Paris (France)

First edition.
Light foxing, a faint angular dampstain at head throughout the pamphlet.

First edition published in a small number of copies of this offprint.
Light worming to boards, foxing to endpapers.
Rare pamphlet.

Third edition.
Full black cloth binding, smooth spine, minor epidermis damage to boards, two small lacks to one joint, an ink stain affecting the margins but not the text.
Work illustrated with 34 figures in the text.

First edition.
Half chocolate shagreen binding, spine with four raised bands set with gilt fillets decorated with double gilt compartments, light rubbing to spine, marbled paper boards, marbled endpapers and pastedowns.
Some light foxing.

First edition.
Half brown sheep binding, smooth spine rubbed, chocolate sheep title-label, two small lacks at foot of one joint, marbled paper boards, two corners slightly bumped.
Some light foxing, gift inscription in pen at head of first endpaper.
Rare.

First edition.
Work illustrated with 13 figures in text.
Handsome copy.

The first edition, published in a small number of copies of this offprint.
Illustrated booklet with 5 photographs hors-texte.
Rare.

First edition.
Autograph inscription signed by D. Bois on the front cover.
Small corner losses to boards.
Rare pamphlet illustrated with figures in the text.

First edition.
Half sheep binding in mint green, spine with five raised bands, traces of rubbing on spine, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved.
Work illustrated with figures in the text.
Gift inscription on first endpaper, some minor foxing on endpapers.

First edition consisting of a special issue of ""Studio"" from spring 1911.
Rich iconography.
Light foxing mainly affecting margins, otherwise a handsome copy.

First edition.
Pamphlet illustrated with 2 plates hors-texte at rear, with a pale angular dampstain at foot.
Handsome copy.

First edition.
Half pine green shagreen bindings, smooth spines decorated with triple gilt fillets, marbled paper boards damaged and worn, corners and edges bumped.
Two light dampstains affecting the head of the entire text block in each volume.

First edition.
Half black shagreen binding with corners, smooth spine showing traces of rubbing, joints rubbed, double gilt fillets on marbled paper boards, boards marginally scuffed, corners lightly rubbed, contemporary binding.
Autograph inscription signed by C. Chalot.
Rare.

First edition.
Spine lightly sunned with three repaired tears, handsome interior condition.

First edition of the French translation.
Spine a little bit faded, internal foxing.
Rare.

First edition.
Three small marginal tears to spine and front cover, rear cover stained, some interior foxing.
Rare.

First edition.
Half green shagreen binding with corners, spine faded with four raised bands showing slight scuffs, marbled paper boards, corners slightly bumped, original wrappers preserved.
Some foxing mainly affecting the endpapers.

First edition.
Half aubergine sheep binding, spine with five raised bands decorated with gilt dots and double gilt fillets, bands slightly rubbed, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Illustrated with 18 figures.
Handsome copy.

First edition.
Spine cracked, internally good.

The first edition, published in a small number of copies of this offprint.
Rare and handsome copy.

The first edition, published in a small number of copies.
Illustrated pamphlet with 50 in-text drawings by Faguet.
Light rubbing to spine, small tears with minimal corner losses to covers, light foxing to interior.

The first edition of this offprint, published in a small number of copies.
Covers slightly and marginally sunned without significance, handsome copy.
Rare pamphlet.

First edition.
Work illustrated with a plate at the end decorated with figures.
Handsome and rare copy.

First edition printed in a small number of copies.
Foxing.
Rare.

First edition.
Iconography.
Minor foxing without consequence at the foot of the last two pages of the review, handsome interior condition.
Complete with its publisher's wraparound band, soiled on verso.

First edition.
Half wine-colored cloth binding, smooth spine with very light scratches, marbled paper boards with some surface wear, corners and edges lightly rubbed, marbled endpapers and pastedowns, contemporary binding.
Work illustrated with drawings by Caran d'Ache forming 60 scenes of what can be considered the ancestor of comic strips.
Handsome interior condition.

