Spine very lightly sunned with a small stain at head.
Rare autograph inscription signed by Patrick Modiano to Anne Germain on this text.
First edition, one of 1550 numbered copies on roto blanc Aussèdat paper printed under sky blue covers.
Spine of the third volume and boards marginally sunned, a small tear at the foot of the spine of the first volume, otherwise a handsome set.
Our copy is enhanced with a visiting card by Charles De Gaulle mounted on a stub in the first volume on which he added these words: "Merci, bien sincèrement de la sympathie que vous m'avez témoignée. C.G." ["Thank you, very sincerely for the sympathy you have shown me. C.G."].
Also mounted on a stub below the card, we include the envelope stamped by the Presidency of the Republic and addressed to Claude Morgan, recipient of the visiting card (postmarked January 19, 1960).
Second illustrated edition.
Spine with some rubbing.
Illustrated with drawings by Horacio Cardo.
Rare presentation copy erroneously dated 1949 and signed by Jorge Luis Borges to his muse Ema Risso Platero : « à Emita, con afecto innumerable. »
Edition illustrated with 10 original color lithographs hors-texte by Jean-Gabriel Domergue, one of 40 numbered copies on Rives vellum.
Half red morocco binding with bands, smooth spine, date gilt at tail, boards, endpapers and pastedowns of moiré and gilt effect paper, covers and spine preserved, top edge gilt, contemporary binding signed Gauché.
The work is also ornamented with 26 illustrations in the text, in one or two tones, as chapter headpieces, tailpieces in red by Jean-Gabriel Domergue.
Handsome copy containing the full suite of 18 in-text illustrations.
Manuscript annotation in blue ballpoint pen on the title page: unique copy.
Indeed, on two hors-texte lithographs (including the frontispiece) and two in-text illustrations representing women clothed or nude, pieces of tulle have been added as dresses.
Furthermore, at the end of the volume, numerous press clippings relating to the life and style of Jean-Gabriel Domergue have been pasted onto the endpapers.
Signed autograph inscription by Pierre Harel-Darc, the dedicatee's name having been properly erased enriched with a signed autograph inscription by Jean-Gabriel Domergue enhanced with an original drawing representing the face of a Parisian woman.