Spine and boards very slightly and marginally faded without consequence, some edges partially toned, otherwise a pleasant copy with full margins.
Edition of the same year as the first, statement of 17th thousand.
Spine slightly sunned.
Signed and inscribed by Alphonse Narcisse to André Morice.
New edition. Portrait frontispiece. Title pages in red and black.
Contemporary full glazed brown calf binding. Decorated smooth spine. Brown calf title-label, black calf volume label. Light rubbing. Fine copy, very fresh.
The first two volumes are devoted to the poetic works, the third to the comedies. These works contain the Odes, Cantatas, Epistles, Allegories, Epigrams, and the comedies (Le flatteur, Le capricieux, Le caffé, La ceinture magique). Jean-Baptiste Rousseau was considered the greatest lyric poet of his time; he is especially credited with writing the first French cantatas, this secular genre that was set to music by the most brilliant composers. However, the academic style of Rousseau's writing did not outlive him.
First edition, rare copy with no statement of print.
Full blue morocco binding, spine with raised bands in the Jansenist style, endpapers and pastedowns of combed marbled paper, gilt dentelle framing the pastedowns, double gilt fillets and gilt tooling to headcaps and board edges, top edge gilt with untrimmed margins preserved, original front wrapper bound in, binding signed by Marius Michel. Monogrammed bookplate mounted on the verso of the first endpaper.
This copy is enriched with four hors-texte plates by Louis Boulanger and Alfred Johannot.
Signed autograph inscription by Victor Hugo on the half-title: « À Monsieur Ch[arles] Mévil son bien cordialement dévoué Victor Hugo. »
Original albumen photograph, cabinet card format, mounted on yellow cardboard bordered in red by Nadar, with his stamp on verso, rue d'Anjou St-Honoré.
Portrait of the actress leaning on her elbow, face resting in the hollow of her hand, looking at the photographer or at whoever looks at the photograph, with a melancholic expression. Very fine photograph. Photographs of Sarah Bernhardt are most often in stage costume, performing, those representing her naturally, which are older and where she appears younger, are much rarer. The actress remained quite faithful to the photographer as we find several portraits of her from her debut until around 1900.
Manuscript annotation on verso.