paper boards, marbled endpapers and pastedowns, top edge gilt, second cover with small rubbing traces at head.
Work decorated with original illustrations by Uzès.

First edition, review copy.
Signed autograph of Franc-Nohain Robert Garric: "... Remember Lille ..."
Catholic reformist, he was the   founder of "social Teams" in 1920, which aimed to establish a social elite and bring the good word about the brotherhood born of the trenches to the workers, in the tradition of patronage. Simone de Beauvoir, then student of Robert Garric in philosophy at Sainte-Marie Institute of Neuilly, remembers him   in his "Memoirs of a Tidy Wench"   "Garric appeared; I forgot everything else and myself; the authority of his voice subdued me. In twenty years we he...

first edition on the current paper.
Signed autograph from the author to the French journalist Paul Mathieix Action.
Book decorated with illustrations of Lucien Métivet.
A few minor scratches on his back lightly browned, some spots on the flat poremier well as the earliest and latest leaflets.

first edition on the current paper.
autograph dedication of the author signed autograph from the author to the French journalist Paul Mathieix Action.
spine slightly faded with scratches that caused shortages of paper, spots on boards and guards.
Book illustrated with 110 drawings of Gaston Coindre.

First edition, one of 20 numbered copies on Hollande, tirage de tête.
A good copy with good margins.

First edition for which there was no mention of large paper copies.
One small stain, not serious, to spine.

First edition.
Half caramel shagreen binding, smooth spine with traces of rubbing, gilt date at foot, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved, corners slightly bumped, top edge gilt, binding cold-stamped by Pierson.
Work illustrated with 1 frontispiece and illustrations by Emile Lévy and Paul Adolphe Kauffmann in text.

Edition illustrated by Gilbert.
Publisher's full red cloth binding, smooth spine decorated with gilt compartments, dots and fillets, headcaps very lightly rubbed without damage, first cover ornamented with a plate by A. Souze featuring a large polychrome and gilt decoration depicting the eponymous heroine, black typographical frieze frames on the second cover, beveled boards, blue paper endpapers and pastedowns, gilt edges, publisher's binding signed by Engel.
Some foxing mainly at beginning and end of volume, pen gift inscription on an endpaper.
Work illustrated with 65 illustrations as well as 3 plates.

First edition on ordinary paper.
Half red shagreen binding, spine with one raised band set with gilt dots decorated with a cartouche adorned with gilt floral motifs, minor rubbing traces on the joints, double gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, two corners slightly bumped, contemporary binding.
Work decorated with illustrations hors-texte by Bigot-Valentin.

First edition, one of 540 numbered copies on pur fil paper.
Occasional foxing, the first leaves (untila page 34) are detached.

First edition on ordinary paper.
Handsome illustrated cover and drawings by G. Trilleau.
A small tear, not serious, to head of lower cover.
A rare and good copy.

First edition illustrated with 40 original lithographs including 12 hors-texte in colors by Charles Fouqueray, one of 15 numbered copies on Japon impérial, deluxe issue after 5 vieux Japon.
Our copy is complete, as stipulated in the justification of the issue for copies on Japon impérial, with a progressive suite of the tints and a complete suite in colors for the 12 hors-texte and a suite in black for the 28 in-text lithographs.
Finally our copy is enhanced with a progressive suite of the tints and a color suite of a rejected plate.
Handsome copy.

First edition, one of 50 numbered copies on pure Rives paper, deluxe copy.
Small marginal tears at head and foot of front cover, handsome full-margined copy.

First edition on ordinary paper of the French translation established by E. Halperine Kaminsky.
Half hazelnut cloth binding, smooth spine, marbled paper boards, marbled endpapers and pastedowns, illustrated covers preserved, contemporary binding.
Work illustrated by Jan Styka.

First edition illustrated with in-text engravings in black by Gerlier.
Publisher's full red cloth binding, smooth spine decorated with black fillets and gilt compartments, front board historiated signed Engel depicting a woman saving a child from the waters, various black and gilt frames, back board decorated with a central blind fleuron and various vegetal and geometric frames, all edges gilt. Spine very slightly sunned, corners and headcaps lightly rubbed.
Scattered foxing, otherwise handsome copy.