Arthème Fayard

Autograph signed calling card addressed to theatre director Simone Benmussa, 8 lines in black felt-tip, with the original envelope.

"Chère Simone Benmussa, quel succès ! J'en reçois les échos de tous côtés ! Nous vous devons tous cette merveilleuse soirée. Laiseez-moi vous dire encore Merci et Bravo. En toute amitié. R. Badinter."

Literary adviser to the Jean-Louis Barrault – Madeleine Renaud Company and, from 1957, editor-in-chief of the Cahiers Renaud-Barrault, Simone Benmussa also headed, from the Odéon Theatre, the company’s cultural department and its journal. She adapted for the stage several works by her friend Nathalie

First edition, no copies printed on deluxe paper.
Pleasing copy.

Signed autograph inscription from Robert Badinter: "Pour Claude Moncorgé, affectueusement, son cousin. Robert."

 

First edition, one of 55 numbered copies printed on Lafuma-Navarre laid paper, the only deluxe copies.

A light halo stain to the upper edges of the front endpaper and half-title, otherwise a pleasing copy.

First edition, one of 35 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome copy, despite slight and marginal fading to the spine and covers.

First edition, one of 25 numbered copies on pure wove paper, the only deluxe copies.

First endpaper slightly and partially toned, without consequence.

A handsome copy with full margins.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition, one of 50 numbered copies on alfa paper, the only deluxe copies.
Bound in red half shagreen with corners, spine with four raised bands framed by blind fillets, sides covered in gilt-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses.
A handsome copy in an attractive binding.

First edition, one of 50 copies on pur fil, ours being one of 4 hors commerce copies, the only deluxe papers after 5 hors commerce copies on Arches.

Bound in burgundy half morocco with corners, spine with five raised bands ruled in black, cat's-eye patterned paper-covered boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate affixed to a pastedown, top edge gilt, untrimmed. A handsome unsigned binding, likely by Devauchelle.

First edition, one of 100 numbered copies on pur fil, the only copies printed on deluxe paper.

A handsome copy, uncut.

New edition of the French translation.

Spines slightly sunned, with minor tears at the foot.

Signed in manuscript by Thomas Mann on the endpapers of both volumes.

First edition, with service de presse stamp at head of second cover.
Spine slightly sunned, the page bearing the autograph inscription is partially shaded, otherwise a handsome copy complete with publisher's slip.
Precious and fine autograph inscription from Jacques Chastenet to his fellow Immortal of the Académie Française, General Weygand: "... cette esquisse d'une époque qui n'a pas profité de la victoire à laquelle il avait tant contribué." ["... this sketch of an era that did not benefit from the victory to which he had so greatly contributed."]

First edition, press service stamp on head of second cover.
Spine slightly sunned.
Precious autograph inscription from Henry Bordeaux to his fellow Immortal of the Académie Française, General Weygand.

First edition, with printed press service stamp at head of one endpaper.
Two small stains to margin of front cover, otherwise handsome copy complete with publisher's slip.
Precious autograph inscription from Jules Romains to his fellow Immortal of the Académie Française, General Weygand.