First edition printed in a small number of this offprint. Signed autograph inscription by the author. An angular tear with lack at the head of the front cover affecting the following four pages (including the autograph inscription) but without damage to the text, another tear with lack still without touching the text. Rare brochure in this condition.

First edition.
Brochure illustrated with 8 maps and 2 charts.
Two small ballpoint pen marks on the half-title page, a tiny marginal tear of no consequence on the front cover, occasional worming, otherwise a handsome copy.
Rare brochure.

First edition.
A good and rare copy, softcover.

First edition.
Full black embossed boards, smooth spines faded, some surface wear to boards, headcaps lightly rubbed without significance, marbled endpapers and pastedowns, publisher's bindings.
Some light foxing.

Second edition.
Work illustrated with 40 engravings and one map.
Joints slightly cracked at head and foot, three marginal lacks to boards, light foxing to interior.

First edition.
Manuscript annotations and corrections in pencil throughout the text.
Gift inscription at head of front cover which also has a small hole of no consequence.
Rare.

First edition.
Work illustrated with 25 maps or sketches in the text.
Spine and boards marginally sunned, one joint reattached at foot with a small lack, handsome interior condition.

First edition.
Iconography.
Foxing to endpapers, gift inscriptions to head of front board and front endpaper, handsome and rare copy.

First edition on ordinary paper.
Signed autograph inscription by the author.
Iconography.
Tiny lack to foot of spine, light scratches to joints, handsome interior condition.

First edition printed in a small number of copies on vellum.
Texts by G. Soulier, A. Rossi, C. Terrasse, P. Sée...
Issue with illustrations in etching, lithography, aquatint, original woodcuts... hors-texte by C. Celestini, J. Ribera, Steinlen, F.L. Schmied, Orr, de Carolis...
A pale, minor dampstain at head of first cover, handsome copy.

First edition printed in a small number of copies on vellum.
Texts by C. Saunier, A. Marie, C. Zervos "Les reliures de Pierre Legrain"...
Issue with illustrations in etching, lithography, aquatint, original woodcuts... hors-texte by A. Lepère, C. Jouas, C. Nanteuil, C. Fouqueray, two reproductions of bindings by P. Legrain...
Minor tear at foot of spine, handsome copy.

First edition printed in small numbers on laid paper.
Texts by R. Escholier, G. Janneau, P. Gusman...
Issue with original etching, lithograph, aquatint, woodcut, soft-ground etching illustrations... hors-texte by A. Ouvré, A.J. Neuhuys, F. Goya ...
A light dampstain of no consequence at head of first cover, handsome copy.

First edition printed in small numbers on laid paper.
Texts by C. Janin, L. Delteil, H. Lefuel...
Issue with original etching, lithograph, aquatint, woodcut illustrations... hors-texte by J. Frélaut, W. Hollar, T. Johannot, T.F. Simon...
A minor tear at foot of spine, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by R. Rey, L. Delteil ...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by A. Kravtchenko, N. Piskaref, V. Massioutine, D. Mitrochine, J. Tcherkessof...
One tear on the spine extending to the front cover, handsome copy.

First edition published in a small number of copies on laid paper.
Texts by C. Roger-Marx, A. Thomas, P. Pia...
Issue with illustrations in etching, lithography, aquatint, original woodcut... hors-texte by P. Falké, E. Manet, E. Degas, A. Zorn, O. Redon, Webster, A. Collot, ...
Handsome copy.

New edition.
Half black sheep binding, smooth spine decorated with gilt double fillets and blind fillets, black paper boards with minor scuffs, corners slightly bumped, marbled endpapers and pastedowns, contemporary binding.
Under the direction of Charles Nodier, contributions by Jules Janin, Marco de Saint-Hilaire Etienne Arago, Louis Lurine, Arsène Houssaye, Maurice Alhoy, Amédée Achard, Léon Gozlan...
Work illustrated with 16 wood-engraved plates hors-texte as well as numerous in-text illustrations.
Some light foxing.

