Paul ÉLUARD

First edition, one of 950 copies on Vélin Vidalon signed by André Marchand, the only printing following 49 copies on Vélin d'Arches.

Bound in black morocco-backed boards with corners, smooth spine, gilt fillet borders on cat's eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, all edges gilt. Slipcase edged in black morocco, marbled paper panels. Binding signed by D. Saporito.

Illustrated with 50 splendid original lithographs by André Marchand, printed by Mourlot.

Featuring previously unpublished texts by Georges Spyridaki, René Lacôte, Georges Hugnet, Gabriel Audisio, Raymond Queneau, David Herbert...

First edition of this poem by Paul Eluard, lithographed after his manuscript, accompanying the seven gouaches by Jean Hugo reproduced in pochoir. One of 948 numbered copies on vélin pur fil.

Wrappers with turned-in flaps, in loose gatherings. Wrappers slightly soiled with a few instances of foxing, shallow wormholes to the front cover.

Autograph presentation inscription signed by the author to Jacques Coutant: "à Jacques Coutant dans Paris délivré mais encore convalescent" ["To Jacques Coutant, in Paris - liberated, yet still convalescent"].

First illustrated edition with twelve full-page plates by Gérard Vulliamy, one of a thousand numbered copies on cream laid paper.

Original wrappers with flaps. Wrapper very slightly creased, otherwise a fine copy. Ex-dono inscription on the half-title.

First edition of this issue devoted entirely to dreams, one of 300 numbered copies on bibliophile wove paper, this copy out-of-series and without limitation statement.

A pleasing copy despite a very lightly sunned spine, of no real consequence.

Literary contributions by André Breton, Michel Leiris, Paul Eluard, Xavier Forneret, Gisèle Prassinos, Benjamin Péret...

Illustrated with works by Max Ernst, Yves Tanguy, Alexei Remizov, Giorgio de Chirico, André Masson, René Magritte, Salvador Dalí, Oscar Dominguez, Man Ray, Maurice Henry...

An exceptionally rare complete collection in six issues of this important Dada journal, including the very rare sixth no. of July 1921 entitled "Invention et proverbe".

Contributions by Paul Eluard, André Breton, Céline Arnauld, Tristan Tzara, Philippe Soupault, Louis Aragon, Jean Cocteau, Francis Picabia, Jean Paulhan, Maurice Raynal, Georges Ribemont-Dessaignes, Jacques-Emile Blanche, Théodore Fraenkel, among others.

One of the most significant Dada journals published at the height of the movement with its very rare subscription leaflet.

Undoubtedly the finest example of poetic parody conceived by the Dadaists as a radical response...

First edition.
Literary contributions by Antonin Artaud, Paul Eluard, André Breton, Pierre Brasseur, Louis Aragon, Michel Leiris, Benjamin Péret, Ernest Gegenbach...
Pictorial or photographic contributions by Joan Miro, Yves Tanguy, Max Ernst, Man Ray...
Upper cover with a few marginal stains to the left margin, a small tear at the foot of the spine, otherwise a pleasing copy considering the fragility of this periodical.

First edition illustrated with 6 original lithographs by Pablo Picasso, one of 500 numbered copies on Lafuma paper.
A pleasing copy, complete with its "prière d'insérer" written by Paul Eluard.

First edition which supposedly had an issue of 500 numbered copies. “Gallimard donated the paper required for the production of this book, but only 258 copies could be printed, rather than the 500 announced in the justification” (from a note by Paul Éluard). A slight crease to the covers, slight marginal sunning primarily affecting the rear cover.

Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar.

Le temps déborde is a collection of eleven poems published...

First edition and complete run of the 9 G.L.M. cahiers issued between May 1936 and March 1939.

A few spines slightly faded, as is often the case; otherwise a pleasing copy, complete with its original publisher’s slipcase in full grey boards, with red printed title label pasted to the spine.

With numerous contributions by most of the Surrealist poets, writers, and artists, including: André Breton, René Char, Paul Éluard, Philippe Soupault, René Crevel, Valentine Penrose, Federico García Lorca, Pablo Neruda, Michel Leiris, Max Ernst, Man Ray, and André Masson, as well as several spiritual forebears of Surrealism such as Franz Kafka, Lewis Carroll, and Raymond Roussel...

First edition featuring the celebrated original color stencil "Aidez l'Espagne!", printed on Arches paper by Joan Miró.
With literary contributions by Christian Zervos on Pablo Picasso's "Guernica", as well as texts by Jean Cassou, Georges Duthuit, Pierre Mabille, Michel Leiris, Paul Éluard, René Char...
Illustrated with numerous reproductions of works by Pablo Picasso and Joan Miró’s "Le faucheur".
Some rubbing and small tears to the spine, as often, a vertical crease to the rear wrapper, otherwise a fresh and well-preserved copy.

First edition of this pamphlet, with contributions by Éluard, Tzara, Marcel Duchamp under his pseudonym Rrose Sélavy, Benjamin Péret, Erik Satie, Philippe Soupault, Georges Ribemont-Dessaignes, Vincente Huidboro, Walter Serner, Matthew Josephson, Théodore Fraenkel.
Three copies found in institutions (BnF, Thomas J. Watson Library, Princeton University Library, Ryerson & Burnham Libraries - Art Institute of Chicago).
Cover designed by Ilia Zdanevich (Iliazd) on a motif created out of 19th-century woodcuts: “The cover of Le Coeur à barbe is an emblematic image of the Dada aesthetic, where old engravings are combined with words to create visual puns and unpredictable associations.”...

