34 Feuillets autographes signés - Ensemble de manuscrits de travail pour les Entretiens avec le Professeur Y

Manuscript pages from ‘Conversations with Professor Y', n.p. [Meudon] n.d. [1954], various sizes (from 10x21 cm to 27x21 cm), 34 sheets.
Autograph manuscript by Louis-Ferdinand Céline, 34 sheets of various sizes, written in blue and sometimes pink ballpoint pen. Some of the pages are numbered by Céline at top left. The last folio numbered 159 is signed by the writer at the bottom.
Two leaves contain previously unpublished passages: the first, a few lines long, refers to the Professeur. The second leaf numbered 136 features another full-page text on the verso which we did not find in the ‘Professeur Y' or in any of the published works of Céline. Céline refers in this unpublished passage to article 75 of the penal code condemning to the death penalty any French citizen found guilty of intelligence with the enemy. It also mentions a certain "Me Johann Niels Borggensen" no doubt a pseudonym for his lawyer Thorvald Mikkelsen: "...supposedly to protect me from police curiosity! holy cow! he was having a ball...when you've got the warrant up your arse (crossed out: article 75), anyone can do what they like with you! what a joke! we can do what we like with you...it wouldn't have been Borggensen, perhaps someone else would have been worse...give me article 75, and I'll put the whole of France in a Mouse hole for you! and Germany with it! and England, such a nag, and Europe with it! no bomb needed! H ! Y ! Z ! I'll make you fit the atom into a..."
Important set of working manuscripts bearing witness to the writing of ‘Conversations with Professor Y' Céline's true Ars poetica.
Since the first part of ‘Féerie pour une autre fois' [Fable for Another Time] was not as successful as expected, Céline wanted to give the release of the second part - Normance - as much publicity as possible and restore his reputation after his years of exile in Germany and Denmark. Instead of writing the usual promotional note (prière d'insérer) – he suggested to publisher Gaston Gallimard this eulogy written in the style of an imaginary interview between himself and Professor Y alias Colonel Réséda, a prostatic old man. This zany "interviouwe" was published in several parts in the Nouvelle Revue française in 1954, and the finished work through Éditions Gallimard the following year. Céline speaks fervently of his style and his conception of literature, and vehemently criticizes the world of letters and public taste. Unlike Céline's other works, the genesis of this text crucial to the understanding of his oeuvre is poorly documented and its manuscripts are rare. The Pléiade edition of Celinian novels contains only a few pages of an earlier version very close to the published text.
This set of pages covering every passage of the text, contains both heavily crossed-out sheets and neatly rewritten notes. It bears witness to the different stages of the writer's work: drafting an initial sheet, crossing out and rewriting on the same page, then transcribing short passages on separate notes. The last page of the text is extensively crossed out and rewritten, resulting in a slightly different version of the published version.
The manuscript also contains the famous metaphor of the metro, typical of the writer's emotive style compared here to the "dry language" of his peers: "Did you see? Have you noticed? All caught up in my metro!... what do I leave on the surface?... the worst rubbish in cinema!... foreign languages then!... translations!... retranslations of our worst rubbish that they use for their "parlants" [talking pictures], superb foreign languages!... in addition to the psychology! the psychological mumbo jumbo!... all the crap. [...] Me, it's something else! me, I'm much more brutal! me, I capture all the emotion!... all the emotion on the surface! all at once! I decide! I stick it in the metro! my metro! all the other writers are dead! and they have no idea!"