New edition, after the first, also published in Rome in 1657. The second text is also dated 1688, but not at the same address. A title page for the last part: Io. Petro Bellori notae in numistata tum Ephesia, tum aliarum urbium apibus insignata, without address or place, with a bee as title vignette. In all three parts, the plates are included in the pagination. The two parts following the first were not part of the first edition; they are joined to Mnestrier's text for the first time. The illustration contains 24 plates: 12 plates for the first part, some with 2 figures. 10 plates, mostly medals for the second part. 2 plates for the third part. Superbly engraved on copper, these plates are not signed.
Modern Bradel binding in half cream vellum, smooth spine, black shagreen title-label, antique paper boards, binding signed Goy & Vilaine.
New edition. Imprint for this new edition completed on December 1st, 1655.
Very worn contemporary full brown sheep binding. Spine with raised bands decorated with grotesques (leafy designs, dots and fleur-de-lys). Brown sheep title label. Headcaps torn with large lacks to first and last compartments. Joints cracked at head and foot with leather lacks. Corners cut and worn bare. Overall very rubbed. First text leaf with browning, some following leaves affected. Foxing to index. Lacks lower right corner of page 1043.
19th-century armorial bookplate of Bellaigne de Bughas.
First edition, one of 70 numbered copies on Lafuma de Voiron and reimposed in quarto Tellière format, only deluxe copies ("tirage de tête").
Spine and cover slightly and marginally sunned.
Nice copy.
Complete works of Goethe comprising his poetry, theater, novels, critical essays and correspondence. Gothic printing in 2 columns. 5 superb steel engravings on thick paper under yellow tissue guards in volume 2 by Kaulbach and Felner in Gothic or classical style and engraved by English engravers, 2 engravings in volume 3. One of the first complete works of the author who died in 1833. The same publisher had issued this edition in 55 thin volumes in 1833, here delivering a more compact and manageable version.
German contemporary full green shagreen binding. Smooth spine decorated with rococo tools connected by long fillets. Gilt title and volume number. Double fillet frame on boards. Top edge gilt and marbled edges. Beautiful black and orange marbled endpapers. Laid paper of superb freshness, completely free of foxing. Spine lightly faded. Traces of rubbing at headcaps, small dark stains on spine of volume 2 and on volume 3.
Magnificent copy.
