Emile-Paul frères

First edition in French, one of 100 numbered copies on pur fil paper, after only 25 on Japan and 50 on Hollande.
Handsome copy.

First edition, one of 480 numbered copies on laid paper, ours unnumbered, the only issue with 20 on Holland paper and 100 hors commerce.
A tear at head of spine.

Emile-Paul frères, Paris 1913, 11,5x18,5cm, bound under slipcase.

First edition, one of 300 numbered first printing copies on alfa satiné, with all the features of first printing copies : dated 13 september on the imprint.
Purple full morocco binding, spine with five raised bands with a slight color restoration, date at foot, gilt spine-ends, mould-made pastedowns and endleaves, inside covers framed in gilt and black, original soft covers preserved, gilt leading edges, slipcase with purple morocco lined with brown felt, mould-made paper boards, handsome binding signed R. Laurent.
A handsome copy perfectly set in a contemporary full morocco binding signed by R. Laurent.
Provenance : Library of André Coppens with his bookplate on a pastedown.

First edition.
nice copy.

First edition.
nice copy.

First edition, on current paper, of the French translation prepared by Maurice Betz.
Insolated back with a tear in the foot.
Autograph signed Maurice Betz Maurice Martin du Gard: "... in testimony of mpa keen sympathy for the New Writings"

First edition on current paper, one of the review copies service.
Autograph signed by the author "to Pierre Benoît this book of nightmares ... faithfully Ahong!"

First edition, one of the numbered copies on vellum.
A little lack in the back of the head.
Illustrated book with a frontispiece by Edmond Céria.
Our copy is enriched, throughout the page of half-title until the half of the following page, of a passage of the text that Daniel Halévy copied.

First edition.
Binding in half percaline Siena bradel, smooth back decorated with a golden floret, double gilded nets in tail, title piece of shagreen bronze, marbled paper plates, guards and contreplats of orange paper, Contemporary binding .
Some foxinges mainly affecting the slices.
Signed autograph dedication of Count Fleury to Captain Pineau.

First edition on current paper.
Small foxing mainly affecting the boards in their margins.
Autograph signed by Ambroise Vollard to Ernest Leclerc.

First edition on current paper.
Small foxing mainly affecting the slices.
Autograph signed by Ambroise Vollard to miss Andrée Chariot.

First edition of the French translation by Armand Godoy, one of the numbered copies on laid paper, ours specially printed for Yves-Gérard Le Dantec.
Autograph signed by Armand Godoy Yves-Gerard Le Dantec.
Our copy is enriched with a signed autograph letter signed by a page of Armand Godoy Yves-Gerard Le Dantec meaning his return to Paris and the opportunity to arrange an appointment.
Illustrated book, frontispiece, a portrait of José Marti by Gorvel.
Nice copy.

First edition, one of the review copies service.
Autograph dedication signed by André Suarès to Guy Lavaud.
Insolated back, small bites on the boards.

first edition on plain paper.
autograph dedication of the author autograph signed and dated Claude Aveline to Dr. Jacques Mawas.
Pleasant copy.

Edition
Handwritten signature of Maurice Barres won the first cover plate.
spine and boards and marginally insolated.

First edition, review copy.
Signed autograph of Jean Giraudoux Guy Lavaud.
Back slightly insolated.

Collective Edition, review copy.
Signed autograph Francis Carco Guy Lavaud: "... the poet, the friend ..."
Back insolated.

First edition, one of the copies of first issue numbered in the press.
Signed autograph Francis Carco Guy Lavaud.
Back insolated, small and marginal miss on the boards, a few bites.

first edition on the current paper.
Signed autograph Francis Carco Guy Lavaud: "... the poet, the friend, round heart ..."
Back insolated.

First edition.
With 66 etchings by the author.
Spine and upper cover marginally sunned, internally good.