First edition.
Extracted from the Revue des deux mondes.
In sheets, in chemise.

First edition, on ordinary paper, of the French translation by Jean Cassou.
Preface by Valéry Larbaud.
A tiny tear at the foot of the front cover, handsome interior condition.

First edition, no deluxe copies mentioned.
Signed and inscribed by the author.
Covers slightly and marginally soiled, handsome interior condition.

First edition.
Two small tears and losses at head and foot of spine, handsome interior condition despite occasional foxing.

The first edition, of which there were no deluxe copies.
Handsome copy.

Second edition.
Illustrated with 26 maps and sketches in-text.
Spine and covers marginally sunned, a small harmless tear at foot of front cover, handsome interior condition.

Second edition.
Work illustrated with 27 maps or sketches in the text.
Spine cracked and boards marginally sunned, handsome interior condition.

Second edition with some parts in first edition as it was revised and expanded.
Full glazed bronze calf binding, spine with five raised bands set with gilt friezes decorated with blind friezes as well as gilt typographical motifs, gilt friezes at head and foot, gilt roulettes on headcaps, traces of rubbing on joints, frame of gilt fillet and gilt dots in corners as well as blind tooling on boards struck with a central blind medallion in diamond shape embellished with blind decorative motifs, gilt edges on leading edges, marbled endpapers and pastedowns, marbled edges, elegant contemporary binding.
Autograph inscription signed by Francis Garnier.
Our copy contains only 23 folding plates out of 25 (lacking plates 24 and 25).
Some foxing.

Illustrated edition with 500 nature drawings by Georges Fraipont.
Half navy blue shagreen binding with corners, spine with five raised bands showing very light traces of rubbing of no concern, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Handsome copy complete with its colored map.

First edition. Half red shagreen with corners, spine with five raised bands set with gilt fillets decorated with gilt double compartments adorned with gilt floral motifs, spine with slight superficial scratches without concern, date gilt at foot, double gilt fillets on marbled paper boards, marbled endpapers and pastedowns, one upper corner with minor traces of rubbing, top edge gilt, original wrappers preserved, contemporary binding. Iconography. Rare and beautiful copy.

First edition.
Additional contributions by M. Jouhandeau, J. Merrien, Alain...
Foxing to covers.

First edition.
Other contributions by P. Valéry, H. de Montherlant, A. Robin...
Foxing to covers.

First edition.
Other contributions by A. Suarès "Quetzal", D. Saurat "Visite à Gourdjieff (sic)", J. Cocteau "Le fantôme de Marseille", R. Fernandez "A propos de Nietzsche"...
Marginal foxing to covers.

New edition.
A tiny lack to foot of spine, otherwise a good copy.

First edition.
Signed autograph inscription by Pierre Morel.
Work illustrated with photographs and complete with its folding map at rear.
A light pale stain on front cover, otherwise handsome copy.

First collected edition.
Two tiny lacks to foot of spine, otherwise handsome copy.
Rare.

New edition with some parts in first edition as it has been corrected and revised.
Half navy sheep binding, spine with four raised bands, light rubbing traces on the joints, marbled paper boards, marbled endpavers and pastedowns, contemporary binding.
Light foxing affecting mainly the endpapers.
Original preface by P. Janet.

Second edition.
Half navy sheep binding, spine with four raised bands, light rubbing traces on the joints, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Light foxing affecting mainly the endpapers.
Rare.

First edition on ordinary paper, no deluxe copies are mentioned.
Attractive autograph inscription signed by Pierre Hamp to Jules Romains.
Spine slightly warped, minor worming to boards without consequence.

New edition of the French translation, complete, established by Louis de Langle.
Introduction and notes by the same.
Work ornated with 8 illustrations hors-texte.
Some light foxing affecting the endpapers and edges.

