STENDHAL

Long autograph letter by Stendhal, addressed to his sister Pauline, written in fine handwriting with black ink.
Address of Stendhal's father, where his sister resides, in Grenoble, with the stamp "n°51 Grande Armée." Red wax seal bearing Stendhal's coat of arms.
Several original folds, inherent to postal delivery. A paper loss due to the unsealing of the letter has been skillfully restored. Published in his Correspondance (ed. Henri Martineau), Paris, Le Divan, 1933, vol. 3, no. 262 A, pp. 26-29.
A very beautiful letter, filled with romantic passion, blending childhood nostalgia with sentimental tales, and foreshadowing

First edition, one of 12 numbered copies on Hollande, the only deluxe issue. 

Complete with the folding map at the end.

Full fawn morocco binding, five raised band spine, date at foot, comb-marbled paper pastedowns framed with a rich gilt roll, comb-marbled endpapers, gilt fillet to headcap, gilt fillet to leading edges, gilt roll to headcaps, original wrappers and spine preserved, all gilt deckled edges, housed in a fawn morocco-edged slipcase. Binding signed by Semet & Plumelle. 

Provenance: From the libraries of Dr André Chauveau, Lucius Wilmerding, and RBL, with their bookplates affixed.

A splendid deluxe copy of exceptional rarity

First edition, printed on thick wove paper.
Bound in contemporary half brown shagreen, smooth spines decorated with black typographic motifs, marbled paper boards, hand-marbled endpapers and pastedowns, modern slipcase edged in brown morocco with matching marbled paper sides and olive-green felt lining. 
Some occasional foxing, the note "Henri Beyle" in black ink at the upper corner of the title page of the first volume, without the final catalogue leaf at the end of the second volume, small corner restorations to four leaves of the first volume.
"Very rare and extremely sought after. Usually quite simply bound at the time. Often foxed" (Clouzot). "This work is of great rarity in

First edition on ordinary paper.

Half black shagreen binding, spine with five raised bands framed by gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge.

Scattered foxing, a few reading marks in red and blue pencil in the margins of certain paragraphs, printed stamp of the Armand Colin bookshop on the title page.

First edition, of which no copies were printed on deluxe paper.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, combed paper endpapers and pastedowns, gilt top edge, original wrappers preserved.

Scattered foxing, some reading marks in red and blue pencil in the margins of certain paragraphs, ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page, a library shelfmark at the head of the title page.

First edition on ordinary paper.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge, original covers and spine preserved.

Scattered foxing mostly affecting the edges.

First edition on ordinary paper.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, a small tear at the foot of the spine, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge.

Scattered foxing.

Partly original edition, with no mention of a deluxe paper issue.

Half black shagreen binding, spine with five raised bands tooled with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges, contemporary binding.

Pleasant copy.

First edition.

Bound in black half shagreen, spines with five raised bands decorated with gilt garlands, gilt dates at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges.

Some foxing, mainly at the beginning and end of the volumes.

Preface by Prosper Mérimée.

Partly first edition.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, date gilt at foot, marbled paper boards, combed paper endpapers and pastedowns, gilt edges.

Some scattered foxing.

Edition largely original.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt edges.

Some foxing, chiefly at the beginning and end of the volume.

Partly original edition, entirely revised.

Some foxing.

Rare copy preserved in its original wrappers.

First edition, untrimmed with wide margins, very rare and highly sought-after (see Clouzot). Some occasional foxing.

Illustrated on the title pages of both volumes with two engraved vignettes by Porrêt. This copy contains the publisher’s notice leaf in the first volume and the author’s note leaf in the second volume.

Contemporary red half calf over marbled boards, calf corners, spines ruled in gilt with

First edition, "very rare and extremely sought-after" (Clouzot), one of 750 copies on laid paper, with title vignettes engraved by Henri Porret after Henry Monnier.

Skilful restoration of a tear at the foot of a page, with slight damage to a letter. A rare copy with no foxing.

Green half calf binding, smooth spines with arabesques stamped in gilt, black title labels and volume labels; marbled paper boards, spine boards and endpapers, speckled edges, later bindings in the Romantic style.

First edition of the French translation by Élisabeth de Bon, gathering in 2 volumes the 4 parts of this anonymous English novel originally printed in 1809, which according to André Marc in his Dictionnaire des romans anciens et modernes of 1819, is the work of Anna Maria Porter, younger sister of the novelist Jane Porter. The Porter sisters, contemporaries of Jane Austen and famous before the Brontës, were close to the Scottish poet Walter Scott.

Contemporary full brown tree sheep, smoo

Rare first edition, as referenced by Clouzot (see Guide du bibliophile français XIX^e siècle, p. 256).

A few insignificant spots of foxing, a small black ink stain at the bottom of pages 354–355. Complete with the errata leaf at the end of the volume.

Caramel half calf binding, spine with five raised bands ruled with gilt dotted lines and decorated with gilt and black tools, gilt fillets at head and foot of spine. Minor rubbing to the spine. Brown morocco title label. Marbled paper-covered boards framed with blind-stamped vertical rolls, endpapers and pastedowns in cat’s-eye paper, all edges gilt. Roman bookseller’s label at the top o

Partly original edition, entirely revised and corrected.

Half red shagreen binding, spine with five raised bands framed with black fillets, gilt "N" at the foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, four bookseller's description labels pasted beneath the bookplate on the pastedown, contemporary binding.

A pleasant copy.

Provenance: from the library of Nadar with his celebrated engraved bookplate "Quand même !"

Partly original edition, expanded with a preface and entirely unpublished fragments.

Bound in contemporary half black shagreen, spines with five raised bands decorated with gilt garlands, gilt dates at the foot, marbled paper boards, comb-marbled endpapers, gilt edges.

Some foxing, mainly at the beginning and end of the volumes.

Complete with the folding table bound at the beginning of the second volume.

First edition, with no mention of copies on deluxe paper.

Half black shagreen binding, spine with five raised bands framed by gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge, contemporary binding.

Pleasant copy.

First 12mo edition, partly original as it is entirely revised.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, gilt date at foot, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge.

Some foxing,