Arthème Fayard

First edition, one of 50 numbered copies on alfa paper, the only large paper copies.
Autograph inscription from Paul-Marie de la Gorce.
A very good copy.

First edition, one of 25 numbered copies on pur fil paper, the only large paper copies.
A very good copy with good margins.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.
A very good copy with good margins.

First edition, one of 100 numbered copies on alfa, the only large paper copies.
A very good copy with good margins.

First edition on ordinary paper.
Signed autograph inscription by the author to Georges Gombault.
Handsome copy complete with its dust jacket marginally sunned and with a small lack to head of spine.

First edition, one of the copies on alfa.
Autograph signature of the author below the justification page.
A small tear reglued at foot of one joint, handsome copy.

Illustrated with 4 original color compositions by Sem, Arnoux, Marty and Chas Laborde, one of the numbered copies on vellum.
Spine slightly cracked at foot, small foxing to boards, handsome interior condition.

First edition on ordinary paper, false statement of edition.
Signed autograph inscription by the author.
Handsome copy.

First edition.
Publisher's full red boards binding, complete with dust jacket and slipcase.
Handsome copy retaining publisher's wraparound band.

First edition, one of the service de presse (advance) copies.
Inscribed by the author.
Light worming to endpapers, otherwise a handsome copy complete with dust jacket and publisher's slip.

First edition, of which there were no deluxe copies, one of the Service de Presse (advance) copies.
Inscribed by the author.
Minimal worming to front board, otherwise a handsome copy complete with publisher's (advertising) slip.

First edition on ordinary paper.
Inscription from Rémy.
Small stains to rear board, otherwise handsome copy complete with publisher's slip.

First edition, one of the Service de Presse copies.
Autograph inscription from the author.
Spine slightly creased, minor light stains of no consequence to covers.

First edition, one of the advance copies.
Inscribed by the author.
Worming to boards, some light foxing internally, mainly marginal.

First edition, a Service de Presse (advance) copy.
Inscribed by the author to monsieur Parias: "A monsieur Parias, dont la revue sert bien l'Histoire, dans l'espoir que Gaston d'Orléans saura lui plaire." ["To monsieur Parias, whose review serves History well, in the hope that Gaston d'Orléans will please him."]
Minor marginal worming to front cover, complete with publisher's wraparound band and publisher's slip.

First edition on ordinary paper.
Autograph inscription from the author.
Handsome copy retaining publisher's wraparound band.

First edition, of which there were no deluxe copies.
Publisher's binding in full boards, complete with its dust jacket which shows no defects.
Autograph inscription from the author.
Handsome copy.

First edition, a Service de Presse (advance) copy.
Inscribed by the author.
Two crease marks at head of front cover, complete with publisher's slip.

First edition, one of the Service de Presse (advance) copies.
Inscribed by the author.
Iconography.
Spine slightly creased.

First edition, of which there were no deluxe copies.
Autograph inscription by the author.
A handsome copy despite a very small stain on the first cover.

First edition on ordinary paper, false statement of 4th edition.
Author's inscription.
Folding plate at rear.

First edition.

First edition, a Service de Presse (advance) copy.
Inscribed by the author to his friend Alfred Porché.
Handsome copy, with a gift inscription in ballpoint pen at the head of the first endpaper.

First edition on ordinary paper, with false statement of second edition.
Marginal discoloration to front cover.

First edition on ordinary paper, only 25 copies were printed on laid paper.
Two small tears at head and foot of spine.

First edition on ordinary paper.
A very good copy.

First edition, one of 325 numbered copies on pure laid paper.
Very occasional foxing affecting some deckled edges. A crack to the joint of the front cover also with an angular lack to the lower margin. Small paper loss to the spine at the level of the deckled edges.

First edition on ordinary paper.
Inscribed by the author.
Spine sunned.

First edition. A good copy illustrated with maps hors texte.

New edition.
Cover illustrated by G. Starace.
Spine slightly warped, otherwise handsome copy considering the poor quality of this paper.

New edition.
Illustrated cover by G. Starace.
A slight tear of no consequence to the spine, otherwise handsome copy considering the poor quality of this paper.
Second volume of "Le coupeur de têtes".

Edition illustrated with 25 original wood engravings by Hermann Paul.
Half sand-coloured cloth binding, smooth spine, author's name and title in faded gilt, marbled paper boards. Bookplate on endpaper.
Handsome copy.

First edition, one of 75 numbered copies on Holland paper, the deluxe issue with 30 on Japan paper.
Light traces of corner creases without consequence at foot of boards, handsome full-margined copy.

First edition on ordinary paper, only 50 copies were printed on deluxe paper.
Handsome copy lacking the illustrated dust jacket.

First edition for which there was no mention of large paper copies.
Handsome autograph inscription from the author.

First edition, a service de presse (advance) copy.
Paper yellowed.

First edition, false statement of edition.
Chronological table at rear, fine copy.

First edition, one of 185 numbered copies on Holland paper.
Handsome copy, retaining its deckled edges with some light worming.

First edition.
Foxing to the covers, internally good.
Rare.

First edition.
The ruins of Reggio and Messina, Palermo, Capri, Tangier, Andalusia: Granada, Cordoba, Naples...
Rare and handsome copy.

First edition, of which there were no deluxe copies, one of the Service de Presse (advance) copies.
Fine autograph inscription from the author.
Light marginal foxing to covers, small loss to foot of spine.