First edition of the French translation. Translated from German by H. Jansen.
Our copy is presented in its original wrappers.
One joint cracked at foot, small tears and corner losses to covers, handsome interior condition despite very occasional foxing. This first work by Winckelmann had considerable impact in Europe by establishing the foundations of what would become neoclassicism, whose influence had much greater impact on the arts in Germany than in France. Furthermore, his reflection on Greek art helped secure the foundations of Art History.

First edition.
Other contributions by L. Léon-Martin "Le salon des indépendants", J. Galtier-Boissière "Une heure avec... Frédéric Lefèvre".
Issue illustrated with reproductions of works by independent artists.
Spine and covers slightly and marginally lightened, minor interior foxing.

First edition, of which there were no deluxe copies.
Signed and inscribed by Valentin Bresle.
Work illustrated with reproductions of the painter's works.
Small marginal tears of no consequence and without loss to covers, handsome interior condition.

First edition.
Spine faded, marginal foxing to foot of front cover, handsome interior condition.

First edition, one of the copies on alfa paper.
Handsome copy despite light worming of no consequence to the endpapers.

First edition printed on alfa paper.
Signed and inscribed by Henri Perrault-Desaix.
Work illustrated with 13 plates.
Some light foxing, a faint dampstain at the head of the first leaves without significance, spine slightly sunned.

First edition.
A light scratching to the spine, a good and rare copy, softcover.

A Service de Presse (advance) copy of the first edition.
Signed and inscribed by the author.
A minor tear at the foot of the spine, complete with publisher's (advertising) slip.

The first edition, published in a small number of copies.
Signed autograph inscription by Pierre Audebert.
Spine and covers marginally and lightly faded, handsome interior condition despite occasional worming.
Rare.

First edition with no mention of deluxe copies.
Signed autograph inscription from Eugène Choucary.
Cover illustrated by Jean Laronze, work illustrated with drawings by Alfred Plauzau and René Ristroph.
Two small lacks to head and foot of spine, light marginal scratches to front cover.
Rare.

First edition.
In original wrappers, blue cover with frontispiece ornament; some stains to front cover.
Contributions by Champfleury ("Forgotten Romantics: Siméon Chaumier"), Spire Blondel ("The writer's tools: the pencil") notably.
Journal divided into two sections: early bibliography and modern bibliography (foreign correspondences, questions of the day, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover with frontispiece ornament, some stains to front cover.
Contributions by Eugène Forgues ("Book illustrators of the 19th century: Jean-François Gigoux") among others.
Journal divided into two sections: early bibliography and modern bibliography (reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece, front cover lightly stained.
Contributions by Eugène Forgues ("Les illustrateurs de livres au XIXe siècle : Camille Rogier"), Arthur Pougin ("La bibliothèque du conservatoire de musique") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by E. Dutuit ("Quel est l'inventeur de l'imprimerie") notably.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a black engraving hors-texte representing a binding.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by A. Chaudin ("Un nouveau document sur Gutemberg") among others.
Review divided into two sections: early bibliography and modern bibliography (foreign correspondence, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains an etching hors-texte by Vogel.

First edition.
In original wrappers, blue cover decorated with a frontispiece, a few very light stains on the upper cover.
Contributions by Champfleury ("Les reliures romantiques"), Arsène Arüss ("Voyage à travers l'oeuvre de Dickens") among others.
Review divided into two sections: ancient bibliography and modern bibliography (foreign correspondences, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece. Contributions by L. Derome ("La première revue de Paris"), B.-H.-G. de Saint-Heraye ("Le premier journal bibliographique"), Octave Uzanne ("La bibliothèque d'un bibliophile") among others.
Review divided into two sections: ancient bibliography and modern bibliography (La bibliothèque d'un bibliophile, reviews of recent books, bibliographical gazette, summary of French periodical publications).
This issue contains a color plate depicting a cathedral binding, as well as numerous wood engravings in the text.

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).

