Antique bibles, books of hours, Christian theology, mysticism, hagiographies, religious controversies and Catholic and Protestant literature

First edition, rare. This is the second book devoted by the author to this subject. Manuscript bibliographical note on the endpaper, in black ink, by F. Annibal Destouches, 1834.
Half glazed camel calf binding. Spine with false raised bands decorated with fleurons. Long-grain morocco boards with gilt roll border.
Contemporary full brown sheep binding, speckled. Decorated spine with raised bands. Gilt title. Small lack at head. Tailcap partly worn. Upper joint cracked at head and foot over 7 cm. Corners bumped.

First bilingual edition translated and annotated by Le Maistre de Sacy. Ruled copy. Text in double columns.

Contemporary full burgundy morocco binding. Jansenist spine with raised bands. Roll tooling on edges and board-edges. All edges gilt. Trace of dampstain in lower margin of first leaves fading away, reappearing on some leaves in the middle and at the end.
Before appearing in its entirety in 1696 under the secular title Bible de Port-Royal, Pierre Thomas du Fossé gathered the various manuscripts left by Le Maistre de Sacy at his death in 1684 and published them punctually. He continued the unfinished work and published separately first the translations of the Vulgate by Le Maistre de Sacy. Each chapter is followed by its explanation and commentary. Before this considerable work by the writers of Port-Royal, never had the Bible been so accessible to a wide public; this work which was inaugurated by the translation of the New Testament as early as 1666 by Antoine Arnaud and Le Maistre de Sacy.

Second Elzevir edition of Milton's first text, which was originally published in 1651 in Amsterdam. First edition of Milton's Second and Third Defences.
Full polished tobacco calf bindings, ca. 1820. Spines with raised bands, decorated with four floral tools, fillets and rolls. Chocolate morocco title and volume labels. Cold-stamped border on the boards with small corner fleurons. Inner roll-tooled border. All edges gilt. A handsome copy.


NB: This volume is available at the bookshop on request within 48 hours.

First edition, one of 95 copies on pur fil, the only deluxe issue after 45 copies on Hollande.
A slight vertical crease on the front cover.
A handsome copy.

First edition.

Contemporary full speckled brown sheep binding. Decorated spine with raised bands. Brown sheep title label. Headcap torn away. Loss to upper joint at head. Upper joint split at tail with loss. Library label at head. Corners very much bumped. 

New post-incunabula edition in Petit Jehan. Gothic print in two columns to 45 lines. Thumbnail of the printer on the title page. The first edition was published in 1498. Jehan Petit reprinted several times in sermons 1506-1522 (Brunet). Many white initials on black (full of stars or others).
Colophon transcribed: "Opera Johannis Barbier impensis vero honesti viri Johannis Small Bibliopole parisiensis impressorum. Anno. M.CCCCC. VIII quarto nonas maii. »
Full burgundy morocco binding late ^nineteenth or early ^{twentieth century.} Back with nerves decorated with jewels box section 5. Golden tail date basis. Cold coaching nets on the dishes. Gilt edges. Wetting the top right corner of folios 65-73 and 153-175.
Beautiful specimen, rare in this condition.
Olivier Maillard (1430-1502), Vicar General of the Franciscan observant of France in 1502, is one of the greatest figures of the Franciscan order at the end of the ^XV. From Brittany and died in Toulouse, he was a preacher of Louis XI and the Duke of Burgundy. His reputation is mainly based on the preaching he did during the years 1494 and 1508 in the church of Saint-Jean en Greve in Paris and strange liberties he gave it. He seemed never find the word hard enough nor sufficiently vivid expression to his sermons. "Nobody had ever attacked all classes and all social professions more boldly, virulence and tasteless. Each of his sermons is a bitter and outrageous satire, covered with foul language, trivial, and words borrowed from bad places of the lowest "(Hoefer). The style of Olivier Maillard was rated "Macaronic" by Sainte-Beuve in his historical and critical Table of poetry and the French theater in the eighteenth ^century. See Moreau, chronological inventory Parisian editions of XVIII ^century. "Brother Olivier Maillard was a preacher of the fifteenth ^century who acquired much fame pronouncing several Latin sermons mixed with French, in which he declaimed against the vices of the great, the church people and lawyers. "(Brunet III, 1318)