Projets pour le plafond de Chambon : Étude 4 - Crayon sur papier

Original pencil drawing.
Artist's signature stamp in the lower right corner of the work, and studio signature stamp on verso. A minimal corner fold, otherwise very fine condition.
Provenance: from the artist's studio, referenced in the catalogue Atelier Louis Anquetin (Thierry de Maigret, 28/11/08).
Louis Anquetin, born in Étrépagny in 1861 and died in Paris in 1932, was an important French painter. He began his career alongside avant-garde painters such as Vincent Van Gogh and Henri de Toulouse-Lautrec. With Émile Bernard, he was the inventor of Cloisonnism. From 1884 to 1893, Louis Anquetin continuously explored the new possibilities offered by the liberation introduced by Impressionism in French painting. From 1893 onwards, following a long confrontation with the "masters of the past," he adopted a pictorial stance that would place him on the margins of the general movement of art, and distance him from his friends. Dazzled by Baroque art and its creative vigor, he then believed that his youthful friends had embarked on a path that would lead to the death of painting. He believed in a "perfect painting" that was embodied in the remembrance of the lessons of Michelangelo and Rubens in particular. His work therefore became more classical; he advocated a return to craftsmanship, proposing to reflect on the a priori conditions of any possible form of art while respecting the rules of perspective and anatomy, as practiced by the masters of the 16th and 17th centuries. Leaving only a few works that could be described as monumental, Anquetin proved prolific through his numerous studies and sketches, he who considered that drawing was "an all-powerful means of expression," the obligatory foundation of all plastic arts. By deliberately working against the grain of his era, Louis Anquetin made possible the existence of an original modern figuration. Through his obstinacy and his passion for painting, he indeed prevented the complete obstruction of the path of the great Western tradition.
His works can be admired in numerous and prestigious museums such as the Musée d'Orsay or the Louvre in Paris, in San Francisco or Detroit, at the Hermitage Museum in Saint Petersburg, at the National Gallery and the Tate in London, etc...