Original edition illustrated with reproductions of works by Ania Staritsky.
A handsome copy.
First edition, one of 250 numbered copies, this being one of 10 numbered in Roman numerals, the deluxe issue.
Illustrated with original black engravings by Ania Staritsky.
A rare and very handsome copy, complete with its original school-style green flexible card chemise, marginally faded.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
As stated in the limitation notice, our copy does indeed contain a manuscript page by Michel Butor and an original signed collage by Ania Staritsky.
First edition printed in 35 numbered copies on "vieux grès" rag paper from the Moulin de Larroque, this copy one of 10 hors commerce copies.
Illustrated with original color engravings by Ania Staritsky, who also devised the book’s original design with the collaboration of Claude Nardin.
A rare and very handsome copy preserved in its original full grey cloth slipcase.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
Our copy is enriched with a two-page autograph letter, dated and signed, from Ania Staritsky to Claude Nardin concerning the making of this work.
A unique copy entirely transcribed by hand by Michel Butor for Claude Nardin; the paper, handmade by Georges Duchêne at the Moulin de Larroque, is on antique 15; the wrapper, made of "grès de larroque" rag paper, is adorned with an impression by Ania Staritsky.
The work is illustrated with original colour engravings by Ania Staritsky, who also devised the original layout of the book with the collaboration of Claude Nardin.
A rare and very fine copy, complete with its brown full moiré cloth slipcase, slightly and marginally faded.
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
Our copy is...
First edition of this work devoted to the oeuvre of Ania Staritsky.
Illustrated with an original work by Ania Staritsky on the cover.
A rare and very attractive copy, spine plain and unlettered, boards slightly and marginally sunned, without seriousness.
Copy enriched with an artist’s proof engraving, justified and signed by Ania Staritsky in pencil
First edition, one of 37 numbered copies on Nivôse rag paper.
Illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the work in collaboration with Claude Nardin.
Rare and very attractive copy, preserved in its original old-rose full cloth slipcase (spine slightly faded and two faint stains at the foot of the boards, not serious).
Manuscript pencil signatures of Michel Butor and Ania Staritsky at the colophon.
A unique copy, exceptionally enriched with two original gouaches by Ania Staritsky, both signed, a manuscript text by Michel Butor, an original collage by Ania Staritsky, as well as a...
First edition, one of 10 numbered copies on Arches laid paper, deluxe issue.
A rare and very fine copy.
We include two invitation cards to the private view of the exhibition of works by Ania Staritsky held at Galerie Les Mains libres on 6 November 1975 between 6pm and 8pm.
Pencil signature of Michel Butor at the colophon.
As stated in the limitation page, our copy does indeed contain an original collage by Ania Staritsky, signed by her, as well as a manuscript text by Michel Butor.
Inscribed, dated and signed by Michel Butor to Claude Nardin, who was a collaborator of Ania Staritsky.
First edition printed in 35 numbered copies on Antique 15 paper, our copy being one of the 10 hors commerce copies.
The work is illustrated with original colour engravings by Ania Staritsky, who also designed the original layout of the book.
A rare and very fine copy, complete with its chemise with flaps, the spine slightly discoloured, and its grey cloth slipcase.
Pencil signatures of Michel Butor and Ania Staritsky on the colophon.
As stated in the limitation, our copy is enriched with a 19-line autograph manuscript by Michel Butor, together with an original drawing and a collage by Ania Staritsky.
The upper cover of...
First edition, one of 1,000 numbered copies.
A pleasant copy.
Signed and dated presentation inscription from Michel Butor to Joëlle Bensa.
First edition, printed in 64 copies, one of 10 so-called “complice” copies numbered on Lana wove paper; a deluxe issue following one “grand spécialiste” copy.
Each booklet is printed in a different colour, forming the hues of the rainbow. Our copy is complete with its original full black cloth slipcase.
The set comprises the following:
1 – Sur la plaque tournante by Jean Richer, complete with an original etching numbered and signed in pencil by Peverelli, an original collage signed by Michel Butor (detached from the leaf), and a monotype signed in pencil by Roger Membrini.
2 – Que l'enciellement...
First edition comprising 7 triptych fascicles, printed in 30 numbered copies on mould-made paper from the Larroque mill.
In addition to texts by Michel Butor, the work includes a Russian text excerpted from "1er janvier de l'année 1924" by Ossip Mandelstam.
Handwritten pencil signatures of Michel Butor and Michel Nitabah at the colophon.
As stated in the justification, our copy is complete with the graphisculpture on the cover by Paolo Boni, signed by him in pencil; the original signed collage by Esther Hess; the two original drypoints signed in pencil by Véra Pagava; and the cibachrome photograph of Ania Staritsky by Cuci White.
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