Newspaper Clipping Annotated by Paul Éluard

The first edition on simili-Japon paper.
Bradel grey cloth binding, navy blue cloth band with authors and title blindstamped to edge of upper board, upper cover preserved at end.
With 21 collages by Max Ernst.
A very good and rare copy.

First edition, one of the press service copies.
Precious signed autograph inscription from Paul Éluard to Benjamin Fondane.
Spine with three small expertly repaired tears, of no consequence.
A moving dedication from poet to poet, written on the eve of the war during which the two friends would contribute together to poetic resistance journals such as l'Honneur des poètes.
The deportation and death of Fondane in 1944, along with many other artist and poet friends, would profoundly affect Éluard, who composed in their memory a magnificent poetic tribute, "Eternité de ceux que je n'ai pas revus," listing the names of each of the departed:
"Visages...

First edition, one of 100 numbered copies on vellum, ours unnumbered, the only deluxe papers after 15 copies on Japon.
Illustrated with a frontispiece drawing by Salvador Dalí.
Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. »

First edition on ordinary paper, issued after the destruction of the 1923 printing following a dispute between Tzara and the publisher.
Double autograph inscription, signed and dated by Tristan Tzara, first to Paul Éluard – « à Paul Éluard. Tristan Tzara. Juillet 1929 » – then, after striking through this initial dedication, to René Char in September 1934: « à René Char avec toute l'amitié grande de Tristan Tzara ». This second inscription is further embellished with a small drawing by Tzara, a hand pointing with its index finger to Char’s name.

First edition on ordinary paper.
Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "... ce livre qui nous rajeunit...[…this book that makes us young again…]"

First edition, one of the numbered copies on deluxe paper, the only large-paper issue after 109 reimposed copies.

Fine copy.

First edition, one of 894 numbered copies on pur fil paper, the only deluxe paper issue after 109 reimposed copies.

A fine copy.

Pre-publication edition of the most celebrated poem of the French Resistance: "Liberté, j'écris ton nom" by Paul Éluard.
Other contributions include André Gide’s "Trois rencontres avec Verlaine", Jean Cayrol, Luc Dietrich on "Le Chiffre des choses", Gabriel Audisio, and Albert Béguin.

Bradel binding in full paper, smooth spine, cream paper endpapers and pastedowns, original wrappers preserved, binding signed Thomas Boichot.
Minor tears without loss along the margins of the covers, a light dampstain at the head of the first few leaves.

First state of the text with two words in the plural: “désirs” and “souvenirs” in stanzas 19 and 20, later changed to the singular. True...

Extremely rare first edition of this pro­gram leaflet by the Studio 28 cinema, founded by Jean Mauclaire, featuring texts by the Surrealist group on Luis Buñuel's film L'Âge d'or.
Slight lacks on the spine, with two small tears at the head and foot, and a shad­ow mark at the head of the first cover.
Handwritten bookplate "Jean Vigo" — likely autograph — inscribed in black ink in the lower right corner of the page featuring Salvador Dalí's illustra­tion.
Literary contributions by Louis Aragon, André Breton, René Char, Salvador Dalí, Paul Éluard, Georges Sadoul and Tristan Tzara.
The program is illustrated with works by Hans Arp, Salvador Dalí, Max Ernst, Man Ray, and Yves...

First edition of each of the 9 issues of this important literary magazine published in Carcassonne by Joë Bousquet and René Nelli.

Contributions by Joë Bousquet, André Cayatte, Paul Éluard, Max Ernst, Henri Féraud, Benjamin Fondane, Ferdinand Alquié, Pierre and Jean Audard, André Gaillard, Abel Gance, Marcel Jouhandeau, Michel Leiris, Georges Malkine, René Nelli, Claude-André Puget, Zdenko Reich, André de Richaud, Carlo Suarès, Gilbert Trolliet, André Gaillard, among others...

A few minor, inconsequential tears to the foot of the spine on some issues, a few spines slightly sunned; a handsome set.

A rare complete set of the literary and poetic periodical...

First edition.
Literary contributions by Paul Eluard, André Breton, Pierre Brasseur, Raymond Queneau, Giorgio de Chirico, Michel Leiris, Robert Desnos, Antonin Artaud, Benjamin Péret, ...
Pictorial or photographic contributions by Giorgio de Chirico, Pablo Picasso, André Masson, Max Ernst...
Upper cover with a few light marginal soiling to the left edge, a small tear at the foot of the spine, otherwise a good copy considering the fragility of this periodical.

First edition illustrated with 12 full-page plates by Françoise Gilot, one of only 115 numbered copies on Arches vellum, the deluxe issue.

Our copy is indeed accompanied by an original lithograph by Françoise Gilot on a separate leaf.

A very good copy.

Paul Éluard’s handwritten signature on the limitation page, lightly and partially shaded as on the facing page.

Rare first edition of this poème-objet in concertina form folded back and forth, illustrated by Fernand Léger who married the text of the poem “Liberté” by his friend Paul Éluard with his striking pochoir technique. Original slipcase preserved, with author and artists painted in white on the side (two chipped edges on each top end of the plastic case).
Stencil print by Albert Jon after an original design by Fernand Léger produced at the request of the poet, resistant, and publisher Pierre Seghers. Edition of 212 numbered copies, this copy one of 200 copies on Auvergne paper. This copy has been skilfully restored.
One of the most famous and striking editions...