Jean RACINE

New edition, adorned with a portrait of the author by Daullé, three headpieces by de Sève engraved by Juste Chevillet, twelve plates engraved by Jacques Aliamet, Jean-Jacques Flipart, Noël Le Mire, Louis-Simon Lempereur, Dominique Sornique, and Jacques-Nicolas Tardieu, and thirteen vignettes and sixty tail-pieces, all by de Sève engraved by Jean-Charles Baquoy, Jean-Jacques Flipart, and Louis Legrand.

A superb copy of the first luxury edition of Racine, among the most sought-after, bound in the most sumptuous red morocco.

Contemporary full red morocco, spine with five raised bands and gilt compartments, triple gilt fillet border, corner fleurons, yellow moro

Second collective first edition, with continuous pagination, containing for the first time Phèdre, the Discours prononcé à l'Académie françoise à la réception de Messieurs de Corneille et de Bergeret and the Idylle sur la paix.(Brunet, IV, 1077). Work illustrated with 12 figures including 2 frontispieces, most signed by François Chauveau; the frontispiece of the first volume engraved by Le Brun. 
Edition shared between Barbin, Denys Thierry and Pierre Trabouillet.
Full midnight blue morocco binding from the late 19th century signed at the foot of the pastedown Thibaron-Joly (Former worker of Trautz, Thibaron partnered with the gilder Joly in 1874). Spine with raised bands decorated.

Rare first edition decorated with ornamental headpieces, letterheads and culs-de-lampe.

Posterior binding in full red morocco, Jansenist spine, gilt date at the foot, marbled endpapers, frame of gilt roll-tooling on the pastedown endpapers, all edges gilt.
A very beautiful copy of one of the most famous plays in the French repertoire. It was played for the first time on 13 December 1669 at the Hôtel de Bourgogne and received a mixed reception. At the head of this edition is a preface by the playwright responding to his critics:

“Of all the works that I have given to the public, there is none
that attracted more applause and nor mor

Illustrated edition with 12 steel-engraved plates (including a frontispiece) by Proudhon, the others by Grodet, Desenne, and Moitte, all executed in the Neo-classical style. This edition was prepared by Aimé-Martin and includes Louis Racine’s memoir on the life of Jean Racine, as well as numerous footnotes by Aimé-Martin. The sixth volume contains various writings by Racine together with extracts from his correspondence, notably with Boileau.

Contemporary green half morocco-grained and glazed sheepskin binding, signed at the foot of the spine by Gartault. Spine with four false raised bands, decorated with a central blind-stamped rosette, two elaborate tools, tools on the bands, and