First edition.
In original wrappers, blue cover decorated with a frontispiece.
Contributions by Emile Mahé ("Edition inconnue de la "Pucelle" de Voltaire"), Charles Glinel ("Alexandre Dumas et l'Académie française"), Meysenheim ("Les Bibliothèques publiques de la ville de New York") among others. Review divided into two sections: ancient bibliography and modern bibliography (Reviews of recent books, bibliographic gazette, summary of French periodical publications).
Illustration hors-texte: binding by Luc Cranach on a Catullus from 1536.

First edition.
In original wrappers, blue covers decorated with a frontispiece.
Contributions by L. Derôme ("Une édition originale de trois contes de La Fontaine"), Spire Blondel ("Les outils de l'écrivain : Le Cachet, la Cire à cacheter, les Enveloppes"). Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications).
Illustration hors-texte: La Lecture à Cythère, etching by Manesse, after the composition by Albert Lynch.

First edition.
In original wrappers, blue covers decorated with a frontispiece. Contributions by Charles Glinel ("Alexandre Dumas intime") among others.
Review divided into two sections: early bibliography and modern bibliography (Reviews of recent books, bibliographical gazette, summary of French periodical publications). Illustration hors-texte: Portrait of John-Murray II, publisher of Walter Scott - Sepia heliogravure.

First edition of this review directed by Octave Uzanne.
Articles respectively signed L.B., Eugène Forgues, Arthur Pougin.
Engravings in and outside the text by Camille Rogier.
Front cover soiled, otherwise good copy.

New edition.
Full marbled sheep bindings, smooth spines decorated with gilt friezes and compartments richly ornamented, red morocco title-labels, black sheep volume labels, small holes and worming at foot of some spines, gilt rolls on headcaps, occasional light rubbing to some covers, marbled paper endpapers and pastedowns, gilt pointillé on leading edges, marbled edges, contemporary bindings.
Handsome set almost free from foxing.

First edition.
Full red cloth binding, corners slightly bumped, headcaps worn, joints cracked, stains on boards, one endpaper detached, publisher's binding.
Contributions by Frantz Jourdain, Emmanuel Signoret and Raoul Ponchon among others; drawings by Riscuité, Hermann Paul, Henri Pille, Willette, Jules Chéret, Anquetin and Widhopff among others.
Each issue contains 5 pages. Numerous black and white illustrations, sometimes full-page or even double-page.
Le Courrier français is an illustrated weekly founded and directed by Jules Roques. It was published from 1884 to 1913. Under his direction, the journal became the most representative satirical organ of the era. Its contributors included Maurice Bouchor, Raoul Ponchon, Georges Montorgueil, Hugues Delorme, Jean Lorrain, and its illustrators included Adolphe Willette, David Ossipovitch Widhopff, Jean-Louis Forain, Jules Chéret, Hermann-Paul, Henri Pille, Pierre Jeannot. It featured sections on literature, fine arts, theatre, medicine and finance.

First edition.
Illustrated pamphlet with photographs.
About Croatian fascist movements.

First edition.
Full black cloth binding, smooth spine decorated with gilt arabesque tooling, sextuple blind-stamped fillets framing the boards, title and vignette depicting an allegory of victory accompanied by a cherub stamped in gilt at center of front board, corners very slightly worn, headcaps torn, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Victorien Sardou, Méry among others.
Contrary to what the volume's title page announces, this volume contains the issues from late December 1861 to late May 1862.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.

First edition.
Half emerald sheep binding, smooth spine decorated with gilt arabesque tooling, corners very worn, headcaps torn, and edges scuffed, yellow paper pastedowns and endpapers, publisher's binding.
With contributions by Léouzon le Duc and Gérôme among others.
Contrary to what the volume's title page announces, this volume contains the complete year 1859, as well as the December 1858 issues.
8-page journal extensively illustrated with wood engravings by the greatest artists of the time.
Very handsome copy in its rare publisher's binding.