Maurice BARRÈS

first edition on the current paper.
Binding half marbled fawn sheepskin, back with five nerves, part of title and name of the author of roan chocolate brown, marbled paper flat, rough and missing corner, two more blunt, guards and contreplats of handmade paper, preserved covers, contemporary binding.
Signed autograph Maurice Barres to Robert de Flers, a leading figure of the Proustian universe.

Edition, press service of punch foot flat second and last pages.
Binding half marbled fawn sheepskin, rubbed back with five nerves, part of title and name of the author of roan chocolate brown, a little lack on top of spine, marbled paper plates, two corners bumped, guards and contreplats paper the tank, wrappers preserved and bound in, contemporary binding.
Signed autograph Maurice Barres to Robert de Flers, a leading figure of the Proustian universe.

Edition, press service of punch foot flat second and last pages.
Binding half marbled fawn sheepskin, rubbed back with five nerves, part of title and name of the author of roan chocolate brown, a little lack on top of spine, marbled paper plates, two corners bumped, guards and contreplats paper the tank, wrappers preserved and bound in, contemporary binding.
Signed autograph Maurice Barres to Robert de Flers, a leading figure of the Proustian universe.

Third Edition.
"Bradel" binding fawn, smooth back discolored adorned with a golden floral pattern, two small black spots in foot of the back, preserved covers, corners lightly used, contemporary binding.
Signed autograph Maurice Barres to his friend René Marc Ferry.

First edition, one of the copies of first issue numbered in the press and sprécialement drawn to the author.
Binding to bradel half green calico with corners, slightly faded back smoothes decorated arms of the Duchess of Clermont-Tonnerre, two crossed keys, and a golden tail date, title of piece of brown shagreen, gray paper boards , guards and contreplats of handmade paper, contemporary binding signed by G. Schroeder.
Signed autograph Maurice Barres to the Duchesse de Clermont-Tonnerre.
Provenance: from the library Elisabeth de Clermont-Tonnerre with his bookplate pasted on a contreplat and golden arms in the rear back.

Edition illustrated with 21 original woodcuts by Paul-Emile Colin, one of 200 numbered copies on Holland paper, the only major paper.
Signed autograph of Paul-Emile Colin Frederick Savarit in pencil.
In addition, our copy is enriched by an autograph letter signed three pages of Paul-Emile Colin addressed to himself and in which he explains the development and design of this work and the restoration that could grant its correspondent if the latter commanded him a copy.
Nice together.

First edition, one of 300 numbered copies on vergé baroque thé paper.
A good copy despite small spots to spine and covers.

new edition.
Binding half percaline indigo, smooth back with a gold jewel, golden tail fillet, piece etitre red with shagreen shortages, marbled paper plates, guards and contreplats of handmade paper, preserved cover, binding of time.
autograph dedication of the author signed autograph Maurice Barres Philip Emmanuel Glaser.

first edition on the current paper, copies specially printed for the author.
Signed autograph from the author to the French journalist Action Mathieix Paul topped the first cover plate.
Some light spots on boards, a small marginal spot on the first board.

first edition.
Binding percaline half green, smooth back with a gold jewel, double net gilded tail, marbled paper boards, preserved covers, sprinkled edges, contemporary binding, shirt half morocco green, back with five nerves, mention Jules Renard copy tail, pouch lined with green morocco, modern set dressing Boichot Thomas signed the original binding.
Precious autograph signed by the author Jules Renard.
Our copy is enriched the famous bookplate Jules Renard designed and engraved by Henri de Toulouse-Lautrec.
Some reading marks in red pencil in the margins of some leaves probably from the hand of Jules Renard, light foxing not serious.
Copy from a superb pleasantly presented.

New edition.
Spine slightly sunned, a good copy.

First edition.
Spine slightly rubbed, not serious, a good copy.

First Edition, one of 20 numbered copies on vellum Arches paper reserved for the XX for each of the three volumes.
Braziers bindings in brown half morocco with corners, smooth backs, tail dates, covers and back preserved, gilded heads on witnesses, bindings signed Canape.
The last two volumes are under double covers and the first two are signed to the justification by the author .
The copy of the Uprooted is enriched with a large page of the original manuscript in black ink, filled and mounted at the beginning of the book.
The Call to the Soldier is enriched by an autograph letter signed by Barrès to a friend in which he mentions the upcoming publication of the series Bastions de l'Est in the Revue des deux Mondes.
Their figures are enriched by an autograph letter signed by Barrès to a close in which he announces the publication of the third part of his trilogy the Roman of National Energy: "a series of" things seen ", tables of parliamentary rottenness ".
Very rare and beautiful set in large paper, enriched with autograph documents, perfectly established in uniform binding of time by Canape.

First edition, one of 1150 numbered copies on pur fil.
Small tears, not serious, without lack on some spines, lightly sunned.
A good set with edges preserved and complete in 14 volumes.

First edition, one of 50 numbered copies on China paper, the tirage de tête.
A very good copy with good margins.

First edition, one of the advance copies from the first printing.
Occasional light worming, handsome copy.

First edition of this rare monthly gazette edited by Maurice Barrès.
These two copies come from the library of Henri Cellerier, who inscribed his name as a gift inscription at the head of the second issue, and who was a close collaborator of Charles Maurras.
Spines sunned, small marginal stains on the first cover of No. 1.

First edition, one of the numbered copies of the first printing printed on the press.
Handsome copy.

First edition on ordinary paper; only 16 copies were printed on Japan paper as deluxe copies.
A handsome copy.

The first edition, of which there were no deluxe copies.
Three small tears affecting the front cover, otherwise a handsome and rare copy.

The first edition, of which there were no deluxe copies.
A handsome and rare copy.

First edition, one of 125 numbered copies on Holland paper.
Spine sunned with a tear at the head of the second board, otherwise a handsome full-margined copy.

First edition.
Preface by Maurice Barrès.
Iconography.
With the illustrated dust jacket which has a marginal lack and two tears to the front panel.
Handsome interior condition.

first edition on the current paper.
Binding half black shagreen, back with five nerves extending on the flat, slightly rubbed joints heads and feet, marbled paper plates, guards and contreplats of handmade paper, wrappers and back preserved and bound in, gilded head.
autograph dedication of the author signed autograph Maurice Barres to Thierry Martel, son Gip, a physician and nationalist known to have committed suicide at the Germans entered Paris.