The first edition on simili-Japon paper.
Bradel grey cloth binding, navy blue cloth band with authors and title blindstamped to edge of upper board, upper cover preserved at end.
With 21 collages by Max Ernst.
A very good and rare copy.
First edition, one of 100 numbered copies on vellum, ours unnumbered, the only deluxe papers after 15 copies on Japon.
Illustrated with a frontispiece drawing by Salvador Dalí.
Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. »
First edition on ordinary paper, issued after the destruction of the 1923 printing following a dispute between Tzara and the publisher.
Double autograph inscription, signed and dated by Tristan Tzara, first to Paul Éluard – « à Paul Éluard. Tristan Tzara. Juillet 1929 » – then, after striking through this initial dedication, to René Char in September 1934: « à René Char avec toute l'amitié grande de Tristan Tzara ». This second inscription is further embellished with a small drawing by Tzara, a hand pointing with its index finger to Char’s name.
First edition, one of 15 copies numbered and justified by Tristan Tzara, the only large paper copies.
Inscribed, dated, and signed by Tristan Tzara at head of first page of text.
One small trace of lateral folding to lower cover.
A good and rare copy.
First edition, one of 100 numbered advance (service de presse) copies on alfa du Marais paper.
Half brown morocco Bradel binding over marbled paper boards by P. Goy & C. Vilaine, gilt date to foot of spine, yellow paper endpapers and pastedowns , advertising band preserved and mounted on guards.
Light dampstain to foot of covers, a trace of folding to upper cover, foxing to covers and the first few leaves.
A nicely bound copy.
A rare and poetic autograph inscription from Aimé Césaire to the Pataphysician Maurice Saillet.
First edition, one of 50 numbered copies on pur fil paper, the tirage de tête (firsts deluxe) copies after 10 Chine paper.
Illustrated with drawings by Georges Ribemont-Dessaignes.
Spine slightly faded, a few pale spots, not serious, to upper wrapper, internally good.
A rare copy.
