Paris

First edition, one of 210 numbered copies on pur fil paper, the only large paper copies after 36 Hollande paper.
A good copy.

Second edition, one of 227 numbered copies on pur fil paper, the only large paper copies after 43 on Hollande paper.
A good copy.

First edition.
A good and rare copy.

First edition, one of 2250 numbered copies on châtaignier paper, the only printing after 24 Madagascar paper.
A trace of fold to lower cover, otherwise a good copy.

First edition, one of 210 numbered copies on pur fil paper, the only large paper copies with 45 on Hollande paper.
A very good copy.

First edition, one of 10 numbered copies on vélin de Rives paper, the only large paper copies.
A very good and rare copy with good margins.

First edition, one of 200 numbered copies on fine paper, the only printing. 
A good copy.

First edition of 1100 numbered copies on Roto blanc paper.
With 5 illustrations hors texte.
A good copy.

First edition, one of 277 numbered copies on pur fil paper.
A good copy.

first edition on the current paper.
Signed autograph of Father Pierre Mugnier Galiffet.
Book ornate frontispiece, a portrait of JK Huysmans by Charles Jonas.
Nice copy.

First edition, one of 800 numbered copies on Whatman, one draw after 50 Japan.
Signed autograph by Edmond Rostand.
Illustrated book of heliogravures Dujardin.
The fragile parchment cover includes tear on upper cover, gaps on the latter and his inner flaps, nice interior state.

First edition in French of which there were no large paper copies.
Spine slightly sunned, a lack to head of lower cover.

First edition of which there were no large paper copies.
Spots to upper cover.

Edition, a numbered on puffing.
autograph dedication of the author autograph signed and dated Eugene Guillevic Paul Aveline: "... the story of a fight with the wall ..."
Nice copy.

First edition, one of 150 numbered copies on alfa paper and reserved for the press.
A good copy.

Edition for which he was not drawn large paper, review copy.
Signed autograph of Louis Pauwels Guy Lavaud.
marginal spots on boards.

First edition, one of 30 numbered copies on alfa paper, the only large paper copies with some alfa paper hors commerce.
A very good copy.

First edition, one of 34 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, one of 64 numbered copies on alfa paper, the only large paper copies after 34 pur fil paper.
A good copy.

First edition, one of 32 numbered copies on pur fil paper, this copy n°1, the only large paper copies.
Tiny and clear spots to spine.
A good copy.

First edition, one of 34 numbered copies on vélin de Rives paper, the only large paper copies.
Spine yellowed.

First edition of the French translation, one of 110 numbered copies on vergé pur fil paper Lafuma-Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé pur fil Lafuma-Navarre re-imposed in Tellière quarto format, tirage de tête.
A very good copy.

First edition of the French translation, one of 110 numbered copies on vergé Lafuma Navarre and re-imposed in Tellière quarto, the tirage de tête.
A nice copy.

First edition of the French translation, one of 109 numbered copies on vergé Lafuma Navarre re-imposed in Tellière quarto format, tirage de tête.
Spine very lightly sunned, a good copy.

First edition, one of 950 numbered copies on Ingres paper, this copy not justified.
A good copy.

First edition.
Navy blue and orange papier glacé, the upper cover with an abstract geometric pattern of gilt and blindruled fillets, author's name and title in gilt to head and foot of cover, covers preserved, top edge gilt, rhodoid cover protecting the binding, an elegant abstract binding signed by Pierre-Lucien Martin and dated 1955.
A little light insignificant rubbing to head of one pastedown.
A very good copy nicely bound.

First edition.
Other contributions from Jean Cocteau, Joseph Delteil, François Di Dio, Louis Pauwels...
A good copy retaining its advertising band.

First edition, one of the numbered copies on large sandstone.
autograph dedication of the author autograph signed and dated by Alain Simon to Marcel Pierre and Etiennette.
spine wrinkled, otherwise good copy.

