Signed books and autograph signatures from great writers, poets, philosophers from 16th to 21st century

First edition of the german translation by Paul Celan, printed on vergé.

Slight foxings, not serious, on one cover of the slipcase.
A good copy.
Autograph inscription, signed and dated, by Paul Celan to the surrealiust painter Edgar Jené and his wife : "Für Erica und Edgar Jené herzlich, Paul Celan. Paris, am 30. Oktober 1960".

First edition on ordinary paper.
Handsome autograph inscription from Paul Eluard to Raymond Queneau on the first volume: "... ce livre qui nous rajeunit...[…this book that makes us young again…]"

First edition, of which no copies on deluxe paper were issued.

Spine slightly faded as usual.
Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: "Pour Raymond Queneau, le Satrape, avec mon admiration affectueuse (et que tant je voudrais revoir plus que de temps à autre). Eugène Ionesco."

Later edition.
Autograph inscription from Jules Barbey D'Aurevilly to Madame Salomon : "... parce qu'il est plus moi que mes autres livres, je vous l'offre...[since it is more like me than my other books, I give it to you…]" What an inscription!
With a frontispiece portrait of the author by Martinez.
The front free endpaper with the inscription very slightly and partially faded.
Autograph inscriptions by Barbey d'Aurevilly on this work are rare and much sought after. 

First edition on ordinary paper.

Some scattered foxing.
Bradel binding in full combed paper, smooth spine, navy morocco lettering-piece framed with gilt fillets, elegant pastiche binding signed by Thomas Boichot.
Rare and precious autograph inscription signed by Hector Malot: "A Guy de Maupassant, son dévoué confrère."

First edition for which there is no mention of large paper copies.
Bradel binding of paper boards, dark blue morocco title label with gilt fillets, covers preserved, elegant binding by Thomas Boichot.
Handsome autograph inscription from the author : "A Guy de Maupassant, son ami."

First edition, of which there were no large paper copies.
Elegant pastiche binding by P. Goy & C. Vilaine in half copper-colored calf over marbled paper boards, spine with double gilt fillets and date in gilt at foot, marbled pastedowns and endpapers, covers preserved.
Autograph inscription from Jules Barbey D'Aurevilly to his friend (Eugène) Yung, director of the La revue bleue, in pink ink.
A few spots, mostly to final leaves. 

First edition of only 100 copies, numbered by Pierre-Eugène Clairin on pur fil de Lana paper, plus a few hors commerce copies.
Text by Albert Camus.
With 7 etchings, 2 drypoints and three original lithographs (one in colors) by Pierre-Eugène Clairin, who has signed eight of the illustrations in pencil.
A little light marginal worming, a good copy complete with its chemise and slipcase (with flaps).
Rare.

First edition of 30 copies printed on Japon paper of this offprint of L'Artiste for November 1890.
Contemporary Bradel binding of beige paper boards, ex-libris to pastedown.
Autograph inscription signed from Paul Verlaine to Edmond Bonnaffé on the justification of printing at end: “Exemplaire de Monsieur E. Bonnaffé. P. Verlaine [Monsieur E. Bonnaffé's copy. P. Verlaine]”. Edmond Bonnaffé (1825-1903) was a wealthy collector and noted historian of art, very close to the artistic movements of the age.
These pages by Verlaine are a critical review of the book by Roger Marx of the same name (Paris, 1890). In it, the poet discusses the great names in Art Nouv