Albin Michel

Reissue.
Publisher's cloth binding, illustrated slipcase in color.
From the collection L'art dans le monde, fine iconography.

First edition of the French translation by A. Gide, one of 300 numbered copies on B.F.K. de Rives paper, the only printing along with 5 on Chine, 25 on Japan and 30 hors commerce.
This is a bilingual edition, handsome copy.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription from the author to Lucien Garrabos.
Iconography.
Handsome copy.

First edition, of which there were no deluxe copies.
Rare and handsome copy.

First edition, of which there were no deluxe copies.
Autograph inscription by the author.
Spine faded and boards detached.

First edition.
Minor marginal tears to the front cover without consequence.

First edition of which there were no deluxe copies.
Iconography, fine copy.

First edition on ordinary paper of the author's masterpiece.
A small hole slightly affecting the first pages, two small insignificant tears affecting the front cover, otherwise a handsome copy.

First edition.
Work illustrated with 8 figures.
Spine sunned, otherwise handsome copy.

First edition. Illustrated. Spine and covers marginally sunned.

First edition, one of 100 numbered copies on laid paper, the only deluxe copies after 15 Japan and 35 Holland.
A small tear at foot of spine, otherwise a handsome copy.

First edition, one of 300 numbered copies on Hollande, tirage de tête.
Spine warped, a copy with good margins.

First edition.
About Ronsard, M. Scève, Agrippa d'Aubigné...
Spine and boards slightly faded, with a corner loss to the front board affecting the following two pages.

First edition, one of 330 numbered copies on Hollande, tirage de tête.
A good copy with good margins.

First edition on ordinary paper.
Autograph inscription from the author to Pierre Lazareff.
Spine slightly sunned, otherwise a handsome copy.

First edition, false statement of one thousand on the second cover.
Autograph inscription by A. Lumière, handsome copy.

First edition on ordinary paper.
Illustrated.
A very good copy.

Published the same year as the first edition, stated "second mille".
A good copy.

New edition illustrated with woodcuts by François Angeli.
A good copy.