First edition, one of 150 numbered copies on Holland paper, and reimposed in turquoise cover, ours unjustified.
Signed autograph of Princess Bibesco Madame Henri Lilloz: "... this piece has the secret of the heart as it can die ..."
spine and boards marginally discolored, small traces of moisture at the pinout of the book, very lightly shaded guards.

first edition.
Half shagreen binding, back with four nerves set with golden threads and adorned with triple gilded boxes, volume number gilded on the back, some slight friction on the caps, marbled paper plates, guards and contreplats of handmade paper, sprinkled edges, contemporary binding.
Signed autograph of Emile Zola: "To my dear friend Ballé, his devoted."
Some foxing.
Nice copy pleasantly established.

First edition, review copy.
Signed autograph Andre Beucler Madame Lancel enriched with a beautiful drawing in full page, color pencils, Maw representing Love in uniform, a flower on her lips.
This novel was masterfully adapted to film a few years later by Jean Grémillon, with Jean Gabin creating Maw Love.
Back slightly insolated with a small tear in mind.

first edition on the current paper.
Signed autograph of Jacques de Lacretelle Alfred Johr.
spine and boards evenly insolated, papeir yellowed.

First edition, one of 230 numbered copies on Hollande paper, the only large paper copies after 16 on Japan paper.
Iconography.

First edition, one of 95 numbered copies on vélin d'Arches paper, the only large paper copies after 45 on Hollande paper.
A very good copy.

First edition, one of 210 numbered copies on Madagascar paper.
A very good copy.

Edition illustrated with 17 original etchings of Abel Renault, one of 440 numbered copies on Rives vellum.
Preface of Jerome and Jean Tharaud.
Signed autograph Abel Renault to a friend.
Some spots on the flaps of the shirt, otherwise nice copy.

First edition, one of 1500 numbered copies on vellum, one draw with 20 Rives.
Signed autograph Eugene Guillevic to Mr. R. Montbel.
Back insolated not passed illustrated cover.

first edition on the current paper.
Signed autograph of Charles Lapicque Doctor Mawas: "... in memory of our good conversations and research on the eye ..."
Illustrations hors-texte.

First edition, a numbered copy on alfa paper.
One tear to head of upper cover, a good copy.

First edition of the French translation, one of125 numbered copies on pur fil, the only large paper copies.
A good and rare copies.

First edition, one of 48 numbered copies on pur fil paper, the only large paper copies.
A very good copy.

First collected edition, one of 112 numbered copies on pur fil paper, the tirage de tête.
A very good copy retaining its advertising slip.

First edition, one of 70 numbered copies on Lafuma Voiron re-imposed in Tellière quarto format, the only large paper copies.

A good and rare copy without foxing.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper.
A good copy.

First edition, one of 120 numbered copies on pur fil paper, the only large paper copies after 36 on Hollande paper for each volume.
A good set.

First edition, one of 55 numbered copies on pur fil paper, the only large paper copies after 35 on Hollande paper.
A good copy.

First edition.

Two small tears to head of spine and to edge of lower cover.

First edition, one of copies on châtaignier paper, the only printing with 550 Bonet binding.
Spine slightly sunned, otherwise a very good copy.

First edition, one of 1160 numbered copies on Alfa paper, ours one of 60 reserved to the press service.
Small traces of minor folds on upper cover.

Edition illustrated with a frontispiece by Victor Brauner and a text-off Jacques Herold.
spine and boards slightly and marginally cleared as usual.

Edition for which he was not drawn large paper, review copy.
Signed autograph of Leo Moussinac John Piqueras.
A split in the foot joints, small tears on the back and flat margins, a tiny lack margins in the first pages, enclosed press clipping.

Edition after a few months to the first edition.
Bound in red half shagreen with corners, back with five nerves, red cloth covers, guards and contreplats of handmade paper, cover preserved.
Signed autograph of Louise de Vilmorin to his friend Maurice Aveline accompanied by a small four-leaf clover.
A poorly cut sheet that caused small gaps minor legs of 61-62 pages.
Nice copy.