Witch trials, demonology, sabbaths, black occultism and Christian supernatural literature

Copy of the large octavo illustrated edition, from the collection Les Voyages Extraordinaires, Les Mondes connus et inconnus, complete with its frontispiece with tissue guard and its three full-page chromotypograph plates, painted by Léon Benett.

Publisher's polychrome cloth binding known as the "aux feuilles d'acanthe" binding, with a gilt roundel, blue endpapers with minor and marginal discolouration as often, gilt edges. Binding by Magnier et ses fils.

Stamp bookplate reading: "G. Maréchal."

Headcaps very slightly softened.

A pleasing copy, with very little foxing.

First edition, one of 50 numbered copies on Holland paper, being the only large paper issue.

Bradel binding with decorative paper featuring red and gold motifs, flat spine, small restorations to spine-ends and joints, brown shagreen title label with a corner skilfully restored, endpapers and pastedowns of blue paper with gilt motifs, soiled soiled covers and spine preserved, gilt top edge on deckle, contemporary binding.

Exceptional and precious presentation copy signed by Claude Farrère: "Pour Max-Anély que j'admire et pour mon ami Segalen. Claude Farrère." [For Max-Anély I admire and for my friend Segalen. Claude Farrère]

First French edition, illustrated by Arthur Rackham with 40 mounted color plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on Japon, signed by Arthur Rackham on the limitation page; the deluxe issue.
Publisher's Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.
A very handsome copy, one of the exceedingly scarce Japon copies.

Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, renowned press illustrator, notably for major legal trials, as well as art critic and founder of the Figaro artistique. Feuillet is best remembered for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.

First edition (cf Caillet I, 1960. Waller II, 12861a.)

A lack at the foot of the spine of the first volume, covers uniformly browned, handsome interior condition. 

Rare first edition of the author's principal work, but with a most questionable method, since he classifies under the category of alienation all the unknown or misunderstood phenomena of the period (demonolatry, lycanthropy, mysticism, vampirism, witchcraft, etc.).

It has at least the advantage of attempting the first history of psychiatry, from the 15th to the 19th century.

Louis-Florentin Calmeil (1798-1895), intern in Philippe Pinel's service, practiced at Charenton from 1823 to 1873 and was able to benefit from the advances due to the successive direction of Royer-Collard and Esquirol.

Illustrated edition with 13 colour plates on brown paper by Arthur Rackham tipped in with captioned tissue guards, together with 14 black-and-white illustrations in the text by Rackham, including a frontispiece portrait of Alice, one of the very rare 20 copies on Japon, signed by Arthur Rackham on the limitation page, copy from the deluxe issue. A few name copies on the same paper were also issued.
Publisher’s full vellum binding, smooth spine lettered in gilt with a gilt illustration of the Cheshire Cat, upper cover stamped in gilt with the title and an illustration of two fantastic creatures, illustrated endpapers, top edge gilt. Occasional light foxing.
A handsome copy of the most sought-after of Rackham’s illustrated works, one of the exceedingly rare copies on Japon paper.

Provenance: manuscript ex-libris on the half-title of Maurice Feuillet, celebrated press illustrator, notably for major legal trials, as well as art critic and founder of the 'Figaro artistique'. Feuillet remains renowned for his courtroom sketches during the trials of Émile Zola in 1898 and Alfred Dreyfus in 1899.

First edition, one of 165 numbered copies on pur fil d'Arches, deluxe issue.

A fine copy.

First edition. Dorbon no. 4403: "rare, full of singular documents." Caillet [III, 9922] 
Contemporary full brown calf binding. Spine gilt-tooled in compartments. Brown morocco title-piece. Loss at head of spine. Corners worn and somewhat clumsily restored. A filled loss on lower cover. Scattered foxing. A waterstain at one corner of the final leaves. Several gatherings protruding. 

First edition, one of 10 numbered copies on Hollande paper, the only large paper copies along with 10 on China.
Contemporary half red morocco over marbled paper boards, spine in six compartments with gilt flowers, marbled endpapers and pastedowns, covers preserved, top edge gilt.
Provenance : from the Lallemand de Mont collection, Stanislas de Guaita's son in law with his ex libris to pastedown.
A rare large paper copy with an exceptional provenance.